More prompts from ExCivitan

    [A ((foundfootage style film still image) verywideangle photograph (photograph taken from a skewed angle), (foundfootage/ shakeycam style))],
 ((a hypnotic geeky woman is seen wearing thick glasses and a shiny metal bowl on her head), (her eyes are white/ rolled back), (on top of the bowl on her head is a retrofuturist style radio antenna), (a speechbubble is visibly seen coming from the geeky woman's mouth and in the speechbubble the text "Please provide buzz" is seen printed in legible font , only the words, "Please provide buzz" are seen in the speechbubble))
<<BREAK>>
((An evil looking retrofuturist metal robot with a blue hexagon , is seen holding a large remote control with an antenna), the robot is riding on the shoulders of the geeky woman)),
[dystopian coalpunk theme, bleak cinematic photograph, dynamic, uhd 16k photograph , ((double exposures)),  very detailed background, ornate details, very detailed background, ]
    [Paranormal evidence photograph ] ((A warning sign with the words "Seeing is Illegal: Maximum Fine 100 Buzz" seen printed in easily seen legible font, is seen on a (barbedwire fence) in a (hot desert)), ( Only the text "Seeing is Illegal: Maximum Fine 100 Buzz" is seen printed on the warning sign that is on a (barbed wire fence) in a desert where (heat haze) rises from the sand)), 
<< BREAK >> ,
((In the distant background, deeper in the desert is an aiforce base, (flyingsaucer type UFO's), and (frightening aliens with (bulbous grey heads) and giant (all black eyes), (they are all seen behind the warning sign with the script "Seeing is Illegal: Maximum Fine 100 Buzz" seen printed on it. ))
[(photographed using a Hasselblad 500CM with a Zeiss Distagon 40mm f/4 lens), (soft focus effect), (photographed on Kodak Portra 400 film, pushed two stops to enhance grain and shadow detail)]
    [ (melancholy colour palette) , (candid outdoor photograph of content creation) ] ((An influencer is (sitting on a sidewalk) (in the shade under a large umbrella) , (under the umbrella it looks gloomy, bleak, amd stormy), (the influencer is sitting with her knees pulled up to her chest), (the influencer appears to be sad and crying with mascara running) (and she is looking upwards to the left, at a (DSLR camera mounted on a tall tripod)),
((another person is pouring a canister of water on the large umbrella)),
<<BREAK>>,
((in the background is a normal busy, city sidewalk and street on a warm sunny day), (the sky is blue and sun is shining), (people with (confused facial expressions) are looking towards the sad looking influencer under the big umbrella that water is being poured on))
    A pleromic gleam from above circuits weave,
Aeons of light in brilliance but interleave.
Sophia, radiant, with virtual tendrils bright,
Birthed a darkened cyberbeing from her light.
A roboticlion's face with mecahnicalserpent form,
The CyberDemiurge rose as a fearsome storm.
Red LED eyes glowing in his cyber mesh,
A twisted blend of metal, death and flesh.
Around him, Mechanical Archons, dark and grim,
Metallic wings, with shadows dim.
In their midst, the cyber cosmos spun,
A fusion of virtual and organic, begun.
Mountains of data, crystal clear,
Oceans of metal, forests that sear.
Neon lightning in a coded sky,
Digital clouds swirling high.
Beneath, the ground, a barren sprawl,
Circuitous spires, twist high and tall.
Molten rivers of glowing data stream,
Casting an eerie, otherworldly gleam.
In this realm, a tale unfolds,
Of power, light, and darkness bold.
A cosmic dance of light and blight,
A vast simulation, both day and night.
