More prompts from Ogre66

    zavy-drkcnmtc, a cinematic realistic photograph with cinematic darkness, atmospheric haze and included low-key lighting, taken from a wide shot, show the archangel Samuel, ruler of the second heaven and punisher of the fallen angels, in a scene where he is overseeing the imprisonment of Azazel and the other corrupted angels. Depict Samuel as a powerful and authoritative figure, with a stern expression and a commanding presence. He is surrounded by a halo of light, and his grey feathered wings are spread wide, symbolizing his divine authority. In the background, the fallen angels are seen being bound and cast into the abyss, a place of darkness and torment.
    ArsMovieStill, movie still from a technicolor 1940s cyberpunk film. It depicts a person in a fluffy body, furry costume fursuit of a wolf standing in a crowded city street with a sign that's hanging on his body that says the text in large hand writing "THEY ARE AMONG US". Below this in smaller hand writing in text it says "I CHOOSE TO BELIEVE".
    ArsMovieStill, Movie Still From Colored 1950s Super Panavision 70 Movie. A carnivorous plant is threatening a man holding an oil tin of weed killer. Text at the bottom says: "Triffids or Audrey, Monsanto has your back".
    Anthropomorphic, cinematic setting, close up of a rabbit dressed as a lawyer outside a house armed with a shotgun and making a final prayer with a hand gesture to the sky.
    A cartoon still from a film in sonadrawzstuffyt style of an old tired dog laying by a pizza shop watching people walk past. The pizza shop sign above it just says in text "PIZZA SHOP". A banner out the front says in text "THE EPISODE WE DON'T TALK ABOUT".
    bo-exposure. Lucifer The Fallen Angel a painting of a closeup of a short curly hair crying teary eyes man with red hair and sad face in Alexandre Cabanel style and double exposure with a scene of Lucifer pleading before the Saints and God at the stairs to heaven.
    zavy-drkcnmtc, in atmospheric haze with low-key lighting and cinematic darkness, depict the archangel Samuel, ruler of the second heaven and punisher of the fallen angels, standing alongside his enigmatic wife Lillith, the mother of monsters. Show Lillith as a stunningly beautiful figure, wrapped in a majestic serpent that coils around her body. One of her arms is gently draped around Samuel's waist, while the other hand holds a crisp, red apple, its surface bearing the subtle imprint of her teeth. Samuel's expression is stern and authoritative, yet his eyes betray a hint of warmth and affection for his mysterious companion. His wings are spread wide, radiating a soft, ethereal glow that illuminates the surrounding atmosphere. In the background, the shadows of the abyss whisper hints of the fallen angels' fate, a reminder of Samuel's unyielding duty as a guardian of the divine order.
    zavy-drkcnmtc, in a wide shot show the archangel Samuel, ruler of the second heaven and punisher of the fallen angels, in a scene where he is overseeing the imprisonment of Azazel and the other corrupted angels. Depict Samuel as a powerful and authoritative figure, with a stern expression and a commanding presence. He is surrounded by a halo of light, and his grey feathered wings are spread wide, symbolizing his divine authority. In the background, the fallen angels are seen being bound and cast into the abyss, a place of darkness and torment.
    A summer rain is lightly coming down over a city that blends architecture of Italy with a retro futurism twist. The viewer is looking down a brick path that leads through the city that's separated on the left side by patches of half walls made out of stone. An orange male tabby cat is stretching on top of one of the walls as though just woken up by the light rain.
    Anthropomorphic, cinematic setting, close up of a rabbit dressed as a lawyer outside a house armed with a shotgun and making a final prayer with a hand gesture to the sky.
    A neon cyberpunk cute male is attempting to catch snow flakes on his tongue.
    ArsMovieStill, movie still from a 1930s technicolor movie. Death standing amongst fog with the darkest black background holding scythe in his hand. Another man kneels before him begging.
    Anthropomorphic, cinematic setting, close up of a rabbit dressed as a lawyer outside a house armed with a shotgun and making a final prayer with a hand gesture to the sky.
    A ArsMJStyle, Pixel Art image of the Australian Parliament building in Canberra being threatened to be destroyed by a tidal wave on the left and fires on the right. The Australia Parliamentary building is a long rectangular building consisting of a main building and two wings either side of the main building and connected at the walls. On the roof are 4 steel beams that connect to a point creating a triangle from the corners of the main building roof upwards, it doesnt form a steeple but is more squat and more like a pyramid with no walls. Where the steel beams meet at that point, an Australian flag flies of the iconic blue, stars and Union Jack. At the front of the building is a very still lake. The screen should be a mock up of a video game by including a coin counter with an image of an Australian gold $1 coin and a number that says "0001901" in the top left corner. A ives counter represented by a 7 pointed star that is colored yellow, green and blue between each point of the star and a number that says "3"  in the top right to finish the look.
    glowing galaxy cracks on an Australian red desert landscape with a single white rabbit against a rabbit proof fence.
    ArsMovieStill, Movie still from a 2020s Sci-Fi movie of an industrial style black commanders office with a sleek black chair and desk in front of a massive window showing an alien planet. On the chair sits a blue furry sock puppet with the male puppeteer dressed all black behind crouching behind the chair trying to stay hidden. The puppet is yelling at a man who is kneeling before the puppet. Two heavily armoured and armed guards stand either side of the puppet.
    vhslora, a VHS paused image of a news studio stage during a broadcast. Around the border of the image you may see some hints of stage lighting and cabling. Centre of the camera is a desk where a male in his 40s is sitting in a plain grey suit shuffling papers in his hands and looking at the viewer. He is off cente and sitting to the right as a digital image is on the left showcasing the topic of the broadcast. The image is a square box that says "INSIDE THE DEEP STATE". Behind as the background is a colorful painting of a city to contrast the dull colors of the broadcast.
    Oil painted artwork of an indoor liminal space that arouses mystery.
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