More prompts from Silmas

    In a sunlit biology classroom, pigtailed Aiko leans forward, gripping her notebook as Mrs. Tenner dissects a bioluminescent fern. Charts of mythical hybrids line walls cluttered with humming terrariums. The scene echoes Studio Ghibli’s watercolor serenity—sage and amber washes, prismatic light fracturing through specimen jars into kaleidoscopic shadows. Dust motes swirl in honeyed beams, sharp with preservatives and soil.
    Full-length portrait of a bold punk girl walking a muscular ram on a studded leash, captured in a dynamic pose with her head cocked and piercing light-blue eyes exuding seduction. Style: Fusion of Jamie Hewlett's graphic punk aesthetic (angular lines, gritty textures), John Berkey's energetic brushwork (loose, kinetic strokes), and Anna Dittmann's delicate watercolor washes. Medium: Detailed ink sketch on aged parchment paper with minimalist watercolor accents. Color palette: Stark black-and-white contrast, with vivid crimson highlights on the ram’s eyes, leash chain, and the girl’s lipstick. Composition: Bold, hard-edged silhouettes against a matte black background, gradients blending into misty gray shadows to emphasize depth. Rules: Sharp ink outlines, exaggerated perspective to highlight movement, and a focal point on the girl’s defiant expression. Textured paper grain visible, surrealist-punk fusion.
    magr1 illustration.
An ancient, iridescent lotus with fractal-patterned petals and sun-bleached edges is clutched by a shadow-wreathed entity with gnarled, obsidian claws, its form dissolving into ash-toned smoke, set against a dusk-lit desolate meadow under a stormy sky streaked with crackling lightning. Bioluminescent veins pulse within the flower, casting a faint amber glow against the entity’s cold moonlight silhouette, evoking melancholic duality—decay versus lingering warmth. Stylized with Zdzisław Beksiński’s surreal dystopian textures and Alphonse Mucha’s flowing lines, using muted slate and ash contrasts against vibrant saffron-crimson blooms, rendered in chiaroscuro with shallow depth of field for haunting, ethereal tension.
    Full-length portrait of a haunting demon girl with pale, iridescent skin and glowing violet eyes, walking a spectral white demon bunny with cracked obsidian horns on a chain leash etched with infernal runes. Style: Fusion of Yoshitaka Amano's ethereal otherworldliness (flowing, ghostly forms), Brom's gothic horror edge (dramatic chiaroscuro, textured decay), and Audrey Kawasaki's delicate balance of innocence and menace. Medium: Ink and charcoal sketch on burnt parchment paper, with muted watercolor washes mimicking ash and smoke. Color palette: Monochromatic bone-white and void-black contrasts, with toxic green highlights on the bunny’s eyes, leash runes, and the girl’s clawed fingertips. Composition: Jagged, fractured silhouettes against an abyssal black void, gradients of ashen gray swirling around the figures to imply cursed energy. Rules: No smooth curves—only sharp, trembling ink lines; watercolor limited to smokey wisps around the bunny’s paws and the girl’s tattered dress; exaggerated hollow cheekbones and elongated limbs for unnerving proportions. Background: Faint hints of a crumbling cathedral in charcoal, no bright colors except the toxic accents. Texture: Burnt paper edges, ash splatters, and a faint bloodstain under the bunny’s paws.
    A vast, desolate wasteland stretches under a pale, sun-bleached sky. The air is thick with dust, and a hot wind whispers across the cracked earth, carrying the faint scent of decay. The silence is heavy, broken only by the whistle of the wind. In the distance, a lone, beat-up car sits abandoned in a forgotten car park, its faded paint and flat tires a testament to years of neglect. The scene is a stark portrayal of a post-apocalyptic world, evoking feelings of isolation, abandonment, and the relentless power of nature. The sun beats down mercilessly, casting long, faint shadows that offer little respite from the oppressive heat. Render in a style reminiscent of a Syd Mead illustration, with sweeping vistas and a focus on the vastness of the landscape, but infused with the gritty realism of a Cormac McCarthy novel, emphasizing the harshness and desolation
    Full-length portrait of a sinister demon girl with obsidian horns, glowing crimson eyes, and clawed hands, striding confidently with a colossal sabre-tooth tiger bound by a molten chain leash. Style: Fusion of Zdzisław Beksiński’s surreal dystopian atmosphere (organic, biomechanical textures), Frank Frazetta’s primal dynamism (muscular anatomy, dramatic lighting), and Ayami Kojima’s gothic elegance (flowing robes, intricate patterns). Medium: Ethereal digital painting with ink-like precision and smoky, smoldering textures. Color palette: Deep blood-red, charcoal black, and ash-gray tones, with neon violet accents on the tiger’s spectral stripes and the demon’s smoldering chain. Composition: Diagonal layout emphasizing movement; the tiger’s snarling muzzle contrasts with the girl’s calm, predatory smirk. Background: Jagged obsidian cliffs under a bruised twilight sky, lit by a dying star. Rules: Hyper-detailed textures on the tiger’s fur and the demon’s scales, zero warm colors except crimson glows, chiaroscuro lighting to enhance menace, and a blurred motion effect on the chain to imply supernatural control. Forbid cuteness or cartoonish styles; prioritize haunting, mythic grandeur.
