null uneven letters

The image depicts a trans mental patient in the midst of a severe breakdown, captured in a dimly lit, sterile room that adds to the unsettling atmosphere. His appearance is disheveled and frantic, with elements of a "woke" style perhaps dyed hair in vibrant colors, mismatched, trendy clothing that looks hastily thrown on, and multiple accessories like bracelets or pins that suggest a desire for self-expression.
His face is contorted with distress, eyes wide and unfocused, reflecting a state of confusion and turmoil. He clutches a sign with trembling hands, the text hastily scrawled and slightly crooked, reading: "((The Definition of Woke should Be Delusional))" The sign itself looks like it was made in a moment of desperation, with uneven letters and smudges, adding to the chaotic feel of the scene.
The lighting is harsh and clinical, casting deep shadows that emphasize the patient's deteriorating mental state. The walls around him are bare, save for a few cracks or stains, hinting at a sense of abandonment or neglect. His posture is tense and erratic, as if he’s barely holding himself together, making the viewer feel the intensity of his breakdown and the darkness of his thoughts.

(analog rainy film still taken on polaroid film, vhs footage low quality, Analog distortion effect, Retro video quality)

A side-scrolling Mario game level made entirely from lumpy, handcrafted clay. The pixelated 8-bit world has been transformed into squishy, uneven textures, with every element—from the ground to the iconic question blocks—sculpted from multicolored clay. Mario, also crafted from clay, stands awkwardly at the beginning of the level, his rounded limbs and uneven mustache giving him a playful, clumsy look. The pipes, coins, and Goombas are similarly rough and imperfect, adding to the charm of the scene. The game’s interface is visible, with a classic score counter at the top left, “MARIO” written in blocky letters, along with a coin count and timer ticking down in the right-hand corner. The whole level has an endearing, low-quality feel, blending the nostalgic pixel art with the tactile, squishy texture of clay animation.

(analog rainy film still taken on polaroid film, vhs footage low quality, Analog distortion effect, Retro video quality)

A candid, photorealistic image from 1989 of a busty young woman leaning casually against the Berlin Wall. The wall is covered in vibrant graffiti, and prominently next to her is a spray-painted message that reads: 'BUZZ down this wall!' in bold, uneven letters. The woman is dressed in tight but modest 1980s fashion: high-waisted jeans, a tucked-in fitted sweater, and classic white sneakers. Her hair is styled in a typical 1980s look, with voluminous curls and a slightly teased crown. The photo has an authentic analog feel, shot on a vintage 35mm film camera like the Canon AE-1, using Kodak Gold 200 film. The lighting is natural, with soft, diffused sunlight typical of an overcast day, casting a muted glow over the scene. Slight film grain, subtle color shifts, and light lens flares enhance the nostalgic atmosphere. The background includes other sections of graffiti-covered wall and a glimpse of the cityscape, capturing the tension and energy of Berlin in 1989."

A poignant image of a woman sitting alone, with tears streaming down her face. She has large, cute anime-style eyes that amplify the emotion, making her appear even more vulnerable and expressive. Her makeup is smudged from crying, and she looks heartbroken.
Instead of holding a heart, she clutches a cardboard sign with self-written bold letters that say, "I spend 50k buzz on FLUX, now I'm broke." The sign looks hastily made, with jagged edges and uneven lettering, adding to the rawness of the scene.
The background is softly blurred, with a warm, golden light filtering through, contrasting the sadness in the foreground. The overall mood is a mix of melancholy and tenderness, with the woman’s oversized anime eyes capturing the viewer’s sympathy and attention. The image is powerful, conveying a deep sense of regret and sorrow in a visually striking and emotionally resonant way.

A handwritten letter to Santa Claus, scrawled in colorful crayon on a slightly crumpled sheet of lined paper, lying on a cozy wooden table. The text is a mix of blocky, childlike handwriting in bright red and green crayon, with doodles of Christmas trees, stars, and a smiley Santa face adorning the corners of the page. The letter reads, 'Dear Santa, I’ve been very good this year. Please bring me a 4090. Love, Engelstein.' Smudges of crayon and uneven lines show the enthusiastic effort behind the writing. Beside the letter, a half-eaten cookie, a glass of milk, and a small pile of colorful crayon pieces add to the whimsical, festive atmosphere. Warm golden light from a nearby fireplace softly illuminates the scene, casting gentle shadows and creating a nostalgic, heartwarming holiday mood.

