A wrought iron sympunk staircase, shot from above at a diagonal angle, where several levels seem to fold into each other like an Escher drawing, with gravity- defying staircase segments twisting like a Mobius strip. The frame is filled from edge to edge with ornate metalwork that gradually transforms into living vines and mechanical clocks and watchmaking elements, creating impossible geometric patterns in the style of steam art nouveau that seem to breathe and move. Victorian era automatons in period dress rise and descend simultaneously on different planes of reality, their forms partially transparent and merging with the ironwork. Shot with a contrasting spotlight to maintain razor sharpness in all elements, while small pockets of space seem to rupture to reveal cosmic voids and clockwork mechanisms. Complex metalwork details stand against a deliberately underexposed background, where shadows take impossible shapes and distant staircases twist like Mobius strips into miniature parallel universes resembling Klein bottles. Light sources hanging from invisible points on the ceiling catch the light in physically impossible ways, creating prisms that divide reality into fractals. The composition maintains technical precision, while reality is revealed at its edges through baroque metal patterns that transform into mathematical sequences and runic symbols