2040
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    A hyperrealistic photo of 4 very large military robots sitting around a futuristic round table with a large stack of pizza boxes in the middle. The top box is opened and has a pepperoni and sausage pizza inside. All the robots have smooth flat reflective gunmetal colored heads with blank surfaces. The first robot has a thin (((red))) fabric blindfold wrapped around its head, the second robot has a thin (((orange))) fabric blindfold wrapped around its head, the third robot has a thin (((royal blue))) fabric blindfold wrapped around its head, and the fourth robot has a thin (((deep purple))) fabric blindfold wrapped around its head. All four robots have weapons holstered on their backs. The scene is set inside a dark room of a spaceship, with cinematic lighting and a backlit lucite floor with neon strip lighting accents. It is not CGI. It is lit from a single light above the table, producing a halo effect with a darkened background and a panoramic viewing window behind them that shows outer space

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    First world problems meme, realistic photo with captions, extreme closeup. -Floating english text at the top of the image says I FORGOT TO CHANGE THE QUANTITY written in very big white letters, floating English text at the bottom of the image says "NOW I HAVE TO FIND 3 NEW FRIENDS" written in very big white letters. -The upset, sad woman has wavy brown hair with bangs, she has a hand pressed against her cheek and forehead, obscuring her right eye, and she is frowning. -Her eyes are closed, a thin line of tears is coming down from her left eye. -Face focus, golden hour, light tan background. She is not making eye contact with the camera. High resolution, not a render, not animated, not illustrated, not drawn.
    A front view photo of John Wick sitting confidently with his hands between his knees, on a bench at night under the dim yellow halo of a park lamp. He has slick shoulder-length hair and a trim beard, he's wearing an impeccable suit and overcoat, black turtleneck, custom italian chelsea boots, and perfectly accurate black gloves. His eyes are hidden by shadows. On the bench, to his right, a gloss black briefcase is sitting flat on its side. Under the right side of the bench there is a small to-go coffee cup next to his foot. A small crow is walking on the pavement in the foreground.
    A hyperrealistic photo of 4 very large military robots sitting around a futuristic round table with a large stack of pizza boxes in the middle. The top box is opened and has a pepperoni and sausage pizza inside. All the robots have smooth flat reflective gunmetal colored heads with blank surfaces. The first robot has a thin (((red))) fabric blindfold wrapped around its head, the second robot has a thin (((orange))) fabric blindfold wrapped around its head, the third robot has a thin (((royal blue))) fabric blindfold wrapped around its head, and the fourth robot has a thin (((deep purple))) fabric blindfold wrapped around its head. All four robots have weapons holstered on their backs. The scene is set inside a dark room of a spaceship, with cinematic lighting and a backlit lucite floor with neon strip lighting accents. It is not CGI. It is lit from a single light above the table, producing a halo effect with a darkened background and a panoramic viewing window behind them that shows outer space.
    A realistic head-on photo taken from 10 feet in front of a roller coaster. The riders are displaying a mixture of fear and excitement. Some of them are screaming, some are yelling in jubilation, some have their teeth clenched. Some of the riders have their hands in the air, and some are gripping the safety restraints for dear life. The riders are a diverse mix of adult humans. There is also a single robot passenger in one of the seats. It has a reflective gunmetal colored body, and is wearing a colorful souvenir white cotton tshirt displaying a colorful logo with the label "Tubular Rapids". The robot's hands are extended up in the air and it is sitting perfectly upright. It has a flat robotic head without facial features.
    A realistic image of an 80-year old woman and a 30-year old woman walking in the park and talking, with text bubbles above their heads. They are both looking down at the ground in front of the old woman with serious expressions on their faces. The 80-year old woman has a pink cardigan and tan slacks, and is using a walker. She is walking very cautiously. A text bubble from the 80-year old woman says “We used to get 14 fingers for 3 Buzz”. The 30-year old woman has brown hair, and is wearing a teal tshirt and regular jeans, and is helping the 80-year old woman walk safely. She has one hand on the old woman's shoulder and the other hand on the old woman's walker. A separate text bubble from the 30-year old woman says “Sure, Grandma, let's get you to SDXL”
    First world problems meme, realistic photo with captions, extreme closeup. -Floating english text at the top of the image says "NSFW LORAS HAVE ARRIVED" written in very big white letters, floating English text at the bottom of the image says "LAZY FLUX MEMES DON'T PAY THE BILLS ANYMORE" written in very big white letters. -The upset, sad woman has wavy brown hair with bangs, she has a hand pressed against her cheek and forehead, obscuring her right eye, and she is frowning. -Her eyes are closed, a thin line of tears is coming down from her left eye. -Face focus, golden hour, light tan background. She is not making eye contact with the camera. High resolution, not a render, not animated, not illustrated, not drawn.
    a photorealistic image of a hyperfuturistic human-shaped robot made of carbon fiber doing a kickflip trick on a skateboard. It is wearing extremely baggy jean shorts and a very baggy black tshirt. The tshirt has a yellow smiley face with x's instead of eyes, and a rippled mouth, in the style of the logo of the band Nirvana. The robot is made out of a dark composite material with many seams. The robot's helmet is a reflective gunmetal color. It is inside of a mall, and two human security guards are running toward the robot.
    A photo of a group of 4 men in their late 20's posing in the living room at a costume party. The first three men are all having a good time and laughing, wearing tank tops or flamboyant jackets, dressed up as Freddie Mercury. One of them is wearing a white tank top tucked into tight white pants, one has a red jacket, and one has a sequined jacket. On the far right, there is a tall thin angry 29 year old clean shaven German man dressed in a costume as the queen of england. He's scowling and wearing a large poofy dress made for british queens, and wearing lipstick, a white wig, a crown, and jewelry. None of the men are shirtless.
