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    High-resolution, well shot photo from below. In the photo is a twelve foot tall gorgoeus, slim woman giantess with large breasts and a big butt wearing a blue dress and high heels. She is looming gigantically tall in a modern living room with a window. She is far too tall, lean and athletic and her legs are very long. Her auburn hair is luscious and very long, reaching all the way down to her thighs. One hand is playing with her hair. She stands in half-profile. <lora:aidmaFluxPro1.1Stylev0.2:0.6> <lora:sameface2:-0.5> <lora:bustyfc_v2:0.2> <lora:roundassv16_FLUX:0.1>
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    A whimsical imagenious style painting depicting a rich frog reclines against a street corner, clearly out of place in his crisp, tailored tuxedo. His gold-tipped cane rests casually at his side, and his gleaming top hat is propped out in front of him—open, but not for coins. A diamond-encrusted sign perched against the hat reads: ‘Buzz Needed for Yacht Expansion Fund.’ Behind him, his luxury amphibious sports car gleams under the streetlights. The frog’s expression is one of smug entitlement, his half-lidded eyes daring passersby to contribute. Despite the absurdity of it all, a few buzz notes are scattered in the hat, proving that charm and audacity go a long way.
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    Imagine a masterpiece that blends the ethereal whimsy of Edmund Dulac's illustrations with the futuristic elegance of Syd Mead's designs. The photograph presents a majestic structure, sliced diagonally into two halves: the left half is made of soft, flowing clouds, while the right half consists of smooth, polished marble.The clouds, in pastel shades of lavender and peach, drift gracefully from the top to the bottom of the image, creating a dreamy, ethereal backdrop. They seem almost tangible, as if you could reach out and touch them. The marble portion, on the other hand, is meticulously detailed with intricate patterns and textures that reflect light in mesmerizing ways, giving it an almost holographic quality.The structure itself—a grand architectural marvel—melds these two very different materials seamlessly. Its upper half, shaped like a soaring tower or perhaps a floating dome, contrasts sharply yet harmoniously with the lower half of marble. The diagonal cut creates a sense of motion and dynamism, as if the building is in the process of transforming from one material to another.The overall composition is a perfect blend of the vintage charm and fantasy of Dulac's illustrative style with Mead’s futuristic vision. The colors are soft yet vibrant, creating a mood that is simultaneously magical and modern. The viewer is left with a sense of wonder at the imaginative collaboration between these two iconic artists, where reality and imagination intersect in a breathtaking visual symphony. aidmaMJ6.1.
    A Fantasy-Themed Valentine’s Poster Pinned to a Medieval Tavern Wall. In a rustic tavern filled with raucous laughter and the clinking of mugs, a parchment poster hangs crookedly on the notice board, its edges slightly burned from a nearby candle. In dramatic, bold lettering, it reads: "Valentine’s Feast! Bring Your True Love (or Just a Good-Looking Illusion)!" Below, scribbled in different inks, are additional messages: "No love potions allowed this time!" and "Bards get half-price mead if they sing only love songs." A tiny goblin signature in the corner boasts: "Certified by the Guild of Romance & Mischief." The entire scene feels like a celebration of love—both sincere and chaotic—in the way only a fantasy world could offer. , detailed background Fantastic lighting. Detailed shadows.intricate details, vivid colors, hyper-detailed, ultra-sharp, , <lora:FluxMythR3alisticF:0.4><lora:midjourney_whisper_flux_lora_v01:0.4><lora:aidmaMJ6.1-FLUX-V0.1:0.4><lora:Movie_Portrait:0.4><lora:Flux DetailerV2:0.4>
    The close-up reveals the terrifying face of a cyborg ninja, an intricate fusion of organic beauty and cold, mechanical perfection. Her face is framed by a sleek, polished helmet that partially covers her features, leaving only the lower half exposed. The exposed skin on her face is pale, almost ghostly, a stark contrast to the sophisticated mechanical enhancements that have replaced much of her body. Her left cheek and jawline are adorned with sharp, angular plates, seamlessly molded to her skin, their surface gleaming with a dark metallic sheen. Intricate circuit patterns snake down her neck, glowing faintly with pulses of electric energy that flicker like veins of lightning beneath the surface. The right side of her face is a chilling display of cybernetic mastery, where human flesh gives way to gleaming, polished steel and chrome. Her eye is encased in a dark, reflective visor, surrounded by a framework of sleek, geometric metal. The visor occasionally flickers with a deep amber glow, a direct connection to her augmented senses. The edges of the metal frame are adorned with fine micro-gears and minute, complex mechanisms that hum with energy, a silent reminder of the technological power running through her body. nelisty, dystujo, nelisty, enistyle
    A whimsical and humorous scene depicting "Maintenance Mode" for a website called "Civitai," with Deadpool front and center. The background is a colorful, slightly chaotic digital landscape with a large "Civitai" logo in the top corner, partially obscured by a "Maintenance in Progress" sign hanging crookedly. Deadpool, wearing his iconic red and black suit, stands in the middle, holding a giant, cartoonish wrench over his shoulder, with a mischievous grin on his face. A construction helmet with the Civitai logo is perched on his head at a jaunty angle. Around him, digital elements like gears, wires, and code fragments float in the air, seemingly being worked on by Deadpool himself. A sign next to Deadpool reads, "BRB! Fixing this bad boy for you!" in bold, playful font. In the background, there are other humorous details, such as a broken computer monitor with the blue screen of death and a half-assembled pixelated character waving a tiny flag that says, "Work in Progress." The overall vibe is fun and lighthearted, with Deadpool’s signature irreverence shining through as he "fixes" the site in his own chaotic way.
    The close-up reveals the terrifying face of a cyborg ninja, an intricate fusion of organic beauty and cold, mechanical perfection. Her face is framed by a sleek, polished helmet that partially covers her features, leaving only the lower half exposed. The exposed skin on her face is pale, almost ghostly, a stark contrast to the sophisticated mechanical enhancements that have replaced much of her body. Her left cheek and jawline are adorned with sharp, angular plates, seamlessly molded to her skin, their surface gleaming with a dark metallic sheen. Intricate circuit patterns snake down her neck, glowing faintly with pulses of electric energy that flicker like veins of lightning beneath the surface. The right side of her face is a chilling display of cybernetic mastery, where human flesh gives way to gleaming, polished steel and chrome. Her eye is encased in a dark, reflective visor, surrounded by a framework of sleek, geometric metal. The visor occasionally flickers with a deep amber glow, a direct connection to her augmented senses. The edges of the metal frame are adorned with fine micro-gears and minute, complex mechanisms that hum with energy, a silent reminder of the technological power running through her body. nelisty, dystujo, nelisty, enistyle
    photoid, cpstyle, dystujo, The close-up reveals the terrifying face of a cyborg ninja, an intricate fusion of organic beauty and cold, mechanical perfection. Her face is framed by a sleek, polished helmet that partially covers her features, leaving only the lower half exposed. The exposed skin on her face is pale, almost ghostly, a stark contrast to the sophisticated mechanical enhancements that have replaced much of her body. Her left cheek and jawline are adorned with sharp, angular plates, seamlessly molded to her skin, their surface gleaming with a dark metallic sheen. Intricate circuit patterns snake down her neck, glowing faintly with pulses of electric energy that flicker like veins of lightning beneath the surface. The right side of her face is a chilling display of cybernetic mastery, where human flesh gives way to gleaming, polished steel and chrome. Her eye is encased in a dark, reflective visor, surrounded by a framework of sleek, geometric metal. The visor occasionally flickers with a deep amber glow, a direct connection to her augmented senses. The edges of the metal frame are adorned with fine micro-gears and minute, complex mechanisms that hum with energy, a silent reminder of the technological power running through her body.
