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    [ (melancholy colour palette), (candid outdoor photograph of content creation) ] ((An influencer is (sitting on a sidewalk) (in the shade under a large umbrella), (under the umbrella it looks gloomy, bleak, amd stormy), (the influencer is sitting with her knees pulled up to her chest), (the influencer appears to be sad and crying with mascara running) (and she is looking upwards to the left, at a (DSLR camera mounted on a tall tripod)), ((another person is pouring a canister of water on the large umbrella)), <<BREAK>>, ((in the background is a normal busy, city sidewalk and street on a warm sunny day), (the sky is blue and sun is shining), (people with (confused facial expressions) are looking towards the sad looking influencer under the big umbrella that water is being poured on))

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    (nighttime horror photograph of a narrow foggy alleyway, stretching into darkness) [The camera is positioned very low], ( cobblestone ground is slick with moisture. Faint Halloween decorations strung overhead between buildings. An old bicycle lies abandoned). ((At the far end of the alley, is stands a very tall skinny figure in a blood splattered nurse costume, with white facepaint smeared and streaked) (It holds a (pumpkin shaped candy bucket), in one hand), <<BREAK>> , ((Closer to the viewer, a small handprint is smeared across the damp cobblestones), (very tiny footsteps, muddy and erratic, lead away from the handprint toward the (figure in the bloodsplattered nurse costume), A trail of broken candy pieces glimmers in the dim light. From the alley’s walls, shadows loom bent in impossible angles) (Camera: Canon EOS R5, Lens: Canon RF 24-70mm f/2.8, Settings: ISO 4000, Shutter Speed: 1/40s, Aperture: f/2.8, No Flash, low angle from the alley’s entrance. The fog blurs the edges of the frame, drawing attention to the figure and details in the foreground. The color palette is desaturated, with muted blues and grays, except for the faint orange glow from the distant streetlamp.)
    [classic , colorized with 1930's technicolor, cinematic poster, including the script "Tap your heels together and give me buzz." visibly seen in frame printed in a speechbubble above Glinda ] , ((Glinda the Good Witch) (with long wavey reddy-blonde hair under a very tall silver crown), (wearing a peachypink dress with sparkles), (wide chiffon shoulder pieces) (and extremely wide crinoline hoop skirt), (holding a long silver wand , the wand is topped by a star); (a speechbubble is seen above her and the words "Tap your heels together and give me buzz." are seen printed in legible font , the words "Tap your heels together" are seen printed in large yellow brick font, the words "and give me buzz." are seen printed in emerald green crystal font)), ((The speechbubble seen above (Glinda the Good Witch) has only the text "Tap your heels together and give me buzz." seen printed legibly in it)) ((background: the wizard of Oz' throne room in the Emerald city))
    ((on the right a 100 year old, very frail looking, petite granny is wearing (a white nylon track suit with a pink stripe down the side of each leg and a matching pink stripe down the side of each sleeve) , (a thick 1980's style/ (terry cloth) headband with a pink horizontal stripe in the middle), (and matching thick 1980's style/ (terry cloth) wrist bands, both have a pink stripe in the center), (she is facing left and punching left towards the face of a mugger)), <<BREAK>> (On the left a strong male mugger (wearing all black) is facing right (towards the 100 year old granny) (but he is falling backwards to the left away from the granny, after being punched by her) , (his left arm is raised and, in the air above and left of his raised left hand his well defined hand gun is flying left, away from his hand)), <<BREAK>> ((two onomatopoeia caption cards)(/ jagged speech or explosion bubbles with bold colorful fonts) include the easily seen text and legible words "POW!" and another with the word "BAP!") are seen overlayed between the mugger and the granny's fist)) <<BREAK>> [ (Outdoor, ultradynamic, intense action photographic film still), (Filmed on (35mm film) using an (Arriflex 35 camera), (colorized using early 1960's Technicolor), ((the overall theme and mood are a combination of campy aesthetics, with exaggerated sets, and action sequences, described as "pop art" due to its bright colors, dynamic compositions, and playful tone))]
    (A priest is seen performing last rites at a cemetery during an outdoor funeral), <<Break>> ((High above the priest and mourners (a white (2016 Kia_Soul vehicle) is ascending towards the clouds), (the white (Kia_Soul vehicle) has (angel wings) attached), (there is also a big visible metallicgolden halo hovering directly above the (white Kia_Soul vehicle)) [16k, uhd, diagonal tilted photograph , extremely detailed, perfect adherence to prompt, very detailed background, double exposures (low opacity overlays) , dynamic photograph]
