SteelandLace
    0 Followers

    The scene is a wide square in an Arabian city during the Ottoman Empire, as depicted in a 19th- century Orientalist oil painting by Jean- Leon Gerome. The painting depicts a large white- and- black retro- futuristic rocket standing in the center of the square. The rocket is standing upright in the square, with its curved fins on the ground. The rocket has a big yellow lightning bolt symbol on the side. The people in the foreground are looking up at the rocket and gesturing toward it. There is a sign in the foreground with the text “Like to Fuel Moonshot”. One man in the foreground near the sign is giving the rocket the thumbs up with his hand. The men and women in the foreground are dressed in colorful Arabic clothing. The buildings in the background feature traditional Arabic architecture with geometric details around the doorways and windows

    Copy
    0
    22
    Safe
    Private

    Comments

    More prompts from SteelandLace

    The scene is a wide square in an Arabian city during the Ottoman Empire, as depicted in a 19th-century Orientalist oil painting by Jean-Leon Gerome. The painting depicts a large white-and-black retro-futuristic rocket standing in the center of the square. The rocket is standing upright in the square, with its curved fins on the ground. The rocket has a big yellow lightning bolt symbol on the side (the Civitai Buzz logo). The people in the foreground are looking up at the rocket and gesturing toward it. One man in the foreground is giving the rocket the thumbs up with his hand. The men and women in the foreground are dressed in colorful Arabic clothing. The buildings in the background feature traditional Arabic architecture with geometric details around the doorways and windows.
    The scene is a realistic interior photo of a corporate conference room in a high-rise building, with a cityscape outside the window in the background on the right. The focus of the scene is a man with a serious expression who is standing next to a white board and gesturing to a graph written in red marker, with the text “Likes = LoRAs” written in green marker next to the chart. The man is dressed casually, with messy hair and horn-rimmed glasses. A diverse group of people wearing business attire sit around the conference room table. The man at the whiteboard is in focus, and the people in the foreground at the conference table are not in focus.
    The realistic vintage NASA photograph depicts a close-up view of an Apollo astronaut standing on the surface of the moon. Reflected in the astronaut’s visor is a tall black monolith from 2001 A Space Odyssey. There is a yellow lightning symbol on the square black monolith.
    The scene is a wide square in an Arabian city during the Ottoman Empire, as depicted in a 19th-century Orientalist oil painting by Jean-Leon Gerome. The painting depicts a large steampunk dirigible or zeppelin hovering in the sky above the city. The people in the foreground are looking up at the dirigible and gesturing toward it. The men and women in the foreground are dressed in colorful Arabic clothing. The buildings in the background feature traditional Arabic architecture with geometric details around the doorways and windows. The men and women in the painting are in focus and the distant dirigible is out of focus. On the side of the dirigible, the words “Give Buzz!” appear in bright neon lights.
    The scene is a realistic interior photo of a corporate conference room in a high-rise building, with a cityscape outside the window in the background on the right. The focus of the scene is a woman with a serious expression who is standing next to a large screen showing a colorful presentation, with the text “Likes = LoRAs” next to a graph. The woman is dressed casually in a hoodie, with messy hair and horn-rimmed glasses. A diverse group of people wearing business attire sit around the conference room table. The woman making the presentation is in focus, and the people in the foreground at the conference table are not in focus.
    A realistic photograph of a field in England or Ireland, with standing stones like Stonehenge. A druid with a staff wearing a white robe is standing between two of the standing stones. One stone has a carving of a symmetrical lightning bolt symbol on it, and the symbol is glowing yellow. The second standing stone also has an identical lightning bolt symbol that is glowing blue. The druid is reaching out toward the yellow symbol.
    The scene is a crowded street in an Arabian town during the Ottoman Empire, as depicted in a 19th-century Orientalist oil painting by Jean-Leon Gerome. The painting depicts a market street, and the buildings in the background feature traditional Arabic architecture with geometric details around the doorways and windows. The adult men and women in the painting are wearing colorful traditional Arabic clothing. The people are lined up to enter the doorway of a futuristic store, with a yellow lightning bolt symbol in the window below the text “Buzz Donation Center” over the entrance. In the foreground, the various men and women are all making the thumbs-up symbol as they enter the store, with big smiles on their faces.
    The realistic photograph depicts a nighttime scene at a shopping mall. The Back to the Future Delorean time machine (a silver DMC-12 Delorean car) is parked in the empty parking lot, and there is a JCPenney department store (with the text “JCPenney” in white) in the distance behind the car. There is a sign large board leaning against the Delorean that says “Buzz for Flux Capacitor”. The Delorean is in focus and the background is blurry.
    The scene is a wide square in an Arabian city during the Ottoman Empire, as depicted in a 19th-century Orientalist oil painting by Jean-Leon Gerome. The painting depicts a large white-and-black retro-futuristic rocket standing in the center of the square. The rocket is standing upright in the square, with its curved fins on the ground. The rocket has a big yellow lightning bolt symbol on the side. The people in the foreground are looking up at the rocket and gesturing toward it. There is a sign in the foreground with the text “Like to Fuel Moonshot”. One man in the foreground near the sign is giving the rocket the thumbs up with his hand. The men and women in the foreground are dressed in colorful Arabic clothing. The buildings in the background feature traditional Arabic architecture with geometric details around the doorways and windows.