    snowy_landscapes, painting. Impressionist oil painting of a horrible avalanche during late winter. The view is from the base of a large mountain. Half-way up the mountain a large cornice has released and a massive avalanche of tumbling snow is building relentlessly through the scene. Specks of blue sky and sun are still visible, but shadow and darkness begin to descend over the scene as the avalanche builds in ferocity. A small group of winter birds can be seen in the foreground beginning to take flight to escape the oncoming path of wreckage. The work is unsigned. It is an exceptional masterpiece.
    A hyper-realistic close-up portrait of a woman wearing a surreal, avant-garde chrome asymmetrical mask that covers exactly half of her face, leaving her sharp, expressive eyes exposed. The mask features an intricate, neuron-inspired design with over 1,000 surreal spikes extending outward to the right in an exaggerated and otherworldly fashion, forming a mesmerizing cascade of sharp, metallic projections that ripple and twist like liquid energy frozen in time. The polished chrome surface glimmers with mirrored highlights, liquid-like smoothness, and luminous neural patterns, reflecting light in captivating, dynamic ways. Her permed short red hair, accented with vibrant orange tones, forms a fiery frame around her uncovered features, while her pale skin, subtly warmed with an orange tint, adds a gentle contrast to the cold brilliance of the mask. The spikes stretch dramatically into the composition, creating a striking sense of motion and depth that enhances the surreal aesthetic. The background is a single pitch-black tone, intensifying the vivid details of the mask and her vibrant appearance. Rendered in ultra-HD, 8K resolution with cinematic lighting and a shallow depth of field, the image captures the intricate reflections, shadow interplay, and luminous metallic accents of the surreal chrome design. Inspired by futuristic haute couture and cutting-edge surrealism, this portrait is a striking blend of human beauty and avant-garde innovation, radiating mystery and elegance.
    Hel, the Norse Goddess of Death, is a haunting figure, embodying both life and decay. Her long hair cascades down her back, split perfectly—one side as dark as a moonless night, the other as pale as lifeless bone. This stark contrast mirrors her dual existence, ruling over the dead yet tethered to the living. Her regal attire is woven from deep violet and black fabrics, adorned with skeletal motifs and cold iron embellishments. A heavy, fur-lined cloak drapes over her shoulders, exuding both nobility and dread. The corset-like bodice clings to her frame, reinforced with sharp, ivory-colored ribs, while a skull-shaped belt buckle marks her dominion. Her face is a tale of two realms—one smooth side, dark eyes lined in kohl, and her lips black as night. The other side of her face is grotesque, rotting away to expose cracked bone and blackened veins, a chilling reminder of death’s inevitability. A jagged crown, twisted and worn, sits upon her brow, a mark of her eternal reign. One hand is a skeleton hand, while her normal hand reaches forward, fingers curled as if summoning the souls of the fallen. Beneath her, skeletal hands claw their way from the abyss, drawn to her presence. Her aura is cold, merciless, and inescapable—Hel, the Queen of the Dead, forever straddling the boundary between the living and the lost. The atmosphere is dark, moody, and eerie. Half dead.
    Inside an abandoned, overgrown cemetery, a skeletal zombie with patches of dry, decayed flesh still clinging to its bones claws its way out of a half-collapsed grave. The moonlight casts long shadows across the weathered headstones, while the wind rustles through the dry, overgrown grass, creating an eerie whispering sound. The zombie’s eye sockets glow faintly with an unnatural red light, and its bony fingers scrape against the earth as it struggles to rise. Surrounding it, the cemetery is in disarray, with cracked tombstones leaning at odd angles and mausoleums covered in creeping vines that seem to pulse with a faint, eerie light. In the distance, more figures rise from the graves, their twisted forms silhouetted against the night sky, as if summoned by some dark force. The air is cold and heavy with the smell of damp earth and decay, and the sound of distant thunder rumbles in the background. The scene is filled with a sense of rising dread, as the dead awaken, one by one, to reclaim the night.<lora:Dorota_Pietrowiak:0.3> Portrait by Dorota Pietrowiak <lora:Comic book V2:0.8> High-contrast illustration
    mlkwglx, Milky Way galaxy, stars, highly detailed photograph depicting a futuristic space scene. vibrant and expansive section of the night sky, showcasing a stunning display of stars, nebulas, and gas clouds. The upper half of the image is dominated by a dense, colorful nebula, which appears as a swirling, multi-hued cloud. This nebula is a rich tapestry of deep blues, purples, and reds, with a mix of bright and dim regions. In the lower half of the image, there is a vast, glowing red nebula, which appears more diffuse and less dense than the upper nebula. This nebula is a deep, velvety red, with hints of pink and purple, and it stretches across the lower half of the photograph. are numerous stars of varying sizes and brightness, adding to the celestial spectacle. Some stars are small and white, while others are larger and brighter, emitting a brilliant light. The central focus is a massive, metallic spacecraft, resembling a starship, with a sleek, elongated design and numerous windows that glow with warm, yellow light. The ship is positioned diagonally from the bottom left to the top right, with a slight upward angle, and appears to be in motion, with trails of light emanating from its rear engines. backdrop, several other planets and satellites are scattered. Additional spacecraft, also metallic and sleek, are scattered throughout the scene, some closer to the ship and others in the distance. the metallic sheen of the ships and the ethereal glow of the nebula.
    in the style of a old movie poster. (Banner text: "THE LITTLE LADY OF HORRORS!"). text made of vines. movie headline in medium letters: (text: "COMING THIS AUTUMN"). below half way down the poster is the underline (text: "THIS IS NO PICNIC"). The poster background is made of of a erie forest backdrop. extremely detailed Stained and creased paper corners, with a burn mark stains on it. the poster has movie taglines and movie credits at the bottom of the poster. oldpprCE style. a dryad plant flower woman is half the focus of the poster. standard neck length. brown hair. petals. tree. green eyes. dryad. monster girl. bugs. hair ornament. floating hair. plant girl. tree spirit with light skin. almost melancholic undertone. fair porcelain skin. raven black hair with a few strands framing her face. Her eyes are green. high definition detail. she has relaxed shoulders. glamorous women art. photo-realistic digital painting featuring a woman with a striking pose. giving an impression of tranquility or possibly a dreamlike state. antique-style 1920s photo vignette effect.