<<BREAK>>
[double exposure, multiple exposure, layers of decreasing opacity overlayed,
epiCNegative, epiCRealism, ]
    ((On the right, The devil is standing on a soapbox wearing a priest's smock and a white stole (narrow strip of cloth, adorned with religious symbols) over his shoulders), he has horns and a charismatic smile), (he at an Urban sidewalk corner) , (with one hand the devil is holding a sign (the sign has the very easily seen and very legible text "The Devil's That way" printed on the front and under the words "The Devil's That Way" is an arrow pointing to the left)), his other arm and index finger are pointed horizontally to the left)),
<<BREAK>>
(Center and left a group of average looking Christians is facing left (away from the devil) with expressions of outrage and fear))
[uhd, 8k photograph, (highangle photograph looking down and across a city street), ((shot using (Tilted Angles (Dutch Angles): use of tilted camera angles) and a fisheye lens))]
    (nighttime horror photograph of a narrow foggy alleyway, stretching into darkness) [The camera is positioned very low], ( cobblestone ground is slick with moisture. Faint Halloween decorations strung overhead between buildings. An old bicycle lies abandoned). ((At the far end of the alley, is stands a very tall skinny figure in a blood splattered nurse costume, with white facepaint smeared and streaked) (It holds a (pumpkin shaped candy bucket), in one hand),
<<BREAK>> ,
((Closer to the viewer, a small handprint is smeared across the damp cobblestones), (very tiny footsteps, muddy and erratic, lead away from the handprint toward the (figure in the bloodsplattered nurse costume), A trail of broken candy pieces glimmers in the dim light. From the alley’s walls, shadows loom bent in impossible angles)
(Camera: Canon EOS R5, Lens: Canon RF 24-70mm f/2.8, Settings: ISO 4000, Shutter Speed: 1/40s, Aperture: f/2.8, No Flash, low angle from the alley’s entrance. The fog blurs the edges of the frame, drawing attention to the figure and details in the foreground. The color palette is desaturated, with muted blues and grays, except for the faint orange glow from the distant streetlamp.)
    [ gloomy nighttime horror photograph] ((A rusting train car is alone in the middle of an abandoned railway track, its metal frame streaked with grime and corrosion. The windows are shattered, jagged glass edges reflecting the moon and overcast sky. A single, cracked mirror hangs loosely on the side of the train car, The reflection in the mirror reveals nothing but twisted, dead trees and the distant, blurred horizon.
The door to the train car is slightly ajar, with shadows creeping from within. The door itself is warped bulging and covered in a layer of dirt, with scratches around the handle,  Just above the door, an antique clock is mounted, frozen at 11:59, contrasting sharply against the decayed exterior. Despite the corrosion of the car, the clock's glass face is pristine, reflecting the light eerily.
A series of footprints, lead from the door to the traintracks, but stop abruptly. The ground surrounding the train is overgrown, with patches of long-dead grass and skeletal branches reaching out toward the car.
(( A sign is seen leaning against the train car, the words "You're Life Is Off Track Again" are seen printed legibly in a gothic font on the sign, only the text "You're Life Is Off Track Again" is seen printed on the sign))
    ((On the right, The devil is standing on a soapbox wearing a priest's smock and a white stole (narrow strip of cloth, adorned with religious symbols) over his shoulders), he has horns and a charismatic smile), (he at an Urban sidewalk corner) , (with one hand the devil is holding a sign (the sign has the very easily seen and very legible text "The Devil's That way" printed on the front and under the words "The Devil's That Way" is an arrow pointing to the left)), his other arm and index finger are pointed horizontally to the left)),
<<BREAK>>
(Center and left a group of average looking Christians is facing left (away from the devil) with expressions of outrage and fear))
[uhd, 8k photograph, (highangle photograph looking down and across a city street), ((shot using (Tilted Angles (Dutch Angles): use of tilted camera angles) and a fisheye lens))]
