null the lower corner

    megustaface expression, The mouth is a wide, exaggerated frown with the corners downturned. The lips are full, especially the lower lip, and painted a bright red. The teeth are not visible. There are deep lines running from the corners of the mouth down the chin, emphasizing the frown., The eyes are disproportionately large and wide-set, with white sclera, black pupils, and no irises. The eyelids are thick and heavy, with visible wrinkles around them., FictionalAyumi
    The photograph captures a masterful blend of Baroque drama and Fauvist color in a sci-fi pet style, perfectly embodying the collaborative genius of Caravaggio and Henri Matisse. The central figure is a sleek, humanoid creature with the body of a scaled dragon or serpent on one side and a glassy, translucent form on the other, symbolizing the duality of existence.The scene unfolds in an ethereal, neon-lit alleyway, blending the gritty urban landscape with futuristic elements. The main subject stands dramatically at the intersection of two intersecting lines: one leading from the bottom left corner to the top right and the other running diagonally from the upper left to the lower right. This compositional technique draws attention to the creature's fluid, almost balletic pose as it arches its glassy side towards the viewer while its scaled side curls behind.Matisse’s influence is evident in the vibrant, contrasting colors of electric blues, fiery oranges, and deep purples that spill across the background like a kaleidoscopic dream. The scales shimmer with iridescent hues, while the glassy parts glisten under an otherworldly glow, creating an almost holographic effect.Caravaggio’s dramatic lighting plays a crucial role, casting stark contrasts between light and shadow. A single, intense spotlight shines from above, illuminating the creature’s right side with a golden hue that highlights its intricate scale patterns. The left side remains partially in shadows, adding depth and mystery to the composition.The angle is taken from a low, ground-level perspective, looking up at the creature as if it were emerging from beneath the viewer. This creates an intimate yet overwhelming experience, drawing the audience into the scene’s surreal narrative. The background features glitchy, abstract patterns that hint at advanced technology, further emphasizing the sci-fi theme.Overall, this photograph is a visual masterpiece that seamlessly merges classical art techniques with futuristic concepts, creating a striking and immersive image that leaves viewers in awe. HD32K, hyperdetailed, best quality, aidmaMJ6.1.
    This is a highly detailed and realistic pencil drawing of a pretty woman aged 18 smiling with a wry smile expression. The texture of the skin is meticulously rendered, showcasing a range of subtle shadows and highlights that give depth and realism to the drawing. The sketch is done on textured ochre-coloured papier-mache The artist has used a variety of pencil strokes to create a sense of three-dimensionality and texture. The lines are sharp and detailed, particularly in the areas around the eyes, nose and mouth, where variations in shading and tone create a realistic appearance. The subject's muscular shoulders and collarbone are partially visible, suggesting a strong, masculine physique. The overall style of the drawing is very realistic, with careful attention paid to capturing the subject's features and emotions in minute detail. The drawing is signed by the artist in the lower right corner, adding a personal touch to the piece. <lora:Sketch:0.9>
    Foreground: The lower portion of a winding road, composed of thick, textured brushstrokes, emerging from the bottom center of the frame. Middle Ground: A young man walking along the painted road, his gaze directed upwards. Background: A simple, stylized landscape of rolling hills and a clear sky. The upper right corner of the frame reveals a massive paintbrush, its bristles angled down towards the road, actively painting the path in real-time. Subject: The young man is positioned on the road, leading the viewer's eye from the foreground towards the giant paintbrush in the background. Style: Bold, graphic illustration with a clear sense of spatial arrangement.
    (((in the style of Brian Froud painting))), A living mushroom cap, a velvety, earthen-brown dome, speckled with phosphorescent lichen, occupies the upper right corner of the image, its gentle curve echoing the contours of the cavern ceiling. Below, centered in the composition, a plump, pearlescent body, reminiscent of a polished river stone, rests delicately on a bed of luminous moss that carpets the cavern floor. Two large, multifaceted eyes, like shimmering amethysts, gaze upwards from beneath the cap, reflecting the soft glow of the cavern ceiling, positioned in the upper left quadrant. Delicate, root-like tendrils extend downwards from the base of the creature, anchoring it to the moss and reaching towards a pool of crystalline water in the lower left corner. The background, a network of glowing fungal threads and crystalline formations that stretches across the entire right side of the image, creates a mesmerizing tapestry of light and texture. The overall scene evokes a feeling of serene beauty and the interconnectedness of life within this hidden grotto, a testament to the wonders that thrive in darkness
    bo-abyss, abstract monochrome composition with splashes of deep red accents, high quality, ultra detailed, colorful, abstract, particles, fantasy, partially blended with abstract digital elements. the background features layers of glitch art, The image is a close-up of a person's face with a dramatic and intricate face art design. The face is predominantly white, with black and red accents on the upper and lower half of the face. The eye is the focal point of the image, with a deep red iris that stands out against the white background. The iris is surrounded by a black and white swirl pattern that extends from the top left corner to the bottom right corner of the eye. The swirls are made up of thin black lines that create a sense of movement and energy. The lines are arranged in a symmetrical pattern, creating a sense depth and dimension. The overall effect is striking and striking. The person's lips are painted a bold red color, adding a pop of color to the otherwise monochromatic face., volumetric lighting, volumetric lighting, volumetric lighting
    Poetic sumi-e with meticulously rendered cherry blossoms cascading across washi paper, embodying the concept of mono no aware. The traditional ink wash technique creates a gradient from deep black to misty pink, with negative space suggesting spring wind. Red blossoms accents catch imaginary light, while asymmetrical composition draws the eye through bold brush strokes and delicate detailing. Tiger posed lower corner, balanced by white fur tiger. The scattered blossoms display deliberate imperfections celebrating wabi-sabi principles, some rendered with a single masterful brushstroke, others with textural dry-brush technique, capturing the melancholic beauty of nature's transitional moments through the philosophical lens of yugen. <lora:aidmaFLUXPro1.1-FLUX-v0.3:0.7> <lora:ck-charcoal-drawing-000014:0.5> <lora:Niji B:0.7> <lora:bm-goth_epoch_1:0.3> <lora:flux_ptchkrawk:0.1> <lora:flux_dev:1> extremely high-resolution details, photographic, realism pushed to extreme, fine texture, incredibly lifelike, Cinematic, beautiful, vibrant, masterpiece, 32k, ultra HD, ultra-detailed, amazing quality, amazing artist, sharp edges, detailed textures, full view, atmospheric lighting, amazing visuals
    Abstract oil portrait of a person in a classic Renaissance style, with blurred and distorted facial features. The background is minimalistic with soft, undefined brush strokes blending into shadows. The color palette is muted, featuring shades of beige, dark brown, and black. The subject wears formal attire with visible but slightly abstracted textures. The composition emphasizes an unfinished and surreal quality, evoking both mystery and artificial creativity. A mathematical formula is subtly included in the lower corner of the painting as part of the design. Atmospheric and thought-provoking.
    Close-up of a hyper-realistic snake, reminiscent of an oriental dragon, with vertical slit pupils surrounded by golden, textured skin, eyes that gleam with intelligence and otherworldly depth. Around the eyes, a complex pattern of scale-like structures transitions from a pale black to a vivid golden color. The creature's head is crowned with symmetrical, newly formed dragon horns with a halo effect. Two thin whiskers appear to be both solid and fluid on either side of the upper jaw, with bioluminescent properties. The skin texture ranges from smooth around the eyes to increasingly complex and layered outwards, with distinct pores, ridges, and bumps. The lower jaw displays blunt hook-like protrusions, indicating a predatory nature. The abdomen is symmetrical with two feet, each with five claws. Below the lower jaw, the body becomes more like a serpentine, with larger, more defined golden and black-gold scales. The lighting creates a stark contrast, and the creature appears to glow from within, especially in the golden areas. The background is a deep, rich black, emphasizing the creature's exotic and bioluminescent properties. The overall effect is an ultra-detailed macro photograph that blends reality and fantasy, conjuring images of the depths of the ocean and the far, surreal corners of outer space.
