7Zack
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    isometric style, Cinematic, movie still, space ship, metals coloring, black windows, landing wheels, landing, fire, smoke, crew waiting on the side, facility, landing pad, pipes, crates, oil containers, futuristic, vibrant, beautiful, crisp, detailed, ultra detailed, intricate, isometric style

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    deformed, mutated, ugly, disfigured, blur, blurry, noise, noisy, realistic, photographic, BadDream FastNegativeV2 epiCNegative Style-DA, (bad quality, worst quality, low quality), normal quality, white burn, white spots overexposed, over saturated, blurred, watermark, jpeg artifacts, bad photo, bad photography, bad art, white burn, white spots

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    More prompts from 7Zack

    fashion catwalk, lighting, photo, Women wearing white box shaped outfit, round afro hair, black skin,
    A dramatic close-up shot of a futuristic soldier’s helmet, showcasing a sleek, elegant design in a smooth white finish with subtle angular details. The helmet's visor is dark and reflective, partially obscuring the soldier’s face. His uniform, primarily in light grey and white tones, appears advanced yet functional, featuring reinforced armor plating with a streamlined, minimalist aesthetic. The soldier is aiming a high-tech pistol forward, its surface slick with raindrops. The scene is set in a wet, stormy environment, with heavy rain falling, droplets clinging to the gun and helmet, and streaking down the visor. The shallow depth of field focuses on the helmet and firearm, while the blurred background suggests a tense, futuristic battlefield or urban war zone. The lighting is moody and cinematic, with a mix of cool blue and white highlights reflecting off the wet surfaces, contrasted by faint ambient city lights or distant explosions in the out-of-focus background. The composition is tight and immersive, emphasizing the soldier’s precision and intensity. <lora:Cinematic_style_2:1> Cinematic style, High quality, Beauty, Realism, Chiaroscuro, Photorealism, Film still
    music album cover of a blurry image of a women, blonde hair, red lips, motion blue, black background, <lora:CinematicStyleFlux_v1:1>
    Cinematic scene of the back of a solider standing in shock looking up, pistol in hand to the side, in the sky is a giant 1920s military blimp on fire and falling down, particle and pieces from the blimp falling down, smoke, war scene, fire, destruction, directed by Wes Anderson <lora:Dark Cinematic:1> DRK
    <lora:OB中世纪油画v1.1:1> OByouhua, oil painting oil painting of traditional aristocratic russian villa, summer vibes, birch trees, floral garden,
    A cinematic scene of a Persian salesman standing proudly at his market stall, surrounded by the rich textures and colors of Persian craftsmanship. He wears a flowing traditional Persian gown, its fabric subtly embroidered with intricate patterns, and a matching headpiece. His long, white beard adds to his dignified presence, and his deep-set eyes reflect wisdom and years of experience in the trade. His stall is overflowing with Persian rugs, each meticulously woven with elaborate floral and geometric motifs, draped over wooden racks and stacked in neat piles. The soft, warm glow of Persian-style lamps, suspended from the stall’s wooden beams, casts golden hues over the scene. Their stained glass mosaics and filigree metalwork create intricate patterns of light and shadow, enhancing the atmosphere with an inviting, almost mystical charm. In the background, blurred figures of market-goers move through the bustling bazaar, their silhouettes adding depth and life to the setting. The air is thick with the scent of spices, incense, and aged fabric. The salesman gestures toward his rugs, his hands expressive as he engages with a potential customer, offering a glimpse into a timeless world of Persian trade and tradition.
    <lora:OB中世纪油画v1.1:1> OByouhua, oil painting deep dark ocean, a scuba diver swimming underwater, in the distance a giant large sea monster with 2 ears, round mouth and teeth, it is slightly visible but not fully, <lora:Dark Cinematic:0.5> DRK
    photo of a abadoned bedroom, broken window, bed, extreme mold, trashed, moldy walls, mushrooms and plants grows from the wood flooring, sunlight coming through the window, filthy air, <lora:Eeriephotosflux:1> low quality, grainy, flash photo, messy bed, stained sheets,
    Painting of a scenic italian landscape, cliffy, beach, town, colorful buildings, sail boats, <lora:Studio_Ghibli_Flux:1> ghiblistyle <lora:Flacs_Enhancer:1> ff-enhance
    architectural photography, detailed, professional photography, Contemporary house in a snowy forest, triangular shaped, large porch, outdoor lighting, cozy, window lit, <lora:iphone-dev-6:1> iphone photo
    <lora:Dark Cinematic:0.5> DRK A tense, cinematic scene of a soldier clad in dark tactical gear, his face obscured by a heavy-duty gas mask with fogged-up lenses. He grips a worn rifle tightly, its barrel slightly raised as he moves cautiously through the narrow, decaying hallways of a post-Soviet apartment building. The dim, flickering overhead lights cast long shadows, barely illuminating the peeling paint on the walls, exposing layers of faded colors and crumbling plaster. The air is thick with dust, disturbed by his slow, deliberate footsteps on the grimy, debris-covered floor. Old Soviet-era posters hang tattered on the walls, their messages long forgotten. Rusted pipes run along the ceiling, some dripping, creating a faint echo that blends with the distant creaks of the aging structure. Faint graffiti in Cyrillic is scrawled across the walls, remnants of past occupants. The soldier’s breathing is audible through the mask, adding to the suffocating atmosphere. His head tilts slightly as he listens for movement, the silence only broken by the occasional distant thud or the sound of wind howling through broken windows. The hallway ahead disappears into darkness, an eerie unknown that looms in front of him as he takes another careful step forward.
