7Zack
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    Pop Art hyper realistic art, women, curly blond hair, red lips, portrait, looking slightly up, little bit of teeth visible, green eyes,

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    music album cover of a blurry image of a women, blonde hair, red lips, motion blue, black background, <lora:CinematicStyleFlux_v1:1>
    Ariel view of a European town, clock tower, town square, festival, colorful tents, banners, crowds, 1800s, brick paved roads, <lora:claude_monet_flux1-dev.safetensors:1> by Claude Monet
    fashion catwalk, lighting, photo, HD, 4k, full body, Women wearing tropical green and leave pattern summer dress, white sunglasses, sun hat, low heels, woven purse bag, <lora:iphone-dev-7:1> iphone photo
    <lora:80s_Fantasy_Movie:1> ArsMovieStill, 80s Fantasy Movie Still dark cavern, a grey skinned old witch stirring the cauldron, green and blue hues coming from the cauldron , skeleton and bones on the ground, candle stands with lit candles give little bit of lighting to the cavern
    <lora:OB中世纪油画v1.1:1> OByouhua, oil painting deep dark ocean, a scuba diver swimming underwater, in the distance a giant large sea monster with 2 ears, round mouth and teeth, it is slightly visible but not fully, <lora:Dark Cinematic:0.5> DRK
    A tense, cinematic scene featuring a Russian spy agent gripping the edge of a crumbling concrete window frame on a Soviet-era housing block. The agent, dressed in a weathered trench coat and black leather gloves, clings precariously to the edge of the seventh-floor window. His expression is a mix of determination and desperation, with his sharp jawline and steely eyes partially illuminated by the faint yellow glow of the apartment's interior lights. The scene is set at night, under a cold, cloudy sky, with a faint drizzle adding a sheen to the dull, gray concrete of the housing block. The building's façade is detailed with peeling paint, rusted balconies, and scattered laundry hanging from lines. Dim, flickering fluorescent lights from other windows contrast with the deep shadows cast by the building's angular design. The perspective is dramatic, captured from a low angle, emphasizing the height and danger of the situation. In the distance, the faint glow of industrial smokestacks and a red neon sign hint at the bleak Soviet cityscape. A chilling wind stirs a nearby curtain, adding a sense of motion and urgency to the scene. Technical Details for Photography-Style Rendering: Camera: Canon EOS R5 Lens: RF 24-70mm f/2.8L IS USM Settings: 35mm focal length, f/2.8 aperture, ISO 800, 1/125s shutter speed Lighting: Practical light from the apartment window, supplemented by soft moonlight and ambient city lights, creating a dramatic chiaroscuro effect. <lora:CinematicStyleFlux_v1:1>
    Traditional painting of a 1800s factory, bricks, smog, extreme pollution. Smoke, muddy road, smoke coming from the chimney <lora:astmospheric_painting:1> An atmospheric painting of <lora:OB中世纪油画v1.1:0.7> OByouhua, oil painting
    cinematic, skyrim themed, a warrior wearing leather armor and horned helmet, 2 swords in hand, looking up at the sky, a dark demonic dragon is flying in the air in circles, snow peaked mountains in background, small village, very detailed, masterpiece, adventurous, cloudy sky,
    cinematic scene of a casino poker table, man sits behind the table, wearing a suit, dark sunshades, expressionless, holding 4 cards in hand, looking slightly to the side, <lora:CinematicStyleFlux_v1:1>
    Painting of a winter landscape, snow on the ground, night time, moon, dead trees, red brick townhouse sits alone, a windows are lit with warm light. <lora:OB中世纪油画v1.1:1> OByouhua, oil painting
    Cinematic movie poster of a Women in her 30s, wearing a high end business clothing, holding out a white rose towards the viewer, the rose is on fire burning the rose, she seems unamused with no expression, red lips, light make up, sharp hair, focus on rose, no blur,
    nyc taxi, art, pop art, <lora:Hiroshi_Nagai_Style_Pop_Art:1>
    A simplistic, abstract painting of a face with an exaggeratedly long, open mouth and hollow, empty eyes. The composition is raw and unsettling, rendered with scratchy, uneven brushstrokes that give the piece a distressed, primal quality. The face is elongated and slightly distorted, occupying most of the canvas, with minimal background detail to emphasize the subject's eerie presence. The open mouth dominates the lower half of the face, stretching unnaturally downward, painted with jagged lines in dark red and black tones. The eyes are void-like, stark white ovals with rough, uneven edges, creating a sense of emptiness and unease. The facial structure is suggested rather than defined, with sketchy, overlapping lines in muted, earthy tones like ochre, brown, and gray. The background is a flat, pale beige or off-white, intentionally left sparse, with only faint, scratchy textures that hint at wear and imperfection, complementing the rawness of the central figure. The overall aesthetic is deliberately rough and unpolished, evoking a sense of raw emotion and existential dread. Medium and Style: Acrylic or oil on canvas, using dry brushes and palette knives for the scratchy texture. A minimalistic, expressionist style, focusing on mood over detail.
