photograph, Violentscale Only ((violent scale:... -

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watermark, low-quality, worst quality, signature, monochrome, 3d, censored, furry, animal, lores, worst quality, mosaic, painting, drawing, cartoon, airbrush, cgi look, anime, cartoon, obscured face, distorted face, blurred face, green, red, orange, brown, rust, yellow, flesh tone colours, peach, flowers, flower, woman, man, human

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Photograph of ((Gary Coleman) (in the role of) (Gandalf))
((very strong fisheye-lens photograph / (intense fisheye-view photograph)), (high downward looking angle), intricately detailed, very detailed background, Experimental lighting, realisticvision-negative-embedding, epiCRealism ))

[Very high angled aerial photograph], ((a vast Yautja city is seen (at a slight crooked angle) sprawling below)), ((nestled within a dense, alien jungle the Yautja city’s architecture is deco, it blends organic and sophisticated technological elements) (dark, metallic towers rise above the canopy, each adorned with intricate, glowing glyphs in green and blue hues), (the structures are interconnected by a web of narrow, elevated pathways and bridges, giving the city a lattice-like appearance), (beneath the towers, is a network of many (angular terraced pyramid-like buildings , their surfaces etched with ancient symbols and carvings that catch the light, giving them an eerie glow), ( below the terraced pyramid buildings are some smaller, domed structures with transparent roofs, revealing glimpses of Yautja predator technology and culture within), (yhe city’s outskirts fade into the dense jungle, with camouflaged watchtowers and defensive outposts strategically positioned), (rivers of molten metal flow through the city, providing both illumination and a sense of foreboding), (the atmosphere is thick with mist), (the city is in a perpetual twilight, while distant, roaring waterfalls and alien wildlife add to the city’s primal, yet advanced ambiance) ,
[alien militaristic-hunter themed, 32k photograph, uhd,]
realisticvision-negative-embedding, epiCNegative

A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)),
cinematic spiritual horror, dynamic, , ((double exposures)), very detailed background, ominous ethereal background,
epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve

In the twilight's shroud, where shadows dance,
Lies a garden of eerie and deadly plants .
Beneath the moon's pale, ghostly light,
Where nightmares bloom in the dead of night.
Trees twist and coil, their branches writhe,
Like vipers in the deadliest hive.
Their leaves, a tapestry of despair,
Whisper secrets of the dark's cruel snare.
Flowers of crimson, with petals like knives,
Blossom where death and darkness thrives.
Their scent, of poison mist, that fills the air,
Luring lost souls, to their deadly care.
Beneath the earth, roots twist and claw,
Grasping at spirits with a silent draw.
Among the graves, where whispers hiss,
Echoes the sorrow of gloom's soft kiss.
In the center, a fountain flows,
With waters black as midnight's woes.
Its streams, a mirror of the abyss,
Reflecting the souls it longs to twist.
In this garden, where nightmares dwell,
A symphony of darkness, a haunting spell.
For those who dare to roam its maze,
Shall find their souls trapped in its gaze.
<<BREAK>>
Perfect surrealist photograph , psychologically disturbing,
((strong fisheye-lens photograph (intense fisheye-view photograph), very low upward looking angle, intricately detailed, very detailed background, Experimental lighting, horror afterimage, ((evil garden echo image)), (echo image), ((haunting multiple exposures)), (( long exposures)), ((ghastly garden phantom blur)), realisticvision-negative-embedding, epiCRealism ))

In the stillness of the land, where whispers fade to mist,
A somber shadow lingers, where the lost ones gently kissed.
Their names upon the wind, like petals softly tossed,
In memory they linger, their absence never lost.
Through the rivers' gentle flow, and the mountains' silent cry,
Their spirits dance in moonlight, beneath the endless sky.
Though taken from this earth, their presence still remains,
In every leaf that rustles, in every gentle refrain.
We honor their existence, their stories left unsaid,
With solemn hearts we gather, to remember those who've bled.
On this MMIW awareness day, we must vow to never rest,
Until every missing sister finds her soul, justice and truth caressed.
gritty , themes of unsettling contrast in community, cinematic sadness and hope, indigenous echo image, cinematic photograph, noise offset, <lora:add-detail-xl:1> , Getty Images quality photograph , double exposure, multiple-exposure photograph, UHD, experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism

Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)),
<<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style

full-length bleak photograph of ((a city towering obsidian skyscrapers that stretch above clouds), connected by ((a network of elevated crimson walkways and (slim flying vehicles)), (gleaming ruby-domed and black laced sleek streamlined deco designed buildings throughout the cityscape), (Jet-powered sleek flying-saucer-like-cars) zoom through the air, weaving between buildings and around (massive, cylindrical spaceports), (floating platforms and walkways hover above the ground), ultraadvanced technology is seamlessly integrated into every aspect of daily life, from robotic police to (every fully automated luxury), the cityscape is punctuated by (menacing towering spires) and (shimmering, ruby-encased residential complexes), giving the impression of a bustling metropolis thriving in a world of limitless technological advancement)) ,
Perfect photograph, strong fisheye-lens photograph (intense fisheye-view photograph), strong bokeh, cinematic photograph, experimental angles, experimental lighting, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism

photograph, Violentscale Only ((violent scale: Only uses burgundies, maroon, (crimson), black, browns, and greys)) , (macabre surrealism), ((bypassing rationality)), (ghastly after image), (double exposures), (frightening echo image), ((echo image)), (gothic cinematic surrealism), sidelit, (masterpiece from an evil dimension), (pure depraved evil crawls toward the viewer), film grain, noise offset, Getty Images quality photograph, (surrealist horror photograph), [themes of melancholy, terror, and regret] , (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, realisticvision-negative-embedding, epiCRealism

surrealist photograph, after image, double exposure, serpent shoot out from her wide sleeves, she holds a bloodsoaked chainsaw, she has throwing knives strapped to her thighs, shinhigh brown boots, kneehigh grey socks, denim skirt, demonic echo image, echo image, emblem, head with horns in reflection, horns on head in shadows, sidelit, masterpiece from a different dimension, film grain, noise offset, <lora:add-detail-xl:1> candid photography, Getty Images quality photograph, cute and endearing photograph contrasted by violent mania , multiple-exposure photograph, UHD, very slow shutter speed to capture motion, experimental coloured lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism

photograph of ((a suburban house which is seen behind it's front yard) which includes ((winding (dark stone) pathway)), ((the yard is bordered by (low, textured walls)), (small butterflies and bees flit through a diverse array of plant life), (tall very slender trees), ((clusters of (complimentary colour balanced) flowers bloom)), (a trellis draped in climbing vines creates a canopy, casting varied textures and patterns on the ground below), ((in a secluded corner, (a very small and unusual fountain) offers a gentle flow of water)), (ornate statues of celestial beings with intricate details stand solid near a bench)), (gothic cinematic photograph), film grain, noise offset, Getty Images quality photograph, (mysterious and inviting but calming photograph), (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, realisticvision-negative-embedding, epiCRealism

((In the abyss of the Underdark's embrace,
Where shadows dance in eternal grace,
Lies a city of darkness, sprawling wide,
Where the sun's warm touch can never abide.
Towering spires of obsidian rise,
Piercing the blackened, starless skies,
Their jagged edges cutting the night,
A testament to the drow's might.
Beneath them, streets wind and twist,
A labyrinth where secrets persist,
Carved from the very stone below,
In patterns only the drow know.
Glowing crystals, a haunting hue,
Cast their eerie light, a spectral view,
Revealing arches and columns grand,
In a city built by drow hand.
But shadows lurk in every nook,
In alleys where whispered secrets took,
And in the depths of cavernous halls,
Where treachery waits for those who fall.
Yet amid the darkness, beauty lies,
In murals that tell of ancient skies,
And in the delicate webs that adorn,
The silent streets where shadows mourn.
For this is a city of darkness and light,
Where the drow dance in the depths of night,
A testament to their craft and guile,
In a world where shadows always smile.)),
((very strong fisheye-lens photograph / (intense fisheye-view photograph)), (low upward looking angle), intricately detailed, very detailed background, Experimental lighting, realisticvision-negative-embedding, epiCRealism ))

