WillTheConker
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    cinematic close- up of T800 robot smeagol with a glowing golden ring embedded in his chest plate, glowing red pupils, in a post- apocalyptic ruined fantasy city at night with fires, debris and dust <lora:T800:0. 7> <lora:Flux. smeagol- v1. 0:0. 9>

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    A whimsical and imaginative studio photo featuring a cake shaped like the USS Enterprise from Star Trek. The cake is meticulously crafted to resemble the iconic starship, with its saucer section, nacelles, and engineering hull formed with precision. The surface is coated in a smooth layer of icing, but there are playful touches where the icing is dripping down the sides, giving it a delicious, slightly messy appearance. It has "USS Enterprise" crudely written in chocolate icing. Colorful sprinkles are scattered across the cake, adding a fun and festive element that contrasts with the sleek design of the starship. The saucer section has a glossy icing finish with edible details like windows and the Starfleet insignia, while the nacelles are adorned with more drips of icing and sprinkles. Around the base of the cake, small fondant shuttlecraft are placed as if they are preparing for launch, with tiny figures of Starfleet officers, including Captain Kirk, Spock, Uhura and others, standing nearby. These miniature figures are dressed in their signature uniforms, and they are positioned in fun, dynamic poses, adding a touch of humor and charm to the scene. The cake is set on a reflective kitchen countertop, with a backdrop that subtly suggests a starry space scene. Soft, ambient lighting highlights the vibrant colors of the sprinkles and the glossy icing, creating a playful yet sophisticated atmosphere. The overall composition combines the iconic imagery of Star Trek with the joyful creativity of a celebration cake. <lora:TOS_FLUXV1:1> TOS uniform dress, TOS uniform
    n4asp8unk style, a close-up of a white xenomorph prowling inside a crashed, overgrown spaceship. The chaotic polyhedral dimly lit starkly white interior has partial power, as a few flickering screens and consoles display red depleted power status indicators. Intricate switches and levers are still functional, their surfaces covered in vines and moss from the surrounding alien flora. Debris lies scattered around including large bits of burnt metal. Outside the shattered windows, the fractal alien world expands endlessly, its landscape twisting and folding into itself, with bizarre, geometric green and purple plant life glowing faintly in the distance. The intricate detail of the ship’s control panel contrasts with the wild overgrowth, blending technology and nature in a surreal, almost dreamlike atmosphere. <lora:NasaPunk:0.7> <lora:ral-ovrgrwth-flux:0.5> ral-ovrgrwth <lora:Fractals_FLUX_Ethanar:0.5>
    Tightly cropped on a polished wooden surface a top down view in incredible definition of an old fashioned ink on a long rolled parchment contract with the following: "Buzz Transfer Agreement This Contract, entered into on this glorious day between You, The Undersigned Buzz Owner and the Honored Buzz Master, confirms the following: Full Buzz Transfer: The Buzz Holder agrees to transfer, deliver, and maintain ALL "buzz," for the exclusive benefit of the Buzz Master. Buzz Maintenance: The Buzz Holder shall ensure the Buzz Master remains constantly in possession of top-tier Buzz, with minimal effort on the Buzz Master’s part. Immediate Action: Should the Buzz Master ever feel a dip in buzz , the Buzz Holder must immediately provide new levels of Buzz. Signed: Buzz Holder: _________ Buzz Master: _________ " with ink pot and quill and some ink blotches. <lora:ImageUpgraderV2:0.5> detailmaximizer.
    A bifurcating fractal, arachnid-like space snail clings parasitically to the exterior of a spaceship, its segmented, metallic limbs splayed out across the ship's surface. The creature’s shell gleams with iridescent patterns, reflecting the distant stars and the looming dense asteroid belt surrounding the ship. Jagged rocks and asteroids drift dangerously close, casting long shadows as the snail moves, its bifurcating limbs splitting and reconnecting with unsettling fluidity. The cold metallic hull of the spaceship contrasts sharply with the alien creature’s organic, almost biomechanical form, as it navigates the chaos of the asteroid belt. <lora:FluxMythP0rtr4itStyle:1> <lora:Dever_Flux_Enhancer:0.4> <lora:Fractals_FLUX_Ethanar:0.4>
    isometric, extensive intricate tiny English Victorian town crammed tight with terraced houses with chimneys, pubs and a train station and a church, populated by people and horse drawn carriages in the streets on a round wooden table in an art-nouveau room <lora:Isometrica_Flux:1>
    Clark Kent a clean shaven square jawed determined man with thick rimmed black glasses and slick black hair wearing a stylish grey italian suit with a belt, running down a cluttered messy and rundown New York side alley with a skyscraper with a ringed metallic globe on top in the distance, ripping open his white shirt to reveal a blue Superman logo t-shirt but with "Batman woz ere" written over it at an angle in a large black graffiti style font, colorful, fantastic, low angle, motion blur, leading lines
    A highly detailed 3D render of a futuristic city at night, intricately constructed on a CPU surrounded by water. The cityscape includes skyscrapers, the Empire State Building, the One World Trade Center, Shard and the Eiffel Tower, seamlessly integrated into the compact architecture of the CPU. The buildings rise from the CPU's surface, with microchips and circuits forming the base and foundation of the city. Lights line the roads, casting a warm, ambient light across the scene, while neon lights add vibrant pops of color. The streets and paths on the CPU glow with a soft, pulsating light, mimicking the flow of data through the circuitry. The neon glow contrasts beautifully with the dark night sky, giving the city a lively, futuristic atmosphere. <lora:FluxDFaeTasticDetails:0.7> <lora:glowing_flux:0.7>
    A highly detailed and intricate image of a man in a retro sci-fi flight suit with a shocked expression with a monstrous multiple bifurcating tongue that is covered in warts and on each bifurcation tipped with a detailed bloodshot eyeball, the tongue is contorted as it looks for something. He is inside the cockpit of a spacecraft, with harsh, eerie lighting casting shadows. grotesque, terrifying, chilling, atmospheric composition. <lora:alienset_flux_v1:0.8> ohwx set design <lora:fx-monsters-flux-meatsack:0.4> fx-monsters-flux-meatsack
    close up of Cookie Monster looking up putting a cookie in it's mouth, with the text "COOKIE" in an extra-bold san-serif font at the bottom, red and blue stencil art poster, the background is half blue half red split sharply vertically
    A hyper-realistic sci-fi illustration. Stars and nebulae and a planet in the foreground. a mid-range shot of a fleet of (yellow) and black octopus inspired by Chris Foss. The octopus ship is horrific, grotesque, vampiric and bioluminescent, has tentacles, eyeballs, bristles, spikes, is metallic with armor plating, thrusters, engines, nacelles
    A parody poster based on the movie 2001 A Space Odyssey. At the top "2001" in large red text and underneath "A BUZZ ODYSSEY" in white matching the width. Below a large black monolith is stuck in the ground with a glowing thunder emoji embossed on it's surface . Apes are on their knees touching the monolith worshiping it.