    (((in the style of Brian Froud painting))), A living mushroom cap, a velvety, earthen-brown dome, speckled with phosphorescent lichen, occupies the upper right corner of the image, its gentle curve echoing the contours of the cavern ceiling. Below, centered in the composition, a plump, pearlescent body, reminiscent of a polished river stone, rests delicately on a bed of luminous moss that carpets the cavern floor. Two large, multifaceted eyes, like shimmering amethysts, gaze upwards from beneath the cap, reflecting the soft glow of the cavern ceiling, positioned in the upper left quadrant. Delicate, root-like tendrils extend downwards from the base of the creature, anchoring it to the moss and reaching towards a pool of crystalline water in the lower left corner. The background, a network of glowing fungal threads and crystalline formations that stretches across the entire right side of the image, creates a mesmerizing tapestry of light and texture. The overall scene evokes a feeling of serene beauty and the interconnectedness of life within this hidden grotto, a testament to the wonders that thrive in darkness
    Ethereal shanshui painting of terraced rice fields cascading down mountainsides, rendered in traditional ink wash technique with delicate mineral pigment accents. Masterful dry brush strokes define distant limestone karst formations emerging from swirling mist banks. Golden harvest tones contrast with indigo shadows, capturing late afternoon light. A single fisherman in a small boat navigates a reflective water channel between terraces. Red-crowned cranes wade among young rice shoots. Bamboo groves frame the composition, executed in meticulous gongbi style with fine-line detail. Subtle cinnabar seal marks in lower corner. Harmonious balance of occupied and empty space embodying Taoist principles of natural harmony. Song Dynasty aesthetic with Ming Dynasty color sensibilities. Rice paper texture visible through translucent ink gradations. Evokes the cycles of agricultural bounty and human-nature interdependence. <lora:Fluxartis 28.11A:0.3> <lora:style_of_Norman_Ackroyd_FLUX_100:0.5> <lora:FLUX-daubrez-DB4RZ:0.4> <lora:flux_dev:1>
    Close-up of a hyper-realistic snake, reminiscent of an oriental dragon, with vertical slit pupils surrounded by golden, textured skin, eyes that gleam with intelligence and otherworldly depth. Around the eyes, a complex pattern of scale-like structures transitions from a pale black to a vivid golden color. The creature's head is crowned with symmetrical, newly formed dragon horns with a halo effect. Two very long, thin whiskers are located on either side of the upper jaw, which appear both solid and fluid, with bioluminescent properties. The skin texture ranges from smooth around the eyes to increasingly complex and layered outwards, with distinct pores, ridges, and bumps. The lower jaw displays blunt hook-like protrusions, indicating a predatory nature. The abdomen is symmetrical with two feet, each with five claws. Below the lower jaw, the body becomes more like a serpentine, with larger, more defined golden and black-gold scales. The lighting creates a stark contrast, and the creature appears to glow from within, especially in the golden areas. The background is a deep, rich black, emphasizing the creature's exotic and bioluminescent properties. The overall effect is an ultra-detailed macro photograph that blends reality and fantasy, conjuring images of the depths of the ocean and the far, surreal corners of outer space.
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    Poetic sumi-e with meticulously rendered grapes cascading across washi paper, embodying the concept of mono no aware. The traditional ink wash technique creates a gradient from deep black to misty gray, with negative space suggesting autumn wind. Purple Grapes and its green leaves accents catch imaginary light, while asymmetrical composition draws the eye through bold brush strokes and delicate detailing. Minimal red seal marks anchor the lower corner, balanced by calligraphic kanji suggesting impermanence. The scattered grapes display deliberate imperfections celebrating wabi-sabi principles, some rendered with a single masterful brushstroke, others with textural dry-brush technique. Subtle indigo undertones evoke twilight transitioning to evening, capturing the melancholic beauty of nature's transitional moments through the philosophical lens of yugen.
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    Ancient brushwork masterpiece of a tranquil forest clearing at dawn, rendered in traditional xieyi style with sparse, expressive ink strokes on aged rice paper. Towering pine trees frame the scene with bold vertical brushstrokes, their needles captured with light, feathery touches using the dry brush technique. Morning mist floats between tree trunks in translucent gray ink washes, embodying the qi energy that flows through nature. A small wooden hermitage nestles among wild orchids symbolizing noble character, with a tiny figure visible through the window practicing calligraphy. Light breaks through the canopy with strategic negative space—the traditional 'leaving white' technique—creating atmospheric perspective. Subtle mineral pigments of muted green, ochre, and pale blue accent the predominantly monochromatic composition. Executed with visible bamboo brush textures and spontaneous gesture capturing the spirit resonance (qiyun) of the scene. Balanced asymmetrical composition follows Song Dynasty aesthetic principles, conveying Taoist harmony through the interplay of substantial and insubstantial elements. Delicate chop seals in cinnabar red anchor the lower corner with classical scholarly elegance. <lora:Fluxartis 28.11A:0.7> <lora:New_Fantasy_CoreV4_FLUX:0.5> <lora:Niji B:0.4> <lora:MysticFantasy:0.6> <lora:flux_dev:1>
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    Deathknight card. The card has purple gem under it's name. The card has a dragon shape, it is a legendary card. The name of the card is Freak. In the center of the card is a male Metalyst with shoulder-length dark hair wearing puma sweatshirt. The cost of the card is 9, which is located in the upper left corner of the card on the blue crystal. The card has an attack power of 12, which is located in the lower left corner of the card on a yellow circle pierced by a sword. The card has 12 health, which is located in the bottom right corner of the card on a drop of blood. The description of the card in the middle reads: "The clown looks at the clown." White background.
    Sharn, the City of Towers, rises dramatically from the landscape, a sprawling metropolis of towering, interconnected spires that stretch high into the clouds. Each tower is a blend of sleek, dark stone and enchanted metals, adorned with glowing magical runes and intricate carvings that reflect the city’s deep history and arcane power. Bridges of various sizes crisscross between towers, creating a web of pathways filled with bustling citizens, exotic traders, and mystical creatures. Airships hover in the air, docking at various levels, their golden lights illuminating the fog that drifts lazily through the upper levels of the city. Below, the lower quarters are cast in shadow, filled with narrow alleyways, hidden bazaars, and flickering torchlight. The skyline is alive with a blend of warm and eerie hues as the sun dips beneath the horizon, casting Sharn in an otherworldly glow. The atmosphere pulses with energy, mystery, and the promise of adventure around every corner in this magnificent, vertical cityscape. masterpiece, maximum image detail, 8K high definition, intricate architecture, magical city, glowing runes, airships, enchanted metal, dense cityscape, vibrant sunset, foggy atmosphere, bridges and pathways, epic fantasy setting, ultra-realistic
    Captured at eye-level on a vibrant day, the sky is a deep blue, with a few wispy clouds in the upper right corner of the frame. Below the clouds is a skyline of a city, with skyscrapers and a tall obelisk in the lower left corner. The sun is shining through the clouds, adding a touch of color to the scene. The word \"Destiny of Stars \" is written in bold is orange and yellow, with black smoke letters at the bottom of the image in a smaller white letters. Salvador Dalí and Jacek Yerka style illustration of a winding staircase leading into a glowing cosmic vortex. The staircase is made of stone and has a railing. The railing is twisted and curved. The cosmic vortex is filled with planets, stars, and galaxies. The background is a star-filled sky with swirling galaxies. The overall image has a dreamlike, surreal quality. mythp0rt
    high-resolution medieval fantasy scene featuring a strong, muscular goblin wearing an ornate, lavish golden crown. The goblin is sitting on an open palanquin, carried by a group of lower-ranking goblins, and is facing directly toward the viewer with a smug, commanding expression. The goblin king's robes are regal, contrasting with the struggling, suffering goblins beneath him. In the lower left and right corners, the goblins carrying the palanquin have pained, grotesque expressions, showing the strain of their burden as they march forward. <lora:artisketchyfs-v02:1> <lora:ARTifacts:1> <lora:style_of_John_Kenn_Mortensen_FLUX_219:1>
    Concept super cars speeding down a city street at night with a video game title on top "Desire for Velocity" and an ESRB rating sticker in lower right corner
    Sharn, the City of Towers, rises dramatically from the landscape, a sprawling metropolis of towering, interconnected spires that stretch high into the clouds. Each tower is a blend of sleek, dark stone and enchanted metals, adorned with glowing magical runes and intricate carvings that reflect the city’s deep history and arcane power. Bridges of various sizes crisscross between towers, creating a web of pathways filled with bustling citizens, exotic traders, and mystical creatures. Airships hover in the air, docking at various levels, their golden lights illuminating the fog that drifts lazily through the upper levels of the city. Below, the lower quarters are cast in shadow, filled with narrow alleyways, hidden bazaars, and flickering torchlight. The skyline is alive with a blend of warm and eerie hues as the sun dips beneath the horizon, casting Sharn in an otherworldly glow. The atmosphere pulses with energy, mystery, and the promise of adventure around every corner in this magnificent, vertical cityscape. masterpiece, maximum image detail, 8K high definition, intricate architecture, magical city, glowing runes, airships, enchanted metal, dense cityscape, vibrant sunset, foggy atmosphere, bridges and pathways, epic fantasy setting, ultra-realistic
    A hyper-realistic portrait, photorealistic photo close-up image of alabaster skin. Her pointed ears peek through the strands of her hair as she gazes intently at a floating, glowing crystal orb encased in dark, ethereal flames. She’s in a shadowy corner of a massive, ancient webway gate, the intricate runes on the walls pulsing with faint light. Her armor is an ornate mix of silver and dark red, with spiked pauldrons that seem to absorb the surrounding shadows. A strange, crimson veil covers the lower half of her face, fluttering in an invisible wind. The orb emits an eerie hum, and her gloved hand reaches out, the fingertips brushing against its surface. The air around her shimmers with psychic energy, and the dark flames of the orb seem to react, spiraling outward like tendrils of darkness. Her piercing, violet eyes reflect the ominous glow of the orb, filled with both awe and determination. (photography, high-resolution, dynamic, energetic,hyper-realistic, dramatic lighting, shallow depth of field.), detailmaximizer, MythP0rt<lora:midjourney_whisper_flux_lora_v01:0.55><lora:aidmaMJ6.1-FLUX-V0.1:0.4><lora:FluxMythP0rtr4itStyle:0.4><lora:detailed_flux_ntc:2.2><lora:aidmaImageUpgrader-FLUX-V0.1:0.65>
    On a wooden table there is a case for Xbox 360 video games. on the cover of the case there is a Terminator, only performed by Arnold Schwarzenegger, this is a cyborg from the future standing on a dark street near a beautiful red muscle car. Terminator holds a shotgun in his hand, he is wearing a leather biker jacket and sunglasses and is smiling broadly. In the upper left corner of the video game case there is a relief text "Need for Speed: The Terminator", painted white and made in a metal style, in the lower left corner of the case there is the ESRB T Teen logo, and in the lower right corner - EA Sports. logo.