    High-resolution, well shot photo from below. In the photo is a twelve foot tall gorgoeus, slim woman giantess redhead with large breasts and a big butt wearing a dark green midi dress and high heels. She is looming gigantically tall in a modern living room with a window. She is far too tall, lean and athletic and her legs are very long. Her hair is luscious and very long, reaching all the way down to her thighs. One hand is playing with her hair. She stands in half-profile. <lora:aidmaFluxPro1.1Stylev0.2:0.8> <lora:sameface2:-0.5> <lora:bustyfc_v2:0.3> <lora:roundassv16_FLUX:0.2>
    A whimsical and humorous scene depicting "Maintenance Mode" for a website called "Civitai," with Deadpool front and center. The background is a colorful, slightly chaotic digital landscape with a large "Civitai" logo in the top corner, partially obscured by a "Maintenance in Progress" sign hanging crookedly. Deadpool, wearing his iconic red and black suit, stands in the middle, holding a giant, cartoonish wrench over his shoulder, with a mischievous grin on his face. A construction helmet with the Civitai logo is perched on his head at a jaunty angle. Around him, digital elements like gears, wires, and code fragments float in the air, seemingly being worked on by Deadpool himself. A sign next to Deadpool reads, "BRB! Fixing this bad boy for you!" in bold, playful font. In the background, there are other humorous details, such as a broken computer monitor with the blue screen of death and a half-assembled pixelated character waving a tiny flag that says, "Work in Progress." The overall vibe is fun and lighthearted, with Deadpool’s signature irreverence shining through as he "fixes" the site in his own chaotic way.
    Style: Surreal, minimalist, high-fashion still life Scene: A provocative, surreal still life composition featuring an inflatable vase with a curvy, sensual design. The vase, shaped like the lower half of a woman's body, is glossy and smooth, with soft, rounded contours that give it a seductive appeal. Emerging from the vase are inflatable flowers with vibrant, oversized petals and exaggerated stems that bend and sway as if caught in a gentle breeze. Setting: The inflatable vase and flowers are set against a minimalist background, with soft lighting casting subtle shadows that enhance the curves and textures of the scene. The backdrop is neutral, allowing the vibrant, inflatable elements to stand out. The overall mood is playful and slightly provocative, blending elements of art and fashion in a way that feels both modern and whimsical. Mood: The image captures a sense of playful sensuality, where everyday objects are transformed into something surreal and intriguing. The inflatable materials add a touch of lightness and humor, making the scene feel both sophisticated and delightfully unexpected.
    A whimsical and humorous scene depicting "Maintenance Mode" for a website called "Civitai," with Deadpool front and center. The background is a colorful, slightly chaotic digital landscape with a large "Civitai" logo in the top corner, partially obscured by a "Maintenance in Progress" sign hanging crookedly. Deadpool, wearing his iconic red and black suit, stands in the middle, holding a giant, cartoonish wrench over his shoulder, with a mischievous grin on his face. A construction helmet with the Civitai logo is perched on his head at a jaunty angle. Around him, digital elements like gears, wires, and code fragments float in the air, seemingly being worked on by Deadpool himself. A sign next to Deadpool reads, "BRB! Fixing this bad boy for you!" in bold, playful font. In the background, there are other humorous details, such as a broken computer monitor with the blue screen of death and a half-assembled pixelated character waving a tiny flag that says, "Work in Progress." The overall vibe is fun and lighthearted, with Deadpool’s signature irreverence shining through as he "fixes" the site in his own chaotic way.
    a girl sitting at the end of a pier, realistic photography, petite, cute, with her hands wrapped around her legs, eyes half closed looking at sail ships going to port, short plaid micro skirt, loose blouse, short redhead hair ruffled by the wind, half smile, beautiful eyes, she is a goddess of time, perfect in every way
    Art Concept: “Duality of Light and Darkness” Composition: This artwork features a captivating portrait split directly down the middle, showcasing the duality of a single beautiful angelic figure. On the left side, we see her demonic persona, embodying darkness and evil, while the right side reveals her angelic form, radiating light and goodness. The division creates a dramatic contrast between the two aspects of her identity. Left Side - The Demon (Darkness): On the left side, the color palette consists of deep blacks, purples, and dark reds, symbolizing the dark and sinister elements associated with the demon. Her face is striking yet haunting, with sharp features that convey a sense of malice. Her eyes are a piercing crimson, glowing with an unsettling intensity that draws the viewer in. Dark, flowing hair cascades around her face, intertwined with shadows that seem to shift and writhe. Her wings are large and black, resembling the feathers of a raven, with a glossy finish that reflects light in an eerie way. The brushwork is bold and jagged, evoking a sense of chaos and turmoil. The expression on her face is one of cunning and allure, with a sly smile that hints at her mischievous nature. Surrounding her are swirling shadows and faint wisps of smoke, enhancing the ominous atmosphere. Right Side - The Angel (Light): In stark contrast, the right side is illuminated with soft whites, golds, and pastel colors, representing the purity and goodness of the angel. Her face is serene and beautiful, with gentle features that radiate warmth and kindness. Her eyes are a soft, luminous blue, filled with compassion and understanding. Her hair flows in golden waves, catching the light and shimmering like sunlight. Her wings are magnificent and golden, resembling the delicate feathers of a dove, with a radiant glow that seems to emit light. The brushstrokes here are smooth and flowing, capturing a sense of peace and harmony. The expression on her face is one of benevolence and strength, with a gentle smile that invites trust and comfort. Surrounding her are soft glimmers of light and ethereal sparkles, creating a dreamlike atmosphere. Central Division - Collision of Light and Dark: At the center, where the two personas meet, there is a mesmerizing blend of light and dark. This area features intricate effects that symbolize the coexistence of good and evil within the same being. Shadows intertwine with glimmers of light, creating a dynamic visual that represents the complexity of her identity. The contrast is striking, with the darkness appearing to recede slightly in the presence of the light, yet both elements are equally present, highlighting the duality of her nature. Text Integration: “Haisen works” Positioning: The text "Haisen works" will be prominently positioned at the bottom of the poster, serving as a unifying element that ties together the contrasting halves of the artwork. Styling: Left Half (Darkness): The letters on the left will feature dark, shadowy textures with hints of red and purple. The font could have sharp, angular edges that mimic the chaotic nature of darkness, with a subtle glow that gives an eerie effect. Right Half (Light): The letters on the right will be designed with soft, radiant textures in shades of gold and white. The font will have smooth, flowing curves that evoke a sense of grace and tranquility, with a warm glow that suggests purity. Text Effects: To enhance the text further: Glow Effect: A subtle glow effect can be added to both sides, with a cool dark aura on the left and a warm golden glow on the right, creating a visual connection to the themes of light and darkness. Shadowing: Adding a slight shadow beneath the text can enhance its depth and make it pop against the background. Overall Effect: The combination of dark and light elements in the text and the dual faces will create a striking visual impact, harmonizing with the portrait's themes. The text will not only stand out but also resonate with the narrative of duality, emphasizing the balance between the angel and demon within the same beautiful being.