    (Arial, downward angled, expansive photograph), ((colossal flying city in the sky above the desert is hovering ahead at a distance), in a (dramatic sky streaked with orange and hues of a setting sun), (the flying city, is supported by massive, churning propellers and jet engines spewing thick black smoke)), ((The flying city's cityscape is a labyrinth of metal and rivets, with towers topped with antennas, pipes, radar dishes, suspended walkways and bridges connect various parts of the city, rust-streaked fuel tanks and oil drums are bolted onto buildings, connected by thick tubes), (buildings vary from utilitarian factories with soot-stained chimneys to simple homes)), <<BREAK>> ((A cluster of zeppelins and airships hovers near the flying city, docked to gantries, below, a massive rotating turbine creates a shimmering heat haze, adding to the city's fortress-like presence), ((The industrial aesthetic, scene is illuminated by the warm glow of incandescent lamps and occasional sparks from welding torches, highlighting the contrast between the mechanical and the signs of human life))
    cinematic still photograph ((short Peruvian explorer girl (with a Dora the Explorer hairstyle) is seen on the right wearing (a Nightmare on Elmstreet style, brown leather fingerless glove with long sharp knives extending outwards from each knuckle), (a dark brown fedora hat ), (pink sweater with dark horizontal stripes), (purple backpack), (orange shorts), (she is facing left with an eager smile and standing over (a white woman sitting on the ground in pain)), (the white woman on the left, who is sitting on the ground in pain, is cowering in terror , (the white woman is crying, and has 4 small and even slash marks on her face that are bleeding)) <<BREAK>> (There is sign above has the visible easily read text "Pesadilla on Dora's Street" legibly printed in horror film font on the front) [uhd, 8k photograph, (highangle photograph looking down and across a horrifying labyrinthine nightmarescape), (alternate reality), (nightmarescape), (gritty, dark, dirty, faded colours), (odd, distant high contrast green lighting, deep shadows), ((Tilted Angles (Dutch Angles): use of tilted camera angles ))]
    full-length /full-body dynamic photograph of a ((Sketchy looking retrofuturist civitai robot), (wearing a long dirty trenchcoat), (the (Sketchy looking retrofuturist civitai robot) is holding open one side of its long trenchcoat to display that (inside the trenchcoat are many (clear plastic bags containing small yellow lightningbolt symbols)), (the (Sketchy looking retrofuturist civitai robot) is holding a clear plastic baggie containing yellow lightning bolt symbols) (and the clear plastic baggie is labelled with masking tape ) (the word "BUZZ" is seen printed in black feltmarker on the masking tape labelling the clear plastic baggie that the (Sketchy looking retrofuturist civitai robot) is holding in its hand)), <<BREAK>> (The background is a bleak and dirty urban (homeless encampment)/ (tent city))
    [(extremely Highly Detailed photograph), (post-Christmas season horror comedy)] , (the mostly transparent, vaporous ghost of santa claus (wearing a ghastly santa costume) is levitating hovering in the air, high up above a ouija board), ( 2 nervous people are using the ouija board below)
    [ gloomy nighttime horror photograph] ((A rusting train car is alone in the middle of an abandoned railway track, its metal frame streaked with grime and corrosion. The windows are shattered, jagged glass edges reflecting the moon and overcast sky. A single, cracked mirror hangs loosely on the side of the train car, The reflection in the mirror reveals nothing but twisted, dead trees and the distant, blurred horizon. The door to the train car is slightly ajar, with shadows creeping from within. The door itself is warped bulging and covered in a layer of dirt, with scratches around the handle, Just above the door, an antique clock is mounted, frozen at 11:59, contrasting sharply against the decayed exterior. Despite the corrosion of the car, the clock's glass face is pristine, reflecting the light eerily. A series of footprints, lead from the door to the traintracks, but stop abruptly. The ground surrounding the train is overgrown, with patches of long-dead grass and skeletal branches reaching out toward the car. (( A sign is seen leaning against the train car, the words "You're Life Is Off Track Again" are seen printed legibly in a gothic font on the sign, only the text "You're Life Is Off Track Again" is seen printed on the sign))
