Ethereal reflection of a Japanese shinden-zukuri style temple compound floating in still waters, rendered in the delicate sumi-e ink wash technique with hints of nihonga mineral pigments. Mist-shrouded architecture with upturned eaves and vermilion accents creates a perfect mirror image across the boundary between worlds. Bare cherry trees frame the scene, their black branches forming elegant calligraphic strokes against the pale washi paper background. A single crane stands in shallow water at the foreground, embodying the yugen aesthetic of profound grace amid emptiness. The composition emphasizes ma (negative space) with subtle gradations from charcoal black to the softest gray, conveying the mono no aware awareness of life's impermanence. Distant mountains emerge as faint silhouettes through morning haze, while autumn maple leaves drift across the water's surface, their crimson forms rendered with meticulous brushwork typical of Muromachi period landscape traditions. <lora:RM_Artistify_v1.0M:0.8> <lora:ArtNouveau2Flux:0.3> <lora:flux_dev:1>