Traditional Chinese ink wash painting (shuǐ-mò) on rice paper featuring misty mountains partially obscured by ethereal fog. Vertical composition with dramatic negative space. Delicate brushwork ranging from dry brush technique (gān-biǎn) for rocky textures to fluid wash (shuǐ-mò) for atmospheric effects. Minimal yet expressive pine trees cling to cliff edges, with precise calligraphic strokes defining branches. A solitary scholar contemplates the view from a pavilion nestled among the peaks. Executed with traditional ink sticks ground on inkstone, maintaining traditional Song Dynasty aesthetic principles. Elegant balance of detailed focal elements against expansive void spaces. Subtle ink gradation creates depth and dimension without Western perspective. Harmonious composition embodying the philosophy of capturing the spirit (qì) rather than mere appearance. Masterful restraint in execution, showcasing the principle of 'leaving white' as a purposeful element. <lora:RM_JamesJean_v0.5:0.6> <lora:aidmaInkStyle-FLUX-V0.1:0.3> <lora:CPA:0.5> <lora:风格化-超现实:0.2> <lora:flux_vividizer:0.5> <lora:flux_dev:1>