(photo-fen, Hyper-realistic, cinematic still) A close-up portrait captures a young woman with shoulder-length black hair cut in sharp, futuristic layers, each strand tipped with faintly glowing edges. Her eyes are partially obscured by advanced mecha eyewear—its sleek neon green visor gradually shifting into iridescent teal and gold, framed by angular, precision-machined hardware with micro-mechanical detailing. Her expression is fierce and unapologetically confident, lips slightly parted, skin immaculate and subtly glowing from the vibrant neon reflections dancing across her face. She wears a high-tech bodysuit, form-fitting and matte, embedded with soft LED lines and segmented metallic panels that catch the ambient light with restraint and control. Behind her, the background reveals a hazy, stylized rendering of Hokusai's The Great Wave off Kanagawa, digitally reimagined—its fluid arcs and crashing crests merging into a neon dreamscape of blues, cyans, and electric purples. The entire composition evokes the cinematic intensity and visual precision of a frame shot by cinematographer Greig Fraser, blending moody sci-fi realism with bold, futuristic aesthetic cohesion.