A tiny field mouse, standing on its hind legs, clutches an empty can between its paws. The can has the word "Buzz?" neatly painted on its side in slightly uneven letters. Its whiskers twitch nervously as it looks upward with pleading eyes. The background is a parched, cracked earth landscape, bathed in the intense golden light of a late summer afternoon. The focus is sharp on the mouse and the acorn cup, emphasizing the desperation of its plea and the unusual inscription. The overall image evokes a sense of vulnerability, the struggle for survival, and a touch of whimsical curiosity.

$A hyper-realistic portrait, photorealistic photo close-up image of Under the pale glow of a fading sun, MaleniaNorm, her regal armor gleaming with faint gold accents, stands tall with her intricate sword resting at her side. Her flowing red hair sways lightly in the breeze, contrasting sharply against the sharp, angular lines of her battle-worn armor. Beside her, a scruffy bearded bald man with blue eyes in tattered rags clutches a makeshift sign that reads "LET ME SOLO HER" scrawled in uneven, jagged letters. His face is waethered and tired, and his bare, scarred chest tells the story of countless battles fought without armor. The background is a desolate battlefield, littered with the remnants of broken swords and fractured shields, while a dim, crimson sky looms overhead. A soft mist rolls across the ground, carrying the scent of ash and blood. Despite their stark differences, they both stand silently, each exuding a quiet determination, though the manâs ragged appearance adds a peculiar sense of humor to the scene. His sign, raised defiantly in his hand, seems almost comical in the face of the elegant, deadly warrior beside him. The tension between honor and absurdity is palpable. (photography, high-resolution, dynamic, energetic,hyper-realistic, dramatic lighting, shallow depth of field.), detailmaximizer<lora:detailed_flux_ntc:2.2><lora:aidmaImageUpgrader-FLUX-V0.1:0.65><lora:FluxMaleniaNorm:0.8>$

A ragged beggar with a scruffy beard and worn-out clothes sits on a city sidewalk, surrounded by a swarm of buzzing bees. He holds a tattered cardboard sign with the words 'BUZZZZ PLEASEEE' written in bold, uneven letters. The bees hover around him, some landing on his shoulders and arms, while others fly chaotically in the air. His expression is a mix of calm and resignation, as if he has accepted the bees as part of his life. The background is a blurred urban street with pedestrians keeping their distance, unsure whether to approach. The scene has a slightly surreal and humorous tone, blending realism with a whimsical touch

a sword named "Boink" that is the very embodiment of comedic absurdity, lying on a sleek black reflective surface that only heightens its outlandish appearance. The grip is wrapped in soft, fluffy faux fur in bright, clashing colors—think neon pink and electric green—giving it the look of a child's craft project gone wrong. The fur is patchy and uneven, with bits of it sticking out at odd angles, making the grip both ridiculous and oddly comfortable.

The pommel is an oversized, exaggerated whoopee cushion, complete with a small valve sticking out. Every time the sword is moved, it lets out a loud, comical fart noise that would make even the most serious warrior crack a smile.

The crossguard is a pair of oversized, floppy bunny ears, made of soft, plush material. The ears droop down on either side of the blade, bouncing slightly with every movement, and have a faint squeaking sound when touched, reminiscent of a dog toy.

The blade of "Boink" is straight but has a series of random, jagged edges that look more like a cartoonish lightning bolt than a functional weapon. It’s a shiny, metallic silver, but it’s covered in small, colorful doodles of smiley faces, stars, and squiggly lines, as if someone handed the blade to a group of children armed with markers.

Engraved in the middle of the blade, in large, bubbly letters, is the word "Boink" . The engraving is filled with glittering, multicolored enamel, making the word shimmer and sparkle as light hits it.

The black reflective surface beneath the sword contrasts starkly with its vibrant, playful design, reflecting the sword’s chaotic energy in a way that makes the whole scene look like something out of a surreal comedy sketch. The sword seems less like a weapon and more like a prop from a whimsical dream, its absurdity emphasized by the dark, serious backdrop.

