A mixed Renaissance and modern are inspired oil painting of a woman standing in the center of a split reality, one half of the scene bathed in ethereal golden light where everything is pristine, the other cast in deep, endless shadow where everything is old and decaying. She wears an extravagant two- toned gown, the left side a pure, luminous gold- threaded silk and white diamonds, flowing like liquid sunlight, while the right side is black as void and black diamonds, its fabric seeming to swallow surrounding light. Her golden eye glows with divine radiance, while her darkened eye seems to be an endless abyss, flickering with faint, moving stars. The grand hall she stands in is divided down the center—the left side rich with intricate Renaissance tapestries, warm candlelight and alabaster white walls, the right side is a crumbling, decayed version of itself, walls of black mold and shadows that move unnaturally. She lifts her hand, and reality itself begins to fracture around her fingertips, as if she alone controls the balance between illumination and oblivion