    Close-up portrait of a pensive Asian man in his 50s, with a thin, wispy beard and a weathered face, exhaling smoke from a dark wooden long-stemmed pipe. Warm, golden-hour lighting with soft shadows accentuates his crow's feet and faint forehead wrinkles. Styled in cinematic realism with influences from Wong Kar-wai's In the Mood for Love: rich teal and amber tones, muted saturation, and hazy atmospheric diffusion.  Inspired by Christopher Doyle's cinematography, emphasizing intimate, melancholic mood and chiaroscuro contrasts. illustration
    carava1 painting,
a sentient AI construct manifesting behind a waterfall of binary code. Shift the theme from natural beauty to digital perfection and hidden artificial intelligence. Picture a holographic face, composed of glowing lines and data streams, emerging from a waterfall of cascading green and black binary code in a dark, futuristic server room. Fuse the painterly style with the sharp lines and geometric forms of vector art. The AI face becomes a symbol of emergent technology hidden within the digital landscape, rendered in a style that blends organic brushstrokes with precise digital aesthetics.
    Full-length portrait of a haunting demon girl with pale, iridescent skin and glowing violet eyes, walking a spectral white demon bunny with cracked obsidian horns on a chain leash etched with infernal runes. Style: Fusion of Yoshitaka Amano's ethereal otherworldliness (flowing, ghostly forms), Brom's gothic horror edge (dramatic chiaroscuro, textured decay), and Audrey Kawasaki's delicate balance of innocence and menace. Medium: Ink and charcoal sketch on burnt parchment paper, with muted watercolor washes mimicking ash and smoke. Color palette: Monochromatic bone-white and void-black contrasts, with toxic green highlights on the bunny’s eyes, leash runes, and the girl’s clawed fingertips. Composition: Jagged, fractured silhouettes against an abyssal black void, gradients of ashen gray swirling around the figures to imply cursed energy. Rules: No smooth curves—only sharp, trembling ink lines; watercolor limited to smokey wisps around the bunny’s paws and the girl’s tattered dress; exaggerated hollow cheekbones and elongated limbs for unnerving proportions. Background: Faint hints of a crumbling cathedral in charcoal, no bright colors except the toxic accents. Texture: Burnt paper edges, ash splatters, and a faint bloodstain under the bunny’s paws.
    Foreground: Worn and weathered gravestones, perhaps with creeping ivy or moss, creating a sense of age and decay. Middle Ground: A young woman with a slim body and small, perky breasts sits confidently on an old park bench. Her long black dress, low neckline, choker, tattoos, pale skin, dark lipstick, bold eyeliner, and smoky eyes are in sharp focus. Background: More gravestones, overgrown vegetation, and perhaps the gnarled branches of an ancient tree, all bathed in dramatic, directional light. The background is slightly out of focus, drawing attention to the woman. Subject: The woman is the central element, her striking appearance and confident posture contrasting with the somber setting of the graveyard. Style: Realistic, professional color photograph with a shallow depth of field, emphasizing the woman and the textures of the graveyard. The lighting should be dynamic, creating strong shadows and highlights that add depth and drama to the image.  Background is stark white, nijiwc1 watercolor ink wash brush style illustration.
    Full-length portrait of a sinister demon girl with obsidian horns, glowing crimson eyes, and clawed hands, striding confidently with a colossal sabre-tooth tiger bound by a molten chain leash. Style: Fusion of Zdzisław Beksiński’s surreal dystopian atmosphere (organic, biomechanical textures), Frank Frazetta’s primal dynamism (muscular anatomy, dramatic lighting), and Ayami Kojima’s gothic elegance (flowing robes, intricate patterns). Medium: Ethereal digital painting with ink-like precision and smoky, smoldering textures. Color palette: Deep blood-red, charcoal black, and ash-gray tones, with neon violet accents on the tiger’s spectral stripes and the demon’s smoldering chain. Composition: Diagonal layout emphasizing movement; the tiger’s snarling muzzle contrasts with the girl’s calm, predatory smirk. Background: Jagged obsidian cliffs under a bruised twilight sky, lit by a dying star. Rules: Hyper-detailed textures on the tiger’s fur and the demon’s scales, zero warm colors except crimson glows, chiaroscuro lighting to enhance menace, and a blurred motion effect on the chain to imply supernatural control. Forbid cuteness or cartoonish styles; prioritize haunting, mythic grandeur.