    Hyperrealistic cinematic still of Patrick Bateman using an ATM machine at night. The ATM screen says "FEED ME STRAY BUZZ" in white text in a retro computer font. He's wearing a long black overcoat, black leather gloves, and small cheap headphones.
    A medieval villager with dirty sleeveless armor, a full face helmet, and a tan shawl, standing in a small medieval town. He’s holding a large sign that says “I used to be a pornographer like you, but then, FLUX learned to draw arrows and knees.”
    A hyperrealistic photo of 4 very large military robots sitting around a futuristic round table with a large stack of pizza boxes in the middle. The top box is opened and has a pepperoni and sausage pizza inside. All the robots have smooth flat reflective gunmetal colored heads with blank surfaces. The first robot has a thin (((red))) fabric blindfold wrapped around its head, the second robot has a thin (((orange))) fabric blindfold wrapped around its head, the third robot has a thin (((royal blue))) fabric blindfold wrapped around its head, and the fourth robot has a thin (((bright purple))) fabric blindfold wrapped around its head. All four robots have weapons holstered on their backs. The scene is set inside a dark room of a spaceship, with cinematic lighting and a backlit translucent lucite floor with neon strip lighting accents. It is not CGI. It is lit from a single light above the table, producing a halo effect with a darkened background and a panoramic viewing window behind them that shows outer space.
    A not quite realistic 3d render of Charlie from 'Charlie and the Chocolate Factory' proudly showing off a candy-bar-sized golden ticket that says "1 Flux Generation". Willy Wonka has a big grin and is wearing a large top hat and extravagant clothes and holding a cane while standing behind Charlie. They are standing outdoors in front of a vast futuristic neon server farm. The Golden Ticket has jagged edges. Charlie is wearing poor clothing from the 1920's.
    Movie poster of Neo from The Matrix facing the camera, holding up his open hand, pieces of paper with the word "boobs" written on them fly towards him. The movie title on the top of the poster is "FLUX", written in cyber green text. The pieces of paper are in the foreground of the image.
    A dreary photo of a very busy circle shaped dive bar inside of an asymmetrical sandy adobe dome with a low roof. It features a diverse mix of humans and aliens typical of the Star Wars and Star Trek universes, and every seat at the bar is taken. Whispy smoke fills the air of the dark and dingy room. Overhead lights illuminate the bar in the middle of the room slightly, and the rest of the room is very dark. The room darkens closer to the edges. The photo is taken from a third person view behind the shoulder of a robot with a reflective gunmetal colored head, which is also wearing a cowboy hat and filthy shawl. That robot is facing away from the camera.
    A 30 year old man is typing on his laptop at night. The screen shows a dark charcoal colored website, with a text box on the left side, which has the phrase "A photo of an Instagram model, but Cyberpunk" written on it. The man's hands are on the keyboard, and a bottle of whiskey sits off to the side.
    A hyperrealistic photo of 4 very large military robots sitting around a futuristic round table with a large stack of pizza boxes in the middle. The top box is opened and has a pepperoni and sausage pizza inside. All the robots have smooth flat reflective gunmetal colored heads with blank surfaces. The first robot has a thin (((red))) fabric blindfold wrapped around its head, the second robot has a thin (((orange))) fabric blindfold wrapped around its head, the third robot has a thin (((royal blue))) fabric blindfold wrapped around its head, and the fourth robot has a thin (((bright purple))) fabric blindfold wrapped around its head. All four robots have weapons holstered on their backs. The scene is set inside a dark room of a spaceship, with cinematic lighting and a backlit translucent lucite floor with neon strip lighting accents. It is not CGI. It is lit from a single light above the table, producing a halo effect with a darkened background and a panoramic viewing window behind them that shows outer space.
    A realistic image that captures a moment of intimate conversation between the two characters, with a man's back to the camera, facing a female cyborg who has a text bubble above her head. The cyborg is lying on her back and turned slightly toward the camera, looking at the man. Her head is on the left side of the image and her legs are on the right. There is a text bubble above her head that says "Render me like one of your FLUX girls". She is on futuristic acrylic couch that emits a white glow from within. She has a mixture of fair skin and a robotic mechanical torso and chest. She has long, smooth auburn hair. Her right hand is resting above her right shoulder and her left arm is extended, with her hand resting on the couch to her left side. The man sits across the room, directly in front of the camera, and is on the right side of the image and out of focus. He is typing on a laptop that shows a dark slate website. We can only see part of his back and the back of his head. has short brown hair, is dressed in a white shirt, facing away from the camera. The background features a minimalist brutalist design, including thin indirect lighting strips. The empty room has bare concrete walls and floors, no windows, and evokes a dark, serious tone.
    hyperrealistic lifelike photo of a homeless man wearing an elaborate outfit, holding a big blue and purple neon sign that says "Where the flux did all my buzz go?" He's' standing in front of an extremely detailed city background in the style of Roger Deakins, at night.
    photo quality cinematic image imitating the opening scene of 2001 A Space Odyssey. A single black server rack stands outside a cave in the desert. A group of monkeys surrounds the server rack. The monkeys are holding computer keyboards and hitting the server rack with them.
    A futuristic robot without facial features is placing its order at a Subway sandwich restaurant. There are tightly packed small sections recessed in the countertop, filled with sliced vegetables, deli meats, sauces, cheese slices, and lettuce behind a glass barrier. The robot is touching the glass barrier. It has a reflective gunmetal colored body, and is wearing a baggy tshirt and shorts. It has a robotic head without facial features and does not look like a human
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