    A sumi-e ink rendering of Mount Fuji partially veiled in early morning sea of clouds (unkai), executed with bold, spontaneous brushstrokes on textured washi paper. The mountain's silhouette emerges from negative space through varying ink densities—from rich, concentrated blacks to delicate, misty grays. Subtle touches of indigo pigment hint at dawn's first light. Traditional compositional asymmetry places the mountain slightly off-center, with a small red shrine gate (torii) visible in the lower corner for scale. The scene embodies the Buddhist concept of shogyo mujō (impermanence of all things) through the ephemeral nature of the shifting mist. Brushwork displays decisive calligraphic energy (fudebakari) with areas of intentional incompleteness (ma) inviting contemplation. A masterwork of traditional minimalism celebrating the transient sublime beauty of Japan's sacred mountain. <lora:Bonafida.Studio:0.5> <lora:RM_Enhancer_v1.0_bf16:0.1> <lora:flux_dev:1>
    Photograph showcasing a large, stylized megustaface expression made from the cross-section of a tree trunk. The mouth is a wide, exaggerated frown with the corners downturned. The lips are full, especially the lower lip, and painted a bright red. The teeth are not visible. There are deep lines running from the corners of the mouth down the chin, emphasizing the frown. The eyes are disproportionately large and wide-set, with white sclera, black pupils, and no irises. The eyelids are thick and heavy, with visible wrinkles around them.
    Close-up of a hyper-realistic snake, reminiscent of an oriental dragon, with vertical slit pupils surrounded by golden, textured skin, eyes that gleam with intelligence and otherworldly depth. Around the eyes, a complex pattern of scale-like structures transitions from a pale black to a vivid golden color. The creature's head is crowned with symmetrical, newly formed dragon horns with a halo effect. Two thin whiskers appear to be both solid and fluid on either side of the upper jaw, with bioluminescent properties. The skin texture ranges from smooth around the eyes to increasingly complex and layered outwards, with distinct pores, ridges, and bumps. The lower jaw displays blunt hook-like protrusions, indicating a predatory nature. The abdomen is symmetrically framed with two five-clawed claws. Below the jaw, the body becomes more like a horned snake, with larger, more defined golden and black-gold scales. The lighting creates a stark contrast, and the creature appears to glow from within, especially in the golden areas. The background is a deep, rich black, emphasizing the creature's exotic and bioluminescent properties. The overall effect is an ultra-detailed macro photograph that blends reality and fantasy, conjuring images of the depths of the ocean and the far, surreal corners of outer space.
    dark art by Jindrich Styrsky and Joram Roukes, -artistmedium-, studio photograph, electric orange lighting, Ilford HP5+ 400, 80mm, High Contrast, Kodak Tri-X 400, Provia, F/14, Depth of field 270mm, double exposure, Kodak Portra 160, panorama, Kodak portr400, A canvas depicts a breathtaking scene from the heart. The painting portrays the cliff, its edges blurred in shades of gray. At the bottom corner, a tree made up of jagged stones is shown in striking detail, with sharp branches reaching upward, while at lower left and right side are depicted with intricate lines. In the center stands surrounded by lush greenery, adding to a surrealist feel. The trees seem recognizable in this surrealism style, their leaves rustling gently under the breeze. Black lighting, Kodak UltraMax 400, Surrealist, Czech avant-garde, experimental, contemporary figurative art, textured surfaces, urban landscapes, surreal elements
    RetroSci style. A paperback book cover titled "The Journey for BUZZ" by Brian Stabelford. The cover features a vibrant, retro-style illustration with a dominant yellow, orange, and brown color palette. The central figures are two adventurers, a man and a woman, wearing futuristic space suits with helmets. The man, on the left, has a helmet with a visor, and the woman, on the right, has a helmet with a clear faceplate. They are walking through a murky, foggy environment with a dark, rocky landscape in the background, suggesting they are descending into the earth. In the foreground, there is a small, scaly, green creature with a long tail, adding to the mysterious and alien atmosphere. The book's title is prominently displayed in bold, black text at the top, with the subtitle "Science Fiction Book Club Selection" in smaller, red text beneath it. The publisher's logo, "Daw Books," is in the upper right corner, with the price of $1.95 indicated in the lower right corner. The overall style is reminiscent of 1970s science fiction book covers, characterized by vivid colors and dramatic, otherworldly scenes.
    Poetic sumi-e with meticulously rendered gingko leaves cascading across washi paper, embodying the concept of mono no aware. The traditional ink wash technique creates a gradient from deep black to misty gray, with negative space suggesting autumn wind. green leaf and bamboo accents catch imaginary light, while asymmetrical composition draws the eye through bold brush strokes and delicate detailing. Minimal red seal marks anchor the lower corner, balanced by calligraphic kanji suggesting impermanence. The scattered leaves and bamboos display deliberate imperfections celebrating wabi-sabi principles, some rendered with a single masterful brushstroke, others with textural dry-brush technique. Subtle indigo undertones evoke twilight transitioning to evening, capturing the melancholic beauty of nature's transitional moments through the philosophical lens of yugen.
    c0m1c style vintage comic cover of a creepy clown standing in a fairground, holding a balloon. In the background, large circus tents can be seen, with an eerie atmosphere. The illustration style is macabre, with dim lights casting shadows on the scene. Title test reads 'Tales from the Clown' in a spooky typeface. In the lower corner, show a price of 15 cents and the date MAR 1970.
    On a wooden table there is a case for Xbox 360 video games. on the cover of the case there is a Terminator, only performed by Arnold Schwarzenegger, this is a cyborg from the future standing on a dark street near a beautiful red muscle car. Terminator holds a shotgun in his hand, he is wearing a leather biker jacket and sunglasses and is smiling broadly. In the upper left corner of the video game case there is a relief text "Need for Speed: The Terminator", painted white and made in a metal style, in the lower left corner of the case there is the ESRB T Teen logo, and in the lower right corner - EA Sports. logo.
    In a neon-soaked metropolis of the future, where the line between organic and synthetic has blurred beyond recognition, a lone wanderer treads cautiously through the twisting alleys of the lower levels. Cloaked in a trench coat of matte black polymer, their face obscured by a visor projecting holographic data feeds, they move with the wary caution of someone accustomed to danger lurking around every corner. Suddenly, a phantasmal apparition coalesces from the swirling mists, its spectral form flickering and distorting like a corrupted transmission signal. Ghostly figures, trapped in tortured poses, phase in and out of existence, their anguished cries drowned out by the relentless drone of hovering drones patrolling the skies above. Without warning, a colossal silhouette looms out of the darkness, eclipsing the fading daylight. A draconic entity, born of the collective unconscious of humanity's deepest fears, unfurls its membranous wings with a deafening roar. Scales of impenetrable obsidian ripple like ripples on the surface of a pond disturbed by a careless pebble tossed in. concept-art, fantasy, beautiful, painterly, detailed, textural, artistic, aesthetic, intricate details, highly detailed, ultra-detailed, absurdres, unreal engine, octane rendering, high saturation, high contrast, vivid, vibrant, volumetric lighting,
    A vibrant and dynamic painting of a figure in motion. The person appears to be running or lunging forward, with one arm extended upwards as if reaching for something. They are dressed in dark clothing, which contrasts sharply with the bright, swirling green and yellow background. The background has an almost ethereal quality, with streaks of color that suggest movement and energy. The ground beneath the figure is depicted in shades of blue and green, with some areas appearing wet or reflective, adding to the sense of depth and atmosphere. In the lower right corner, there is a glowing green object that resembles a lantern or a light source, contributing to the overall mystical and otherworldly feel of the scene. The painting style is expressive and fluid, with bold brushstrokes that enhance the sense of action and emotion. j_art, anime, anime art, <lora:FLUX\jul\J_Anime:0.8>, <lora:FLUX\RealAnime:0.8>
    Close-up of a hyper-realistic snake, reminiscent of an oriental dragon, with vertical slit pupils surrounded by golden, textured skin, the eyes gleaming with intelligence and otherworldly depth. Around the eyes, a complex pattern of scale-like structures transitions from pale green to a vivid golden color. The creature's head features symmetrical, newly formed dragon horns with a halo effect. Two thin whiskers are located on either side of the upper jaw, which appear both solid and fluid, with bioluminescent properties. The skin texture ranges from smooth around the eyes to increasingly complex and layered outwards, with distinct pores, ridges, and bumps. The lower jaw displays blunt hook-like protrusions, indicating a predatory nature. Below the jaw, the body becomes more reptilian, with larger, more defined blue-green and turquoise scales. The lighting creates a stark contrast, and the creature appears to glow from within, especially in the golden areas. The background is a deep, rich black, emphasizing the creature's exotic and bioluminescent properties. The overall effect is an ultra-detailed macro photograph that blends reality and fantasy, conjuring images of the depths of the ocean and the far, surreal corners of outer space.
