More prompts from WillTheConker

    close up of a ultra realistic Detailed hand, four fingers and one thumb, White medium length plastic pointed nails with the Tesco Value logo on each one, supermarket shelves in the background
 <lora:Tesco_Value:1> <lora:Mastering_Manicure_A_Visual_Guide_to_Nail_Art_Techniques:0.6>
    A hyper-realistic sci-fi illustration. Stars and nebulae and a planet in the foreground. a mid-range shot of a fleet of (yellow) and black octopus inspired by Chris Foss. The octopus ship is intricate, horrific, grotesque, vampiric and bioluminescent, has tentacles, eyeballs, bristles, spikes, is metallic with armor plating, thrusters, engines, nacelles. The ship has "OSS Octopoda" printed on it's side in a worn font
    In a modern kitchen, on the kitchen surface a small flailing multi-armed Ugly Ogre made of gooey brownie dripping with chocolate is caught in mid-action bursting out of a large chocolate cake (covered in sprinkles). The cake is broken apart as the Ogre leaps towards the camera with splatters of cake and icing flying everywhere. Drips of blurred chocolate on the lens, professional food photography, colorful, action shot,  200mm lens, f/4 aperture, ISO 800, shutter speed 1/500s
    A tropical beach with huge incredibly detailed Death Star three quarters revealed rising behind the ocean and clouds looking dark and ominous. A selfie of a couple posing on the beach, they have their backs to the ocean and are clothed in a white shirt and a summer dress and sun glasses, looking happy. intricate details, ultra-realistic, cinematic, film grain
    A whimsical and imaginative studio photo featuring a cake shaped like the USS Enterprise from Star Trek. The cake is meticulously crafted to resemble the iconic starship, with its saucer section, nacelles, and engineering hull formed with precision. The surface is coated in a smooth layer of icing, but there are playful touches where the icing is dripping down the sides, giving it a delicious, slightly messy appearance. It has "USS Enterprise" crudely written in chocolate icing.
Colorful sprinkles are scattered across the cake, adding a fun and festive element that contrasts with the sleek design of the starship. The saucer section has a glossy icing finish with edible details like windows and the Starfleet insignia, while the nacelles are adorned with more drips of icing and sprinkles.
Around the base of the cake, small fondant shuttlecraft are placed as if they are preparing for launch, with tiny figures of Starfleet officers, including Captain Kirk, Spock, Uhura and others, standing nearby. These miniature figures are dressed in their signature uniforms, and they are positioned in fun, dynamic poses, adding a touch of humor and charm to the scene.
The cake is set on a reflective kitchen countertop, with a backdrop that subtly suggests a starry space scene. Soft, ambient lighting highlights the vibrant colors of the sprinkles and the glossy icing, creating a playful yet sophisticated atmosphere. The overall composition combines the iconic imagery of Star Trek with the joyful creativity of a celebration cake. <lora:TOS_FLUXV1:1> TOS uniform dress, TOS uniform
    A wide unobscured shot of an amazingly composed image featuring a fortress city in the foreground, the city has a brutalist architecture with lots of dark towers though lights of varying magnitude emanate from hundreds of windows. The walls of the city are an imposing barrier to entry, manned by vigilant guards. A large mountain range with many peaks including a volcano in the background. intricate details, industrialised, futuristic, leading lines
    A realistic, zoomed-out photo of a medieval harbor scene during a storm, but instead of being set in a real, expansive environment, the entire harbor is situated in a dirty medieval tall  circular wooden bathtub, giving the impression of a detailed miniature model. The harbor is complete with tiny wrecked sailed galleons, sloops, barrels, and docks, all scaled down to fit within the confines of the bathtub. The water in the tub mimics the appearance of a dark stormy sea, with waves crashing against the half submerged miniature boats. The bathtub contrasts with the intricate, realistic details of the harbor. Surrounding the bathtub are everyday
blacksmith items, subtly visible in the background, reinforcing the surreal setting of this miniature world.  <lora:detailed_flux_ntc:8>
    cinematic low-angle close-up. A brutalist low flat concrete bridge viewed side-on bisects the image, jumping off it is a mid-air T800 robot H0rizonMach1ne white terminator, holding a white sub-machine gun in one hand, riding on a H0rizonMach1ne robotic white panther, on to concrete ground straight at the viewer. glowing red eyes, mid-air debris, dust, motion blur, rule of thirds <lora:H0riz0nMach1ne:1> <lora:T800:0.5>
    A hyper-realistic sci-fi illustration. Stars and nebulae and a planet in the foreground. a mid-range shot of a fleet of (yellow) and black octopus inspired by Chris Foss. The octopus ship is intricate, horrific, grotesque, vampiric and bioluminescent, has tentacles, eyeballs, bristles, spikes, is metallic with armor plating, thrusters, engines, nacelles. The ship has "OSS Octopoda" printed on it's side in a worn font
    Hyper-realistic photo split vertically into two distinct images, One half is a view of a bank vault with shelves to infinity full of gold coins, is bright, colourful and with the text overlay "Ur Buzz". The other half is empty, dark and grotty, with the text overlay "My Buzz".   <lora:Dever_Flux_Enhancer:0.5>
