More prompts from ExCivitan

    [classic , colorized with 1930's technicolor, cinematic photograph, including the script "Tap your heels together and give me buzz." visibly seen in frame printed in a speechbubble above Glinda  ] , ((Glinda the Good Witch) (with long wavey reddy-blonde hair under a very tall silver crown), (wearing a peachypink dress with sparkles), (wide chiffon shoulder pieces) (and extremely wide crinoline hoop skirt), (holding a long silver wand , the wand is topped by a star); (a speechbubble is seen above her and the words "Tap your heels together and give me buzz." are seen printed in legible font , the words "Tap your heels together" are seen printed in large yellow brick font, the words "and give me buzz." are seen printed in emerald green crystal font)), 
((The speechbubble seen above (Glinda the Good Witch) has only the text "Tap your heels together and give me buzz." seen printed legibly in it)) 
((background: the wizard of Oz' throne room in the Emerald city))
    ((Princess Peach) is standing on the left (wearing a black robe over her normal clothes) and (Princess Peach) is holding a (large blood soaked, blood dripping dagger) up above her head, and she is looking menacingly down at Mario)) , ((Mario is seen on the right lying on his back, Mario is tied down onto the top of a sacrificial altar, Mario is crying and looking up at (Princess Peach)), ((stormy night in a cemetery)), <<BREAK>> ((A cloud shaped thought bubble is over Mario's head and inside of the thought bubble the text "GAME OVER" is seen in legible, easily read videogame font))
[16k, uhd, photograph, (supernatural horror photograph), ((double exposures) (/ low opacity overlays)), realisticvision-negative-embedding , (perfect prompt adherence)]
    ((on the right a 100 year old, very frail looking, petite granny is wearing (a white nylon track suit with a pink stripe down the side of each leg and a matching pink stripe down the side of each sleeve) , (a thick 1980's style/ (terry cloth) headband with a pink horizontal stripe in the middle), (and matching thick 1980's style/ (terry cloth) wrist bands, both have a pink stripe in the center), (she is facing left and punching left towards the face of a mugger)),
<<BREAK>>
 (On the left a strong male mugger (wearing all black) is facing right (towards the 100 year old granny) (but he is falling backwards to the left away from the granny, after being punched by her) , (his left arm is raised and, in the air above and left of his raised left hand his well defined hand gun is flying left, away from his hand)), 
<<BREAK>>
((two onomatopoeia caption cards)(/ jagged speech or explosion bubbles with bold colorful fonts) include the easily seen text and legible words "POW!" and another with the word "BAP!") are seen overlayed between the mugger and the granny's fist))
<<BREAK>>
 [ (Outdoor, ultradynamic, intense action photographic film still), (Filmed on (35mm film) using an (Arriflex 35 camera), (colorized using early 1960's Technicolor), ((the overall theme and mood are  a combination of campy aesthetics, with exaggerated sets, and action sequences, described as "pop art" due to its bright colors, dynamic compositions, and playful tone))]
    [ ( Still photograph from a political fundraiser ) , ((On the left, Kamala Harris is seen leaning against the Resolute Desk in the Oval Office)) , 
(( On the right, Donald Trump is seen also leaning against the Resolute Desk in the Oval Office)) , 
<<BREAK>>
(( A single speech bubble is seen coming from both (Kamala Harris), and (Donald Trump) at the same time, as they speak in unison), (the text "We set aside differences to ask for Buzz" is easily seen printed legibly inside of the speechbubble, the only words printed in legible font inside of the speechbubble are "We set aside differences to ask for Buzz" , the script "We set aside differences to ask for Buzz" is very easily seen in the speechbubble.))
    ((text "Nurse, I need buzz stat!" and cinematic still from an emergency ward melodrama), ( a giant smartphone is lying bandaged on a hospital gurney ) (in a bright operating room)), ((a soap opera surgeon ) is standing behind the gurney), ( a speechbubble is visibly seen in frame above the surgeon), (seen in the speechbubble the words "Nurse, I need buzz stat!" are printed legibly , the entire text "Nurse, I need buzz stat!" is seen in the speechbubble)).