    <lora:Dark Cinematic:0.5> DRK A tense, cinematic scene of a soldier clad in dark tactical gear, his face obscured by a heavy-duty gas mask with fogged-up lenses. He grips a worn rifle tightly, its barrel slightly raised as he moves cautiously through the narrow, decaying hallways of a post-Soviet apartment building. The dim, flickering overhead lights cast long shadows, barely illuminating the peeling paint on the walls, exposing layers of faded colors and crumbling plaster. The air is thick with dust, disturbed by his slow, deliberate footsteps on the grimy, debris-covered floor. Old Soviet-era posters hang tattered on the walls, their messages long forgotten. Rusted pipes run along the ceiling, some dripping, creating a faint echo that blends with the distant creaks of the aging structure. Faint graffiti in Cyrillic is scrawled across the walls, remnants of past occupants. The soldier’s breathing is audible through the mask, adding to the suffocating atmosphere. His head tilts slightly as he listens for movement, the silence only broken by the occasional distant thud or the sound of wind howling through broken windows. The hallway ahead disappears into darkness, an eerie unknown that looms in front of him as he takes another careful step forward.
    , <lora:Flux_-_Renaissance_art_style:1> , an elegant aristocratic woman of the Meiji era (1800s) is depicted enjoying a serene tea ceremony within the refined interior of her luxurious Japanese home. She is seated gracefully on a tatami mat, her posture poised yet effortless, exuding an air of quiet sophistication. Her silk kimono, adorned with delicate golden embroidery of cranes and cherry blossoms, drapes elegantly around her, the fabric shimmering subtly under the soft glow of paper lanterns hanging from the wooden beams. In her delicate hands, she holds a porcelain tea cup, steam curling gently from the surface of the finely brewed matcha, its deep green hue contrasting against the pale, translucent quality of the ceramic. A beautifully arranged lacquered tray beside her carries a traditional cast iron teapot, wagashi sweets, and a slender bamboo chasen whisk, each element meticulously placed as part of the refined tea ritual. The room around her is a masterpiece of traditional Japanese architecture. Sliding shoji screens, framed with dark lacquered wood, allow the soft, golden afternoon light to filter through, casting gentle shadows that dance across the smooth tatami flooring. Behind her, a wide-open fusuma panel reveals a breathtaking view of a cherry blossom tree in full bloom, its delicate pink petals drifting lightly on the breeze, some landing gracefully on the polished wooden engawa (veranda). Beyond the tree, the faint silhouette of a tranquil koi pond and a meticulously raked Zen garden add to the scene’s harmonious beauty. As she lifts her tea cup to her lips, her expression is one of calm introspection, a fleeting moment of solitude in a world of quiet grandeur. The contrast between the ephemeral beauty of the cherry blossoms and the timeless elegance of her aristocratic status creates a poignant atmosphere—one that captures both the fleeting nature of time and the enduring grace of tradition.
    <lora:OB中世纪油画v1.1:1> OByouhua, oil painting oil painting of a cozy british cottage on a hilly, sheeps, wooden fence,, foggy, cloudy sky, garden and trees, window lit,
    <lora:OB中世纪油画v1.1:1> OByouhua, oil painting oil painting of greek house, white walls, blue roof, dome roof, greek island, blue sky, majestic, breath taking viewers, olive tree, Greek flag hung on the wall, yellow moped marked on the side,
    The image portrays a nighttime forest scene with a dark, moody atmosphere. The central focus is a burrow embedded into a sloping hill, its entrance shrouded in blackness, where small fox cubs are huddled together, their golden silhouettes barely visible in the darkness. At the mouth of the burrow, a mother fox stands defiantly, her body tense and poised to defend her young. (Surrounding her, several wolf-like figures lurk on the grassy terrain. Their aggressive postures suggest movement, their limbs rigid and poised as if preparing to attack. Though simple in form, the wolves' presence conveys a clear menace, their positioning closing in around the mother fox. The background consists of tall, spindly trees with jagged, dark trunks, their branches reaching upward, framing the scene ominously. Dense bushes and undergrowth further enhance the secluded, deep-forest setting. At the top of the hill, a lone, ghostly figure stands motionless, its pale form contrasting against the dark backdrop, adding an eerie, watchful presence. The color palette is dominated by deep greens, browns, and blacks, reinforcing the night-time setting and heightening the tension of the confrontation. <lora:OB中世纪油画v1.1:1> OByouhua, oil painting
    <lora:Nature_Flux:1> drone view of a tropical archipelago, crystal blue water, tropical vibes,
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