    Poetic sumi-e depicting A full body of beautiful oriental girl with delicate features, wearing an elegant, Sweet Victorian-inspired dress adorned with intricate lace, ribbons, and floral patterns, she is cascading across washi paper, embodying the concept of mono no aware. The traditional ink wash technique creates a gradient from deep black to crimson red. Her long, silky hair is styled in soft waves, with gentle curls at the ends and a few strands framing her face, adding to her graceful appearance. She wears dainty lace-trimmed socks and elegant, rounded-toe shoes with delicate bows, completing the outfit with charm. Her expression is serene yet captivating, with large, expressive eyes. The background is softly blurred, creating a dreamy atmosphere, and the lighting casts a gentle glow on her face, emphasizing the details of her dress, hair, and shoes. She is sitting elegantly on the ground. Perfect hands, perfect feet. The scattered dress elements embrace deliberate imperfections, celebrating wabi-sabi principles—some defined by a single masterful brushstroke, others shaped through a textured dry-brush technique. Subtle indigo undertones suggest twilight dissolving into evening, encapsulating the melancholic beauty of nature’s shifting moments through the profound lens of yugen. Minimal red seal marks showed at the lower corner, balanced by calligraphic kanji suggesting the old painting poster. SIMPLE BACKGROUND
    Poetic sumi-e of a single majestic tree whose foliage is very huge. The whole picture is split into four equal quadrant and the foliage of the splits into four according to the quadrant , each representing a different season. Upper Left (Spring): The branches burst with ethereal pink cherry blossoms, glowing with a soft rose light and scattering delicate petals in a misty, pearl-colored sky. Upper Right (Summer): Verdant branches flourish with rich green leaves and small golden fruits, Lower Left (Autumn): Branches adorned with brilliant orange and gold leaves that seem to catch fire, Lower Right (Winter): Crystalline branches covered in luminous ice-blue frost patterns, with a ethereal blue-white glow The tree should appear as one unified organism at its base, with its trunk seamlessly dividing into these four seasonal aspects. .An asymmetrical composition guides the eye through bold brush strokes and intricate detailing, where the interplay of shadow and light brings the vessel to life. Minimal red seal marks anchor the lower corner, harmonized by calligraphic kanji that convey the transient nature of existence, The kanji text written "图样图森迫，上台拿衣服". The scattered ship elements embrace deliberate imperfections, celebrating wabi-sabi principles—some defined by a single masterful brushstroke, others shaped through a textured dry-brush technique. Subtle indigo undertones suggest twilight dissolving into evening,
    a science fiction-themed digital artwork depicting a futuristic space scene. The layout is vertical, showcasing a large, detailed spacecraft in the foreground, with a sleek, cylindrical design and multiple protruding structures. The spacecraft is predominantly white with metallic accents, and it is surrounded by several smaller ships, all with aerodynamic shapes. In the background, a planet with a visible atmosphere and a smaller moon are present, adding depth to the scene. The color palette is dominated by shades of blue and purple, creating a cosmic ambiance. In the lower left corner, a silhouetted figure stands on a rocky surface, gazing at the spacecraft, accompanied by a small animal. The scene conveys a sense of exploration and adventure in outer space. <lora:FluxMythG0thicL1nes:0.6> <lora:RetroAnimeFluxV1:0.6> <lora:FredFraiStyle-FLUX-Share:0.6> <lora:dark_fantasy_flux:0.6>
    ((highly detailed oil painting:1.3) (inspired by ((Zdzisław Beksiński:1.3) (nightmarish surrealism:1.3)) and ((Alphonse Mucha:1.3) (ornate dreamlike elegance:1.3)))) A young woman with long, flowing **silver-white hair** and an enigmatic expression stands in a desolate field of **ashen-gray grass** that sways unnaturally. She wears an **ornate, baroque-inspired robe** in **deep crimson and onyx**, adorned with intricate, swirling gold filigree. The fabric drapes fluidly, merging into the landscape. A **dark emerald sash** cinches her waist, and a **gilded emblem** on her left shoulder glows faintly. Her headdress is a sculpted, **bone-white crown** with delicate, twisting spires resembling skeletal fingers. To her left, a massive **obsidian-black ram** with glowing **amber eyes** and jagged, spiraling horns stands motionless, its form flickering as if shifting between dimensions. The background is a swirling expanse of **deep indigo and bruised violet**, resembling a decayed fresco, with surreal, fractured geometric halos behind her head. The palette is **darkly ethereal**, blending shadows with iridescent highlights. Fine, intricate brushwork enhances textures, merging gothic horror with an Art Nouveau-inspired dreamscape. The artist's signature is subtly etched into the lower right corner.
    This is a digital artwork depicting a striking portrait of a woman with blonde hair and red lipstick. She is wearing dark aviator sunglasses that obscure her eyes, adding a sense of mystery. The image is split vertically, with the left half rendered in a realistic style featuring detailed textures and shading, while the right half uses abstract, fluid brushstrokes in black and grey, creating a dramatic contrast. The woman's face is centered, adhering to the rule of thirds, and the composition leads the viewer's eye along the vertical split, emphasizing the duality of the image. The artist's signature is visible in the lower right corner.
    This is a digitally created fantasy scene featuring a large, menacing daemon with large wide horns. The daemon, with its massive, scaly body and fiery breath, dominates the upper left quadrant of the image. Its scales are dark and rough, and its head is adorned with sharp horns and glowing eyes. The daemon is standing on a rock deep in the mines of Moria from the movie The Lord of the Rings, with a long, sinuous tail curving dramatically across the scene, trailing bright orange and yellow flames. The body of the daemon is a large fat belly with only little legs and a big upper body, similar to the one of a very very obsese human male, but somehow in a daemonic form. the head is a very wide football-shaped head, with big horns on top that are very wide as well. the face is the face of a normal daemon. In the lower right corner, a large fire with a burning eye inside is floating above the ground. The background is a dark, smoky environment with hues of deep reds, oranges, and blacks, creating a sense of danger and intensity. The ground is rocky and uneven, adding to the rugged, otherworldly atmosphere. The scene is rich with dramatic lighting, emphasizing the fiery breath of the daemon.
