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    In the center of the image, in bold yellow letters, the text "FLUX FICTION" stands out, instantly evoking the iconic aesthetic of the film Pulp Fiction. The scene depicts a woman seen from the front lying casually on a bed, her head resting on one hand while the other holds a cigarette between her index and middle fingers, the smoke curling upwards. She is wearing a slightly unbuttoned white shirt, adding a touch of mystery. Her black hair is cut into a sleek bob with bangs framing her intense, piercing gaze, as if she is staring at something or someone beyond the frame. Around her on the bed are a few objects: a gun, a worn paperback book with a folded corner, and an open box of matches. The background is dark, creating a stark contrast with her pale skin and the warm glow of the cigarette. The whole scene is bathed in a retro and dangerous atmosphere, paying homage to the dark and stylized essence of "Pulp Fiction". The image captures the essence of this iconic scene, with a touch of elegance and mystery, celebrating one of the most memorable moments in cinema

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    a large city filled with lots of tall buildings, a detailed matte painting, by Raphaël Collin, digital art, ufo flying over paris, world of war spaceships, wideshot, amazingly composed image, naboo, in the foreground paris, 2077, benjamin vnuk, alexey egorov, dirk dzimirsky, paris, futuristic
    The image is a close-up of a minion from the animated film Despicable Me. In the center of the image, prominently display the text 'MATIGNON' in bold and playful font, the text leaves room for the character. The poster depicts a Minion swinging vigorously and happily on a ball, in profile, sitting on a large metal wrecking ball, reminiscent of a demolition site. The ball is suspended and swinging from a crane, which remains out of the frame. The frame is largely centered on the Minion. The Minion, dressed in a white tank top and cargo pants, is grasping the chain attached to the ball with both hands. He has a grimacing expression as he looks at the viewer. The scene is a humorous parody of the iconic Wrecking Ball music video, with the Minion reflecting silliness and a light-hearted mood. The background consists of a sturdy concrete wall, complete with a metal structure visible on the left side. The overall aesthetic is playful, making it a perfect choice for a tech-themed parody.
    Calligram of the word "SPORT" integrated into an artistic and dynamic design, with each letter representing a different sports element. The 'S' shaped like a racing track, the 'P' as a tennis racket, the 'O' as a soccer ball, the 'R' as a dumbbell, and the 'T' as a basketball hoop. The overall image has vibrant colors, with a sense of motion and energy, capturing the essence of sports. The background is minimal, with focus on the word SPORT and its creative design.
    In the center of the image, in bold yellow letters, the text "FLUX FICTION" stands out, instantly evoking the iconic aesthetic of the film Pulp Fiction. The scene depicts a woman seen from the front lying casually on a bed, her head resting on one hand while the other holds a cigarette between her index and middle fingers, the smoke curling upwards. She is wearing a slightly unbuttoned white shirt, adding a touch of mystery. Her black hair is cut into a sleek bob with bangs framing her intense, piercing gaze, as if she is staring at something or someone beyond the frame. Around her on the bed are a few objects: a gun, a worn paperback book with a folded corner, and an open box of matches. The background is dark, creating a stark contrast with her pale skin and the warm glow of the cigarette. The whole scene is bathed in a retro and dangerous atmosphere, paying homage to the dark and stylized essence of "Pulp Fiction". The image captures the essence of this iconic scene, with a touch of elegance and mystery, celebrating one of the most memorable moments in cinema.
    a movie poster illustration with some zombies in front of a bakery, and sign: "BOULANGERIE", and with the title of the movie: "the Walking Bread",
    The image shows a sleeping man sitting in front of a khaki tent in the savannah. The man sleeping in front of his tent is on the right and is wearing a poacher's outfit with a hat, he is relaxed with his arms hanging completely asleep in a grotesque position on a chair. In the center there is a large lion with a long mane and with his eyes wide open looking at the man, the huge lion looks at the man and slowly advances so as not to make any noise. The lion in the center seems to look at the man on the right with an envious expression while licking himself. There is also a sniper rifle that poachers use in Africa and a beige equipment bag on the left side of the image, the rifle is resting on the ground. So we have the equipment on the left and the man on the right while the lion in the middle looks at the man in view of his meal. The lion is positioned between the rifle and the man so that he cannot catch him. The sky is covered in bright colors reminiscent of Africa and safaris, there is a savannah tree as well, suggesting that the photo was taken during the day.
    The image is the cover of a magazine titled "Flux Special Edition". It features a photograph of a 30yo woman with long red hair, wearing a white headband, posing in front of a tree. With her body slightly turned to the side. The woman is smiling and looking directly at the camera. The background is black, and the title of the magazine is written in white text at the top of the cover. Below the title, there is a subtitle that reads "Do you want some buzz?" in smaller text. The magazine's logo "FLUX" is also visible in the bottom right corner.
    An aged worn sepia monochrome 1800s, ((RAW Photo), Masterpiece, Best Quality, Background: Dark City), ((30 years old, Most Beautiful French Woman, Gorgeous Face, Black Hair)), (((Spread your thighs and I will insert my hot cock into your pussy), (((Rear view, ass turned and bent low, showing her pussy))), ((Bright Golden Black Short Hair, Wearing Pearl Gatsby Wig, Year: 1920)), (Perfect Blue Pupil), (((Pearl Gatsby Dress))), Fur Trim, ((Sitting on Leather Chair, Legs Crossed)), (Sexy Girl), (From Below, Photographic Perspective). hyper realistic, ultra detailed. cepia vintage daguerréotype 1920.