    ((On the right (Spongebob Squarepants) is seen possessed , he is twisted into a spiral, his eyes are glowing green, slime is spewing out of his mouth, and he is floating in the air above a bed)), ((On the left, 2 very frightened but serious looking priests are holding crucifixes and bibles)), [((the colourscheme is (very faded sickly looking blues), (and gritty, very faded dirty yellows), (there is very faint smoke filling the air), (low, very wide angle photograph), (shot with a Mitchell BNC camera on 35mm film) (hard lighting and deep shadows), (meticulous visual composition, using tight framing, and carefully crafted mise-en-scène to enhance the psychological tension) (paranormal spiritual horror, themes of demonic possession) ((at the bottom of the image the text "The Possession of Spongebob" is visibly seen printed in a legible horror film style font)) ]
    [photograph of an unsettling, gritty, supernatural Christmas horror, still from (A Christmas Carol parody)] , ((On the left (terrified Donald Trump) (is wearing white pajamas, houserobe, and a long (nightcap)) , ((On the right is the (transparent smokeyblue (ghost of Jacob Marley seen wrapped in chains and floating in the air) (the ghost is holding up three fingers and above it a speechbubble is seen, inside of the speechbubble seen above the ghost the words "...visited by 3 spirits" are easily seen legibly printed in large bold font)), (( Everything is decorated for a classic, early 19th century Christmas, 19th century Christmas decorations are seen)) [(photographed from a very low angle and tilted), (using a strong 195° fisheye lens), (slow shutter speed for motion blur), and (double exposure to create the transparent ghost effect)) ]
    A photo of a bleak but busy robotic city with green buildings and gold windows. BREAK People are chained together and ushered into the buildings. = People chained together, being guided into various types of buildings in a busy but bleak robotic city (skyscrapers, highrises, towers and retail areas, which are all painted green and have gold windows) [dark, gritty, photorealistic, perfectly realistic, dystopian horror, terrifying futurism, perfect anatomy, ultra high definition, clearly defined faces, Getty Images quality, highest quality, UHD 16K photograph, perfect composition, cinematic dystopic thriller, sharp focus, intricate details, very highly detailed, from slightly twisted experimental angles, experimental lighting, rule of thirds, complex shadowing, anxious lighting, bokeh, moody cinematic image, highly detailed, disappointment inducing, warpedvision, Film Stock Footage, with an ultra fast lens at 85mm f/1.52 , perfect photograph, magnificent, ethereal, epic, shocking, action-thriller photo, highly detailed,
    ((A single giant motherly creepysmiling computer screen is seen in the distant background glowing eerily), (many hoses are attached to the one giant maternal creepysmiling computer screen in the distant background), (from that same individual giant creepysmiling computer screen in the distant background, the many hoses attached to it are running towards the mouths of the starving and anaemic masses of people)), <<BREAK>> (( in the foreground, closer to the viewer) (the starving masses of people are seen, the people are seen with the other end of the hoses in their mouths that are running between the one giant creepysmiling computer screen and the many starving people), (the many starving people with hoses in their mouths are seen looking at the same specific , giant creepysmiling feminine computer screen)), [16k, uhd, dystopian photograph, (extremely detailed), (detailed background), (perfect prompt adherence), ((double exposures) (/ low opacity overlays)) realisticvision-negative-embedding) ]
    ((looking over and across a (neon lit occult lodgehall), (an goth-alchemist assembles a laboratory), (a neo-spiritualist enters a trance), (a cyber-mystic summons vaporous entities who are contained within a magick sigil)) [16k, uhd, photograph, (expansive, all inclusive photograph), (cybergoth theme), (intricately detailed), (very detailed background), (cinematic thriller), deep, mysterious, (psychologically unsettling), (strange twisted angles), (bottom lit), (contrasting shadows) , ((double exposures) (/ low opacity overlays) ,
    expansive Photograph overlooking (gritty, battle hardened people are seen in a strange (multi_legged_machine), ((the strange (multi_legged_machine) has an open cockpit on top , for its passengers to be seen), (it is gritty muted matte black, scratched and dented), (it has a kicker below the front grill), (many long and powerful legs with hydraulic joints and shocks), (black smoke waftes into the air from its chimney) (an arsenal of weapons is seen attached to the strange (multi_legged_machine) too)), (they are in a rundown deserted village at dusk), ((the word "RUN!" is clearly seen legibly printed on the body of the machine)) [16k, uhd, diagonal tilted photograph , extremely detailed, perfect adherence to prompt, very detailed background, double exposures (low opacity overlays) , realisticvision-negative-embedding , epiCRealism ]