, 16k, raw, (ultra high picture quality), (intricate details), (strong fisheye lens photo/ intense fisheye view photo), ((bottom lit/)/(underlighting)), full body, large view, ((Dora the Explorer) is seen (standing inside a glowing sigil) , (she is summonimg a horde of horrifying evil demons))
[horror , (double exposures), (low opacity overlays), nighttime, outdoor, realisticvision-negative-embedding, ]

$Photograph of ((3 being) ((1st a radiant, ethereal almost entirely made of light, an otherworldly glow), (in a seamless, flowing robe of white light, which shimmers and changes colors with movement, creating an iridescent effect), (the face is serene and androgynous, features are soft yet defined, the eyes are large and luminous), (surrounding it is a halo of soft, golden light that extends outward, blending into the surroundings)), ((2nd is made of both light and energy), (with a clearly defined body), ( wearing more elaborate, intricate patterns of light woven into fabric, resembling a celestial armor, the colors are primarily blue and silver), (face is sharper, with high cheekbones, the eyes are penetrating), (it is surrounded by a vibrant, pulsating blue aura), ((3rd Form, the most complex and multifaceted, with constantly shifts and changes, blending elements of light, shadow, and energy), (wearing a mix of dark and light, with intricate, fractal-like patterns that shift and move, deep purples and blacks to shimmering golds and whites), (the face is ambiguous, with features that change depending on the angle and light, the eyes are deep and dark), (it has an aura that fluctuates between darkness and light, creating a mesmerizing, kaleidoscopic effect), (the aura extends and contracts, reflecting the form's fluid and transformative nature), [low wide angle photograph using a 50mm lens, f/1.8, slow shutter speed, high iso]$

((farthest from viewer: a rural community church is seen in the background)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)),
((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) ,
[ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), ]

surrealist photograph, incredible, vast landscape of surrealism unfolding in a maddening dimension of strange dreams and nightmares, unusual colourful paint splashes, black and red vapor clouds, provocative, symbolic, intricate, detailed, echoimages, ((long exposure motion cold terrifying and ghastly images) overlayed on (sharp short exposure innocent , loving, warm images))
epiCNegative, realisticvision-negative-embedding

A vast chamber with a domed ceiling has scenes of cosmic battles and celestial conquests, mysterious symbols and glyphs line the walls, casting strange shadows) at the center of the hall (a long, obsidian table) stretches out, (adorned with intricate carvings of serpents and ancient symbols), around the table, (reptilianhumanoids with glistening scaled skin) sit in high-backed chairs, the reptilianhumanoids wear (regal robes crafted from shimmering fabrics in hues of iridenscent purple and blue), (Ornate jewelry) adorns their (long slender fingers and necks), glinting with gemstones that catch the light, (their cold and calculating eyes), peer out with an air of ancient wisdom and power.,
<<BREAK>> ,
((In the background, hooded attendants))
Perfect photograph, strong fisheye-lens photograph (intense fisheye-view photograph), strong bokeh, cinematic photograph, experimental angles, experimental lighting, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism

photograph of ((a suburban house is seen behind it's front yard) which includes ((winding (dark stone) pathway)), ((the yard is bordered by (low, textured walls)), (small butterflies and bees flit through a diverse array of plant life), (tall very slender trees), ((clusters of (complimentary colour balanced) flowers bloom)), (a trellis draped in climbing vines creates a canopy, casting varied textures and patterns on the ground below), (in a secluded corner, a small fountain offers a gentle flow of water), (ornate statues of celestial beings with intricate details stand solid near a bench)), (gothic cinematic photograph), film grain, noise offset, Getty Images quality photograph, (mysterious and inviting but calming photograph), (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, realisticvision-negative-embedding, epiCRealism

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