    In Victorian Typography characterized by ornamental letters with pronounced serifs and floral or geometric embellishments. And adding an Art Nouveau Lettering Used in the late 1800s and early 1900s with this flowing style, with sinuous lines and natural patterns incorporated into the letters. The image is a black and white illustration of the cover of a literary magazine called "Maison de la Création Numérique". The title is written in cursive in the center of the image, with the word "Maison" in a larger font size than the rest of the text. Below the title, there is a banner with the words "CIVITAI" and "Summer, 2024" written in a smaller font size. The banner is decorated with intricate scrolls and floral patterns. The overall style of the illustration is vintage and ornate.
    The image is a close-up of a mythical creature. The creature looks like a dragon mongrel with a sharp-toothed rabbit and a fierce expression. It has a large head with a pointed snout and sharp claws as well as rabbit ears. The creature's body is covered in intricate patterns and designs, there appear to be scales that outline its shape, with golden accents on the shoulders and arms. The head is also covered in snakes that appear to dance around and are wrapped around the creature's head. The creature's eyes glow bright yellow and its mouth is open, as if roaring. The creature is highly detailed, with realistic features and textures. The background is dark covered in bright and colorful particles floating in the air, making the creature stand out even more. dramatic lighting, HDR, (mythical, fantasy), oil painting, legendary creature, trending on artstation
    Create a hyperrealistic digital rendering of a futuristic airport rooftop featuring a very tall building adorned with manicured solarpunk greenery and a couple of adjacent medieval-style buildings inspired by Villard de Honnecourt. The scene should blend intricate Tudor architecture with curvy, modern designs, showcasing a dynamic angled shot that captures the detailed environment. This artwork should evoke a sense of futurism while incorporating elements of fine art, reminiscent of post-war aesthetics and art nouveau influences, making it a unique piece suitable for a CG Society contest.
    In Victorian Typography characterized by ornamental letters with pronounced serifs and floral or geometric embellishments. And adding an Art Nouveau Lettering Used in the late 1800s and early 1900s with this flowing style, with sinuous lines and natural patterns incorporated into the letters. The image is a black and white illustration of the cover of a literary magazine called "House of Digital Creation". The title is written in cursive in the center of the image, with the word "House" in a larger font size than the rest of the text. Below the title, there is a banner with the words "CIVITAI" and "Summer, 2024" written in a smaller font size. The banner is decorated with intricate scrolls and floral patterns. The overall style of the illustration is vintage and ornate. a black and white drawing of a sign, featured on pixabay, letterism, luxury journal cover, copperplate print style, front label, William Morris, header with logo, novel cover, wow wow detail, 4k, 8k
    In a digital world bathed in neon lights, a small dog named Pixel wandered through a surreal landscape, his wide, bewildered eyes reflecting the strange beauty around him. The sky was an endless swirl of vibrant colors, reminiscent of a Beeple masterpiece, with fragmented shapes floating in the air like lost dreams. Pixel’s fur glowed softly, blending with the ethereal light as he stumbled upon a glitching forest. Each tree seemed to be made of shimmering data, reminiscent of a scene from a Simon Stålenhag painting, yet slightly distorted. The dog’s expression was a mix of confusion and awe, as if he had just been dropped into a world where nothing made sense, yet everything was breathtaking. His tongue lolled out, adding a touch of endearing clumsiness to the bizarre, otherworldly setting. Pixel continued to explore, his ahuri look capturing the essence of a creature caught between two realities, unsure of where he belonged but fascinated by the digital marvels around him.
    action photography of a 30yo French woman as an ((athlete)) with ((ponytail)),holding hair,straight stance,direct gaze,within the virtual realms of a digital utopia,neon lights,(from behind:1.2),shot on Kodak PIXPRO AZ901 with Built-in 4.3-258mm f-2.9-6.7
    Front view. The photograph shows an obese, bearded man sitting at his workstation. He has his elbows resting on the surface and his hands placed on each side of his temples; he clearly has a severe migraine. A post-it is stuck on his forehead with the words "I can't Flux Dad into Mom". The screen gives off a color that reflects slightly on his face. The man has a dirty t-shirt with crumbs of chips on it, and there is also a small ketchup stain. The office room is plunged into relative darkness with blue LED strip lighting.
    In a digital world bathed in neon lights, a small dog named Pixel wandered through a surreal landscape, his wide, bewildered eyes reflecting the strange beauty around him. The sky was an endless swirl of vibrant colors, reminiscent of a Beeple masterpiece, with fragmented shapes floating in the air like lost dreams. Pixel’s fur glowed softly, blending with the ethereal light as he stumbled upon a glitching forest. Each tree seemed to be made of shimmering data, reminiscent of a scene from a Simon Stålenhag painting, yet slightly distorted. The dog’s expression was a mix of confusion and awe, as if he had just been dropped into a world where nothing made sense, yet everything was breathtaking. His tongue lolled out, adding a touch of endearing clumsiness to the bizarre, otherworldly setting. Pixel continued to explore, his ahuri look capturing the essence of a creature caught between two realities, unsure of where he belonged but fascinated by the digital marvels around him.
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