    ((vast, desolate landscape under an ominous sky, where twisted, leafless trees with blackened bark claw at the heavens. At the foreground, a decrepit stone altar, stained with ancient blood, stands cracked and broken. Upon it lies a grotesque, eyeless statue with serpentine limbs, its mouth agape in a silent scream. Surrounding the altar are eerie, ghostly figures, their translucent bodies contorted in perpetual agony, reaching out as if pleading for release. In the background, a massive, shadowy monolith looms, its surface etched with indecipherable, glowing runes that pulse with a sickly green light. Nearby, a stagnant pool of dark, viscous liquid reflects the twisted landscape, its surface disturbed by unseen ripples. Crawling from the pool are grotesque, spider-like creatures with elongated, spindly legs and human-like faces, their eyes wide with torment. A distant, crumbling castle silhouetted against the blood-red horizon completes the scene, its spires piercing the sky like jagged teeth)),
[UHD 16k Photograph, (shot using an intense fisheye lens) , (low angle photograph) , (professional surrealist photograph)]
    ((on the right), (Cookie Monster) is seen wearing (a Hannibal Lecter mask/ bite mask), his arms are restrained behind his back by handcuffs) and he is in a very plain brightly lit prison cell behind a plexiglass window to the left, he is looking left through the plexiglass window)),
<<BREAK>>
 ((on the left,  in the dark hallway, outside of the cell, on the opposite side of the plexiglass window from Cookie Monster) (FBI Agent Starling is looking to the right through the plexiglass window))
<<BREAK>>
((Above  FBI Agent Starling's head is a thought bubble and inside the thought bubble the lamb emoji is seen))
    [Vivid photograph  ((A warning sign is at the top of a (pinboard) on a wall in an office filled with religious icons and symbols), (the text on the warning sign is visible and easily read it says “Cursed Images – DO NOT LOOK!” printed in large legible font )), ((Pinned to the pinboard below the warning sing, are several photographs (the photographs pinned to the pinboard in the office filled with religious icons and symbols all contain the following imagery: ((vast, desolate landscape under an ominous sky, where twisted, leafless trees with blackened bark claw at the heavens. At the foreground, a decrepit stone altar, stained with ancient blood, stands cracked and broken. Upon it lies a grotesque, eyeless statue with serpentine limbs, its mouth agape in a silent scream. Surrounding the altar are eerie, ghostly figures, their translucent bodies contorted in perpetual agony, reaching out as if pleading for release. In the background, a massive, shadowy monolith looms, its surface etched with indecipherable, glowing runes that pulse with a sickly green light. Nearby, a stagnant pool of dark, viscous liquid reflects the twisted landscape, its surface disturbed by unseen ripples. Crawling from the pool are grotesque, spider-like creatures with elongated, spindly legs and human-like faces, their eyes wide with torment. A distant, crumbling castle silhouetted against the blood-red horizon completes the scene, its spires piercing the sky like jagged teeth)),
    [Vivid photograph  ((A warning sign is at the top of a (pinboard) on a wall in an office filled with religious icons and symbols), (the text on the warning sign is visible and easily read it says “Cursed Images – DO NOT LOOK!” printed in large legible font )), ((Pinned to the pinboard below the warning sing, are several photographs (the photographs pinned to the pinboard in the office filled with religious icons and symbols all contain the following imagery: ((vast, desolate landscape under an ominous sky, where twisted, leafless trees with blackened bark claw at the heavens. At the foreground, a decrepit stone altar, stained with ancient blood, stands cracked and broken. Upon it lies a grotesque, eyeless statue with serpentine limbs, its mouth agape in a silent scream. Surrounding the altar are eerie, ghostly figures, their translucent bodies contorted in perpetual agony, reaching out as if pleading for release. In the background, a massive, shadowy monolith looms, its surface etched with indecipherable, glowing runes that pulse with a sickly green light. Nearby, a stagnant pool of dark, viscous liquid reflects the twisted landscape, its surface disturbed by unseen ripples. Crawling from the pool are grotesque, spider-like creatures with elongated, spindly legs and human-like faces, their eyes wide with torment. A distant, crumbling castle silhouetted against the blood-red horizon completes the scene, its spires piercing the sky like jagged teeth)),