From the movie Back to the Future, a detailed scene of the iconic DeLorean time machine parked on the side of a deserted highway at twilight. The car's gull-wing doors are slightly ajar, revealing its futuristic interior, with glowing blue lights and intricate time-travel equipment. In the foreground, Doc Brown, wearing his characteristic white lab coat, futuristic silver shades, and bright orange shirt, stands by the road. His wild, white hair is untamed, adding to his eccentric appearance. He holds a large, hastily made sign that reads 'NEED BUZZ FOR MY FLUX CAPACITOR' in bold, uneven letters. The DeLorean’s license plate reads 'CIVITAI,' and the background features a scenic, winding road with distant mountains. The overall mood of the scene is a blend of urgency and humor, capturing the essence of the film's adventurous spirit.

Smeagol, is working behind the counter of a small, rustic restaurant that exclusively serves potatoes. The dimly lit interior is filled with the earthy smell of cooking spuds, and a large, hand-painted sign hanging above him reads "PO-TAY-TOES" in bold, uneven letters. Smeagol stands behind a wooden counter, his bony fingers carefully arranging a display of various potato dishes—baked, mashed, boiled, and fried. His large, bulging eyes glimmer with a strange mix of pride and obsession as he handles the potatoes, each one seemingly as precious to him as the One Ring. He’s wearing a ragged, grease-stained apron over his tattered clothes, giving him a comical yet unsettling appearance. Behind him, shelves are lined with sacks of potatoes and pots filled with boiling water, steam rising in the dim light. The entire scene has a slightly surreal and humorous feel, with Smeagol’s intense, fixated expression contrasting with the humble, mundane setting of a potato-only restaurant.

felt-crafted, felt art, XmasDemon
A plump, cheerful felt XmasDemon Santa Claus made from soft red and white felt, with a fluffy felt beard stitched in swirls of white thread. His rosy felt cheeks are adorned with tiny pink stitches, and his glowing black button eyes twinkle with hope. He’s holding a sign made of stitched tan felt, with uneven red felt letters spelling out: "Need More Buzz at the North Pole!"

Create a vibrant, street-art inspired scene where a regal Emperor Penguin, with sleek black feathers and a distinctive yellow patch on its chest, (holding:1.5) a glowing neon sign emblazoned with the bold letters "IM BACK!" in bright hot pink and electric blue hues. The penguin stands defiantly amidst a worn, cracked brick wall, partially destroyed by the elements, with peeling mortar and rusty nails visible through the cracks. Soft, warm sunlight filters through the grimy windows of an adjacent building, casting a long, golden glow across the scene, while the neon sign pulses with a soft, blue-purple light that seems to reverberate in harmony with the penguin's triumphant expression.
Camera angle: A low-angle shot from directly above the penguin, looking down on it as if from a street artist's perspective, emphasizing the penguin's dominant presence. The brick wall looms large behind it, with the cracked and faded letters of graffiti-covered walls visible in the background. Lighting is soft and warm, with subtle shadows cast by the sunlight and the neon sign.
Artistic style: Inspired by the vibrant, stencil-based street art of Banksy or Shepard Fairey, with bold colors, graphic shapes, and a touch of graffiti flair. The penguin's feathers are rendered in sleek, modern lines, while the brick wall and surrounding environment are depicted in worn, distressed textures that evoke a sense of urban grit.
Composition: Symmetrical composition, with the neon sign and penguin placed almost perfectly centered within the frame, balanced by the uneven, cracked brick wall behind. The negative space around the penguin is filled with a subtle gradient of blue-purple hues, evoking a sense of energy and movement.
Texture and materials: The brick wall features worn, rough textures from years of weathering, while the neon sign has a smooth, reflective surface that shimmers in the sunlight. The penguin's feathers are depicted in soft, feathery textures, with subtle shadow and highlight effects to give them depth and dimension.

Dobby from Harry Potter, reimagined with a grungy, street-smart look. He sits on a weathered street curb, wearing a slightly oversized yellow shirt and faded blue jeans, with a cigarette loosely hanging from his mouth. In his hands, a handmade cardboard sign reads "please master, may I please have some buzz" in bold, uneven letters. The urban background is gritty, featuring graffiti-covered walls, dim lighting, and scattered debris, giving a raw, realistic edge. Inspired by the style of Ralph Steadman's chaotic and expressive illustrations.
Aidmatextimprover

The image is a high resolution photograph showing a close-up of a rock covered in lichen letters spelling out Flux. The surface of the rock is mostly covered in a thick layer lichen are shaped like the word Flux, creating a textured, cracked appearance. The lichen is mostly a bright mustard yellow color with an irregular, uneven Flux pattern that contrasts sharply with the dark, rough surface of the rock. The lichen forms a complex, overlapping pattern, with some areas appearing more tightly packed and others more sparsely spaced. The shape of the lichen are shaped like the word Flux.

