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    colorfull oil painting, sharp focus, biopunk and dark fantasy and retrofuturism. saturated dirt color background. geometric shapes on background. in the style Gerald Brom and Joseph Cross. The painting features dark tones, high contrast, clean lines, high resolution, and high detail. <lora:alien_landscape_flux:1>

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    An oil painting in orange, blue, black, and white colors, depicting a waist-up portrait of a creature with a strange, flat mask that has no visible face. The mask is cracked and weathered, with black liquid oozing through the fissures, adding a sinister and unsettling effect. The creature's form is partially obscured by the abstract and textured mask, which contrasts sharply with the background colors. The painting captures the eerie and mysterious nature of the creature, with the cracked mask and flowing black liquid enhancing its dark, enigmatic presence. <lora:Glitchcore_Flux:0.7> gl1tchc0re, glitch, chromatic aberration <lora:Wiz-The_Grit:0.45> gritty minimalism, In the corner there is a small inscription "fück hue", like the author’s signature.
    dark eldritch cyborg entity shrouded in a hooded cloak, its form shifting and twisting like living coral. The creature’s body is made of an organic, porous material, with countless holes forming eerie, unnatural patterns. Its face is obscured by the deep shadows of the hood, leaving only an unsettling void. The texture of its body is a mix of chitinous ridges and liquid-like structures, as if frozen mid-motion. The surface of the entity is primarily deep charcoal gray, but veins of glowing electric blue and eerie golden yellow pulsate through its porous structure, casting an ominous light. The blue glow shimmers like cold plasma, while the yellow has an intense, almost divine radiance, resembling molten gold. The cloak is a muted black with faint streaks of blue light reflecting off its edges, adding an otherworldly vibrancy to the darkness. The glowing elements create a ghostly contrast against the shadows, emphasizing its unnatural presence.
    Abstract surreal composition. Chaotic, shifting forms with no clear structure, evoking raw emotion. Jagged, rough textures contrast with smooth, flowing shapes. The image feels torn between order and chaos, as if reality itself is warping. Stark black, white, red, and green tones heighten the intensity, with shadows stretching unnaturally. The scream is implied rather than shown, woven into the distortions of the scene. A visual clash of textures and shapes, unsettling yet mesmerizing.
    A surreal poster illustration featuring an armored medieval knight standing in a neon-lit cyberpunk cityscape at night. On the front Neon word "not ready for the FUTURE". The scene is presented in the style of a vintage 19th-century oil painting, with dramatic, detailed brushstrokes and a muted, antique color palette. The knight, holding a traditional longsword, looks out of place against the towering holographic advertisements and sleek skyscrapers that surround him, creating a striking contrast between his medieval armor and the futuristic environment. surreal photo, iridescent, aesthetic.
    colorfull oil painting, sharp focus, biopunk and dark fantasy and retrofuturism. saturated dirt color background. geometric shapes on background. in the style Gerald Brom and Joseph Cross. The painting features dark tones, high contrast, clean lines, high resolution, and high detail. <lora:alien_landscape_flux:1>
    An oil painting in orange, blue, black, and white colors, depicting a waist-up portrait of a creature with a strange, flat mask that has no visible face. The mask is cracked and weathered, with black liquid oozing through the fissures, adding a sinister and unsettling effect. The creature's form is partially obscured by the abstract and textured mask, which contrasts sharply with the background colors. The painting captures the eerie and mysterious nature of the creature, with the cracked mask and flowing black liquid enhancing its dark, enigmatic presence. <lora:Glitchcore_Flux:0.7> gl1tchc0re, glitch, chromatic aberration <lora:Wiz-The_Grit:0.45> gritty minimalism, In the corner there is a small inscription "fück hue", like the author’s signature.
    Stunning beautiful, masterpiece, raw quality, best quality, extremely detailed.Create a semi-realistic painting of a person with a beehive instead of a head, embodying an intriguing blend of nature and humanity. Surround them with a flurry of buzzing bees, creating a dynamic and lively atmosphere. Lot of honey drips from the openings of the hive, to the lips, glistening in the light and pooling around their shoulders, honey flows down onto the chest, enveloping the body. The background features a dreamy landscape filled with vibrant flowers, enhancing the surreal quality of the scene. Capture the person's body language, suggesting a calm yet whimsical demeanor, as if they are at one with the swarm of bees. The lighting should be warm and inviting, casting soft shadows that highlight the textures of the beehive and the sweetness of the honey. This composition aims to evoke a challenging the viewer's perception of identity and nature. <lora:ImageUpgraderV2:0.65> detailmaximizer <lora:ARTifacts:0.55> art1fact <lora:fluxenhancer:0.3> fluxenhancer
    purple white and black , oil painting profile, from the waist up, sharp focus, (biopunk:1.3) and (dark fantasy:0.5) and (retrofuturism:1.1), mushrooms, mucus dripping, (man:0.3). flat saturated dirt color background, in the style of gerald brom and Joseph Cross.