    A poetic sumi-e depicting a meticulously rendered vintage sailing ship unfurls across washi paper, embodying the essence of mono no aware. The traditional ink wash technique transitions from deep black to misty gray, with negative space evoking the presence of an autumn wind. The ship, an aged but dignified galleon, carries the weight of time in its towering masts, tattered sails, and weathered wooden hull. Barnacle-kissed planks and iron-riveted joints bear testament to countless voyages across uncharted waters. Ropes hang slack yet resilient, whispering of storms weathered and horizons chased. An asymmetrical composition guides the eye through bold brush strokes and intricate detailing, where the interplay of shadow and light brings the vessel to life. Minimal red seal marks anchor the lower corner, harmonized by calligraphic kanji that convey the transient nature of existence. The scattered ship elements embrace deliberate imperfections, celebrating wabi-sabi principles—some defined by a single masterful brushstroke, others shaped through a textured dry-brush technique. Subtle indigo undertones suggest twilight dissolving into evening, encapsulating the melancholic beauty of nature’s shifting moments through the profound lens of yugen.
    a photograph from top of Mountain of A tranquil sea shore with a rugged coastline, where the soft, rhythmic waves meet the sand. In the distance, a towering castle rises from a rocky hill, visible above the treetops. The sky is a mix of soft blue and golden hues, with scattered clouds, evoking the late afternoon. On the sea, a majestic 17th-century frigate glides smoothly, its sails billowing in the wind. The ship is an impressive sight, with three tall masts reaching toward the sky, adorned with large white sails, each marked with subtle heraldic designs. The wooden hull is dark and polished, reinforced with iron bands, and features ornate carvings along the bow and stern. Along the side of the ship, gun ports are open, revealing large bronze cannons resting within. The figurehead is a powerful lion, representing strength and courage, carved in intricate detail. The frigate is outfitted with ropes and rigging that stretch across the masts, and the deck is bustling with sailors dressed in 17th-century naval attire. In the distance, the castle is a magnificent structure built from grey stone, sitting high atop a craggy hill. It is a fortress-style castle with high, imposing walls, circular towers at each corner, and a grand central keep. The towers are topped with conical roofs, each adorned with flags and pennants fluttering in the breeze. The castle's exterior features narrow, arched windows with iron bars, and a large wooden drawbridge spans over a deep moat, leading to the main entrance. The battlements are lined with crenellations, providing a defensive structure, and the courtyard within is visible, with a few horse-drawn carts and small figures walking. The overall scene captures the strength and grandeur of both the frigate and the castle, embodying the maritime and military power of the early 1600s. in the lower right corner, the figure of a man from 1600 facing viwer stretching out his right hand, showing the beauty of the view . aidmafluxpro1.1, aidmaMJ6.1, aidmaimageupgrader
    Abstract oil portrait of a person in a classic Renaissance style, with blurred and distorted facial features. The background is minimalistic with soft, undefined brush strokes blending into shadows. The color palette is muted, featuring shades of beige, dark brown, and black. The subject wears formal attire with visible but slightly abstracted textures. The composition emphasizes an unfinished and surreal quality, evoking both mystery and artificial creativity. A mathematical formula is subtly included in the lower corner of the painting as part of the design. Atmospheric and thought-provoking.
    A poetic sumi-e depicting a meticulously rendered vintage sailing ship unfurls across washi paper. The traditional ink wash technique transitions from deep black to misty gray, with negative space evoking the presence of an autumn wind. The ship, an aged yet dignified galleon, carries the weight of time in its towering masts, tattered sails, and weathered wooden hull. Barnacle-kissed planks and iron-riveted joints bear testament to countless voyages. Ropes hang slack yet resilient, whispering of storms weathered and horizons chased.A close-up view reveals its immense presence—colossal wooden beams loom like the ribs of an ancient leviathan. The ink captures splintered wood and corroded metal, where each brushstroke etches the ship’s age into its surface. Billowing sails, frayed yet defiant, stretch across the composition, their vastness broken only by intricate rigging lines fading into misty strokes. The hull, darkened by time and salt, curves like a mountain’s edge, disappearing into ink-washed space. Shadows pool within deep crevices, hinting at secrets buried within its hold.An asymmetrical composition guides the eye through bold brush strokes and intricate details. Minimal red seal marks anchor the lower corner, harmonized by calligraphic kanji conveying impermanence. The ship embraces deliberate imperfections, celebrating wabisabi principles—some strokes masterfully fluid, others textured. Subtle indigo undertones evoke twilight dissolving into evening
    Poetic sumi-e with meticulously rendered cherry blossoms cascading across washi paper, embodying the concept of mono no aware. The traditional ink wash technique creates a gradient from deep black to misty pink, with negative space suggesting spring wind. Red blossoms accents catch imaginary light, while asymmetrical composition draws the eye through bold brush strokes and delicate detailing. Minimal red seal marks anchor the lower corner, balanced by calligraphic kanji suggesting impermanence. The scattered blossoms display deliberate imperfections celebrating wabi-sabi principles, some rendered with a single masterful brushstroke, others with textural dry-brush technique. Subtle indigo undertones evoke twilight transitioning to evening, capturing the melancholic beauty of nature's transitional moments through the philosophical lens of yugen. <lora:aidmaFLUXPro1.1-FLUX-v0.3:0.7> <lora:ck-charcoal-drawing-000014:0.5> <lora:Niji B:0.7> <lora:bm-goth_epoch_1:0.3> <lora:flux_ptchkrawk:0.1> <lora:flux_dev:1> extremely high-resolution details, photographic, realism pushed to extreme, fine texture, incredibly lifelike, Cinematic, beautiful, vibrant, masterpiece, 32k, ultra HD, ultra-detailed, amazing quality, amazing artist, sharp edges, detailed textures, full view, atmospheric lighting, amazing visuals
    Close-up of a hyper-realistic snake, reminiscent of an oriental dragon, with vertical slit pupils surrounded by golden, textured skin, eyes that gleam with intelligence and otherworldly depth. Around the eyes, a complex pattern of scale-like structures transitions from a pale black to a vivid golden color. The creature's head features symmetrical, newly formed dragon horns with a halo effect. Two thin whiskers appear to be both solid and fluid on either side of the upper jaw, with bioluminescent properties. The skin texture ranges from smooth around the eyes to increasingly complex and layered outwards, with distinct pores, ridges, and bumps. The lower jaw displays blunt hook-like protrusions, indicating a predatory nature. Below the jaw, the body becomes more serpentine, with larger, more defined golden and black-gold scales. The lighting creates a stark contrast, and the creature appears to glow from within, especially in the golden areas. The background is a deep, rich black, emphasizing the creature's exotic and bioluminescent properties. The overall effect is an ultra-detailed macro photograph that blends reality and fantasy, conjuring images of the depths of the ocean and the far, surreal corners of outer space.
    This is a high-resolution digital artwork featuring a cereal box of "FaeTastic" cereal by Faeia. The box is predominantly purple with a colorful bottle as the focus with the words "FaeTastic Cereal" in bold, playful letters. The background of the box features a whimsical illustration of a forest, which is the central focus. The cereal box also features a vibrant, colorful illustration of glitter and sparkles floating around the bowl. The bowl and spoon are depicted in the lower right corner of the box, with the spoon resting in the bowl and cereal scattered around it on a wooden surface. The nutritional information and ingredients are listed on the right side of the box, in a white and blue section. The box is placed on a wooden tree stump, which adds a warm, natural element to the scene. The background of the image is a simple, gradient green, allowing the colorful cereal box to stand out.
    In a neon-soaked metropolis of the future, where the line between organic and synthetic has blurred beyond recognition, a lone wanderer treads cautiously through the twisting alleys of the lower levels. Cloaked in a trench coat of matte black polymer, their face obscured by a visor projecting holographic data feeds, they move with the wary caution of someone accustomed to danger lurking around every corner. Suddenly, a phantasmal apparition coalesces from the swirling mists, its spectral form flickering and distorting like a corrupted transmission signal. Ghostly figures, trapped in tortured poses, phase in and out of existence, their anguished cries drowned out by the relentless drone of hovering drones patrolling the skies above. Without warning, a colossal silhouette looms out of the darkness, eclipsing the fading daylight. A draconic entity, born of the collective unconscious of humanity's deepest fears, unfurls its membranous wings with a deafening roar. Scales of impenetrable obsidian ripple like ripples on the surface of a pond disturbed by a careless pebble tossed in. concept-art, fantasy, beautiful, painterly, detailed, textural, artistic, aesthetic, intricate details, highly detailed, ultra-detailed, absurdres, unreal engine, octane rendering, high saturation, high contrast, vivid, vibrant, volumetric lighting, scifi,, mushroom forest,, citronLegacy,
    vantablack, Unfazedfantasii, Storybook Illustration art style, In a quiet corner of the city, where the whispers of creativity danced upon brick walls, a lone artist stood atop a silver ladder, her brush breathing life into the stone. With fiery red hair catching the golden embrace of the late afternoon sun, she traced the contours of a face too large to be confined by mere reality—a woman of ink and shadow, emerging from the canvas of the urban world. Each stroke of deep blue paint flowed like rivers of emotion, shaping cascading curls that framed an ethereal gaze. The mural’s eyes, haunting yet serene, seemed to hold stories untold, memories yet to be dreamt. With delicate fingers resting upon painted lips, the figure on the wall whispered secrets only the wind could carry—secrets the artist alone understood. Below, the city pulsed with the rhythm of daily life. Pedestrians hurried past, unaware that just above their heads, magic was unfolding. But those who dared to look up, who paused long enough to see the artist lost in her creation, found themselves entranced. For this was more than a mural—it was a soul captured in pigment and passion, a moment suspended between the real and the imagined. And as the sun dipped lower, painting the sky in hues as warm as her spirit, the artist smiled. Because with every stroke, she wasn’t just painting a face; she was etching a piece of herself into the world—one brushstroke at a time.