    ((on the right a 100 year old, very frail looking, petite granny is wearing (a white nylon track suit with a pink stripe down the side of each leg and a matching pink stripe down the side of each sleeve) , (a thick 1980's style/ (terry cloth) headband with a pink horizontal stripe in the middle), (and matching thick 1980's style/ (terry cloth) wrist bands, both have a pink stripe in the center), (she is facing left and punching left towards the face of a mugger)),
<<BREAK>>
 (On the left a strong male mugger (wearing all black) is facing right (towards the 100 year old granny) (but he is falling backwards to the left away from the granny, after being punched by her) , (his left arm is raised and, in the air above and left of his raised left hand his well defined hand gun is flying left, away from his hand)), 
<<BREAK>>
((two onomatopoeia caption cards)(/ jagged speech or explosion bubbles with bold colorful fonts) include the easily seen text and legible words "POW!" and another with the word "BAP!") are seen overlayed between the mugger and the granny's fist))
<<BREAK>>
 [ (Outdoor, ultradynamic, intense action photographic film still), (Filmed on (35mm film) using an (Arriflex 35 camera), (colorized using early 1960's Technicolor), ((the overall theme and mood are  a combination of campy aesthetics, with exaggerated sets, and action sequences, described as "pop art" due to its bright colors, dynamic compositions, and playful tone))]
    full-length /full-body dynamic photograph of a ((Sketchy looking retrofuturist civitai robot), (wearing a long dirty trenchcoat), (the (Sketchy looking retrofuturist civitai robot) is holding open one side of its long trenchcoat to display that (inside the trenchcoat are many (clear plastic bags containing small yellow lightningbolt symbols)), (the (Sketchy looking retrofuturist civitai robot) is holding a clear plastic baggie containing yellow lightning bolt symbols) (and the clear plastic baggie is labelled with masking tape ) (the word "BUZZ" is seen printed in black feltmarker on the masking tape labelling the clear plastic baggie that the (Sketchy looking retrofuturist civitai robot) is holding in its hand)),
<<BREAK>>
(The background is a bleak and dirty urban (homeless encampment)/ (tent city))
    cinematic still photograph ((short Peruvian explorer girl (with a Dora the Explorer hairstyle) is seen on the right wearing (a Nightmare on Elmstreet style, brown leather fingerless glove with long sharp knives extending outwards from each knuckle), (a dark brown fedora hat ), (pink sweater with dark horizontal stripes), (purple backpack), (orange shorts), (she is facing left with an eager smile and standing over (a white woman sitting on the ground in pain)), (the white woman on the left, who is sitting on the ground in pain, is cowering in terror , (the white woman is crying, and has 4 small and even slash marks on her face that are bleeding))
<<BREAK>>
(There is sign above has the visible easily read text "Pesadilla on Dora's Street" legibly printed in horror film font on the front)
[uhd, 8k photograph, (highangle photograph looking down and across a horrifying labyrinthine nightmarescape), (alternate reality), (nightmarescape), (gritty, dark, dirty, faded colours), (odd, distant high contrast green lighting, deep shadows), ((Tilted Angles (Dutch Angles): use of tilted camera angles ))]
    [ nighttime horror photograph ] (A stone well stands in the middle of an overgrown, neglected yard, its rim covered in thick black moss clinging to the stone) (A worn old wooden bucket hangs from a frayed rope, its bottom barely visible over the edge of the well, submerged in blackness). (A single bent iron lantern sits on the rim of the well, its glass cracked and filled with cobwebs, with a weak flicker of light), 
<<BREAK>>,
(Scattered around the yard are faintly visible carved pumpkins, rotting, their faces grotesquely warped and sagging) (Their eyes seem to be watching the well) (their surfaces soft and bloated with rot). (Above, tangled branches of dead trees bend toward the well, their shapes resembling skeletal hands, reaching as if to grab hold of it). ,
<<BREAK>> ,
((A crow sits atop the bucket, its beak gaping open), (The fog thickens near the base of the well, swirling up toward the rim),
[(photo taken with Canon EOS R5 using Canon RF 24-70mm f/2.8L IS USM lens), (ISO 1600), (1/60s), (f/4.0),  The color palette is muted grays and blacks, with the faint orange of the pumpkins adding disturbing contrast. Lighting is low, diffused through thick fog, adding to the oppressive, haunting feel of the image.]