    Full-length portrait of a bold punk girl walking a muscular ram on a studded leash, captured in a dynamic pose with her head cocked and piercing light-blue eyes exuding seduction. Style: Fusion of Jamie Hewlett's graphic punk aesthetic (angular lines, gritty textures), John Berkey's energetic brushwork (loose, kinetic strokes), and Anna Dittmann's delicate watercolor washes. Medium: Detailed ink sketch on aged parchment paper with minimalist watercolor accents. Color palette: Stark black-and-white contrast, with vivid crimson highlights on the ram’s eyes, leash chain, and the girl’s lipstick. Composition: Bold, hard-edged silhouettes against a matte black background, gradients blending into misty gray shadows to emphasize depth. Rules: Sharp ink outlines, zero soft blending except in watercolor gradients, exaggerated perspective to highlight movement, and a focal point on the girl’s defiant expression. Textured paper grain visible, no clutter, surrealist-punk fusion.
    A majestic, alabaster-white robot stands tall and regal, its sleek form adorned with intricate golden filigree that catches the light. A resplendent cape of liquid gold cascades from its shoulders, rippling and shimmering with every subtle movement. Delicate, translucent fabric interwoven with shimmering threads drapes elegantly around the robot's frame, creating an ethereal aura. Set against a soft, luminous background, the scene is punctuated by graceful crimson lines that dance through the air, their energy palpable. Studio lighting bathes the robot in a warm glow, accentuating every meticulously crafted detail and curve. The cinematic composition, captured from a low angle, emphasizes the robot's grandeur and otherworldly presence. Hyper-realistic textures and materials are rendered with breathtaking precision, from the smooth, pearl-like surface of the robot's body to the rich, velvety folds of the cape. The image exudes a sense of quiet power and technological elegance, blending futuristic elements with classical aesthetics in a harmonious fusion that captivates the eye and stirs the imagination.
    hyperrealistic digital art, close-up of an AI artist's face, center, contorted in frustration and anger, disbelief. One half of the face is subtly overlaid with binary code, glitch effect. Blurred background hints at a messy studio with art supplies and high-tech equipment. Dramatic lighting, single bright light source, harsh shadows. Detailed textures
    Foreground: a woman's hands framing her face, rendered with visible lines. Middle ground: her face, with an intense, direct gaze and subtly colored lips. Background: a stark, untextured white space. The woman's face and gaze are the central focus, captured in a high-fashion, black and white photographic style with sharp focus and strong contrast.
    On a desolate, crystalline world, a lone astronaut gazes upon a towering, bioluminescent, fungal form. The alien flora pulses with an inner light, casting an ethereal glow across the barren landscape. Sharp, geometric lines of the astronaut's suit contrast with the organic curves of the alien life, a fusion of futuristic and naturalistic aesthetics. The scene whispers of solitude and the overwhelming scale of the universe, a fragile human presence juxtaposed against the vast unknown.
    A woman's face, reduced to an abstract form, floats in a dimly lit Parisian café, late at night. Rain streaks the windowpanes, casting long, distorted shadows. The air is thick with the scent of coffee and Gauloises cigarettes. Her lips, a vibrant, defiant red, are the only splash of colour in the muted scene. A sense of melancholic solitude pervades the atmosphere. An impressionistic oil painting with loose brushstrokes on a textured canvas, capturing the dreamy ambiance of a rainy night in Paris, contrasted with the sharp, graphic features of the abstract face.
    a young man kneeling at the feet of a serene woman, his head resting on her chest, surrounded by lush fruits, flowers, leaves, and branches. Soft morning light with dew-covered textures, misty atmosphere, and a dreamlike glow. Emphasize tender intimacy and vulnerability—pale, delicate skin, flowing fabrics, and hands gently clasping a symbolic heart. Style: Ethereal impressionism blended with Art Nouveau elegance (reminiscent of Alphonse Mucha and John William Waterhouse). Color palette: Pastel blues, blush pinks, ivory, and muted greens. Composition: Central symmetrical focus on the figures, natural elements framing the scene, flowing lines guiding the eye to the heart. Mood: Poetic sorrow, quiet longing, and transcendent calm.
    Gritty oil pastel sketch of a gasmask-clad scavenger dragging a sled of irradiated scrap, accompanied by a six-legged junk-droid. Style: Simon Stålenhag's desolation meets Fallout's retro-futurism—acid-pitted steel, frayed hazard-tape bandages, and nuclear-sunset skies. Color Palette: Concrete-gray/mustard-yellow/radium-green. Composition: Horizon line dominated by derelict skyscrapers, Geiger counter flickering red, droid eye glowing SOS morse.
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