    A black and white photograph captures an adorable kitten lying on its side, with its left paw resting under its chin, giving it a contemplative expression. The kitten's fur displays a striking pattern of black and white stripes, particularly noticeable on its legs and face. The image is framed tightly around the kitten, with its head positioned in the upper right corner and its body extending towards the lower left. The kitten's large, dark eyes and perked-up ears add to its charming appearance. In the background, a striped pillow is partially visible in the upper left corner, providing a cozy setting for the little feline model.
    The image depicts an adventurer rubbing the eerie tentacle inside an abandoned concrete room which has been overtaken by alien life forms. The room is dimly lit, with a sense of eeriness and disgust emanating from every corner. The floor is flooded with slimy, organic substances, and the walls are adorned with thin sprouts of slime and shrooms. Flocks of organic creatures can be seen floating around, while others are protruding from the walls. Fractalized tissues and eye balls are scattered across the floor. Elegant adventurer is partially submerged into smelly goo with alien life forms resembling mutated slime tentacles and slime balls. The background is filled with trash and dust. The image has a dimmed colors except for a vibrant crimson and rotten-brown splatters. (Cinematic lighting:1.3) creates a hyper-realistic and dramatic scene. On the right side of the image, slightly to the lower-right, the walls are adorned with thin sprouts of slime and shrooms. The slime sprouts are long and slimy, dripping down the walls, while the shrooms add a sense of decay and eeriness. The overall effect is one of decay and neglect, with the organic substances adding to the sense of disgust. On the bottom of the image, slightly to the lower-left, the floor is covered with fractalized tissues and eye balls. The fractalized tissues are twisted and distorted, creating a chaotic and disturbing pattern on the floor. The floor appears wet and slippery.
    Close-up of a hyper-realistic snake, reminiscent of an oriental dragon, with vertical slit pupils surrounded by golden, textured skin, eyes that gleam with intelligence and otherworldly depth. Around the eyes, a complex pattern of scale-like structures transitions from a pale black to a vivid golden color. The creature's head is crowned with symmetrical, newly formed dragon horns with a halo effect. Two very long, thin whiskers are located on either side of the upper jaw, which appear both solid and fluid, with bioluminescent properties. The skin texture ranges from smooth around the eyes to increasingly complex and layered outwards, with distinct pores, ridges, and bumps. The lower jaw displays blunt hook-like protrusions, indicating a predatory nature. The abdomen is symmetrical with two feet, each with five claws. Below the lower jaw, the body becomes more like a serpentine, with larger, more defined golden and black-gold scales. The lighting creates a stark contrast, and the creature appears to glow from within, especially in the golden areas. The background is a deep, rich black, emphasizing the creature's exotic and bioluminescent properties. The overall effect is an ultra-detailed macro photograph that blends reality and fantasy, conjuring images of the depths of the ocean and the far, surreal corners of outer space.
    a photo of fried egg on a pan, the yolk has megustaface expression, The mouth is a wide, exaggerated frown with the corners downturned. The lips are full, especially the lower lip. The teeth are not visible. There are deep lines running from the corners of the mouth down the chin, emphasizing the frown, The eyes are disproportionately large and wide-set, with white sclera, black pupils, and no irises. The eyelids are thick and heavy, with visible wrinkles around them.
    depicting a surreal scene where a human hand is seen holding a cherry with a full moon between the fingers. The hand, depicted in a dark red hue, emerges from the lower left corner, with the fingers delicately pinching the cherry, which has a single leaf attached. The background features a clear sky transitioning from deep blue at the top to lighter blue near the horizon, indicating the time of either sunrise or sunset. The full moon, positioned directly between the fingers, appears luminous and round, with its surface reflecting the light of the sky. The buildings in the background are modern, with flat roofs and some visible solar panels. They are painted in muted tones, with the upper floors displaying light beige and the lower floors featuring darker brown or black. The image conveys a sense of whimsical surrealism, blending the mundane with the fantastical. The overall composition is balanced, with the human hand and the cherry occupying the foreground, while the buildings and the sky form the background, enhancing the surreal and dreamlike quality of the scene.
    Abstract oil portrait of a person in a classic Renaissance style, with blurred and distorted facial features. The background is minimalistic with soft, undefined brush strokes blending into shadows. The color palette is muted, featuring shades of beige, dark brown, and black. The subject wears formal attire with visible but slightly abstracted textures. The composition emphasizes an unfinished and surreal quality, evoking both mystery and artificial creativity. A mathematical formula is subtly included in the lower corner of the painting as part of the design. Atmospheric and thought-provoking.
    Close-up of a hyper-realistic snake, reminiscent of an oriental dragon, with vertical slit pupils surrounded by golden, textured skin, eyes that gleam with intelligence and otherworldly depth. Around the eyes, a complex pattern of scale-like structures transitions from a pale black to a vivid golden color. The creature's head is crowned with symmetrical, newly formed dragon horns with a halo effect. Two thin whiskers appear to be both solid and fluid on either side of the upper jaw, with bioluminescent properties. The skin texture ranges from smooth around the eyes to increasingly complex and layered outwards, with distinct pores, ridges, and bumps. The lower jaw displays blunt hook-like protrusions, indicating a predatory nature. The abdomen is symmetrical with two feet, each with five claws. Below the lower jaw, the body becomes more like a serpentine, with larger, more defined golden and black-gold scales. The lighting creates a stark contrast, and the creature appears to glow from within, especially in the golden areas. The background is a deep, rich black, emphasizing the creature's exotic and bioluminescent properties. The overall effect is an ultra-detailed macro photograph that blends reality and fantasy, conjuring images of the depths of the ocean and the far, surreal corners of outer space.
    Sharn, the City of Towers, rises dramatically from the landscape, a sprawling metropolis of towering, interconnected spires that stretch high into the clouds. Each tower is a blend of sleek, dark stone and enchanted metals, adorned with glowing magical runes and intricate carvings that reflect the city’s deep history and arcane power. Bridges of various sizes crisscross between towers, creating a web of pathways filled with bustling citizens, exotic traders, and mystical creatures. Airships hover in the air, docking at various levels, their golden lights illuminating the fog that drifts lazily through the upper levels of the city. Below, the lower quarters are cast in shadow, filled with narrow alleyways, hidden bazaars, and flickering torchlight. The skyline is alive with a blend of warm and eerie hues as the sun dips beneath the horizon, casting Sharn in an otherworldly glow. The atmosphere pulses with energy, mystery, and the promise of adventure around every corner in this magnificent, vertical cityscape. masterpiece, maximum image detail, 8K high definition, intricate architecture, magical city, glowing runes, airships, enchanted metal, dense cityscape, vibrant sunset, foggy atmosphere, bridges and pathways, epic fantasy setting, ultra-realistic
    This is a high-resolution digital artwork featuring a cereal box of "Moo-oo's" cereal by Cows. The box is predominantly an illustration of a farm with a realistic cow sculpture as the focus and the word "Moo-oo's" in bold, playful letters. The background of the box features a detailed illustration of a barn painted in white and a lush farmstead. The bowl and spoon depicted in the lower right corner of the box has only milk and nothing else in it. There is no cereal depicted on the box. The nutritional information and ingredients are listed on the right side of the box, in a white and green section. The box is placed on a worn natural wood table. The background of the image is a kitchen with an open refrigerator.
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    A highly stylized digitally drawn hyper-realistic abstract collage artwork inspired by modern surrealism and abstract expressionism, featuring a woman with fair skin, straight dark hair pulled into a tight bun, and an elegant posture with her back to the viewer, facing right. The composition contains seven surreal collages: the first collage places the central figure’s smooth, bare back, contrasted with sharp black and white geometric stripes across her midsection. The second collage features a large mustard-yellow circle in the lower left corner, creating a stark contrast with the monochrome elements. The third collage consists of overlapping light blue and dark gray circles to the left, generating depth. The fourth collage shows a large, stylized tree with bare branches on the right, offering an organic contrast to the geometric shapes. The fifth collage introduces fragmented angular shards in cobalt blue near the top, reflecting the surreal dissection of the figure. The sixth collage includes an abstract geometric shape in neon yellow and blue at the top left corner, adding a dynamic contrast. The seventh collage swirls the background with optical illusions made of angular black and white lines arranged in sharp layers, adding depth and intrigue. The color palette mixes stark monochrome with vibrant pops of yellow and blue, creating a dynamic visual impact. Inspired by the styles of Piet Mondrian and Wassily Kandinsky.
