null hollow cavity where

    rootform, The image is a close-up of an unsettling humanoid figure, shrouded in dense black fog and swirling smoke. The figure is carved from dark, earthy oak roots, its texture resembling aged wood eroded by time. The setting is enveloped in an oppressive, shadowy atmosphere, where the light barely penetrates the smoke, casting faint glimmers on the figure’s weathered surface. Its skeletal, elongated body and unnaturally thin limbs seem to extend into the gloom, their gnarled ends twisting like grasping tendrils. The head, disproportionately large and disturbingly featureless, features an open hollow cavity where a face should be, exuding an air of menace. Thin, elongated fingers stretch outward, as if clawing through the fog, giving the impression that the figure is searching or reaching out for something unseen.
    Incredible human-like automaton, eyes glowing like cold blue lasers, detailed mechanical frame with hollow cavities and visible wiring, like a Terminator, complex LED lighting along frame and limbs, actuators and cables and gyroscopic stabilizer, human-like mechanical robot, skeletal-like, extremely detailed, in an old garage, somewhat like a T100 war robot, intimidating looking cyborg from 2096, scary robot, wicked human-like killing machine, assassin droid, advanced nuclear power source in chest cavity, frightening scene of the robot coming to life,
    A highly detailed close-up portrait of a woman with porous, bone-like skin, covered in intricate, hollowed-out cavities resembling fossilized coral or aged ivory. The delicate lattice of carved openings extends from her forehead, across her cheeks, and down her elongated neck, with some areas appearing smoothly polished, while others have natural cracks and weathered textures. The openings vary in size and depth, creating a layered, organic structure. Her large, golden-amber eyes are framed by dark, smudged makeup, contrasting against her pale, porcelain-like complexion. Her full lips are painted a deep burnt red, standing out vividly against the neutral bone tones of her skin. Her platinum-white hair cascades around her face, with soft, fine strands resting against the rigid hollows of her cheekbones. Some strands are partially illuminated by soft, diffused lighting, creating subtle highlights that emphasize the contrast between her organic, flowing hair and structured, sculpted facial features. The lighting is soft and directional, casting shadows that settle into the carved recesses of her skin, accentuating the depth of the hollowed-out forms. The background is black and gray and softly blurred, composed of dark, desaturated tones, ensuring that all focus remains on the intricate details of her face and skin texture. The composition is tight and hyper-detailed.
    A surreal and nightmarish gothic horror illustration of a young woman whose face is split between ethereal beauty and grotesque corruption, her expression a mix of eerie serenity and morbid disintegration. Her soft platinum hair flows weightlessly, framing her face, where one side remains hauntingly human with smudged, bleeding pink eyeshadow and distant, unfocused eyes, while the other side transforms into a monstrous, melting mass of exposed bone, hollow cavities, and gnarled, skeletal teeth protruding from the rotting flesh. The decay spreads downward, dripping like a thick, tar-like substance from her jawline and throat, merging into the pitch-black choker wrapped tightly around her slender neck. Wisps of darkness curl from her corroded flesh, dissolving into the void-like background, a faded, desaturated canvas that enhances the eerie atmosphere. The overall aesthetic is both disturbingly macabre and elegantly tragic, capturing a moment of haunting metamorphosis between life and death.
 <lora:FluxDFaeTasticDetails:0.25> <lora:FluxF4ngs:0.5> <lora:realism_lora_comfy_flux_converted:0.75>
    Picture a wraith-like maiden, her form scarcely more substantial than the chill October breeze that rustles the withered leaves carpeting the blood-drenched battlefield. Grasped in her spectral fingers, a longsword of antique provenance, its blade marred by numerous nicks and chips accumulated over decades of service. The weapon pulses with an eldritch aura, casting eerie reflections across the pallid planes of her cadaverous cheeks.
Fixated directly ahead, her piercing gaze transfixes an invisible foe, boring holes into the very essence of her target. Flames leap and dance in the hollow recesses of her ocular cavities, twin hellfires fueled by righteous wrath and vengeful ire. Tendrils of ectoplasmic mist curl around her wrists, binding the tattered remnants of a once-proud suit of plate mail to her emaciated forearms.
Behind her, the chaotic jumble of the battlefield comes into focus, a churning sea of violence and death. Prostrate forms clad in motley liveries stretch out across the frostbitten earth, some still twitching spasmodically in the final throes of agony.
