A striking full- body portrait of a woman wearing extraordinary attire made entirely of wide bandage- like wrappings reminiscent of those used to bind legendary swords. These bandages, uniform in width, wrap chaotically around her form – some diagonally, others horizontally, creating an asymmetric pattern of stark black and white. The wrappings start at her wrists, spiraling up her arms, across her torso, and end just above her knees, forming a form- fitting silhouette that accentuates her figure. she also wears a sleeveless coat that extends to her knees, flowing dramatically yet leaving her bandage- wrapped arms fully exposed. Her feet are adorned with traditional wooden geta sandals – one completely black, the other purely white – elevating her stance. Her face is a masterpiece of theatrical makeup – painted in diagonal split pattern. One half gleaming white, encompassing her entire left eye, half her nose, and part of her lips, while the remaining portion is painted pitch black. Her hair consist of jet black on the left side and pure white on the right, cut with precision to maintain the perfect division. She stands with one hand confidently on her hip, her posture exuding power. Her expression combines an arrogant smirk with a condescending gaze, challenging the viewer. Behind her stands a traditional Japanese pagoda enhancing the cultural fusion of her avant- garde appearance with traditional elements