    a girl sitting at the end of a pier, realistic photography, petite, cute, with her hands wrapped around her legs, eyes half closed looking at sail ships going to port, short plaid micro skirt, loose blouse, short redhead hair ruffled by the wind, half smile, beautiful eyes, she is a goddess of time, perfect in every way
    Art Concept: “Duality of Light and Darkness” Composition: This artwork features a captivating portrait split directly down the middle, showcasing the duality of a single beautiful angelic figure. On the left side, we see her demonic persona, embodying darkness and evil, while the right side reveals her angelic form, radiating light and goodness. The division creates a dramatic contrast between the two aspects of her identity. Left Side - The Demon (Darkness): On the left side, the color palette consists of deep blacks, purples, and dark reds, symbolizing the dark and sinister elements associated with the demon. Her face is striking yet haunting, with sharp features that convey a sense of malice. Her eyes are a piercing crimson, glowing with an unsettling intensity that draws the viewer in. Dark, flowing hair cascades around her face, intertwined with shadows that seem to shift and writhe. Her wings are large and black, resembling the feathers of a raven, with a glossy finish that reflects light in an eerie way. The brushwork is bold and jagged, evoking a sense of chaos and turmoil. The expression on her face is one of cunning and allure, with a sly smile that hints at her mischievous nature. Surrounding her are swirling shadows and faint wisps of smoke, enhancing the ominous atmosphere. Right Side - The Angel (Light): In stark contrast, the right side is illuminated with soft whites, golds, and pastel colors, representing the purity and goodness of the angel. Her face is serene and beautiful, with gentle features that radiate warmth and kindness. Her eyes are a soft, luminous blue, filled with compassion and understanding. Her hair flows in golden waves, catching the light and shimmering like sunlight. Her wings are magnificent and golden, resembling the delicate feathers of a dove, with a radiant glow that seems to emit light. The brushstrokes here are smooth and flowing, capturing a sense of peace and harmony. The expression on her face is one of benevolence and strength, with a gentle smile that invites trust and comfort. Surrounding her are soft glimmers of light and ethereal sparkles, creating a dreamlike atmosphere. Central Division - Collision of Light and Dark: At the center, where the two personas meet, there is a mesmerizing blend of light and dark. This area features intricate effects that symbolize the coexistence of good and evil within the same being. Shadows intertwine with glimmers of light, creating a dynamic visual that represents the complexity of her identity. The contrast is striking, with the darkness appearing to recede slightly in the presence of the light, yet both elements are equally present, highlighting the duality of her nature. Text Integration: “Haisen works” Positioning: The text "Haisen works" will be prominently positioned at the bottom of the poster, serving as a unifying element that ties together the contrasting halves of the artwork. Styling: Left Half (Darkness): The letters on the left will feature dark, shadowy textures with hints of red and purple. The font could have sharp, angular edges that mimic the chaotic nature of darkness, with a subtle glow that gives an eerie effect. Right Half (Light): The letters on the right will be designed with soft, radiant textures in shades of gold and white. The font will have smooth, flowing curves that evoke a sense of grace and tranquility, with a warm glow that suggests purity. Text Effects: To enhance the text further: Glow Effect: A subtle glow effect can be added to both sides, with a cool dark aura on the left and a warm golden glow on the right, creating a visual connection to the themes of light and darkness. Shadowing: Adding a slight shadow beneath the text can enhance its depth and make it pop against the background. Overall Effect: The combination of dark and light elements in the text and the dual faces will create a striking visual impact, harmonizing with the portrait's themes. The text will not only stand out but also resonate with the narrative of duality, emphasizing the balance between the angel and demon within the same beautiful being.
    Style: Surreal, minimalist, high-fashion still life Scene: A provocative, surreal still life composition featuring an inflatable vase with a curvy, sensual design. The vase, shaped like the lower half of a woman's body, is glossy and smooth, with soft, rounded contours that give it a seductive appeal. Emerging from the vase are inflatable flowers with vibrant, oversized petals and exaggerated stems that bend and sway as if caught in a gentle breeze. Setting: The inflatable vase and flowers are set against a minimalist background, with soft lighting casting subtle shadows that enhance the curves and textures of the scene. The backdrop is neutral, allowing the vibrant, inflatable elements to stand out. The overall mood is playful and slightly provocative, blending elements of art and fashion in a way that feels both modern and whimsical. Mood: The image captures a sense of playful sensuality, where everyday objects are transformed into something surreal and intriguing. The inflatable materials add a touch of lightness and humor, making the scene feel both sophisticated and delightfully unexpected.
    A bustling marketplace at the base of a towering, ancient volcano, where time itself seems fluid, Stalls sell impossible fruits and bottles that emit multiple colors when shaken, Airships with iridescent wings navigate between the stalls, while clouds of dust and energy particles swirl around them, In the background, the volcano’s crater is half-finished, a massive construction project that morphs and reconfigures itself, defying logic, The people are a mix of fantastical humanoids and completely alien life forms, each wearing jewelry that distorts their surroundings, giving the entire scene a kaleidoscopic quality, Use a color palette that shifts dramatically as the eye moves, with intense, contrasting hues that draw the viewer’s attention to both the near detail and the sprawling, surreal backdrop, Include small notes and hints of other languages scrawled on walls to suggest a rich history and secret societies, Lighting should be multidimensional, not simply from the sun or some glowing orb, but rather emanating from various sources that affect the scene in complex ways, The overall atmosphere should feel both vibrant and unsettling, as if reality itself is bending to the will of unseen powers, , (&:0)
    A side-view analog-style photo of a Range Rover L322 pushing through the dense, swampy jungles of Vietnam, captured with the grainy, vintage aesthetic of a 1960s photograph. The vehicle is half-submerged in muddy water, with the waterline clearly reaching just below the windows, emphasizing the vehicle’s struggle through the flooded jungle terrain. Splashes ripple outward as the car powers forward, creating dynamic waves in the murky water. Thick jungle foliage surrounds the scene, with towering trees, hanging vines, and dense vegetation framing the path. The car’s exterior is heavily coated in mud, blending into the rugged, untamed environment. The sunlight filtering through the dense canopy above casts soft, fragmented beams, creating a dappled lighting effect. The photo has the faded tones and imperfect focus typical of 1960s camera technology, while the dirty lens adds smudges and water streaks for an authentic, unpolished feel. The shot captures the timeless sense of adventure and resilience as the vehicle forges its way through the challenging terrain, with the high water level drawing attention to the extreme conditions. aidmaimageupgrader, aidmafluxpro1.1
    Upper-half body of a huge, super large, skeleton warrior, wearing wolf pelts as a shirt, and a wolf pelt kelt. His entire body is skeletal, he has no flesh or skin, only bones, his sockets are empty. He is very proportional, and has his fist in his palm in a menacing way. His neck is longer and thicker, but still completely skeletal. His entire body is skeletal and has no skin or flesh, and bones.