art by Aaron Horkey,
animals, comics, creatures, etching, fantasy, graphic-novel, illustration, organic, pen-and-ink,
beautiful, painterly, detailed, textural, artistic, aesthetic, intricate details, highly detailed, vivid, vibrant, 
EtherealGlow, glowing, ethereal
    Incredible human-like automaton, eyes like glowing spiral galaxies, detailed mechanical frame with hollow cavities and visible wiring, complex LED lighting along frame and limbs, actuators and cables and gyroscopic stabilizer, human-like mechanical robot, skeletal-like copper supporting structures, extremely detailed, in an old garage, somewhat like a T100 war robot, a bit intimidating looking cyborg from 2096
    Incredible human-like automaton, eyes glowing like cold blue lasers, detailed mechanical frame with hollow cavities and visible wiring, like a Terminator, complex LED lighting along frame and limbs, actuators and cables and gyroscopic stabilizer, human-like mechanical robot, skeletal-like, extremely detailed, in an old garage, somewhat like a T100 war robot, intimidating looking cyborg from 2096, scary robot, wicked human-like killing machine, assassin droid, advanced nuclear power source in chest cavity, frightening scene of the robot coming to life,
    Incredible human-like automaton, eyes like glowing spiral galaxies, detailed mechanical frame with hollow cavities and visible wiring, complex LED lighting along frame and limbs, actuators and cables and gyroscopic stabilizer, human-like mechanical robot, skeletal-like copper supporting structures, extremely detailed, in an old garage, somewhat like a T100 war robot, a bit intimidating looking cyborg from 2096
    A highly detailed close-up portrait of a woman with porous, bone-like skin, covered in intricate, hollowed-out cavities resembling fossilized coral or aged ivory. The delicate lattice of carved openings extends from her forehead, across her cheeks, and down her elongated neck, with some areas appearing smoothly polished, while others have natural cracks and weathered textures. The openings vary in size and depth, creating a layered, organic structure. Her large, golden-amber eyes are framed by dark, smudged makeup, contrasting against her pale, porcelain-like complexion. Her full lips are painted a deep burnt red, standing out vividly against the neutral bone tones of her skin. Her platinum-white hair cascades around her face, with soft, fine strands resting against the rigid hollows of her cheekbones. Some strands are partially illuminated by soft, diffused lighting, creating subtle highlights that emphasize the contrast between her organic, flowing hair and structured, sculpted facial features. The lighting is soft and directional, casting shadows that settle into the carved recesses of her skin, accentuating the depth of the hollowed-out forms. The background is abstract and softly blurred, composed of cool, desaturated tones, ensuring that all focus remains on the intricate details of her face and skin texture. The composition is tight and hyper-detailed.
    Incredible human-like automaton, eyes glowing like cold blue lasers, detailed mechanical frame with hollow cavities and visible wiring, like a Terminator, complex LED lighting along frame and limbs, actuators and cables and gyroscopic stabilizer, human-like mechanical robot, skeletal-like, extremely detailed, in an old garage, somewhat like a T100 war robot, intimidating looking cyborg from 2096, scary robot, wicked human-like killing machine, assassin droid, advanced nuclear power source in chest cavity, frightening scene of the robot coming to life,
    Incredible human-like automaton, eyes like glowing spiral galaxies, detailed mechanical frame with hollow cavities and visible wiring, complex LED lighting along frame and limbs, actuators and cables and gyroscopic stabilizer, human-like mechanical robot, skeletal-like copper supporting structures, extremely detailed, in an old garage, somewhat like a T100 war robot, a bit intimidating looking cyborg from 2096
    A scarecrow in an abandoned field, stitched together with human teeth and barbed wire. Its hollow chest cavity pulses with faint, guttural screams, as a rusted sickle dangles from one straw hand.
    Picture a wraith-like maiden, her form scarcely more substantial than the chill October breeze that rustles the withered leaves carpeting the blood-drenched battlefield. Grasped in her spectral fingers, a longsword of antique provenance, its blade marred by numerous nicks and chips accumulated over decades of service. The weapon pulses with an eldritch aura, casting eerie reflections across the pallid planes of her cadaverous cheeks.
Fixated directly ahead, her piercing gaze transfixes an invisible foe, boring holes into the very essence of her target. Flames leap and dance in the hollow recesses of her ocular cavities, twin hellfires fueled by righteous wrath and vengeful ire. Tendrils of ectoplasmic mist curl around her wrists, binding the tattered remnants of a once-proud suit of plate mail to her emaciated forearms.
Behind her, the chaotic jumble of the battlefield comes into focus, a churning sea of violence and death. Prostrate forms clad in motley liveries stretch out across the frostbitten earth, some still twitching spasmodically in the final throes of agony.
art by Aaron Horkey,
animals, comics, creatures, etching, fantasy, graphic-novel, illustration, organic, pen-and-ink,
beautiful, painterly, detailed, textural, artistic, aesthetic, intricate details, highly detailed, vivid, vibrant, 
EtherealGlow, glowing, ethereal
    rootform, rootform, Extreme helmet focus Closeup, The image is a photograph of a detailed, intricately carved wooden sculpture of a Fantasy dressed Wood Knight emerging from the trunk and roots of a tree. The sculpture is positioned centrally within the frame, with a rich, earthy brown bark texture that blends seamlessly with the natural tree bark. The figure's body is partially hidden within the twisted, gnarled roots of the tree, giving the illusion of her being a part of the tree itself. . The armor is blending with the tree bark, making it difficult to discern where the tree ends and she begins. His wooden armor adorned with Moss and vines. His hands raised, adding to the sense of calm and introspection. The tree's branches and roots are intricately carved, forming a natural, organic frame around her body, emphasizing the symbiotic relationship between the knight and the tree. The background is a soft focus of lush, green foliage, suggesting a forest setting, which enhances the natural, earthy theme of the artwork.. Its skeletal, elongated body and unnaturally thin limbs seem to extend into the gloom, their gnarled ends twisting like grasping tendrils. The head, disproportionately large and disturbingly featureless, features an open hollow cavity where a face should be, exuding an air of menace. Thin, elongated fingers stretch outward, as if clawing through the fog, giving the impression that the figure is searching or reaching out for something unseen.