The Abbey Road album cover, reimagined in claymation, showcases the iconic crosswalk scene with playful, rounded clay figures of The Beatles. John, Paul, George, and Ringo are crafted with exaggerated clay details—John's long flowing clay hair, Paul's clay feet bare, George's scruffy, textured hair, and Ringo's sharp clay mustache. Each figure wears meticulously sculpted clay outfits, from John’s white suit with pronounced seams to George’s detailed denim textures.
The crosswalk is built with thick, uneven clay strips, while the road has a gritty, hand-molded surface. The background features a clay brick wall and hand-shaped trees with uneven, swirled foliage. Soft shadows from the warm, mid-afternoon sun fall across the scene, blending greens, browns, and grays to evoke a warm summer day. The album title "Abbey Road" appears scratched into the clay pavement near the bottom corner, raised slightly in a handwritten style, while The Beatles’ name is molded at the top in simple but bold clay letters, slightly uneven to maintain the handcrafted aesthetic.

A whimsical claymation scene featuring a cozy, small village nestled in a lush, green valley surrounded by rolling hills. The houses are colorful with exaggerated, rounded shapes, and the windows emit a warm, golden glow. In the center of the village, there’s a charming marketplace with tiny, hand-crafted stalls selling fruits, vegetables, and handmade goods. Clay figures of villagers, with expressive faces and playful features, interact joyfully with each other. A few animals, such as sheep and chickens, wander around the scene, each carefully sculpted with exaggerated proportions. Above the village, a large, hand-crafted sign made of clay letters reads ‘BUZZ 4 CLAY!’ in vibrant colors, with the letters slightly uneven and playful, giving the whole scene a warm and inviting atmosphere.

<lora:ultrasharp-v02:1.3> ultrasharp photograph, red and brown, central focus. this is a high-resolution photograph capturing a detailed, close-up view of two motorcycles parked on a narrow, slightly uneven dirt path bordered by overgrown grass and small plants. the primary subject is a sleek, black motorcycle with a vibrant, polished red tank featuring the word "royal" in white letters. the bike has a rugged, muscular build with a prominent, shiny exhaust pipe and a sturdy rear tire with thick, treaded rubber. the motorcycle's suspension and frame are made of black metal, with visible bolts and screws. the second motorcycle, partially visible in the background, is also black, with a similar design and build. both bikes have protective crash bars and mirrors with round, reflective surfaces. the path they are parked on is rough, with scattered rocks and dirt, suggesting it's an informal, possibly rural or semi-urban area. in the background, there's a beige, slightly worn building with a flat roof and small windows, partially obscured by lush green foliage. the sun is setting, casting a warm, golden light that creates long shadows and highlights the textures of the motorcycles and the surrounding environment. the overall atmosphere is tranquil, with a hint of rustic charm. the photograph effectively uses natural light and the motorcycles' reflective surfaces to create a vivid, immersive scene.

The scene is set in a dimly lit public bathroom with cracked, pale green tiles and a slightly foggy mirror above a worn, chipped sink. The air feels heavy, almost oppressive, with the faint smell of cleaning products mixed with something metallic.
A woman stands in front of the mirror, her figure partially illuminated by the flickering fluorescent light overhead. She’s dressed in a slightly disheveled, dark outfit—a leather jacket that hangs loosely over a simple black top, paired with ripped jeans and worn boots. Her hair is tousled, with dark strands falling messily around her face, partially obscuring her features. She is smirking.
In her hand, she holds a bright red lipstick, the cap discarded on the counter beside her. Her grip on the lipstick is tight, slightly as she presses it against the mirror. The word “SLUT” is scrawled in bold, jagged letters across the glass, the red lipstick leaving smudges and streaks as she writes. The letters are uneven, each stroke appearing more aggressive than the last.