    Captured by StoreCCTV security camera from above, a shadowy scene inside a dimly lit convenience store. Smeagol wearing an anorak, with his hunched posture and wild, wide-eyed expression, is furtively reaching into an open fridge. The fridge glows with an ethereal golden light, emanating from the glowing One Ring of power now in Smeagols visible in his hand. The soft glow highlights Smeagol's gaunt, pale skin and bony fingers as he looks at the ring with obsession.  The interior of the fridge is full of Ben & Jerry's ice cream The mundane setting of the store contrasts sharply with the mystical glow of the ring, creating a surreal and captivating image of Smeagol's secretive theft. There is a security time code of "01:30"displayed at the bottom  <lora:Flux.smeagol-v1.0:1> <lora:StoreCCTV_v1:2>
    Hyper-realistic photo. Set in a giant mouldy symmetrical parmesan warehouse that seemingly stretches out forever, broken up the occasional ladder.  A mouse dressed like a medieval peasant  is gripping a sword with both hairy paws by it's hilt and pulling it from a large wheel of parmesan.  The glowing sword is half buried straight down in the wheel of parmesan and the mouse is really straining to pull it free.  The worn clothes are incredibly detailed from years of wear. Dust and motes hang in the air giving it a slightly mystical look.  <lora:Aura_Flux:0.5> <lora:Dever_Flux_Enhancer:0.5>  <lora:Phlux:0.8>
    n4asp8unk style,  a close-up of a white xenomorph prowling inside a crashed, overgrown spaceship. The chaotic polyhedral dimly lit starkly white interior has partial power, as a few flickering screens and consoles display red depleted power status indicators. Intricate switches and levers are still functional, their surfaces covered in vines and moss from the surrounding alien flora. Debris lies scattered around including large bits of burnt metal. Outside the shattered windows, the fractal alien world expands endlessly, its landscape twisting and folding into itself, with bizarre, geometric green and purple plant life glowing faintly in the distance. The intricate detail of the ship’s control panel contrasts with the wild overgrowth, blending technology and nature in a surreal, almost dreamlike atmosphere. <lora:NasaPunk:0.7>  <lora:ral-ovrgrwth-flux:0.5> ral-ovrgrwth  <lora:Fractals_FLUX_Ethanar:0.5>
    A highly detailed, centered photo of a bowl of ice cream on a wooden table. The bowl holds a large scoop of vanilla ice cream that looks like the head of a T800 robot, drizzled generously with rich chocolate sauce that cascades down the sides. On top sits a bright red cherry, perfectly perched, surrounded by colorful sprinkles that add a playful touch. The bowl itself has delicate frills around the rim, and the lighting highlights the intricate textures of the ice cream, sauce, and sprinkles. The wooden table underneath adds a rustic warmth, with the grain and subtle imperfections of the wood visible, grounding the scene in a cozy, inviting atmosphere. There's a partial birthday card in the background with the text "Happy Birthday John Conner!" <lora:T800:1>  <lora:Dever_Flux_Enhancer:0.5>
    A faded and worn Movie poster for a movie titled "Back to the Future part IV",  a Back to the Future part II parody poster. The poster features a shocked Marty McFly wearing Medieval armor standing with his left foot raised up on the front/side view of the Delorean Time Machine with a door open and a light shaft emerging. Marty McFly is looking down at his watch and also raising the visor on his medieval helmet. Two tracks of flames emerge from the wheels of the Delorean Time Machine. The title is displayed at the top, above it is the credit "MICHAEL J. FOX". At the bottom are the movie credits below. In the background is a looming medieval stone castle, with lights, fires and lightning.
    A hyper-realistic sci-fi illustration. Stars and nebulae and a planet in the foreground. a mid-range shot of a fleet of (yellow) and black octopus inspired by Chris Foss. The octopus ship is horrific, grotesque, vampiric and bioluminescent, has tentacles, eyeballs, bristles, spikes, is metallic with armor plating, thrusters, engines, nacelles. The ship has "OSS Octopoda" printed on it's side in a thick worn orthogonal font
    Cinematic panoramic photography. An epic vast ancient Egyptian city full of intricate worn sandstone buildings (with detailed bricks) and a (Sphinx) with the city mud streets lined with Sycamore and Palm trees. People dotted around. ((silver) topped Pyramids) recede into the distance sharply glinting in the late afternoon sun. Clear blue skies. On a hill above an ancient Egyptian male mummy richly adorned with gold and rubies, diamonds and sapphires is slumped sitting on a bench, elbow on thigh, hand on chin looking bored. intricate details, realistic, sharp, leading lines, (film grain)
    Darth Maul  grogu with a double ended short lightsabre   <lora:ImageUpgraderV2:0.5> detailmaximizer <lora:darthmaul:0.5> <lora:grogu:0.825>
    A hyper-realistic eyeball mecha, consisting of just an eyeball, it has dull copper articulated arms and legs, with incredibly intricate embedded circuit boards, it is pitted and damaged, a dark turret mounted laser rifle with a narrow barrel on top of it pointing forward. It is in mid-stride raising dust on a battlefield littered with metal fragments with many of it's copies in the background. Detailed iridescent cornea. Broiling black clouds in background with streaks of fire.
    Hyper-realistic artistic rendering of an incredibly intricate cosmic nebula full of stars, a medium shot of a woman's head only, centered, looking straight ahead with auburn hair and blue eyes with curvy features and a solemn expression emerges from the nebula, her wild frizzy hair and neck is dissolving like gas and dust into the nebula, her symmetrical face is covered in incredibly intricate multicolored planetary tattoos, iridescent fractal sparkles and glitter. Dark and foreboding theme
    View more from WillTheConker