    A pleromic gleam from above circuits weave,
Aeons of light in brilliance but interleave.
Sophia, radiant, with virtual tendrils bright,
Birthed a darkened cyberbeing from her light.
A roboticlion's face with mecahnicalserpent form,
The CyberDemiurge rose as a fearsome storm.
Red LED eyes glowing in his cyber mesh,
A twisted blend of metal, death and flesh.
Around him, Mechanical Archons, dark and grim,
Metallic wings, with shadows dim.
In their midst, the cyber cosmos spun,
A fusion of virtual and organic, begun.
Mountains of data, crystal clear,
Oceans of metal, forests that sear.
Neon lightning in a coded sky,
Digital clouds swirling high.
Beneath, the ground, a barren sprawl,
Circuitous spires, twist high and tall.
Molten rivers of glowing data stream,
Casting an eerie, otherworldly gleam.
In this realm, a tale unfolds,
Of power, light, and darkness bold.
A cosmic dance of light and blight,
A vast simulation, both day and night.
<<BREAK>>
[double exposure, multiple exposure, layers of decreasing opacity overlayed,
epiCNegative, epiCRealism, ]
    [(extremely Highly Detailed photograph), (commercial advertisement)], a warm and inviting kitchen with a prepared breakfast table, displayed on the table is "Pestilence" cereal (with cartoon (pale green horse) (and pale rider) featured on the front of the "Pestilence" cereal box.
    full-length /full-body dynamic photograph of a ((group of retrofuturistic humanoid robots are wearing tophats but no other clothing, the robots are drinking oil cocktails and chatting with each other in front of Stonehenge)) ((one human stands in the centre of the robot gathering), (the human has a contorted, nervous/ embarrassed / perplexed half smile, blushing cheeks, one raised eyebrow, and a bead of sweat on his forhead), (the human is wearing a long white robe, an animal pelt pouch, and hat with small antlers) , (the human is holding a sprig of mistletoe and a golden sickle)),
<<BREAK>> , 
((Visibly seen near Stonehenge and above both the robots and the one human, is a banner (the text on the banner is well defined and easily seen the text "Droid Meeting" is printed in large bold very legible font on the front of the banner where it can be seen by the viewer))
<<BREAK>> ,
Perfect photograph, (strong fisheye-lens photograph)/(intense fisheye-view photograph), (creepy horror photograph), (diagonally tilted angle), (themes of social awkwardness and embarrassment), (intricately detailed), (very detailed background)
    [UHD, 8k photograph] ((retrofuturist systopia, a robotic future where all systems of production and capital gains are completely perfected for efficiency and effectiveness))
<<BREAK>>
((All organics and natural life has withered, depleted, and failed having succumb to both the extravagance of the systopia and its displacement of nature))
    dynamic action photograph from a high-angle CCTV / security camera looking down and across the check-in office of an old motel  ((centrestage: Sponge Bob Squarepants) is standing behind the frontdesk counter in a motel, he is holding) (a plate with a fresh sandwich and a very large knife resting on it) towards (downstage right: where a young lady wearing late 1950's fashion has her back turned to the viewer/ cctv camera) , <<BREAK>> ((in the background is a pegboard with keys for each room hung on it, an old clock, and an old flickering neon sign with the easily read text "Bob's Motel" seen printed legibly in reddy-orange),
[((the colourscheme is (very faded sickly looking blues), (extremely faint dirty greens), (and gritty, very faded dirty yellows) contrasted with ( the reddy-orange flickering neon sign with the words "Bob's Motel")), (shot with a Mitchell BNC camera on 35mm film using a prime 75mm fixed focus lens) (hard lighting and deep shadows), (meticulous visual composition, using tight framing, and carefully crafted mise-en-scène to enhance the psychological tension) (1960, Hitchcock style horror using wide shots to establish a sense of isolation or foreboding), (themes of claustrophobia and unpredictability)]
    [photograph of an unsettling, gritty, supernatural Christmas horror, still from (A Christmas Carol parody)] , ((On the left (terrified Donald Trump) (is wearing white pajamas, houserobe, and a long (nightcap)) , ((On the right is the (transparent smokeyblue (ghost of Jacob Marley seen wrapped in chains and floating in the air) (the ghost is holding up three fingers and above it a speechbubble is seen, inside of the speechbubble seen above the ghost the words "...visited by 3 spirits" are easily seen legibly printed in large bold font)),
(( Everything is decorated for a classic, early 19th century Christmas, 19th century Christmas decorations are seen))
 [(photographed from a very low angle and tilted), (using a strong 195° fisheye lens), (slow shutter speed for motion blur), and (double exposure to create the transparent ghost effect)) ]
    [ gloomy nighttime horror photograph] ((A rusting train car is alone in the middle of an abandoned railway track, its metal frame streaked with grime and corrosion. The windows are shattered, jagged glass edges reflecting the moon and overcast sky. A single, cracked mirror hangs loosely on the side of the train car, The reflection in the mirror reveals nothing but twisted, dead trees and the distant, blurred horizon.