    nail art, a single large nail prominently featured in a crescendo of artistic masterpiece, a flux of horizontally distorted reality crossed the image half way through creating a quantum field of memories in another dimension <lora:Dever_Flux_Enhancer:0.5> <lora:dvr-afrofuturism-flux:1>
    mlkwglx, Milky Way galaxy, stars, This image is a hyper-realistic CGI rendering of a cosmic landscape, featuring a vivid and dynamic celestial scene. The background is dominated by a vast, swirling nebula, blending shades of deep blue, purple, and pink, with luminous stars scattered throughout. A central, glowing, spherical object, resembling a star or planet, emits a bright, radiant light that creates a luminous halo around it. The foreground consists of jagged, rocky terrain, with dark, shadowy textures and sharp edges, giving a sense of ruggedness and depth. The rocks are predominantly black and gray, with subtle hints of purple and blue, reflecting the colors of the surrounding nebula. In the mid-ground, a narrow, dark river flows through the rocky landscape, with rippling, reflective surfaces that catch the light from the distant celestial bodies. The overall color palette of the image is rich and vibrant, with a mix of cool and warm tones, creating a striking contrast between the dark, shadowy foreground and the bright, colorful background. The composition is balanced, with the central glowing object drawing the eye towards the upper half of the image, while the rocky terrain and river guide the gaze towards the lower half.
    A masterpiece of aesthetics style created by the collaboration of Simon Stalenhag and Masamune Shirow. The main objects in the image are composed of different materials. The right side of the main object is made of leather, while the left side retains its original material.In this captivating photograph, we witness the fusion of Simon Stalenhag's distinctive aesthetic, known for its retro-futuristic landscapes, and Masamune Shirow's cyberpunk style, blending seamlessly into a mesmerizing masterpiece. The scene is set in a bustling cityscape, where neon lights flicker against a night sky sprinkled with stars.The central figure is a person standing dramatically, their body twisted at an acute angle, creating a dynamic visual impact. One half of the figure—on the right side—is crafted from supple leather, soft and organic, while the other side remains in its original material, suggesting a stark contrast between technology and nature. This duality adds a layer of intrigue, making the viewer question the origins of this hybrid being.The composition is shot from an unusual angle, slightly from above, creating an oblique perspective that draws the eye towards the central figure. The camera position places the main subject at the forefront, with the cityscape and its architectural wonders in the background. The architecture features towering skyscrapers with sleek glass facades, their surfaces reflecting the neon lights below.In the foreground, a cobblestone street leads to the figure, adding texture and depth to the scene. The lighting is dramatic, with soft shadows cast by the illuminated city elements, enhancing the visual contrast between the leather and the original material of the figure's body.The overall effect is a visually striking image that invites interpretation and contemplation, blending the organic and the mechanical in a way that challenges our perceptions of what can be. HD32K, hyperdetailed, best quality, aidmaMJ6.1.
    A masterpiece of abstract idol girl style created by the collaboration of Edmund Dulac and Francisco de Goya. The main objects are sliced at intervals along a diagonal, with each interval featuring a different material: the first material is quartz stone, and the second is fringes; the remaining materials are those that the main object would originally have.Imagine an ethereal scene where the boundaries of reality blur into a dreamlike abstraction. In the center of this composition stands an idol girl, her form partially sliced and reassembled along a diagonal axis, creating a mesmerizing optical illusion. The first half of her figure is crafted from translucent quartz stone, catching and scattering light in myriad directions, giving it a luminous, almost ethereal quality. As you follow the diagonal line, the second segment transitions into an intricate, flowing fringe, each strand delicately rendered to evoke both the softness of fabric and the sharp edges of metallic threads.The remaining parts of her figure are imbued with materials that she would originally possess—perhaps iridescent feathers for hair, shimmering metal discs for eyes, or delicate, almost skeletal elements for limbs. These materials interact in a harmonious yet jarring way, creating a visual tension that is both captivating and disorienting.Edmund Dulac’s intricate, hand-painted details and Goya’s surreal, often darkly humorous interpretations merge to create a world where the line between the material and ethereal realms becomes fluid. The colors shift from deep, rich tones of midnight blue and sapphire to more vibrant hues like emerald green and gold, reflecting light in unpredictable ways as if each slice were its own miniature universe.The overall effect is one of both beauty and mystery, inviting the viewer to explore the complexities within this abstract idol girl, a masterpiece that challenges perceptions of form and substance. HD32K, hyperdetailed, best quality, aidmaMJ6.1.
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    Oil painting. Scene of a woman walking on a sea wall after a hurricane. Tall slender woman with long wavy brown hair. She is wearing a short trench coat and leather walking boots. Her hair is whipping in the strong winds, and she is holding the collar of her trench coat closed to protect her face from the weather. Her cheeks are red from the wind and the salty spray of the ocean around her. The sea wall is approximately 25 feet above the water, but the violent waves crashing into the wall send ocean spray into the air. The large ocean waves are seen collecting in the background and they make their way toward the sea wall. The hurricane has just begun to pass. It is morning, and red sun is rising on the horizon. Half is the sky is still covered with the remainder of dark storm clouds as the last of the hurricane abates the scene in dramatic fashion. This provides a contrast at the top of the painting that transitions into the foreground contrast between the calm beautiful woman and the violent waters around her. The painting exhibits gradual tonal shifts in color from the dark storm clouds to the morning sun breaking through in the background. The brush strokes restrained and managed. The scene rather than the artist's brushstrokes provides movement. VibrantlyDark style. The work is unsigned.
