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    close up, two heads, two faces, plastic, Deformed, blurry, bad anatomy, bad eyes, crossed eyes, disfigured, poorly drawn face, mutation, mutated, ((extra limb)), ugly, poorly drawn hands, missing limb, blurry, floating limbs, disconnected limbs, malformed hands, blur, out of focus, long neck, long body, ((((mutated hands and fingers)))), (((out of frame))), blender, doll, cropped, low-res, close-up, poorly-drawn face, out of frame double, two heads, blurred, ugly, disfigured, too many fingers, deformed, repetitive, black and white, grainy, extra limbs, bad anatomyHigh pass filter, airbrush, portrait, zoomed, soft light, smooth skin, closeup, deformed, extra limbs, extra fingers, mutated hands, bad anatomy, bad proportions , blind, bad eyes, ugly eyes, dead eyes, blur, vignette, out of shot, out of focus, gaussian, closeup, monochrome, grainy, noisy, text, writing, watermark, logo, oversaturation , over saturation, over shadow

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    More prompts from OdiousStooge

    Comic book style image of,
lich chef, skeletal and cloaked, stirring a bubbling cauldron, shadowy medieval kitchen
, RPG
    A tense scene inside a dimly lit cave where Roland and his ka-tet confront a giant spider, its eyes gleaming maliciously in the dark. Susannah, gripping her weapons, readies herself beside Roland, her wheelchair reinforced with metal guards.
    Skipper the Otter: A robust otter with a dark, sleek coat, wearing a garland of water lilies and reeds. He is shown emerging from a misty lake, droplets of water reflecting the eerie twilight, creating a mystical ambiance.
, live action, in the style of an old 80's VHS dark fantasy, VHS screen grab, grainy, old footage, in the style of an old 80's VHS dark fantasy, VHS screen grab, grainy, old footage
    An image of a peaceful garden, full of blooming flowers and butterflies, representing the beauty of nature absent on Mars, 
in the style of the eerie ambiance of Ridley Scott's 'Alien' with 80s sci-fi nostalgia. Blend dreamlike, claustrophobic spaces, grimdark Warhammer 40K magic, and campy yet sinister tones. Envision a surreal, dystopian world where arcane forces meet retro-futuristic sci-fi, creating a uniquely haunting tableau
    Robot tangled in binary code and paintbrushes, "Lost in Code, Finding Our Way Back!" sign, humorous scene, confused expression, digital background, coding elements, tangled wires, messy and chaotic
    Queen Warbeak: A sparrow queen with a crown of twisted branches, feathers dusted with shimmering powder. She is perched regally atop an ancient rune stone, her darkly made-up eyes contrasting against light feathers, in the dim light of dusk.
, live action, in the style of an old 80's VHS dark fantasy, VHS screen grab, grainy, old footage, in the style of an old 80's VHS dark fantasy, VHS screen grab, grainy, old footage
    A majestic orc elder, dressed in flowing ceremonial robes of deep reds and burnt oranges, stands atop a cliff overlooking a vast autumn forest. His hands are raised to the sky, conducting a powerful spell as swirling orange leaves gather around him in a vortex. The distant sun is setting, casting long shadows over the forest below, where stone ruins and forgotten paths hint at ancient civilizations. The vibe is powerful and reverent, with a connection to both the natural world and long-lost magic.
    A chilling moment as a group of taheen, creatures with the bodies of men and the heads of animals, gather in a darkened glen under the command of a sinister figure cloaked in black, plotting the downfall of the Gunslingers.
    This massive tome is bound in gnarled, bark-like leather, with veins of dark green and fiery orange running across its cracked surface. Dried tendrils of ivy wrap around its edges, merging with its spine, almost as if the book is growing with the autumn earth. The pages are thick, stained with the scent of damp soil and burnt herbs. The air around it is heavy with the scent of decaying leaves, and as you reach out to touch it, a gust of wind scatters fiery orange leaves in all directions.
Etched on the cover is the following text: “From Death, We Reap, From Rot, We Rise.”
, live action, in the style of an old 80's VHS dark fantasy, VHS screen grab, grainy, old footage, in the style of an old 80's VHS dark fantasy, VHS screen grab, grainy, old footage
    A spectral stag with antlers of glowing frost gallops across an open tundra under a blood moon, its translucent form leaving trails of cold fire in the snow, behind it, ghostly hunters ride skeletal steeds cloaked in tattered shrouds of frost, their weapons—bows of ice and spears tipped with enchanted icicles—glow faintly in the swirling snowstorm, the chase is furious and violent, the stag’s desperate breaths visible in the icy air, the scene evokes the brutal dynamism of Simon Bisley, with exaggerated movement, bold contrasts, and a haunting interplay of red moonlight and icy blues.
, Vibrant, grotesque, and surreal with bold contrasts, heavy black outlines, and a blend of dreamlike autumnal hues; a mix of neon, retro, and pagan elements, inspired by Sean Aaberg’s punk-infused, chaotic energy and dreamcore's eerie, nostalgic undertones
    (masterpiece, best quality), Dark art in chdmchlwrd style, 
A tall, seductive spider woman with a dark, glistening exoskeleton and long, toned legs. Her upper body is human-like, with deep crimson skin and thick, midnight-blue hair cascading over her shoulders. She wears a sheer web-like dress that clings to her voluptuous figure, and her eight piercing red eyes glint with a predatory, mesmerizing allure. Shadows cling to her as she moves, creating a tense, dangerous atmosphere as she weaves her silken trap.