    A whimsical fusion of nature and wildlife, an owl with the body of a [pineapple | owl-like structure], stands perched on a [mossy tree stump | wooden platform]. The (pineapple texture | feathered body) forms the owl's appearance, with [spiky green leaves | feather tufts] replacing its head. The owl's (wide, curious eyes | beady, sharp gaze) peek out from the (fruit’s rough surface | dense feather layers), giving it a comical yet endearing appearance. The background alternates between a [natural, earthy setting | soft, blurred nature backdrop], with [green foliage | fern leaves] gently framing the lower corners, enhancing the surreal blend of fruit and bird in this playful composition.
    a whimsical forest scene. The foreground is filled with lush greenery, with various plants and ferns creating a dense, leafy canopy. The central focus is a large, ancient tree with thick, gnarled branches and a sprawling, moss-covered trunk. A small, round, red door is nestled within the tree's roots, hinting at a hidden, possibly magical space within. In the background, the forest is shrouded in deep shadows, with patches of sunlight filtering through the dense foliage, casting a dappled light on the scene. Small, glowing creatures with bright green and yellow hues can be seen flying or perched on the branches, adding a mystical and fantastical element to the scene. The ground is covered in a rich tapestry of green grass and moss, with a small, winding stream running through it, reflecting the surrounding greens. The stream is bordered by large, flat rocks, contributing to the serene, enchanted atmosphere. In the lower right corner, a small, anthropomorphic creature with a red hat and green outfit is seated by the stream, adding a touch of whimsy and life to the scene. <lora:Semi-realisticPortraitPainting:0.4> <lora:Let_It_Blaze_in_Crimson_anime_v1.0:0.6>
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    a photograph from top of hill of A tranquil sea shore with a rugged coastline, where the soft, rhythmic waves meet the sand. In the distance, a towering castle rises from a rocky hill, visible above the treetops. The sky is a mix of soft blue and golden hues, with scattered clouds, evoking the late afternoon. On the sea, a majestic 17th-century frigate glides smoothly, its sails billowing in the wind. The ship is an impressive sight, with three tall masts reaching toward the sky, adorned with large white sails, each marked with subtle heraldic designs. The wooden hull is dark and polished, reinforced with iron bands, and features ornate carvings along the bow and stern. Along the side of the ship, gun ports are open, revealing large bronze cannons resting within. The figurehead is a powerful lion, representing strength and courage, carved in intricate detail. The frigate is outfitted with ropes and rigging that stretch across the masts, and the deck is bustling with sailors dressed in 17th-century naval attire. In the distance, the castle is a magnificent structure built from grey stone, sitting high atop a craggy hill. It is a fortress-style castle with high, imposing walls, circular towers at each corner, and a grand central keep. The towers are topped with conical roofs, each adorned with flags and pennants fluttering in the breeze. The castle's exterior features narrow, arched windows with iron bars, and a large wooden drawbridge spans over a deep moat, leading to the main entrance. The battlements are lined with crenellations, providing a defensive structure, and the courtyard within is visible, with a few horse-drawn carts and small figures walking. The overall scene captures the strength and grandeur of both the frigate and the castle, embodying the maritime and military power of the early 1600s. in the lower right corner, the figure of a man from 1600 facing viwer stretching out his right hand, showing the beauty of the view . aidmafluxpro1.1, aidmaMJ6.1, aidmaimageupgrader
    This is a highly detailed and realistic pencil drawing of a north-African red headed mature woman in her mid forties, with levantine features, handsome, very little makeup and a large cascade of dark red curly hair. She has a very small breast and is sitting straight bust on a stool next to a window with heavy curtains. She only wear a large slick silver satin robe and a pair of transparent plastic flip-flaps. On the wall behind her a bookcase full of books. Dramatic light and shadow. The texture of the skin is meticulously rendered, showcasing a range of subtle shadows and highlights that give depth and realism to the drawing. The sketch is done on textured ochre-coloured papier-mache The artist has used a variety of pencil strokes to create a sense of three-dimensionality and texture. The lines are sharp and detailed, particularly in the areas around the eyes, nose and mouth, where variations in shading and tone create a realistic appearance. The subject's muscular shoulders and collarbone are partially visible, suggesting a strong, masculine physique. The overall style of the drawing is very realistic, with careful attention paid to capturing the subject's features and emotions in minute detail. The drawing is signed by the artist in the lower right corner, adding a personal touch to the piece. <lora:Sketch:0.9>
    Full shot of a stylized female character, likely from a video game or digital art piece.  The character is a young woman with long, flowing, dark green hair cascading down her back. She's wearing a crown-like headpiece, intricately designed in a golden/bronze color, atop her head.  Her expression is somewhat serious or perhaps thoughtful, with a slightly stern or neutral look on her face.  Her eyes are a deep, rich color. The skin tones are light, with a hint of blush coloring the cheeks. She is adorned in a light cream/off-white dress. The bodice is a fitted, strapless design with delicate lace detailing. The shape of the bodice has a decorative element near the center of the chest that has an orange-brown hue, like a stylized leaf. The dress appears flowing and has a loose fit. The character holds bouquets of white, flowering blossoms in her hands, which are filling the space around her torso, in the lower foreground and background. The flowers are a profusion of various white blossoms, with some soft shading and highlights. The background suggests a lush, green forest environment. The foliage appears stylized, with darker, shaded tones to add visual depth to the greenery. Hints of light filter through and around suggesting dappled sunlight in a woodland setting. The background features a variety of shades of green and in the corners of the image, the background slightly fades in light color. <lora:FLUX-daubrez-DB4RZ-v2:1> DB4RZ, DB4RZ style painting
    A highly stylized digitally drawn hyper-realistic abstract collage artwork, featuring a woman with a striking and enigmatic expression at the center. Her face is partially obscured by overlapping papers and abstract shapes, with long, dark hair cascading around her shoulders. The lighting is soft and warm, casting a gentle glow on her features, accentuating her large, expressive eyes as she gazes directly at the viewer with a blend of curiosity and intensity. The background is a stark white canvas, allowing the vibrant elements of the collage to stand out. Surrounding her face are torn and textured papers in shades of yellow, orange, and brown, overlaid with bold black lines and geometric shapes that add depth and complexity to the composition. Scattered throughout the image are pieces of text in various fonts and sizes, with the numbers "696969" prominently featured in the lower right corner, hinting at a cryptic narrative or reference. The style is a dynamic fusion of modern abstract art, pop art, and digital collage, creating a visually striking, layered composition that blends traditional materials with contemporary techniques. The composition maintains a sense of fluidity and interaction, inviting viewers into a mysterious, yet sophisticated visual experience.
    (Playstation Box Art style:1.2), Box of a Playstation game titled "Metal Gear Zuck", (Playstation logo:1.3) in the lower corner. A stylized illustration made by Yoji Shinkawa. (anthropomorphic cobra:1.2) with a long bifid tongue, wears a body-hugging suit and a bandana, holding a silenced pistol in a dramatic pose. The background has bold red accents with a predominantly grayscale palette, creating high contrast. The art style is expressive, with energetic brushstrokes, heavy shadows, and a sense of motion surrounding the figure. The game title "Metal Gear Zuck" is displayed below in bold, futuristic, angular font. The letters are all uppercase and have a sharp, geometric design with thick lines. The words 'Metal Gear' are in a bold, blocky style, slightly slanted to the right. <lora:yoji_shinkawa_1_0:0.5>
    Luigi Mangione. The image is a photograph of a young man named Luigi Mangione with curly dark hair and a light complexion, dressed in an orange prison jumpsuit, which is a vivid contrast against the neutral background of a stone wall. The man appears to be in a state of distress or urgency, as evidenced by his slightly open mouth and slightly raised eyebrows. He is clutching the edge of his jumpsuit with both hands, his fingers gripping tightly. His facial expression is intense, with a look of concern or anger. In the background, the stone wall is made up of large, rough-hewn blocks, giving it a rugged, ancient appearance. The texture of the wall is rough and uneven, with visible mortar lines. The lighting is natural, suggesting the scene is outdoors or in a building with large windows. In the lower left corner of the image, a portion of another person's head is visible, covered in a black and white patterned scarf, though the person is not fully in frame. The overall mood of the image is tense and dramatic, capturing a moment of emotional intensity. The photograph captures a candid, possibly documentary-style moment, focusing on the man's expression and the stark contrast between his attire and the environment.
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    a photograph from top of hill of A peaceful seashore scene with a grand palace visible in the distance, set in the early 1600s. The coastline is dotted with gentle waves, stretching to the horizon. The sky is bright, with a few wispy clouds. On the sea, a majestic 17th-century frigate sails gracefully. The ship is large with three masts and billowing white sails adorned with intricate patterns. The hull is wooden, with dark brown tones, reinforced with metal bands and intricate carvings along the bow and stern. Brass cannons peek out from the gun ports, and a figurehead of a mythical creature, perhaps a mermaid or lion, decorates the front of the ship. In the distance, beyond the soft, rolling hills of the shore, stands a magnificent palace, reflecting the grandeur of the era. The palace is an imposing structure made of stone, with large, arched windows, and tall spires rising above the roofs. The architecture features intricate stonework, ornate columns, and decorative elements typical of Renaissance and early Baroque design. Surrounding the palace, a well-maintained garden can be seen, with symmetrical pathways and carefully arranged hedges. Flags wave from the palace towers, hinting at the power and wealth of the ruler inside. The overall scene evokes a sense of exploration, power, and opulence, capturing the maritime spirit of the 1600s, as well as the elegance of royal architecture from the era. in the lower right corner, the figure of a man from 1600 stretching out his right hand, showing the beauty of the view . aidmafluxpro1.1, aidmaMJ6.1, aidmaimageupgrader
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    POV Gundam pilot cockpit, red warning lights flashing, the text "DANGER: LOW BUZZ" is projected on the front panel overlaying the view of city ruins from all of the fighting, the lower control panel shows a nearly depleted fuel indicator, steam hisses from the upper corner with sparks from sudden damage to the Gundam vehicle, this may be it!