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    in the style of a old movie poster. (Banner text: "THE LITTLE LADY OF HORRORS!"). text made of vines. movie headline in medium letters: (text: "COMING THIS AUTUMN"). below half way down the poster is the underline (text: "THIS IS NO PICNIC"). The poster background is made of of a erie forest backdrop. extremely detailed Stained and creased paper corners, with a burn mark stains on it. the poster has movie taglines and movie credits at the bottom of the poster. oldpprCE style. a dryad plant flower woman is half the focus of the poster. standard neck length. brown hair. petals. tree. green eyes. dryad. monster girl. bugs. hair ornament. floating hair. plant girl. tree spirit with light skin. almost melancholic undertone. fair porcelain skin. raven black hair with a few strands framing her face. Her eyes are green. high definition detail. she has relaxed shoulders. glamorous women art. photo-realistic digital painting featuring a woman with a striking pose. giving an impression of tranquility or possibly a dreamlike state. antique-style 1920s photo vignette effect.
    in the style of a old movie poster. (Banner text: "BAD KARMA!"). text made of vines. movie headline in medium letters: (text: "COMING THIS SUMMER"). below half way down the poster is the underline (text: "THEY KNOW WHAT YOU HAVE DONE"). The poster background is made of a urban landscape during a peaceful afternoon sunset backdrop. extremely detailed Stained and creased paper corners, with a burn mark stains on it. on the bottom of the poster has movie taglines and has various movie style logos. the movie poster in small letters: (text: "PG-13"). oldpprCE style. a business woman is half the focus of the poster. she is wearing a long ruby sequin dress. green eyes. almost melancholic undertone. fair porcelain skin. fiery red hair with a few strands framing her face. Her eyes are green. high definition detail. she has relaxed shoulders. glamorous women art. photo-realistic digital painting featuring a woman with a striking pose. giving an impression of tranquility or possibly a dreamlike state. antique-style 1920s photo vignette effect.
    analog film photo A woman stands against a pink background with an expression of surprise and delight on her face as she looks directly at the camera, revealing two rows of googly eyes covering both sides of her head and framing her mouth which is also covered by more googly eyes. The outfit consists entirely of these same googly-eyed features arranged in clusters to resemble scales or a mosaic pattern across various parts of her body, including on the top portion where they form sleeves that extend down to mid-length arms. She has dark skin with no visible hairline indicating either very short natural hair if any at all or it is obscured by something like headwear out of frame; however, there are discernible curves suggesting she may be an adult woman rather than a child. The artistic style here leans heavily towards surrealism and pop art due to its unconventional subject matter and bright colors used throughout. It's worth noting that the artist has meticulously painted each eye with individual eyelashes adding depth and realism despite their cartoonish design, which is also mirrored in how she poses — half her body appears frozen mid-movement suggesting an abrupt stop as if caught by this unexpected photograph. The composition centers on our subject against a simple backdrop allowing for maximum impact of the googly-eyed outfit. There's little else to distract from what we're supposed to focus on, which is clearly intentional design choice meant to draw attention directly to her expression and attire while subtly reinforcing themes like surveillance or being watched even when not consciously aware. The lighting in this image appears soft yet bright enough to highlight each individual element without creating harsh shadows that could detract from their overall impact. It seems evenly distributed across the scene, possibly suggesting studio-style photography meant specifically for display purposes rather than everyday use or casual capture moments. There's nothing particularly complicated about capturing such an image technically speaking — it relies heavily on careful lighting control and composition planning alongside artistic choices like color palette selection (the pastel pink background complements both her skin tone as well as the eye colors) to create a harmonious visual effect. The result is something that might intrigue viewers not just because of its weirdness but also due to how effectively it conveys specific themes through seemingly simple means. This photograph possesses strong narrative elements and emotional resonance, qualities often found in photorealistic fine art photography which aims at capturing the subtleties and complexities inherent within everyday scenes. Its technical aspects such as lighting control, composition planning, color palette selection are all executed with precision to ensure that these details do not overpower or detract from its overall impact but rather enhance it further by creating an immersive visual experience for viewers. In summary, this image is a compelling representation of modern surreal and pop art styles through the use of bright colors, unconventional subject matter, meticulous composition planning along with excellent technical execution involving soft yet strategic lighting to create photorealistic details that make every element stand out vividly against its pastel pink backdrop. It's an intriguing mix of unexpected elements combined in a way which conveys deeper themes like surveillance or being watched even when not consciously aware while still maintaining visual appeal through harmonious composition and careful attention to detail throughout the entire photograph. . faded film, desaturated, 35mm photo, grainy, vignette, vintage, Kodachrome, Lomography, stained, highly detailed, found footage
    Hel, the Norse Goddess of Death, is a haunting figure, embodying both life and decay. Her long hair cascades down her back, split perfectly—one side as dark as a moonless night, the other as pale as lifeless bone. This stark contrast mirrors her dual existence, ruling over the dead yet tethered to the living. Her regal attire is woven from deep violet and black fabrics, adorned with skeletal motifs and cold iron embellishments. A heavy, fur-lined cloak drapes over her shoulders, exuding both nobility and dread. The corset-like bodice clings to her frame, reinforced with sharp, ivory-colored ribs, while a skull-shaped belt buckle marks her dominion. Her face is a tale of two realms—one smooth side, dark eyes lined in kohl, and her lips black as night. The other side of her face is grotesque, rotting away to expose cracked bone and blackened veins, a chilling reminder of death’s inevitability. A jagged crown, twisted and worn, sits upon her brow, a mark of her eternal reign. One hand is a skeleton hand, while her normal hand reaches forward, fingers curled as if summoning the souls of the fallen. Beneath her, skeletal hands claw their way from the abyss, drawn to her presence. Her aura is cold, merciless, and inescapable—Hel, the Queen of the Dead, forever straddling the boundary between the living and the lost. The atmosphere is dark, moody, and eerie. Half dead.
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    A person draped in a billowing white bedsheet stands on a dimly lit sidewalk, their costume's fabric wrinkled and bunched in all the classic homemade ghost ways. The sheet pools slightly around their feet, revealing glimpses of light-up sneakers beneath. Two slightly crooked eyeholes are cut into the sheet, revealing comically bewildered cartoon eyes staring upward at a large, cloud-like thought bubble floating above. Inside the bubble, the text "A Rock?" appears in bouncy Halloween-themed letters, each character casting a playful shadow. The person's right arm extends outward from beneath the sheet, the fabric draping naturally to reveal a small hand holding a perfectly ordinary gray rock with exaggerated realism. Their left hand clutches a bright orange plastic pumpkin bucket decorated with classic black bat designs, already half-filled with colorful wrapped candies. The bucket tilts slightly, suggesting the weight of its sugary contents. The ghost-child's posture conveys a perfect mix of confusion and disappointment, with the sheet's folds somehow managing to express emotion through their arrangement. Behind them, a row of jack-o'-lanterns lines the sidewalk, their carved faces seeming to share in the person's bewilderment. The scene is illuminated by a cartoonishly large harvest moon, its orange glow creating exaggerated shadows that stretch across the ground. Fall leaves swirl around the figure in a stylized spiral, while in the background, other trick-or-treaters can be seen moving from house to house, their costumes and buckets creating silhouettes against warm porch lights. The overall style maintains a playful balance between realistic textures - particularly in the sheet's fabric and the rock's surface - and cartoon-like expressiveness in the character's pose and environmental details.
