More prompts from 7Zack

    music album cover of a blurry image of a women, blonde hair, red lips, motion blue, black background,  <lora:CinematicStyleFlux_v1:1>
    Cinematic scene of a pirate taking a break under the roof of a bar, wearing colonial pirate outfit, brown clothing, long beard, tired eyes, messy face.  Raining.  Carribean town on the coast, wooden shacks, palm trees, cloudy, storming, 
 <lora:Dark Cinematic:0.5> DRK ,  <lora:detailed_v2_flux_ntc:1>
    Cinematic scene of a dystopian cityscape with skyscrapers, industrial vibes, cloudy sky,  snow on the ground,  low angle, women in her 70s, white hair, wearing extravagant zebra outfit and fur jacket, sunglasses,  heavy clothing, clothing ,
luxurious and art deco while yet dystopian. 
<lora:80s_Fantasy_Movie:1> ArsMovieStill, 80s Fantasy Movie Still
    <lora:OB中世纪油画v1.1:1> OByouhua, oil painting
deep dark ocean, a scuba diver swimming underwater, in the distance a giant large sea monster with 2 ears, round mouth and teeth, it is slightly visible but not fully,
<lora:Dark Cinematic:0.5> DRK
    Interior photograph of a cozy bedroom, circular window, garden outside, rainy, fuzzy rug, bookshelf, stool, night stand with table lamp, floral wallpaper, warm lighting, a cat sleeping on a pile of clothes on the floor,  <lora:iphone-dev-6:1> iphone photo
    cinematic, skyrim themed, a warrior wearing leather armor and horned helmet, 2 swords in hand, looking up at the sky, a dark demonic dragon is flying in the air in circles, snow peaked mountains in background, small village, very detailed, masterpiece, adventurous, cloudy sky,
    A dramatic close-up shot of a futuristic soldier’s helmet, showcasing a sleek, elegant design in a smooth white finish with subtle angular details. The helmet's visor is dark and reflective, partially obscuring the soldier’s face. His uniform, primarily in light grey and white tones, appears advanced yet functional, featuring reinforced armor plating with a streamlined, minimalist aesthetic.
The soldier is aiming a high-tech pistol forward, its surface slick with raindrops. The scene is set in a wet, stormy environment, with heavy rain falling, droplets clinging to the gun and helmet, and streaking down the visor. The shallow depth of field focuses on the helmet and firearm, while the blurred background suggests a tense, futuristic battlefield or urban war zone.
The lighting is moody and cinematic, with a mix of cool blue and white highlights reflecting off the wet surfaces, contrasted by faint ambient city lights or distant explosions in the out-of-focus background. The composition is tight and immersive, emphasizing the soldier’s precision and intensity.
 <lora:Cinematic_style_2:1> Cinematic style, High quality, Beauty, Realism, Chiaroscuro, Photorealism, Film still
    <lora:OB中世纪油画v1.1:1> OByouhua, oil painting
oil painting of japanese house in a mountainous landscape,  snow peaked mountains in background, bamboo,
    ,  <lora:Flux_-_Renaissance_art_style:1>
In a mesmerizing orientalist oil painting, an Arabic woman, draped in flowing layers of midnight-blue and deep crimson fabric, moves gracefully through the bustling heart of a Middle Eastern bazaar. Her garments, adorned with delicate gold embroidery and fine silver thread, cascade in soft folds around her, concealing her form beneath the richness of layered textiles. Only her mysterious, kohl-lined eyes are visible—dark, piercing, and filled with quiet intensity—peering out from behind an ornately embroidered niqab that shimmers under the warm sunlight.
The marketplace around her is alive with movement and color. Stalls overflow with vibrant silks, glistening spices, and handcrafted brass lanterns, their intricate patterns casting flickering shadows on the dusty cobblestone streets. Merchants call out their wares—fragrant saffron, sweet dates, delicate glass perfume bottles filled with rose and oud—as the air hums with the sounds of bargaining voices, the distant strumming of an oud, and the rhythmic clang of a blacksmith forging metal.
