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    In this masterpiece of ultra- realistic detail, we find a lean and noble, but shabby elderly gentleman in a dusty, badly worn three- piece suit. The gentleman is squatting by a ruined antique column under the bright southern sun, holding a crumpled cardboard sheet with a crooked handwriting "JE N'AI MANGÉ PAS SIX JOURS" in his hands. The gentleman's head is shiny bald, he has a small pointed beard without mustache and a large monocle in his eye. A crumpled bowler hat lies upside- down in front of him on a paved street with a chipped stone, small nickel coins glisten in the hat and next to it

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    Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. “Keep, ancient lands, your storied pomp!” cries she With silent lips. “Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tossed to me, I lift my lamp beside the golden door!”
    In this masterpiece of ultra-realistic detail, we find a lean and noble, but shabby elderly gentleman in a dusty, badly worn three-piece suit. The gentleman is squatting by a ruined antique column under the bright southern sun, holding a crumpled cardboard sheet with a crooked handwriting "JE N'AI MANGÉ PAS SIX JOURS" in his hands. The gentleman's head is shiny bald, he has a small pointed beard without mustache and a large monocle in his eye. A crumpled bowler hat lies upside-down in front of him on a paved street with a chipped stone, small nickel coins glisten in the hat and next to it.
    A masterful oil on canvas portrait by Thomas Gainsborough, depicting brave and honest Baron Munchausen, waving cavalry broadsword over his head fiercely while riding a small cannonball, flying over a 18th century fortress under siege; gunpowder smoke and flashes of gunfire below, bright noon sky with fluffy clouds above. Ginger-haired Baron Munchausen wears bristling mustache, scarlet doublet, white leggings, jackboots boots with spurs, gold-embroidered baldric, long scabbard on the side, and black three-cornered hat with a feathery white border. A small cute bird above him stares at Baron Munchausen, while looking dumbfounded and confused.
    Close-up photo of an antique Greek black-figure ceramic vase depicting Hephaestus fixing Aphrodite's laptop.
    bee's soul is shaped as the bee, but consists of perfect translucent honey, glittering gold, emitting heavy viscous amber light, glowing proudly in surrounding pitch black void
    The HuMeow girl by Michelangelo, but all the hope is lost.
    Boris the beetle (although identifying as mantis) conquers space and time while sitting on an attack space fighter wing.
    In the centre of this wide-angle professional candid shot, a pretty adolescent girl in frilly short Victorian dress and lace bonnet stands in the middle of paved street, reading a thick old book. The girl's eyes are glowing with enthusiasm, her pouted lips are parted in an enthusiastic smile; the book emits faint, but widespread amber glow. Around the girl, everything that was on the street-gentlemen with top hats and canes, cheeky flower girls, a cab with a horse harnessed to it, street boys, stray dogs, a distraught cat-is slowly rising into the air, turning over, screaming and cursing. The girl sees and hears nothing; the book took up all her attention.
    Cinematic still capturing a furious Alien (Xenomorph) yelling at a downcast Predator (Yautja) in a tidy, pretty modern Japanese kitchen. The Alien wears a frilly pink apron and a frivolous patterned ribbon on the head. The Alien is shaking a shiny copper ladle in the air. The Predator is clad in a formal business suit, tailored and seemingly expensive, but dirty and tattered. The Predator is shy and confused, he is trying to hide a half-empty bottle of strong liquor behind his back.
    A quartet of animals trying to play string instruments. There are four animals, standing upright, from left to right: donkey, monkey, bear and goat. The donkey's fur is a light gray color, and it appears to tune the violin. To the right of the goat, there is a monkey, also standing upright and holding a violin. The monkey's fur is a light brown color. The bear's fur is a rich brown color, and it appears to be in the middle of playing the cello. To the right of the bear, there is a goat, also standing upright and holding a violin. The goat's fur is a dark gray color. The background of the image is a flowery forest edge, and there are small birds flying in the sky. The style of the image is realistic and vivid, with a focus on the animals and their musical instruments. The image depicts real-world forest environment, enhanced by fantasy and imagination.
    She is Karen, and she absolutely and expressly insists to see your manager RIGHT NOW.
    Close-up photo of Victorian White Rabbit beckoning and squinting at viewer, with a speech bubble saying "Follow me". The arrogant Rabbit looks intimidating; it is wearing top hat, colorful vest, white tie and gloves.
    hyper-realistic photo of a terrifying marble gargoyle, half-buried under colorful autumn leaves, in in a secluded corner of the old English park
    UHD, photorealisitc, fierce attack of Mongol cavalry, intricate details, vivid colors, frightening surroundings, correct details, in the style of John Singleton Copley, of Jacques-Louis David, of Anne-Louis Girodet de Roussy-Trioson
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