    A surrealistic scene combining absolute contradictions: a blazing sun floating underwater, casting rays over a frozen desert with rippling sand dunes made of ice. In the sky above, enormous mountains are suspended upside down, their peaks piercing the clouds. A massive tree with roots hanging upward stands on a ceiling of stars, its branches shimmering with crystalline leaves. In the distance, a waterfall of fire flows into a river of glass, with geometric shapes floating aimlessly through the landscape. The overall feeling is both chaotic and oddly harmonious in its surreal absurdity. <lora:anhei_first_flux_lora_v1:0.7> anhei <lora:fantastic-realism:1> f4nt4st1c <lora:FluxDFaeTasticDetails:1>
    Squidward-inspired gaming chair, centered on a dark background. The chair has a smooth, rounded shape, mimicking Squidward’s tall, slightly curved body. It is covered in a soft, pale blue-green material with subtle darker spots, resembling his skin texture. The armrests are curved and streamlined, blending into the chair’s form. A brown fabric section wraps around the lower backrest and seat, referencing his signature shirt. The base consists of a single central leg that splits into five tentacle-like feet.
    semifront of gaming chair, biohazard G-virus, warp style, w4rh4mm3r, warhammer, demonic tentacles and flesh . clean dark background <lora:Warhammer_Rogue_Trader_Style_flux:0.6> <lora:biohazard G-virus:0.7>
    Close-up illustration of a Soviet-style propaganda poster, bold and focused in design. The central figure is a determined marketing professional, holding an open book titled "Marketing Strategies" in their hands. The book's pages are filled with detailed diagrams and structured plans. The figure's expression is intense and focused, embodying careful planning and precision. Behind them, the skeletal frame of a steel bridge under construction is visible, hinting at the comparison between strategic planning and engineering. Above the scene, the slogan "áлAHuPYü CTPATEгu10 TAK, KAK CTPO®T MOCTbl!" is displayed in bold, constructivist typography. The color scheme uses vibrant reds, muted grays, and blacks, emphasizing determination and meticulous effort.
    red and green and white and black, oil painting, sharp focus, (biopunk:1) and (dark fantasy:1) and (retrofuturism:1), saturated dirt color background. kandinsky geometric shapes on background. in the style of Gerald Brom and Joseph Cross. The painting features dark tones, high contrast, clean lines, high resolution, and high detail. <lora:style_of_Wassily_Kandinsky_FLUX_287:0.75>
    magenta white and black , oil painting, from the waist up profile, sharp focus, (biopunk:1.3) and (dark fantasy:0.5) and (retrofuturism:1.1), unusual head, candies, transparent crystals, glitter. saturated dirt color background. gemetric shape on background. in the style of gerald brom and Joseph Cross. The painting features dark tones, side lighting, high contrast, clean lines, high resolution, and high detail.
    semifront of G-virus gaming chair, heretic style, w4rh4mm3r, warhammer, tentacles and bones and sore flesh . clean dark background <lora:Warhammer_Rogue_Trader_Style_flux:0.7> <lora:biohazard G-virus:0.6>
    A highly detailed 3D model of a gaming chair, vividly textured and rendered in the striking colors of a normal map. vibrant hues of blue, purple, green, and pink defining the depth and geometry. Every seam, curve, and panel of the chair is meticulously crafted. The design highlights the dynamic interplay of light and shadow, creating a mesmerizing visual effect as if the chair exists in a digital workspace. The background is simple and dark, drawing full attention to the vivid, almost holographic details of the chair, emphasizing its virtual, conceptual nature.
    Synthesis typography and silhouette of young woman, abstraction
    Soviet-style propaganda poster. The central figure is a confident curly-haired blonde woman, dressed in a sharp, tailored suit that radiates professionalism and authority. She stands tall with an inspiring expression, holding a shining emblem in her outstretched hand, symbolizing the strength and reliability of the brand. The backdrop is a gradient of radiant blue tones with stylized rays extending outward, emphasizing her as the beacon of trust and progress. Below her, a diverse crowd of people looks up with expressions of admiration and hope, holding tools, books, and products, representing the nation's trust in the brand. A bold constructivist slogan reads: "The Strength of a Brand Lies in People's Trust!"
    An oil painting in dark-green, deep-red, black, and white colors, depicting a waist-up portrait of a creature with a strange. mix of plastic and metal, giving it a cold, industrial feel. covered with patches of rust, adding an eerie, decayed effect. The creature's form is partially obscured by the abstract, textured mask, which contrasts sharply with the background colors. Around the creature, vibrant particles of colorful dust float and scatter, adding a surreal and ethereal quality to the scene. The painting captures the eerie and mysterious nature of the creature, with the unsettling mask, patches of mold, and swirling dust enhancing its dark, enigmatic presence. <lora:Midjourney_imitation_FLUX:0.5> <lora:alien_landscape_flux:0.4> alienlanscapelora, In the corner there is a small inscription "fück hue", like the author’s signature.
    A surrealistic scene combining absolute contradictions: a blazing sun floating underwater, casting rays over a frozen desert with rippling sand dunes made of ice. In the sky above, enormous mountains are suspended upside down, their peaks piercing the clouds. A massive tree with roots hanging upward stands on a ceiling of stars, its branches shimmering with crystalline leaves. In the distance, a waterfall of fire flows into a river of glass, with geometric shapes floating aimlessly through the landscape. The overall feeling is both chaotic and oddly harmonious in its surreal absurdity. <lora:anhei_first_flux_lora_v1:0.7> anhei <lora:fantastic-realism:1> f4nt4st1c <lora:FluxDFaeTasticDetails:1>
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