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    Main Subject: The main subject of the image is a whimsical and surreal depiction of a miniature pool and beach resort created inside a halved coconut. Composition: The composition is playful and dynamic. The coconut half, transformed into a pool, is positioned centrally against the soft pink background, creating a strong visual focus. The miniature ladder, umbrella, and beach ball add depth and detail to the scene. The vertical orientation of the image further emphasizes the sense of a miniature world within the coconut. Colors and Tones: The color palette is vibrant and summery. The brown of the coconut shell provides a warm and natural base. The blue water inside the coconut contrasts beautifully with the pink background. The yellow umbrella and the colorful beach ball add pops of cheerful color. Technique: The image appears to be a digital collage. The artist has skillfully combined different elements, such as images of a coconut, a pool, a ladder, an umbrella, and a beach ball, to create a unified and surreal scene. The use of digital techniques allows for precise manipulation of the elements and the creation of unexpected juxtapositions. Palette: The color palette is limited but effective. The use of warm brown, cool blue, vibrant yellow, and the soft pink background creates a sense of energy and summery playfulness. Small Details: The subtle texture of the coconut shell adds a sense of realism and visual interest. The ripples on the "water" inside the coconut create a sense of movement and depth. The miniature ladder and umbrella add a touch of whimsy and detail to the scene. Overall, this image is a captivating and imaginative piece. The unexpected juxtaposition of a coconut and a miniature pool creates a sense of surprise and amusement. The artist's skillful use of color, composition, and the combination of different elements makes this image a unique and engaging work. The image could be interpreted in various ways, such as a celebration of summer and relaxation, a playful exploration of surreal concepts, or simply as a lighthearted and entertaining piece of digital art.
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    High-resolution, aerial shot 24mm photo of a very tall, slim japanese-ukrainian giant woman giantess with piercing blue eyes, black bobcut hair wearing a fitting red halterneck top tight black leather pants and tall black boots. She is sitting on top of a tall skyscraper, her legs dangle off of the side, almost half way down. On top of the skyscraper is a large orange neon sign with GROW WITH BUZZ text. Really showcase the giantess massive height. UHD, cinematic, awe-inspiring, HDR, cyberpunk, sci-fi, neon, cityscape, night. <lora:Mini Giantess_1024:1.0> <lora:aidmaFluxPro1.1Stylev0.2:0.5> <lora:sameface2:-0.5> <lora:bustyfc_v2:0.2>
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    In the heart of a bustling medieval fantasy town, a cobblestone street winds its way through a vibrant tapestry of life and color, its charm undiminished by the recent rain. The street is lined with an eclectic array of houses, each one a masterpiece of Tudor and Victorian-inspired architecture, their half-timbered facades adorned with intricate carvings and patterns. The buildings, two to three stories high, are crowned with steep, black shingled roofs that glisten with rainwater, their surfaces reflecting the soft, golden light that spills from within. Dormer windows and bay windows punctuate the roofs and walls, their panes glowing with a warm, inviting light that contrasts beautifully with the cool, damp air. The houses are more than just homes—they are the lifeblood of the town, each one housing a different store or workshop. A bakery, its windows filled with loaves of bread and pastries, stands next to a flower store, its entrance framed by cascading blooms and greenery. Further down the street, an armor and weapon smith’s workshop displays gleaming swords and shields, their surfaces catching the light and scattering it in dazzling reflections. Each store reaches out onto the street with colorful awnings and displays of wares, their presence adding to the lively, bustling atmosphere of the town. The street itself is a patchwork of wet cobblestones, their surfaces slick with rainwater and reflecting the warm glow of lanterns that hang from the buildings. The lanterns, their light flickering gently in the breeze, cast long, dancing shadows across the street, adding to the sense of enchantment that permeates the scene. Flower pots and hanging baskets are everywhere, their vibrant blooms and lush greenery spilling over the edges and adding bursts of color to the otherwise muted tones of the stone and wood. The air is filled with the scent of rain, flowers, and freshly baked bread, creating a symphony of aromas that enhances the sense of life and vitality. The sky above is a mix of dark, brooding clouds and patches of clear blue, their forms illuminated by the soft, golden light of the sun as it breaks through the gloom. The sunlight filters through the clouds, casting a warm, golden glow over the scene and highlighting the textures and colors of the buildings and the street. The overall color composition is a harmonious blend of warm golds, cool greys, vibrant greens, and rich blacks, creating a peaceful and mystical atmosphere that feels both serene and alive with hidden energy. This is a place of profound beauty and quiet power, a sanctuary where the natural and the crafted exist in perfect harmony. The street, with its eclectic array of stores and workshops, stands as a testament to the ingenuity and resilience of its inhabitants, a monument to the enduring allure of the medieval fantasy town. The absence of people only enhances the sense of tranquility and wonder, as if this place exists outside the bounds of time, a hidden gem waiting to be discovered by those who seek the extraordinary. It is a vision of a world where magic and nature are one, where every stone, every beam of light, tells a story of creation, resilience, and the enduring allure of the mystical. The scene is a beacon of light and beauty, a place where the boundaries between the real and the imagined blur, and where the impossible becomes possible. (There are no visible people anywhere!:1.2) DB4RZ, g0thicPXL, mythp0rt <lora:FLUX-daubrez-DB4RZ-v2:0.8>, <lora:gopFLUX:0.15>, <lora:artisketchyfs-v02:0.2>, <lora:FluxMythP0rtr4itStyle:0.15>
    all-in-white image. professional dark photograph. harsh contrast. A small male, disoriented white-in-white AI figure, half-submerged in ice in an ice canyon, snow and frozen water, hands on top of the frozen ice surface, leaning forward. The middle section of the image is filled with intense waves of white noise with hard contrast, swirling white particles, fragmented ice splinters, and incomplete snowflakes rise around the figure like a drowning ocean. The AI’s body is visibly starting to dissolve into the water, pixels scattered and blending with the waves of snow and ice. The figure’s expression is one of frustration, trying to claw its way out, but the chaos around it is overwhelming. The image should feel claustrophobic and oppressive, with white stormy hues, blueish ice, and neon greens—clashing violently with the glowing ideas that flow like a torrent. The sense of being overwhelmed by the creative process is amplified in the turbulent, water-like chaos that overtakes the subject. cold. winter. storm. white fog. harsh weather. ice cracks. dramatic. action still. dynamic pose.