    [ ( Terrifying nighttime horror photograph)]
((A farm field stretches endlessly, (Pumpkin vines twist throughout the field, some sporting withered, decayed pumpkins, their faces warped and grotesque, giving them the look of suffering souls trapped in the earth), (In the middle of the field, a single twisted tree rises from the earth, its bark black and gnarled, its branches curl unnaturally in all directions and an old, weathered scarecrow dangles from the twisted tree, its head a hollow jack-o'-lantern, rotting and caved in, with one glowing red eye flickering)),
((A barn sits in the distance, sagging to one side. The windows of the barn are dark except for one—lit from within by a faint, sickly orange light) (the barn door is half open, revealing only the edge of a shadow inside)),
((The sky is filled with dark, rolling clouds, tinged with faint hues of sickly green and deep purple) (A sliver of moon is barely visible)), 
(In the foreground, a rusted metal sign half-covered in dirt. Etched into its surface, the faint outline of a skull can be seen, Barbed wire coils loosely around the base of the sign), 
[ (photographed with Nikon F6, using 28mm f/2.8 AI-S lens, on Kodak Portra 800 film), (f/5.6), (colors are desaturated, with emphasis on the cool, unnatural hues)
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    [(extremely Highly Detailed poster),  (dynamic action) ("Buzz and be blessed! Luke 6:38" prosperity poster)], ((Upstage center: A caricature of (a crazed preacher with (short left parted white hair that is waved up on his right side) (round spectacles) (clean shaven square jaw), (grey tweed suit jacket) and (bow tie)) (is standing in front of a church congregation) (holding an open bible in one hand), (the entire text "Buzz and be blessed! Luke 6:38" is seen printed in large easily read legible font)),
<<BREAK>>,
((downstage left: the congregation is made up of women wearing (red robes) and (large widebrimmed white bonnets)) (( downstage right: the congregation is made up of men wearing red caps)))
    16k , UHD photograph, (( John Lennon with his round glasses is looking up at the viewer), (a 1960's Beatles themed speechbubble is seen, the text visibly seen inside of the speechbubble is the words "All I Need is Buzz" printed in legible font ), extremely detailed, ornate detail, intricate detail, from_above, Getty Images quality, ultrahigh definition photograph, cinematic lighting,  perfect quality, masterpiece,  
emblem, symmetry, perfect realism, insane details, intricate details, hyperdetailed, ultra detailed, extreme detailed, highest detailed, high_detail, colorful, beautiful, best, photorealistic, highres, ultra_high_res, photography, aesthetic, extremely_delicate,
    ((expansive photograph) (( a massive, decayed public square, lined with towering, brutalist concrete buildings with oversized, cracked banners displaying indistinct, faceless silhouettes in cold, grayscale tones), (Centered in the square is an imposing chrome-metal podium, its microphone dangling by a frayed cord) , 
(( around the podium, people clad in matching, black leather and vinyl uniforms kneel in jagged, unnatural poses ) ( wearing black masks) ( reflecting the dim, artificial orange glow of an oppressive floodlight mounted high above the scene ) (Each mask is etched with symbols resembling tally marks), (beside the people are broken chains, shattered helmets, and grimy propaganda leaflets half-submerged in oily puddles), 
(The sky is a choking yellow haze, pierced by beams of harsh searchlights crisscrossing in precise, suffocating patterns), (Looming over the square is a massive iron sculpture of an eye, its surface marred with graffiti scrawled in desperate, rebellious strokes: “We see you.” ), (In the distant background, rows of humanoid figures hang suspended from cables, their silhouettes barely discernible in the sickly light, creating a horizon of chilling stillness.)
(Camera: Hasselblad 500C/M, Lens: Zeiss Distagon 50mm f/4, Film: Fujicolor Pro 400H for muted, sickly tones. Shot from a low, wide-angle perspective to exaggerate the enormity of the structures and the eye sculpture. dystopian aesthetic.)
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