A high-resolution photograph captures a beautiful scene of skywriting against a clear blue sky. The word "FLUX" is artfully written in fluffy, white clouds, each letter perfectly formed and slightly wispy at the edges, giving it an ethereal appearance. Surrounding the word is a large heart, also crafted from cloud-like skywriting, its lines soft and slightly uneven, adding a whimsical and romantic touch to the scene.
The heart and word combination stands out vividly against the deep azure backdrop, with the sunlight illuminating the clouds, creating subtle shadows and highlights that add depth and texture to the skywriting. Below, a faint horizon line can be seen, with a few scattered trees and rooftops, giving context to the scale and grandeur of the skywriting.
The overall composition of the photograph captures a moment of creativity and romance, as the sky becomes a canvas for this artistic expression. The delicate, airy quality of the cloud writing, combined with the simplicity and clarity of the blue sky, creates a serene and uplifting image.

A homeless young woman, likely in her mid-30s with worn, weathered skin and tired eyes, sits slumped in a dimly lit alleyway corner, her expression downtrodden and melancholic. Her disheveled brown hair is tied back in a loose ponytail, revealing a faintly etched face with deep wrinkles and a subtly pointed nose. She wears a tattered, faded denim jacket over a stained white shirt, with ripped jeans and scuffed black boots, conveying a sense of desperation. In her lap, she clutches a creased and worn cardboard sign, hastily scrawled with black permanent marker: "Need Buzz for FLUXX" in uneven, cursive letters. The sign's edges are dog-eared, and the surface is smudged with dirt and grime. The overall atmosphere is one of sorrow and hopelessness, with muted colors and soft, diffused lighting casting long shadows behind her.

A hyper-realistic, surreal night scene reminiscent of a Batman movie, where a powerful spotlight beams up from the city's ground, cutting through the dark sky. The beam forms the word 'BUZZ' in bold, glowing letters across the clouds, similar to the iconic Bat-Signal. The city below is intricately detailed, with shadows and lights creating a dramatic, cinematic atmosphere. The scene captures the mystery and intensity of the moment, blending reality with a fantastical, heroic vibe."BUZZ" in black surrounded by light, brightly lit city,text blends into surrounding materials, The text has 60% transparency effect and the edges of the font are uneven,

The cover is a faded, worn canvas depicting a cosmic landscape, the colors slightly muted with age. In the center, a mysterious alien planet looms, its surface marked by craggy, uneven terrain and swirling, mist-filled valleys. The once-vibrant purples and greens of the alien landscapes have softened, giving way to a more subdued palette, while strange, otherworldly plants, with their long, tendril-like leaves, stretch towards a dim, distant sun.

A group of astronauts, diverse in their retro-futuristic gear, stand boldly in the foreground. Their spacesuits are detailed with thick, segmented padding and large, reflective visors, scuffed and scratched from countless adventures. The creases of the spine hint at frequent reading, and the paint on the spacesuits appears slightly chipped, as if weathered by time. Their gazes are fixed ahead, where strange alien creatures with elongated limbs and translucent bodies roam through the strange terrain.

Above them, a fleet of angular, vintage spacecraft hovers, the once bright thrusters now dulled by countless journeys through space. The faded title of the book curves across the top of the cover, the letters cracked and worn, hinting at its many years of handling. The backdrop of the scene is a dark expanse of space, dotted with faint, twinkling stars and spirals of distant galaxies, their colors softened, almost blending into the aged paper texture of the cover.

In the background, ancient alien ruins rise from the mist, their forms barely visible against the worn cover, suggesting long-forgotten secrets. The edges of the paperback are frayed, and small creases run through the image, enhancing the vintage, well-loved look of this classic sci-fi adventure. The whole scene carries a nostalgic sense of discovery and the thrilling uncertainty of uncharted worlds, as if inviting readers to turn the pages of a time-worn story filled with endless possibilities.