    <lora:Nature_Flux:1> drone view of a tropical archipelago, crystal blue water, tropical vibes,
    A tense, action-packed cinematic scene of a police officer crouching behind his patrol car for cover in a suburban neighborhood. The officer, wearing a navy-blue uniform with a badge glinting faintly in the light, grips a standard-issue pistol tightly in both hands. His face is etched with focus and tension, sweat glistening on his brow under the harsh light of a streetlamp. His body is partially shielded by the open driver's side door of the car, which is peppered with fresh bullet impacts. The patrol car, a classic black-and-white police cruiser, is parked askew on a quiet residential street, its red-and-blue lights flashing urgently, casting rhythmic streaks of color across the scene. The car's headlights illuminate a row of neat, suburban homes with manicured lawns, each shrouded in deep shadow except for faint porch lights and the occasional flicker of a TV through curtained windows. In the background, a tense standoff unfolds, with distant muzzle flashes breaking the darkness. The scene is punctuated by scattered debris on the asphalt—a shattered side mirror, a toppled trash can, and shards of broken glass glinting under the streetlights. The atmosphere is thick with tension, heightened by a low-hanging mist that diffuses the light and softens the edges of the quiet suburban setting. Technical Details for Photography-Style Rendering: Camera: Sony A7R IV Lens: 35mm f/1.4 GM Settings: 35mm focal length, f/1.8 aperture, ISO 1600, 1/60s shutter speed Lighting: Strobing red-and-blue police lights, supplemented by ambient streetlights and car headlights, creating dynamic contrast and dramatic reflections on the car's surface. <lora:CinematicStyleFlux_v1:1>
    Painting of a winter landscape, snow on the ground, night time, moon, dead trees, red brick townhouse sits alone, a windows are lit with warm light. <lora:OB中世纪油画v1.1:1> OByouhua, oil painting
    Soviet style apartment, windows lit up, foggy slightly covering the building, snow on ground, winter night, on top is red LED sign that says H O T E L, but the letter E is turned off. Also on top is a large dark figure with long arms and legs and skinny body climbing on the side of the structure, <lora:Dark Cinematic:1> DRK
    A vibrant, lush jungle scene captured in the golden glow of sunlight filtering through the dense canopy. Towering tropical trees dominate the frame, their trunks wrapped in thick, winding vines and moss. The sunlight pierces through gaps in the leaves, creating dramatic shafts of light that illuminate the rich greenery below. The foreground features large, dew-covered leaves glistening in the light, with delicate ferns and undergrowth forming a layered composition. Brightly colored flowers, such as orchids or heliconias, add splashes of vivid red, orange, and purple, contrasting against the deep emerald tones. In the background, hints of a misty haze linger, adding depth and a sense of mystery to the jungle. The scene is alive with texture: the rough bark of tree trunks, the velvety softness of moss, and the glossy surfaces of tropical leaves. The sounds of distant bird calls and the rustling of leaves in the gentle breeze are almost palpable, creating a sense of immersive serenity. Technical Details for Photography Rendering: Camera: Canon EOS R5 Lens: RF 24-105mm f/4L IS USM Settings: 35mm focal length, f/4 aperture, ISO 400, 1/160s shutter speed Lighting: Natural sunlight with soft dappled highlights and shadows, enhanced by the slight haze in the atmosphere for added depth. <lora:Phlux:0.5>
    A simplistic, abstract painting of a face with an exaggeratedly long, open mouth and hollow, empty eyes. The composition is raw and unsettling, rendered with scratchy, uneven brushstrokes that give the piece a distressed, primal quality. The face is elongated and slightly distorted, occupying most of the canvas, with minimal background detail to emphasize the subject's eerie presence. The open mouth dominates the lower half of the face, stretching unnaturally downward, painted with jagged lines in dark red and black tones. The eyes are void-like, stark white ovals with rough, uneven edges, creating a sense of emptiness and unease. The facial structure is suggested rather than defined, with sketchy, overlapping lines in muted, earthy tones like ochre, brown, and gray. The background is a flat, pale beige or off-white, intentionally left sparse, with only faint, scratchy textures that hint at wear and imperfection, complementing the rawness of the central figure. The overall aesthetic is deliberately rough and unpolished, evoking a sense of raw emotion and existential dread. Medium and Style: Acrylic or oil on canvas, using dry brushes and palette knives for the scratchy texture. A minimalistic, expressionist style, focusing on mood over detail.
    Cinematic scene of a dystopian cityscape with skyscrapers, industrial vibes, cloudy sky, snow on the ground, old man sitting on a bench in the park, wearing extravagant leather jacket, black pants, white beard, winter, dead trees, luxurious and art deco while yet dystopian. <lora:80s_Fantasy_Movie:1> ArsMovieStill, 80s Fantasy Movie Still
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