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    White background, young women in her 20s, sitting on her knees, wearing a white floral dress, closed eyes, looking slightly down, black hair, model, holding a perfume bottle, focus on perfume bottle, perfect hands, highres, best quality, masterpiece

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    Painting of a scenic italian landscape, cliffy, beach, town, colorful buildings, sail boats, <lora:Studio_Ghibli_Flux:1> ghiblistyle <lora:Flacs_Enhancer:1> ff-enhance
    Architectural design of a French country living room, floor to ceiling windows, white fabric curtains, fireplace, elegant sofas, circular green rug, <lora:iphone-dev-7:1> iphone photo
    A tense, action-packed cinematic scene of a police officer crouching behind his patrol car for cover in a suburban neighborhood. The officer, wearing a navy-blue uniform with a badge glinting faintly in the light, grips a standard-issue pistol tightly in both hands. His face is etched with focus and tension, sweat glistening on his brow under the harsh light of a streetlamp. His body is partially shielded by the open driver's side door of the car, which is peppered with fresh bullet impacts. The patrol car, a classic black-and-white police cruiser, is parked askew on a quiet residential street, its red-and-blue lights flashing urgently, casting rhythmic streaks of color across the scene. The car's headlights illuminate a row of neat, suburban homes with manicured lawns, each shrouded in deep shadow except for faint porch lights and the occasional flicker of a TV through curtained windows. In the background, a tense standoff unfolds, with distant muzzle flashes breaking the darkness. The scene is punctuated by scattered debris on the asphalt—a shattered side mirror, a toppled trash can, and shards of broken glass glinting under the streetlights. The atmosphere is thick with tension, heightened by a low-hanging mist that diffuses the light and softens the edges of the quiet suburban setting. Technical Details for Photography-Style Rendering: Camera: Sony A7R IV Lens: 35mm f/1.4 GM Settings: 35mm focal length, f/1.8 aperture, ISO 1600, 1/60s shutter speed Lighting: Strobing red-and-blue police lights, supplemented by ambient streetlights and car headlights, creating dynamic contrast and dramatic reflections on the car's surface. <lora:CinematicStyleFlux_v1:1>
    Dark fantasy art of a dragon flying over the farm land, blowing fire at the farmer’s wooden cottage, smoky, cloudy sky, grim atmosphere <lora:80s_Fantasy_Movie:1> ArsMovieStill, 80s Fantasy Movie Still
    wizard wearing a dark cloak, large old wooden staff in hand, walking around in the ruins of a castle, cloudy, mysterious, dying flowers on the ground , dark fantasy
    <lora:Claude_Monet_Flux-GMR:1> cmca gorgeous scenic painting of a Russian spring, birch trees, lake with geese, blue sky and clouds,
    <lora:OB中世纪油画v1.1:1> OByouhua, oil painting deep dark ocean, a scuba diver swimming underwater, in the distance a giant large sea monster with 2 ears, round mouth and teeth, it is slightly visible but not fully, <lora:Dark Cinematic:0.5> DRK
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    first person POV driving a truck on a rainbow glass road floating in outer space, <lora:first_person_pov_v1:1> first person pov
    alien world with exotic plants and trees in variety of colors, bright blue sky, crystal clear blue ocean on the left. On right a heavy industrial factory sits with heavy pollution and smoke giving a contrasting look to the surrounding. Displays the conflicts between preserving nature and industrial expansion <lora:Phlux:0.5> <lora:CinematicStyleFlux_v1:1>
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    <lora:Flux_-_Renaissance_art_style:1> In a moody, cinematic oil painting, a lone monk sits hunched over a heavy wooden table in the dimly lit chamber of a medieval castle, deep in quiet contemplation. Dressed in a coarse, earth-toned brown wool robe, its simple folds draping over his seated form, he carefully inscribes words into a large, leather-bound manuscript with a quill, the delicate scratching of ink against parchment the only sound in the hushed room. His face, partially obscured by the flickering glow of a single beeswax candle, bears an expression of quiet focus—aged, lined with wisdom, yet softened by the warm light. The small stone chamber is shrouded in deep shadows, its cold gray walls lined with aged wooden shelves, stacked with dusty tomes, rolled parchments, and glass ink bottles. The rough stone floor is strewn with a few scattered pages, some crumpled, some carefully set aside, evidence of long hours spent in scholarly devotion. Behind him, an old wooden stool, slightly uneven from years of wear, creaks softly as he shifts his weight. (A small, narrow window, set high into the thick castle walls,:1.2) allows a faint sliver of moonlight to stream in, casting a cool blue contrast against the golden glow of the candle. Beyond the window, the rolling European countryside stretches out in the misty night, the gentle contours of distant hills and winding roads barely visible under the dim glow of the stars. A lone church spire rises in the far distance, a silent reminder of the world beyond these ancient stone walls. The air is heavy with the scent of melted wax, old parchment, and damp stone, a sensory reflection of the solitude and devotion that define the monk’s world. The scene captures an almost timeless moment—a solitary figure lost in thought, his work illuminated by fragile light, his mind wandering between scripture, philosophy, and the mysteries of the written word.
    <lora:Dark Cinematic:0.5> DRK A tense, cinematic scene of a soldier clad in dark tactical gear, his face obscured by a heavy-duty gas mask with fogged-up lenses. He grips a worn rifle tightly, its barrel slightly raised as he moves cautiously through the narrow, decaying hallways of a post-Soviet apartment building. The dim, flickering overhead lights cast long shadows, barely illuminating the peeling paint on the walls, exposing layers of faded colors and crumbling plaster. The air is thick with dust, disturbed by his slow, deliberate footsteps on the grimy, debris-covered floor. Old Soviet-era posters hang tattered on the walls, their messages long forgotten. Rusted pipes run along the ceiling, some dripping, creating a faint echo that blends with the distant creaks of the aging structure. Faint graffiti in Cyrillic is scrawled across the walls, remnants of past occupants. The soldier’s breathing is audible through the mask, adding to the suffocating atmosphere. His head tilts slightly as he listens for movement, the silence only broken by the occasional distant thud or the sound of wind howling through broken windows. The hallway ahead disappears into darkness, an eerie unknown that looms in front of him as he takes another careful step forward.
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