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    A photorealistic depiction of a bioluminescent underwater city, built within a massive, hollowed-out ancient tree trunk, deep in the Amazon rainforest. The city's inhabitants, a tribe of indigenous people, have adapted to living underwater, their skin glowing with the same bioluminescence as the city's flora and fauna. Capture the interplay of light and shadow as the bioluminescent glow illuminates the murky depths of the river.
    An extreme macro close-up of a translucent robotic head resembling a serpent, its hollow, glass-like surface revealing the decayed remnants of its inner mechanisms. The lifelike scales, once vibrant, now shift with eerie, fading neon tones of pink, red, yellow, and green, bleeding into one another like the last embers of a dying machine. Subsurface scattering (SSS) effects illuminate fractured wiring beneath the surface, glowing faintly with irregular pulses, as if struggling to cling to life.\nThe lighting is dim and cold, with harsh backlight casting long shadows through the translucent material, emphasizing the cracks and imperfections in its once-flawless design. The shallow depth of field blurs the desolate backdrop, littered with rusted metal fragments and faintly glowing debris, adding to the sense of abandonment.\nThe robotic head is crowned with a weathered metal hood, its surface pitted and scarred as if corroded by years of acid rain. A central circular aperture, cracked and flickering with an unstable turquoise light, dominates the frame. Etched into the hood are intricate filigree patterns, their coppery glow dim and irregular, like the fading heartbeat of an ancient, forgotten machine. These shifting patterns pulse faintly, evoking an organic-mechanical aesthetic—a haunting relic of a future consumed by entropy. in the style of ck-ncr,\n\nDark Art",
    "A close up of a snail with a human skull shell, mossy, flowers, colorful, sparkling\n\nDark Art"
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