    The scene is a realistic interior photo of a corporate conference room in a high-rise building, with a cityscape outside the window in the background on the right. The focus of the scene is a man with a serious expression who is standing next to a white board and gesturing to a graph written in red marker, with the text “Likes = LoRAs” written in green marker next to the chart. The man is dressed casually, with messy hair and horn-rimmed glasses. A diverse group of people wearing business attire sit around the conference room table. The man at the whiteboard is in focus, and the people in the foreground at the conference table are not in focus.
    The scene is a wide square in an Arabian city during the Ottoman Empire, as depicted in a 19th-century Orientalist oil painting by Jean-Leon Gerome. The painting depicts a large steampunk dirigible or zeppelin hovering in the sky above the city. The people in the foreground are looking up at the dirigible and gesturing toward it. The men and women in the foreground are dressed in colorful Arabic clothing. The buildings in the background feature traditional Arabic architecture with geometric details around the doorways and windows. The men and women in the painting are in focus and the distant dirigible is out of focus. On the side of the dirigible, the words “Give Buzz!” appear in bright neon lights along with a yellow lightning bolt symbol.
    The realistic vintage NASA photograph depicts a close-up view of an Apollo astronaut standing on the surface of the moon. The astronaut’s face is visible through the clear visor. The astronaut is a chimpanzee. The chimpanzee astronaut is standing next to a tall black monolith from 2001 A Space Odyssey. There is a yellow lightning symbol on the black monolith. The planet earth is visible in the black sky behind the astronaut and the monolith.
    The scene is a realistic interior photo of a large corporate conference center, with a stage showing multiple screens. The focus of the scene is a woman with a serious expression standing on the stage delivering a presentation, with the text “The Future is Buzz!” clearly legible on the screen. The woman delivering the presentation on the stage is in focus. The same presentation on all the screens includes a yellow lightning bolt symbol. The woman on the stage is dressed in business attire, with a bun and horn-rimmed glasses. A diverse group of people wearing business attire is sitting in the audience below the stage.
    The realistic photograph depicts a nighttime scene at a shopping mall. The Back to the Future Delorean time machine (a silver DMC-12 Delorean car) is parked in the empty parking lot. There is a large sign board leaning against the Delorean that says “Buzz for Flux Capacitor”. In the distance behind the car, there is a JCPenney department store (with the text “JCPenney” in white). The Delorean is in focus and the background is blurry.
    The realistic vintage NASA photograph depicts a close-up view of an Apollo astronaut standing on the surface of the moon. A tall black monolith from 2001 A Space Odyssey is reflected in the astronaut’s shiny visor. There is a yellow lightning symbol on the square black monolith.
    The scene is a realistic interior photo of a large corporate conference center, with a stage showing multiple screens. The focus of the scene is a woman with a serious expression standing on the stage delivering a presentation, with the text “The Future is Buzz!” on the screen. The woman delivering the presentation on the stage is in focus. The same presentation on all the screens includes a yellow lightning bolt symbol. The woman on the stage is dressed in business attire, with a bun and horn-rimmed glasses. A diverse group of people wearing business attire is sitting in the audience below the stage.
    The realistic vintage NASA photograph depicts an Apollo astronaut standing in front of a tall black monolith from 2001 A Space Odyssey, on the surface of the moon. The moons surface is brightly lit, with the earth in the pitch-black sky overhead. There is a yellow lightning symbol on the black monolith, and the astronaut is reaching toward it.
    The scene is a crowded street in an Arabian town during the Ottoman Empire, as depicted in a 19th-century Orientalist oil painting by Jean-Leon Gerome. The painting depicts a market street, and the buildings in the background feature traditional Arabic architecture with geometric details around the doorways and windows. The men and women in the painting are wearing colorful traditional Arabic clothing. In the foreground, the focus of the oil painting is a man wearing traditional Arabic clothing, giving a speech and gesturing toward a large, futuristic box. The futuristic metal box is made of alien technology and has a glowing yellow lightning bolt symbol on the side (the Civitai Buzz logo). Several other men and women wearing traditional Arabic clothing are gathered around looking at the box, some with their arms folded across their chests.
    The scene is a realistic interior photo of a large corporate conference center, with a stage showing multiple screens. The focus of the scene is a woman with a serious expression standing on the stage delivering a presentation, with the text “The Future is Buzz!” clearly legible on the screen. The woman delivering the presentation on the stage is in focus. The same presentation on all the screens includes a yellow lightning bolt symbol. The woman on the stage is dressed in business attire, with a bun and horn-rimmed glasses. A diverse group of people wearing business attire is sitting in the audience below the stage.
    The scene is a crowded street in an Arabian town during the Ottoman Empire, as depicted in a 19th-century Orientalist oil painting by Jean-Leon Gerome. The painting depicts a market street, and the buildings in the background feature traditional Arabic architecture with geometric details around the doorways and windows. The men and women in the painting are wearing colorful traditional Arabic clothing. In the foreground, the focus of the oil painting is a man wearing traditional Arabic clothing holding the reins of a large camel, gesturing to another man in traditional Arabic clothing.
    View more from SteelandLace