A surreal, non-human book cover for Pride and Prejudice: Baroque spires (inspired by Strasbourg) rise from mist-wrapped Zhangjiajie peaks, their stone surfaces etched with the novel’s title in gilded, Regency-era typography. Below, a river splits into twin currents—one reflecting a shattered sun (pride), the other a fractured moon (prejudice)—their ripples distorting into cursive script. Thousands of cherry blossoms, glowing in dusk hues (peach, lavender, gold), swirl into intricate lace patterns reminiscent of 19th-century embroidery. Volumetric light pierces storm clouds, illuminating a bridge of crumbling books spanning the divide. Hyper-detailed textures: veined marble, silk-water, petal-script. Style: Romantic surrealism meets maximalist fantasy, with a muted pastel palette (sage, rose quartz, antique gold) for timeless elegance. (The words Orgullo y Prejuicio written on the top of the image)