A golden light bathes the scene, the midday sun filtering through canopies of woven reed mats, casting dappled patterns across the woman's veil and the ancient sandstone buildings that tower over the bazaar. The scent of freshly baked flatbread, spiced lamb, and jasmine incense mingles in the air, painting an intoxicating picture of life in the marketplace.
As she moves through the crowd, the hem of her embroidered cloak skims the ground, brushing past a tray of glistening pomegranates and a merchant arranging bejeweled daggers on a velvet cloth. The shimmer of gold bangles on her wrist is barely visible beneath the folds of fabric, a subtle hint of her status.
Her expression remains unreadable, but her eyes—filled with untold stories—capture the spirit of a world where tradition, mystery, and beauty intertwine in the golden heart of the Middle East.
    <lora:Flux_-_Renaissance_art_style:1>
In a striking cinematic widescreen shot, an American frontiersman of the 1800s stands boldly in the heart of a dense American woodland, exuding rugged confidence and an untamed spirit. Dressed in a thick, weathered fur coat, stitched together from pelts of wolf and deer, he braves the crisp autumn air. A raccoon fur hat, its striped tail draped down the back of his neck, sits atop his unkempt, windblown hair. His chiseled face, partially shadowed by the golden light filtering through the towering oak and maple trees, bears the hard-earned grit of a man who has lived by his wits and his rifle.
He grips a well-worn flintlock musket, the polished wooden stock gleaming subtly in the dappled sunlight. The long barrel catches the warm hues of the afternoon sun, a tool of both survival and mastery. His worn leather boots press firmly into the earth, one foot resting atop a moss-covered fallen log, giving him a stance of quiet dominance over the wilderness.
The forest around him is alive with the rich, untamed beauty of the American frontier. The golden and fiery-red leaves of autumn rustle in the wind, some drifting to the ground in a slow, graceful descent. A distant hawk circles overhead, its piercing cry echoing through the trees. The earthy scent of damp soil, pine, and woodsmoke lingers in the crisp air, hinting at a nearby camp where embers still smolder.
In the background, a meandering creek glistens in the fading light, its surface occasionally broken by the leap of a trout. A set of fresh deer tracks in the soft mud hints at prey nearby, yet the hunter remains still, scanning the horizon with the practiced gaze of a seasoned outdoorsman. His expression is both wary and determined—a man shaped by the land, bound to the untamed wilds of early America.
The moment is frozen in time, capturing the essence of a frontier hunter’s life—solitary, unforgiving, yet undeniably majestic.
    music album cover of a blurry image of a women, blonde hair, red lips, motion blue, black background,  <lora:CinematicStyleFlux_v1:1>   <lora:FLUX.1d_-_Blurry_Photos:1> blurfoto
    <lora:Dark Cinematic:0.5> DRK
A tense, cinematic scene of a soldier clad in dark tactical gear, his face obscured by a heavy-duty gas mask with fogged-up lenses. He grips a worn rifle tightly, its barrel slightly raised as he moves cautiously through the narrow, decaying hallways of a post-Soviet apartment building. The dim, flickering overhead lights cast long shadows, barely illuminating the peeling paint on the walls, exposing layers of faded colors and crumbling plaster.
The air is thick with dust, disturbed by his slow, deliberate footsteps on the grimy, debris-covered floor. Old Soviet-era posters hang tattered on the walls, their messages long forgotten. Rusted pipes run along the ceiling, some dripping, creating a faint echo that blends with the distant creaks of the aging structure. Faint graffiti in Cyrillic is scrawled across the walls, remnants of past occupants.