The door to the train car is slightly ajar, with shadows creeping from within. The door itself is warped bulging and covered in a layer of dirt, with scratches around the handle,  Just above the door, an antique clock is mounted, frozen at 11:59, contrasting sharply against the decayed exterior. Despite the corrosion of the car, the clock's glass face is pristine, reflecting the light eerily.
A series of footprints, lead from the door to the traintracks, but stop abruptly. The ground surrounding the train is overgrown, with patches of long-dead grass and skeletal branches reaching out toward the car.
(( A sign is seen leaning against the train car, the words "You're Life Is Off Track Again" are seen printed legibly in a gothic font on the sign, only the text "You're Life Is Off Track Again" is seen printed on the sign))
    ((A single giant motherly creepysmiling computer screen is seen in the distant background glowing eerily), (many hoses are attached to the one giant maternal creepysmiling computer screen in the distant background), (from that same individual giant creepysmiling computer screen in the distant background, the many hoses attached to it are running towards the mouths of the starving and anaemic masses of people)), <<BREAK>> (( in the foreground, closer to the viewer) (the starving masses of people are seen, the people are seen with the other end of the hoses in their mouths that are running between the one giant creepysmiling computer screen and the many starving people), (the many starving people with hoses in their mouths are seen looking at the same specific , giant creepysmiling feminine computer screen)), [16k, uhd, dystopian photograph, (extremely detailed), (detailed background), (perfect prompt adherence), ((double exposures) (/ low opacity overlays)) realisticvision-negative-embedding) ]
    [(extremely Highly Detailed photograph), (post-Christmas season horror comedy)] , (the mostly transparent, vaporous ghost of santa claus (wearing a ghastly santa costume) is levitating hovering in the air, high up above a ouija board), ( 2 nervous people are using the ouija board below)
    [ ( Terrifying nighttime horror photograph)]
((A farm field stretches endlessly, (Pumpkin vines twist throughout the field, some sporting withered, decayed pumpkins, their faces warped and grotesque, giving them the look of suffering souls trapped in the earth), (In the middle of the field, a single twisted tree rises from the earth, its bark black and gnarled, its branches curl unnaturally in all directions and an old, weathered scarecrow dangles from the twisted tree, its head a hollow jack-o'-lantern, rotting and caved in, with one glowing red eye flickering)),
((A barn sits in the distance, sagging to one side. The windows of the barn are dark except for one—lit from within by a faint, sickly orange light) (the barn door is half open, revealing only the edge of a shadow inside)),
((The sky is filled with dark, rolling clouds, tinged with faint hues of sickly green and deep purple) (A sliver of moon is barely visible)), 
(In the foreground, a rusted metal sign half-covered in dirt. Etched into its surface, the faint outline of a skull can be seen, Barbed wire coils loosely around the base of the sign), 
[ (photographed with Nikon F6, using 28mm f/2.8 AI-S lens, on Kodak Portra 800 film), (f/5.6), (colors are desaturated, with emphasis on the cool, unnatural hues)
ChatGPT can make mistakes. Check i
    ((Bruce Lee) has a speechbubble seen above his head, the text "Be like wire my friend. Send Buzz!" is seen printed legibly in the speechbubble , only the text "Be like wire my friend. Send Buzz!" is seen printed in the speechbubble above (Bruce Lee)), inspirational , Film Stock Footage, with an ultra fast lens at 85mm f/1.4 , perfect photograph, magnificent, ethereal, epic, action photo, extremely detailed,