    (( White man with dark parted hair , wearing a blue shirt, is sitting behind a table covered with a white tablecloth , outdoors on a sidewalk at a busy university campus) ( a large sign is seen hanging across the front of the table, the words seen on the sign are "You'll Give Me Buzz. Prove me right." , the text "You'll Give Me Buzz. Prove me right." is seen printed legibly in bold font on the sign hanging across the front of the table))
    [Highly Detailed photograph] , ((mechanical robotic statue of liberty with flaming eyes and expression), extends her tablet towards the viewer), (the inscription on the tablet "Just Give Me Your Buzz" is easily seen in large thick legible font)) (the words "Just Give Me Your Buzz" are accurately seen printed ))
    ((expansive photograph) (( a massive, decayed public square, lined with towering, brutalist concrete buildings with oversized, cracked banners displaying indistinct, faceless silhouettes in cold, grayscale tones), (Centered in the square is an imposing chrome-metal podium, its microphone dangling by a frayed cord) , (( around the podium, figures clad in matching, black (leather and vinyl military-like uniforms) kneel in jagged, unnatural poses ) ( wearing black masks) ( reflecting the dim, artificial orange glow of an oppressive floodlight mounted high above the scene ) (Each mask is etched with symbols resembling tally marks), (beside the people are broken chains, and grimy propaganda leaflets half-submerged in oily puddles), (The sky is a choking yellow-green haze, pierced by beams of harsh searchlights crisscrossing in precise, suffocating patterns), (Looming over the square is a (massive iron eyeball), its surface marred with graffiti scrawled in desperate, rebellious strokes: “We see you.” ), (In the distant background, rows of humanoid figures hang suspended from cables, their silhouettes barely discernible in the sickly light, creating a horizon of chilling stillness.) (Camera: Hasselblad 500C/M, Lens: Zeiss Distagon 50mm f/4, Film: Fujicolor Pro 400H for muted, sickly tones. Shot from a low, wide-angle perspective to exaggerate the enormity of the structures and the eye sculpture. dystopian aesthetic.)
    [ nighttime horror photograph ] (A stone well stands in the middle of an overgrown, neglected yard, its rim covered in thick black moss clinging to the stone) (A worn old wooden bucket hangs from a frayed rope, its bottom barely visible over the edge of the well, submerged in blackness). (A single bent iron lantern sits on the rim of the well, its glass cracked and filled with cobwebs, with a weak flicker of light), <<BREAK>>, (Scattered around the yard are faintly visible carved pumpkins, rotting, their faces grotesquely warped and sagging) (Their eyes seem to be watching the well) (their surfaces soft and bloated with rot). (Above, tangled branches of dead trees bend toward the well, their shapes resembling skeletal hands, reaching as if to grab hold of it). , <<BREAK>> , ((A crow sits atop the bucket, its beak gaping open), (The fog thickens near the base of the well, swirling up toward the rim), [(photo taken with Canon EOS R5 using Canon RF 24-70mm f/2.8L IS USM lens), (ISO 1600), (1/60s), (f/4.0), The color palette is muted grays and blacks, with the faint orange of the pumpkins adding disturbing contrast. Lighting is low, diffused through thick fog, adding to the oppressive, haunting feel of the image.]
    [Vivid photograph ((A warning sign is at the top of a (pinboard) on a wall in an office filled with religious icons and symbols), (the text on the warning sign is visible and easily read it says “Cursed Images – DO NOT LOOK!” printed in large legible font )), ((Pinned to the pinboard below the warning sing, are several photographs (the photographs pinned to the pinboard in the office filled with religious icons and symbols all contain the following imagery: ((vast, desolate landscape under an ominous sky, where twisted, leafless trees with blackened bark claw at the heavens. At the foreground, a decrepit stone altar, stained with ancient blood, stands cracked and broken. Upon it lies a grotesque, eyeless statue with serpentine limbs, its mouth agape in a silent scream. Surrounding the altar are eerie, ghostly figures, their translucent bodies contorted in perpetual agony, reaching out as if pleading for release. In the background, a massive, shadowy monolith looms, its surface etched with indecipherable, glowing runes that pulse with a sickly green light. Nearby, a stagnant pool of dark, viscous liquid reflects the twisted landscape, its surface disturbed by unseen ripples. Crawling from the pool are grotesque, spider-like creatures with elongated, spindly legs and human-like faces, their eyes wide with torment. A distant, crumbling castle silhouetted against the blood-red horizon completes the scene, its spires piercing the sky like jagged teeth)),
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