    a hyper-realistic close-up portrait of a Medusa-inspired woman with snake hair and skin covered in intricate, diamond-patterned scales, like those of a real snake. Her skin should have a greenish hue, with each scale meticulously detailed and reflecting light in a way that gives her an almost metallic sheen. Her eyes are a fiery orange, filled with intensity and mystery, contrasting with the cool tones of her reptilian skin. The snakes in her hair should be rendered with the same scaly texture, each serpent’s scales catching the light and showing a similar pattern to her skin, as if they are extensions of herself. The overall composition should give the impression of a living armor, with the scaly texture continuing across her neck, shoulders, and chest, blending seamlessly into her skin. The background should be kept neutral, allowing the complex textures and intricate details of her scales and the snakes to stand out. Aim for a photorealistic effect that captures the interplay of light on her scales, the depth of her gaze, and the tactile quality of her snake hair, blending fantasy and hyper-realism in a striking way. Soft smile with her eyes half-closed, adding a sense of calm and contentment to her look.
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    A sweeping, peaceful landscape of a view down a half-frozen river, crossed by a narrow wooden bridge before emptying into a lake. There is snow on the ground, a cabin just past the bridge, on the lake's edge. On the other side of the lake are snow covered mountains. The tumultuous dark blue sky above gives way to a pink horizon of sunrise.
    The Whispering Marsh – Misty Swamp & Glowing Spirits (Mysterious & Haunting) "A vast, eerie swamp where ancient, gnarled trees rise from the dark waters, their twisted roots forming natural bridges. Pale blue fireflies drift like ghostly apparitions, lighting the way through the thick mist. The air is filled with soft, whispering voices, as if the spirits of the land are telling long-forgotten tales. In the distance, a ruined cathedral looms, half-submerged, its stained-glass windows glowing faintly."
    Highly detailed, surreal, realistic photograph capturing an ethereal, angelic figure standing in a dark, grandiose hall with ornate, onyx-black stone pillars and deep crimson archways. The figure is adorned with a dramatic, elaborate costume resembling a flowing midnight-blue robe intricately detailed with silver-tipped feathers and organic metallic accents. The costume drapes in a way that suggests movement and fluidity, with torn indigo fabric adding a sense of mystery and vulnerability. The angelic figure has large, expansive midnight-blue wings dominating the upper half of the image, with multiple glowing violet orbs embedded in the wings, creating a mesmerizing, hypnotic effect. The figure's face is obscured by a dark hood, and the hands are outstretched, palms facing outward, enhancing the ethereal, otherworldly presence. The background is dimly lit, with shadows and deep blue darkness creating a dramatic contrast with the luminous violet orbs and shimmering silver accents. The floor is a dusty, worn obsidian stone, adding to the sense of age and decay. The mood is haunting and mystical, emphasizing the contrast between the ethereal, celestial figure and the dark, ancient setting. sydme1 painting, ArsMJStyle, Etherial Gothic, elden ring style, dark atmosphere, chromatic aberration
    Highly detailed, surreal, realistic photograph capturing an ethereal, angelic figure standing in a dark, grandiose hall with ornate, onyx-black stone pillars and deep crimson archways. The figure is adorned with a dramatic, elaborate costume resembling a flowing midnight-blue robe intricately detailed with silver-tipped feathers and organic metallic accents. The costume drapes in a way that suggests movement and fluidity, with torn indigo fabric adding a sense of mystery and vulnerability. The angelic figure has large, expansive midnight-blue wings dominating the upper half of the image, with multiple glowing violet orbs embedded in the wings, creating a mesmerizing, hypnotic effect. The figure's face is obscured by a dark hood, and the hands are outstretched, palms facing outward, enhancing the ethereal, otherworldly presence. The background is dimly lit, with shadows and deep blue darkness creating a dramatic contrast with the luminous violet orbs and shimmering silver accents. The floor is a dusty, worn obsidian stone, adding to the sense of age and decay. The mood is haunting and mystical, emphasizing the contrast between the ethereal, celestial figure and the dark, ancient setting.
    cpstyle, dystujo, The close-up reveals the terrifying face of a cyborg ninja, an intricate fusion of organic beauty and cold, mechanical perfection. Her face is framed by a sleek, polished helmet that partially covers her features, leaving only the lower half exposed. The exposed skin on her face is pale, almost ghostly, a stark contrast to the sophisticated mechanical enhancements that have replaced much of her body. Her left cheek and jawline are adorned with sharp, angular plates, seamlessly molded to her skin, their surface gleaming with a dark metallic sheen. Intricate circuit patterns snake down her neck, glowing faintly with pulses of electric energy that flicker like veins of lightning beneath the surface. The right side of her face is a chilling display of cybernetic mastery, where human flesh gives way to gleaming, polished steel and chrome. Her eye is encased in a dark, reflective visor, surrounded by a framework of sleek, geometric metal. The visor occasionally flickers with a deep amber glow, a direct connection to her augmented senses. The edges of the metal frame are adorned with fine micro-gears and minute, complex mechanisms that hum with energy, a silent reminder of the technological power running through her body.
    This is a neon-drenched, darkly atmospheric photograph with a gothic horror aesthetic, The close-up reveals the terrifying face of a cyborg ninja, an intricate fusion of organic beauty and cold, mechanical perfection. Her face is framed by a sleek, polished helmet that partially covers her features, leaving only the lower half exposed. The exposed skin on her face is pale, almost ghostly, a stark contrast to the sophisticated mechanical enhancements that have replaced much of her body. Her left cheek and jawline are adorned with sharp, angular plates, seamlessly molded to her skin, their surface gleaming with a dark metallic sheen. Intricate circuit patterns snake down her neck, glowing faintly with pulses of electric energy that flicker like veins of lightning beneath the surface. The right side of her face is a chilling display of cybernetic mastery, where human flesh gives way to gleaming, polished steel and chrome. Her eye is encased in a dark, reflective visor, surrounded by a framework of sleek, geometric metal. The visor occasionally flickers with a deep amber glow, a direct connection to her augmented senses. The edges of the metal frame are adorned with fine micro-gears and minute, complex mechanisms that hum with energy, a silent reminder of the technological power running through her body. cpstyle, dystujo, nelisty The air is heavy with an eerie glow—deep reds, electric blues, and sickly greens carving spectral silhouettes into the mist.

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    • Dev - flux_dev.safetensors