    A highly detailed close-up portrait of a woman with porous, bone-like skin, covered in intricate, hollowed-out cavities resembling fossilized coral or aged ivory. The delicate lattice of carved openings extends from her forehead, across her cheeks, and down her elongated neck, with some areas appearing smoothly polished, while others have natural cracks and weathered textures. The openings vary in size and depth, creating a layered, organic structure. Her large, golden-amber eyes are framed by dark, smudged makeup, contrasting against her pale, porcelain-like complexion. Her full lips are painted a deep burnt red, standing out vividly against the neutral bone tones of her skin. Her platinum-white hair cascades around her face, with soft, fine strands resting against the rigid hollows of her cheekbones. Some strands are partially illuminated by soft, diffused lighting, creating subtle highlights that emphasize the contrast between her organic, flowing hair and structured, sculpted facial features. The lighting is soft and directional, casting shadows that settle into the carved recesses of her skin, accentuating the depth of the hollowed-out forms. The background is black and gray and softly blurred, composed of dark, desaturated tones, ensuring that all focus remains on the intricate details of her face and skin texture. The composition is tight and hyper-detailed.
    A highly detailed close-up portrait of a woman with porous, bone-like skin, covered in intricate, hollowed-out cavities resembling fossilized coral or aged ivory. The delicate lattice of carved openings extends from her forehead, across her cheeks, and down her elongated neck, with some areas appearing smoothly polished, while others have natural cracks and weathered textures. The openings vary in size and depth, creating a layered, organic structure. Her large, golden-amber eyes are framed by dark, smudged makeup, contrasting against her pale, porcelain-like complexion. Her full lips are painted a deep burnt red, standing out vividly against the neutral bone tones of her skin. Her platinum-white hair cascades around her face, with soft, fine strands resting against the rigid hollows of her cheekbones. Some strands are partially illuminated by soft, diffused lighting, creating subtle highlights that emphasize the contrast between her organic, flowing hair and structured, sculpted facial features. The lighting is soft and directional, casting shadows that settle into the carved recesses of her skin, accentuating the depth of the hollowed-out forms. The background is black and gray and softly blurred, composed of dark, desaturated tones, ensuring that all focus remains on the intricate details of her face and skin texture. The composition is tight and hyper-detailed.
    A highly detailed close-up portrait of a woman with porous, bone-like skin, covered in intricate, hollowed-out cavities resembling fossilized coral or aged ivory. The delicate lattice of carved openings extends from her forehead, across her cheeks, and down her elongated neck, with some areas appearing smoothly polished, while others have natural cracks and weathered textures. The openings vary in size and depth, creating a layered, organic structure. Her large, golden-amber eyes are framed by dark, smudged makeup, contrasting against her pale, porcelain-like complexion. Her full lips are painted a deep burnt red, standing out vividly against the neutral bone tones of her skin. Her platinum-white hair cascades around her face, with soft, fine strands resting against the rigid hollows of her cheekbones. Some strands are partially illuminated by soft, diffused lighting, creating subtle highlights that emphasize the contrast between her organic, flowing hair and structured, sculpted facial features. The lighting is soft and directional, casting shadows that settle into the carved recesses of her skin, accentuating the depth of the hollowed-out forms. The background is abstract and softly blurred, composed of cool, desaturated tones, ensuring that all focus remains on the intricate details of her face and skin texture. The composition is tight and hyper-detailed.
    A highly detailed close-up portrait of a woman with porous, bone-like skin, covered in intricate, hollowed-out cavities resembling fossilized coral or aged ivory. The delicate lattice of carved openings extends from her forehead, across her cheeks, and down her elongated neck, with some areas appearing smoothly polished, while others have natural cracks and weathered textures. The openings vary in size and depth, creating a layered, organic structure. Her large, golden-amber eyes are framed by dark, smudged makeup, contrasting against her pale, porcelain-like complexion. Her full lips are painted a deep burnt red, standing out vividly against the neutral bone tones of her skin. Her platinum-white hair cascades around her face, with soft, fine strands resting against the rigid hollows of her cheekbones. Some strands are partially illuminated by soft, diffused lighting, creating subtle highlights that emphasize the contrast between her organic, flowing hair and structured, sculpted facial features. The lighting is soft and directional, casting shadows that settle into the carved recesses of her skin, accentuating the depth of the hollowed-out forms. The background is abstract and softly blurred, composed of cool, desaturated tones, ensuring that all focus remains on the intricate details of her face and skin texture. The composition is tight and hyper-detailed.

      FLUX

    • Dev - flux_dev.safetensors