null unemployed

    "defenders of capitalism", police cordon, skeletons of policemen, standing behind big police shields with a dollar sign, evil eyes, shabby uniform, shabby appearance, protective helmet, police black batons in their hands, flying bricks and stones at skeletons, strike, revolution, sparks, ashes, workers' uprising, Inscriptions on police billboards: "EXPLOITATION, OVERPRODUCTION, UNEMPLOYMENT, WAR"
    Sitting near a busy marketplace, a haggard anthro grizzly bear beggar with unkempt fur is holding a sign with a lightning bolt symbol and text "Begging on the streets would yield more buzz". The bear is dressed like a hobo, unemployed and homeless, completely out of money., Volumetric light, atmospheric, cinematic, realistic, high contrast, dramatic and striking aesthetics, poor and sad, depressing mood
    A group of cartoon mice in peasant clothing sitting sadly on some giant stone stairs. Their princess has recently been married and no longer needs singing animal sidekicks so they have found themselves unemployed. They hold up a large cardboard sign on which they have written "Princess Got Married and Fired Us. Why Lie? Will Use Buzz for Drugs." disney style
    Oil painting by an insane grizzly bear master painter, in the style of ancient elder gods of long forgotten era. The painting is filled with bursts of deep antediluvian colors and bold cyclopean shapes. The color scheme is classically beautiful and brings sanity back to those who feel watched by the void. The painting has many broad, impressionist, abstract brush strokes. It depicts a haggard anthro grizzly bear beggar holding a sign with text "My buzz beg image has been in submission queue for over 30 days already". The bear is dressed like a hobo, unemployed and homeless, completely out of money. The background has many broad, abstract brush strokes. It is all very detailed and yet very coarse at the same time. Tenebrous, poor and sad, depressing mood.
    "Cat lounging on a couch with a sign that says ‘Unemployed and Loving It’ with text:"AI can’t steal my job cuz I am already JOBLESS."
    analog film photo A photorealistic depiction of Smokey the Bear, the beloved forest ranger bear, in an emotionally charged scene. The composition features Smokey sitting alone on a worn-out wooden bench on a desolate urban sidewalk, his powerful frame filling the image with a sense of solitude and despair. His rich, dark brown fur is detailed with natural texture, glistening softly under the warm, golden hour lighting that casts long shadows across the scene. The artistic style blends photorealism with a touch of nostalgic charm, emphasizing every muscle in his large, muscular build while maintaining the iconic (ranger hat:1.35) and weathered (denim pants:1.35), now creased and slightly frayed from years of use. Smokey's expressive eyes are filled with sadness, gazing downward at a handwritten sign held clumsily in his massive paws, the words "Out of Work" clearly visible. The mood is somber yet evocative, set against a backdrop of a fading American flag and scattered trash bins, which hints at economic hardship and urban decay. The lighting creates dramatic shadows and highlights, with a soft focus on Smokey's face to draw empathy from the viewer. Colors are muted but warm, with deep browns, grays, and yellows dominating the palette. The scene is shot from a slightly low angle to emphasize his size and isolation, with a shallow depth of field that blurs the background while keeping Smokey in sharp focus. Every detail— the texture of his fur, the wear on his clothes, the weathered bench, and the subtle expressions of fatigue on his face—is meticulously rendered to create a powerful narrative of loss and resilience. This image is crafted with cinematic lighting techniques and high-resolution photorealism, capturing the emotional weight of unemployment in a whimsical yet poignant manner . faded film, desaturated, 35mm photo, grainy, vignette, vintage, Kodachrome, Lomography, stained, highly detailed, found footage
    analog film photo A photorealistic depiction of Smokey the Bear, the beloved forest ranger bear, in an emotionally charged scene. The composition features Smokey sitting alone on a worn-out wooden bench on a desolate urban sidewalk, his powerful frame filling the image with a sense of solitude and despair. His rich, dark brown fur is detailed with natural texture, glistening softly under the warm, golden hour lighting that casts long shadows across the scene. The artistic style blends photorealism with a touch of nostalgic charm, emphasizing every muscle in his large, muscular build while maintaining the iconic (ranger hat:1.35) and weathered (denim pants:1.35), now creased and slightly frayed from years of use. Smokey's expressive eyes are filled with sadness, gazing downward at a handwritten sign held clumsily in his massive paws, the words "Out of Work" clearly visible. The mood is somber yet evocative, set against a backdrop of a fading American flag and scattered trash bins, which hints at economic hardship and urban decay. The lighting creates dramatic shadows and highlights, with a soft focus on Smokey's face to draw empathy from the viewer. Colors are muted but warm, with deep browns, grays, and yellows dominating the palette. The scene is shot from a slightly low angle to emphasize his size and isolation, with a shallow depth of field that blurs the background while keeping Smokey in sharp focus. Every detail— the texture of his fur, the wear on his clothes, the weathered bench, and the subtle expressions of fatigue on his face—is meticulously rendered to create a powerful narrative of loss and resilience. This image is crafted with cinematic lighting techniques and high-resolution photorealism, capturing the emotional weight of unemployment in a whimsical yet poignant manner . faded film, desaturated, 35mm photo, grainy, vignette, vintage, Kodachrome, Lomography, stained, highly detailed, found footage

      FLUX

    • Dev - flux_dev.safetensors