hyper-realisitic, hyper-detailed, RAW photo, detailed foreground, detailed clothing, detailed lighting, aidmaHyperrealism, aidmamj6.1,
Hollywood Cinematic Film style, epic photography, dramatic light, Kodak film style, dark-skinned female,
A highly detailed portrait of a young woman with cascading voluminous curls, deep brown locks framing her intense, piercing eyes, her gaze unwavering as she stands in the warm glow of old-fashioned streetlamps. She wears a loose-fitting black oversized sweatshirt with faintly visible lettering across the chest, the sleeves extending past her wrists, one sleeve pushed up slightly, revealing her slender, delicate fingers curled near her side. The pose is subtly defiant, her weight shifted slightly to one side, her expression serious yet melancholic. The soft light from the lanterns above casts gentle highlights across her defined cheekbones, her full lips slightly pursed. The rich architectural details of the background blend seamlessly into the scene—a rustic European alleyway paved with worn cobblestone, the entrance to a small, aged boutique with a wooden façade painted in deep teal. Lush green ivy spills from planters on the windowsills, intertwining with the dimly glowing lamps, the golden light contrasting against the cool tones of the night. A slight breeze causes a few autumn leaves to scatter along the uneven path, the texture of the old stone bricks adding depth to the scene. The overall atmosphere is moody yet nostalgic, as if captured in a moment between thoughts, the elements of the setting creating a cinematic, painterly effect. The image is rendered in hyperrealistic quality, with intricate texturing on the fabric, natural skin reflections, and soft, controlled lighting emphasizing form and mood.
<lora:MoriiMee_Gothic_Niji_Style_FLUX:0.65> <lora:Flux__Semi-realistic_art_style-000004:0.25> <lora:Hand_v2:0.4>

A rough, textured cave wall serving as the backdrop for a vintage stone-age Valentine's "card." Centered on this primitive setting is a large, flat stone slab, its edges jagged and hand-chiseled, with a crudely etched rhyme: "Berries are red, Mammoth is mean, GRUG NO CAN RHYME, Be my cave queen." The letters are unevenly spaced, carved with a primitive tool, giving an authentic feel of ancient handiwork. There are a couple of poorly chiseled hearts on the stone slab as well as a poorly-drawn mammoth. Scattered around are hints of stone-age life—flint stones, bones, and near a flickering fire pit, with rudimentary cave paintings adding to the ambiance, creating a humorous and romantic nod to the simplicity and charm of caveman courtship

A foggy evening blankets the cobblestone street outside an old English pub, its weathered sign reading "The Slaughtered Lamb" creaking in the chill wind. The pub’s dim yellow light spills onto the red-jacketed figure of a young man, his backpack slung over one shoulder, blending urban modernity with uneasy isolation. He stands beneath the pub’s sign, holding a hand-scrawled cardboard placard that reads “Need Buzz or Wolfsbane” in bold, uneven letters. His face, pale and wary, betrays a hint of desperation as the faint howls of distant wolves seem to echo through the night. The surrounding countryside looms dark and shadowy, the pub’s light a fragile sanctuary against the encroaching wildness. a werewolf stands in the distance

A dimly lit bedroom, bathed in the soft glow of a cellphone. The screen illuminating the darkness with a single message in large letters: "We need to talk." It is on the nightstand next to a vase of wilted roses. Outside, rain gently taps against the window, streaking the glass with faint, uneven lines. The phone remains untouched, its cold, silent presence heavier than the words on the screen. blue tone. moody. contrast, film grain, analog texture,

A dark, textured background resembling aged, cracked paper or distressed concrete, with subtle grunge elements and faint, eerie lighting variations. Slightly chaotic ink splatters and faded smudges give the impression of something old and mysterious, as if the poster has been decaying over time.
In the center, the dominant text "Strange, Scary, and Creepy" stands out in large, distressed, and slightly warped letters, as if they are trembling or being consumed by the darkness around them. The font appears rough and worn, with jagged edges and uneven strokes, enhancing the unsettling vibe. Some letters seem to melt or dissolve into the background, while others are slightly misaligned, reinforcing the eerie, chaotic composition. The color scheme is deep black, blood red, and muted grays, intensifying the ominous atmosphere.

A pitch-black, soot-covered window with the words "NO WAY OUT" scratched in bold, glowing red letters. The scratches form jagged, uneven lines as if clawed with desperation. Bright red beams of light burst through the letters, casting eerie reflections onto the surrounding dark room. The glass is cracked, enhancing the sense of foreboding, and the glowing red letters stand in stark contrast to the deep black surface. The atmosphere is tense and unsettling, with the sharp light from the scratches cutting through the darkness like a warning. glitch, chromatic aberration

FLUX

Dev - flux_dev.safetensors