    W00lyW0rld R2D2 <lora:W00lyW0rldFlux-SingleWord:1>
    Hyper-realistic photo. Set in a giant mouldy symmetrical parmesan warehouse that seemingly stretches out forever, broken up the occasional ladder. A mouse dressed like a medieval peasant is gripping a sword with both hairy paws by it's hilt and pulling it from a large wheel of parmesan. The glowing sword is half buried straight down in the wheel of parmesan and the mouse is really straining to pull it free. The worn clothes are incredibly detailed from years of wear. Dust and motes hang in the air giving it a slightly mystical look. <lora:Aura_Flux:0.5> <lora:Dever_Flux_Enhancer:0.5> <lora:Phlux:0.8>
    In the midst of a vast, endless cosmic nebula where time and space seem to fold into one another, a singular figure emerges. A woman with sharp, angular features, standing on the edge of a universe that curves infinitely. Her freckles glisten across her skin like the remnants of a dying star, each one a miniature sun burning in hues of red, orange, yellow, white, and blue. Her eyes, glowing with the raw energy of a supernova, cast light that dances across the void. Her lips, as red as molten magma, contrast with the darkness, while her hair, composed of fine cosmic filaments, spirals out like delicate strands of universal matter, tethering her to the very fabric of existence. <lora:dark_fantasy_flux:0.8> <lora:Flux_spirals_of_light:0.8> <lora:MidjourneyV6.1:0.8> midjourneyv6.1
    kermit the grogu stands on Tatooine in front of the cantina which is guarded by Storm Troopers. The atmosphere is light-hearted, with a playful mix of puppetry and sci-fi. <lora:grogu:0.35>
    cinematic close-up of T800 robot smeagol with a glowing golden ring embedded in his chest plate, glowing red pupils, in a post-apocalyptic ruined fantasy city at night with fires, debris and dust <lora:T800:0.7> <lora:Flux.smeagol-v1.0:0.9>
    n4asp8unk style, a close-up of a white xenomorph prowling inside a crashed, overgrown spaceship. The chaotic polyhedral dimly lit starkly white interior has partial power, as a few flickering screens and consoles display red depleted power status indicators. Intricate switches and levers are still functional, their surfaces covered in vines and moss from the surrounding alien flora. Debris lies scattered around including large bits of burnt metal. Outside the shattered windows, the fractal alien world expands endlessly, its landscape twisting and folding into itself, with bizarre, geometric green and purple plant life glowing faintly in the distance. The intricate detail of the ship’s control panel contrasts with the wild overgrowth, blending technology and nature in a surreal, almost dreamlike atmosphere. <lora:NasaPunk:0.7> <lora:ral-ovrgrwth-flux:0.5> ral-ovrgrwth <lora:Fractals_FLUX_Ethanar:0.5>
    Smeagol as Captain Jean Luc Picard sits in the captain's chair on the bridge of the USS Enterprise D, hunched and muttering, wearing a tattered red Starfleet TNG uniform. His large, gleaming eyes focusing ahead. He is drinking a cup of tea with a print of the One Ring on it. <lora:Flux.smeagol-v1.0:1> <lora:TNG_FLUX:1>
    A hyper-realistic extreme close-up of a sleek black Formula 1 car with a glowing yellow thunder emoji and the number "10" on the nose, racing through the neon-lit streets of Singapore at night. The sleek body of the car blurs with speed, its polished surface reflecting the vibrant city lights—streaks of colour bouncing off the wet grainy asphalt. Advertising hoardings on the side of the track say "GIVE BUZZ". Towering skyscrapers and illuminated windows line the track, while the intense glow from streetlights and billboards creates a dazzling display of reflections on the car’s metallic surface. The sense of velocity is palpable, with sparks flying as the car leans into a sharp turn, leaving trails of light in its wake. Great composition, leading lines
    A stunning split-view image of an iceberg floating in the ocean, where the top half above water shows a serene, icy landscape with soft sunlight reflecting off the crisp, white surface. The tranquil waterline divides the image, and below the surface lies an incredible, hidden world. In the bottom half, a vibrant techno city built by dolphins is revealed. Sleek, futuristic buildings made of translucent, glowing materials emerge in random directions from the iceberg, illuminated by neon lights in shades of electric blue. Bioluminescent lights pulse throughout the city, reflecting off the water and casting a magical glow on the ice above. Scores of robotic dolphins swim gracefully between the buildings, which are adorned with intricate patterns and designs, creating a surreal, otherworldly underwater metropolis. <lora:Dever_Flux_Enhancer:0.5>
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