The soldier’s breathing is audible through the mask, adding to the suffocating atmosphere. His head tilts slightly as he listens for movement, the silence only broken by the occasional distant thud or the sound of wind howling through broken windows. The hallway ahead disappears into darkness, an eerie unknown that looms in front of him as he takes another careful step forward.
    cinematic scene of a dystopian market vendor, a vendor stand behind the counter wearing dark hoodie, bored expression, tired eyes, , the counter is cluttered with bottles, papers, screws, guns, in the back is shelf cluttered with tools, supplies, canned food, a light bulb hangs from above giving the space light,  <lora:CinematicStyleFlux_v1:1> <lora:Dark Cinematic:1> DRK ,
    Cinematic scene of a dystopian cityscape with skyscrapers, industrial vibes, cloudy sky,  snow on the ground, old man sitting on a bench in the park, wearing extravagant leather jacket,  black pants, white beard, winter, dead trees, 

luxurious and art deco while yet dystopian. 



<lora:80s_Fantasy_Movie:1> ArsMovieStill, 80s Fantasy Movie Still
    A tense, cinematic scene featuring a Russian spy agent gripping the edge of a crumbling concrete window frame on a Soviet-era housing block. The agent, dressed in a weathered trench coat and black leather gloves, clings precariously to the edge of the seventh-floor window. His expression is a mix of determination and desperation, with his sharp jawline and steely eyes partially illuminated by the faint yellow glow of the apartment's interior lights.
The scene is set at night, under a cold, cloudy sky, with a faint drizzle adding a sheen to the dull, gray concrete of the housing block. The building's façade is detailed with peeling paint, rusted balconies, and scattered laundry hanging from lines. Dim, flickering fluorescent lights from other windows contrast with the deep shadows cast by the building's angular design.
The perspective is dramatic, captured from a low angle, emphasizing the height and danger of the situation. In the distance, the faint glow of industrial smokestacks and a red neon sign hint at the bleak Soviet cityscape. A chilling wind stirs a nearby curtain, adding a sense of motion and urgency to the scene.
Technical Details for Photography-Style Rendering:
Camera: Canon EOS R5
Lens: RF 24-70mm f/2.8L IS USM
Settings: 35mm focal length, f/2.8 aperture, ISO 800, 1/125s shutter speed
Lighting: Practical light from the apartment window, supplemented by soft moonlight and ambient city lights, creating a dramatic chiaroscuro effect.
 <lora:CinematicStyleFlux_v1:1>
    The image portrays a nighttime forest scene with a dark, moody atmosphere. The central focus is a burrow embedded into a sloping hill, its entrance shrouded in blackness, where small fox cubs are huddled together, their golden silhouettes barely visible in the darkness. At the mouth of the burrow, a mother fox stands defiantly, her body tense and poised to defend her young.
(Surrounding her, several wolf-like figures lurk on the grassy terrain. Their aggressive postures suggest movement, their limbs rigid and poised as if preparing to attack.  Though simple in form, the wolves' presence conveys a clear menace, their positioning closing in around the mother fox.
The background consists of tall, spindly trees with jagged, dark trunks, their branches reaching upward, framing the scene ominously. Dense bushes and undergrowth further enhance the secluded, deep-forest setting. At the top of the hill, a lone, ghostly figure stands motionless, its pale form contrasting against the dark backdrop, adding an eerie, watchful presence. The color palette is dominated by deep greens, browns, and blacks, reinforcing the night-time setting and heightening the tension of the confrontation.
<lora:OB中世纪油画v1.1:1> OByouhua, oil painting
    <lora:80s_Fantasy_Movie:1> ArsMovieStill, 80s Fantasy Movie Still
dark cavern, a grey skinned old witch stirring the cauldron, green and blue hues coming from the cauldron ,  skeleton and bones on the ground,  candle stands with lit candles give little bit of lighting to the cavern
    Cinematic scene of the back of a solider standing in shock looking up, pistol in hand to the side,  
in the sky is a giant 1920s military blimp on fire and falling down, particle and pieces from the blimp falling down, smoke,  war scene, fire, destruction, 
directed by Wes Anderson
 <lora:Dark Cinematic:1> DRK
    View more from 7Zack