,big butt, booty, bubble butt, emphasis on her ass, seductive,
, detailxl
    DnD_Grainyboyz,grainy, noise, Dark cyberpunk artwork of THE PROGENITOR OF LUST, Extremely hyper realistic detailed,
Beneath a blood-red moon, the Necromancer Saint emerges, his skeletal visage a symbol of eternal damnation. The regal fabric of his pope’s attire whispers against the bones of his thin, desiccated frame. The mobile altar, surrounded by swirling mists, moves through the night, guided by his loyal cultists, as they traverse a landscape blighted by his unholy presence., 
in the style of the decaying empire of Wurstreich, dark magic and grotesque creatures abound, inspired by Sean Aaberg's punk aesthetic, dark fantasy world combines grim landscapes with vibrant, exaggerated colorful art, heroes skirmish monstrous foes in a setting where rebellion, decay, and mysticism intertwine, crafting a unique, immersive vibe
, the scene is captured in dimly lit dark fantasy but vibrant colors, with bold ink lines defining form against the watercolor wash of the aged paper
    Screen grab from a 1940s dark fantasy movie, wizard of oz style color, occult, Perched atop a crumbling paper-mâché tower, the Stitchwork Hermit--a gangly creature with patchwork skin and glowing green eyes--spends its days sewing scraps of fabric and paper into strange, animated dolls. It smokes a crooked pipe, its movements slow and deliberate, and offers cryptic wisdom to those brave enough to climb its tower
    A towering golem of jagged ice and ancient stone, its body etched with glowing frost runes and encrusted with centuries of snow, it stands in the middle of a desolate tundra, its hollow eyes glowing faintly with blue flame, surrounding it are the frozen remains of past challengers—knights encased in ice, shattered weapons, and skeletal remains, when it moves, the ground trembles, and its breath creates violent flurries of snow, the composition channels the epic, exaggerated proportions of Frank Frazetta, with dramatic poses and stark contrasts between the frozen landscape and the creature’s glowing core.
, Vibrant, grotesque, and surreal with bold contrasts, heavy black outlines, and a blend of dreamlike autumnal hues; a mix of neon, retro, and pagan elements, inspired by Sean Aaberg’s punk-infused, chaotic energy and dreamcore's eerie, nostalgic undertones
    Roland Deschain, his face etched with lines of fatigue and resolve, standing at the base of a towering waterfall. The mist from the falling water coats his leather duster, as he looks up at the sheer drop, pondering the path his ka-tet must take next on their journey towards the Dark Tower.
    In the fading orange glow of sunset, the moth wizard walks through the swamp, his brown and red robes trailing behind him, summoning thousands of moths to surround him, their fluttering wings reflecting the light of a full autumn moon.
, Vibrant, grotesque, and surreal with bold contrasts, heavy black outlines, and a blend of dreamlike autumnal hues; a mix of neon, retro, and pagan elements, inspired by Sean Aaberg’s punk-infused, chaotic energy and dreamcore's eerie, nostalgic undertones
    abstract photorealistic ink image in red, black and blue, 
A haunted séance taking place in the heart of the Crystal Marsh, where glowing crystals and bioluminescent plants light the foggy air. A group of witches sit in a circle, their hands raised as they summon the spirits of the dead. Spectral apparitions rise from the marsh's black waters, their forms shimmering with eerie light as they whisper long-forgotten secrets to the witches., 
In the style of grainy 80s VHS dark fantasy horror, vintage Halloween, autumn harvest tones, occult mysticism, gritty animatronics, with Sean Äaberg's psychedelic grotesque flair, evoking eerie, grainy VHS footage
    Basil Stag Hare: Portrait of a lanky hare with overlong ears and a patchwork coat of furs and leaves, his whiskers and eye rims bright orange. He's positioned humorously with a backdrop of an eerie, fog-laden forest.
, live action, in the style of an old 80's VHS dark fantasy, VHS screen grab, grainy, old footage, in the style of an old 80's VHS dark fantasy, VHS screen grab, grainy, old footage
    A hyper-stylized midshot portrait of a cursed knight clad in tarnished, blackened steel armor encrusted with writhing golden filigree, shaped like leering demon faces and clawed hands grasping at his form. His helmet is crowned with a twisted, spiked crest, and his visor is slightly lifted, revealing glowing green eyes filled with malevolent wisdom. Perched on his pauldron is a grotesque, bloated one-eyed cat with bat wings and an ever-grinning mouth, purring ominously as its single amber eye scans the room. The background is a crumbling cathedral, its stained glass warped with scenes of madness, illuminated by eerie, flickering green torchlight. The art style blends occult horror with a punky, cartoonish absurdity.
    An eerie, abandoned village entirely carved from ice, with cottages whose roofs glisten like crystal and streets lined with frozen lampposts glowing faintly, inside the buildings, intricate frozen dioramas depict moments of joy and horror—children playing, a feast interrupted by shadowy creatures, villagers praying to an unseen deity, the air is still and deathly silent except for the faint creaks of ice shifting, the scene mirrors the macabre intricacy of Hans Ruedi Giger’s biomechanical style, blending the organic with the surreal, the frozen dioramas hinting at lives trapped in eternal cold.
, Vibrant, grotesque, and surreal with bold contrasts, heavy black outlines, and a blend of dreamlike autumnal hues; a mix of neon, retro, and pagan elements, inspired by Sean Aaberg’s punk-infused, chaotic energy and dreamcore's eerie, nostalgic undertones
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