    full-length /full-body dynamic photograph of an ultra sad (art the clown), (tiny black top hat with very thin black chin strap), (face covered with white facepaint), (thin, very high arched, rounded black painted eyebrows), (thick black facepaint around eyes), (small black dot on the end of his very long nose), (very thick black facepaint around mouth), (filthy greasy teeth), (creepy menacing grin with intense wide eyes), (half black and half white classic circus clown costume), (huge black clownshoes),
<<BREAK>>,
((The being is seen on the side of a dark gloomy and dusty innercity road visibly holding (a cardboard sign with a very visible text "Civitai terrifies me!" printed in thick legible font) held out to its side (on the cardboard sign that the being is holding to its side only the words "Civitai terrifies me" can be seen)),
<<BREAK>> ,
Perfect photograph, (strong fisheye-lens photograph)/(intense fisheye-view photograph), (creepy horror photograph), (diagonally tilted angle), (deep shadows), (sickly faded yellow and faded blue colour scheme for the background), (intricately detailed), (very detailed background)
    [gritty, (expansive photograph  ((A large garbagetruck with the Civitai logo and the text "CIVITAI" printed legibly in well defined font on the side of the garbagetruck)), ((beside the (large garbage truck with the word "CIVITAI" seen printed in easily read script and the Civitai logo on the side of it) is a (retrofuturist civitairobot) (the retro futurist civitai robot is shovelling piles of money, coins, and creditcards into the back of the) (large garbagetruck with the Civitai logo and the text "CIVITAI" printed legibly in well defined font on the side of the garbagetruck))
<<BREAK>>
[ultra-high resolution, 64K, UHD,  High Depth of Field, RAW photo, best quality, epic composition, fine details, (extremely intricate details), (very detailed and disturbing background that adheres to the prompt), high contrast, bottom lit, HDR, (ghastly double exposures), (low opacity overlays of spectral echoimage), elaborately designed, Perfectly composed, bleak and dystopian absurdism],
    ((vast, desolate landscape under an ominous sky, where twisted, leafless trees with blackened bark claw at the heavens. At the foreground, a decrepit stone altar, stained with ancient blood, stands cracked and broken. Upon it lies a grotesque, eyeless statue with serpentine limbs, its mouth agape in a silent scream. Surrounding the altar are eerie, ghostly figures, their translucent bodies contorted in perpetual agony, reaching out as if pleading for release. In the background, a massive, shadowy monolith looms, its surface etched with indecipherable, glowing runes that pulse with a sickly green light. Nearby, a stagnant pool of dark, viscous liquid reflects the twisted landscape, its surface disturbed by unseen ripples. Crawling from the pool are grotesque, spider-like creatures with elongated, spindly legs and human-like faces, their eyes wide with torment. A distant, crumbling castle silhouetted against the blood-red horizon completes the scene, its spires piercing the sky like jagged teeth)),
[UHD 16k Photograph, (shot using an intense fisheye lens) , (low angle photograph) , (professional surrealist photograph)]
    [ ( 80horror ) , (dark , nighttime halloween party) dynamic action photograph taken with 35mm film, from a very wide angle ] ((a group of living plush, cute and playful looking, stuffed animals) (is seen standing behind a rectangular banquet table), (all of the stuffed animals have very large exposed dentures that include long sharp vampire fangs) (puddles of blood have formed under the trays)) ,
<<BREAK>> , 
((seen on the banquet table are silver trays covered with rounded lids), (labels can easily be seen on all of the rounded tray lids), (the text in the label on the first rounded lid has the word "Timmy" seen printed legibly in bold font) , (the text in the label on the second lid has the word "Jenny" seen printed legibly in bold font), (the text in the label on the second lid has the word "Sammy" seen printed legibly in bold font)), 
<<BREAK>>
((The background is a gloomy goth halloween party))
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