    A serene and imaginative scene of a young man painting outdoors, accompanied by a dog, with a surreal depiction of a whale and seabirds soaring through the sky. The man is positioned in the lower right corner, seated on a simple chair in a relaxed pose while working on an easel. His short, messy blond hair complements his casual and artistic appearance. He is wearing a white shirt with the sleeves rolled up, a dark apron tied around his waist, and black trousers. His posture is focused yet calm, as he holds a paintbrush mid-stroke on his canvas. A brown-and-white dog lies next to him, adding a grounded and comforting element to the composition. The setting transitions seamlessly between reality and fantasy. The lower part features a watery surface reflecting the sky, creating a dreamy and infinite atmosphere. The upper portion showcases a vivid and expansive sky with soft clouds. A massive blue whale, accompanied by flowing water-like elements and white birds, appears to emerge from the clouds, blending elements of marine life and the heavens. The sky is filled with soft blues and whites, accented by hints of deeper marine tones and light refractions, emphasizing the ethereal quality of the scene. <lora:Anime v1.3:1.2> <lora:Blue_Future:0.9> <lora:Ethereal_Brush_Anime_v1.0:0.6> <lora:It's a LoRA for portraits, BUT! actually specialized in backgrounds. v1.0:0.2> <lora:dreadmirth-style-art:0.6>
    A hyper-realistic digital portrait of a serene woman with short, wavy brown hair, holding a blue and white porcelain teacup in her right hand, bringing it gently to her lips. She wears a light-colored blouse that contrasts softly against the pale yellow vintage-inspired background, enhancing the nostalgic aesthetic. Surrounding her are a blend of vintage and modern elements, including an old-fashioned postcard with a postage stamp, delicate cherub wings with a cupid figure, and a small scroll with handwritten text, evoking a timeless charm. The lower right corner showcases a book titled "Walking Dead" alongside a yellow cup and saucer, reinforcing the cozy, tea-drinking ambiance. Large yellow daisies, scattered throughout the image, add warmth and a natural touch. The color palette blends soft pastels and earthy tones, bringing an air of tranquility to the scene. The entire composition melds digital artistry with vintage nostalgia, resulting in a harmonious, whimsical, and visually captivating collage. HD, 8K quality, ultra-detailed, masterpiece artwork, flawless anatomy.
    a photograph from top of hill of A peaceful seashore scene with a grand palace visible in the distance, set in the early 1600s. The coastline is dotted with gentle waves, stretching to the horizon. The sky is bright, with a few wispy clouds. On the sea, a majestic 17th-century frigate sails gracefully. The ship is large with three masts and billowing white sails adorned with intricate patterns. The hull is wooden, with dark brown tones, reinforced with metal bands and intricate carvings along the bow and stern. Brass cannons peek out from the gun ports, and a figurehead of a mythical creature, perhaps a mermaid or lion, decorates the front of the ship. In the distance, beyond the soft, rolling hills of the shore, stands a magnificent palace, reflecting the grandeur of the era. The palace is an imposing structure made of stone, with large, arched windows, and tall spires rising above the roofs. The architecture features intricate stonework, ornate columns, and decorative elements typical of Renaissance and early Baroque design. Surrounding the palace, a well-maintained garden can be seen, with symmetrical pathways and carefully arranged hedges. Flags wave from the palace towers, hinting at the power and wealth of the ruler inside. The overall scene evokes a sense of exploration, power, and opulence, capturing the maritime spirit of the 1600s, as well as the elegance of royal architecture from the era. in the lower right corner, the figure of a man from 1600 facing viwer stretching out his right hand, showing the beauty of the view . aidmafluxpro1.1, aidmaMJ6.1, aidmaimageupgrader
    genxsoftclub01, fashion photography, abstract monochrome composition with splashes of deep red accents, high quality, ultra detailed, colorful, abstract, particles, fantasy, partially blended with abstract digital elements. the background features layers of glitch art, The image is a close-up of a person's face with a dramatic and intricate face art design. The face is predominantly white, with black and red accents on the upper and lower half of the face. The eye is the focal point of the image, with a deep red iris that stands out against the white background. The iris is surrounded by a black and white swirl pattern that extends from the top left corner to the bottom right corner of the eye. The swirls are made up of thin black lines that create a sense of movement and energy. The lines are arranged in a symmetrical pattern, creating a sense depth and dimension. The overall effect is striking and striking. The person's lips are painted a bold red color, adding a pop of color to the otherwise monochromatic face., volumetric lighting, volumetric lighting, volumetric lighting
    (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts. Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way. Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force. The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape. The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail. This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque aidmaMJ6.1 style of H. R. Giger
    Poetic sumi-e of a single majestic tree whose foliage is very huge. The whole picture is split into four equal quadrant and the foliage of the splits into four according to the quadrant , each representing a different season. Upper Left (Spring): The branches burst with ethereal pink cherry blossoms, glowing with a soft rose light and scattering delicate petals in a misty, pearl-colored sky. Upper Right (Summer): Verdant branches flourish with rich green leaves and small golden fruits, Lower Left (Autumn): Branches adorned with brilliant orange and gold leaves that seem to catch fire, Lower Right (Winter): Crystalline branches covered in luminous ice-blue frost patterns, with a ethereal blue-white glow The tree should appear as one unified organism at its base, with its trunk seamlessly dividing into these four seasonal aspects. .An asymmetrical composition guides the eye through bold brush strokes and intricate detailing, where the interplay of shadow and light brings the vessel to life. Minimal red seal marks anchor the lower corner, harmonized by calligraphic kanji that convey the transient nature of existence. The scattered ship elements embrace deliberate imperfections, celebrating wabi-sabi principles—some defined by a single masterful brushstroke, others shaped through a textured dry-brush technique. Subtle indigo undertones suggest twilight dissolving into evening, encapsulating the melancholic beauty of nature’s shifting moments through the profound lens of yugen.
    A detailed high-resolution cinematic black-and-white photograph capturing a digitally manipulated surreal scene. The upper half of the image features a single, large, bright flame, extending diagonally from the top left corner to the bottom right. The flame is intense and emits a bright, white light, creating a stark contrast with the surrounding darkness.\nBelow the flame, the lower half of the image shows a person standing against a plain, light-colored wall. The person is dressed in a long-sleeved, knee-length white dress with a loose, flowing texture. The dress has a simple, unadorned design. The individual's arms hang loosely by their sides, and they appear to be looking down. The person's face is not visible, and their head is obscured by the flame above. The person's skin tone is light, and they are wearing a black wristwatch on their left wrist.\nThe overall composition of the image is stark and dramatic, with the bright flame contrasting sharply with the person's white dress and the dark background. The photograph conveys a sense of isolation and surrealism, with the flame acting as a metaphorical or symbolic element
    ArsMovieStill, movie still from a 1970s horror movie A close-up of a hauntingly beautiful girl with large, striking brown eyes, tears streaming down her pale cheeks. Her dark eyeliner and mascara are heavily smudged, staining her delicate skin as fresh tears carve new paths through the streaks. She has dark blue eyeshadow. A deep purple bruise darkens her cheek, while another bruise shades her chin, hinting at past pain. Her lower lip is swollen and split, a faint trickle of blood drying at the corner of her mouth. Her lips tremble slightly, parted just enough to reveal the faintest hitch in her breath. Her expression is one of quiet despair—eyes unfocused, lost in sorrow, staring off into the distance as if trapped within her own pain. Strands of her dark brown hair cling to her damp face, catching the dim neon glow of a distant, out-of-focus light. The background is a blur of deep shadows and cold night air, isolating her
    A dynamic urban scene in a modern, detailed, and semi-realistic art style. The composition centers on a city tram moving along glistening, wet tracks, reflecting the warm glow of its lights. The tram is positioned in the lower right quadrant, heading towards the viewer, with its interior softly illuminated, revealing silhouettes of passengers inside. The front of the tram displays glowing red signage in a stylized Asian script, adding cultural specificity. In the foreground, the tracks reflect the golden and white lights from the tram and surrounding streetlights. To the sides, densely packed urban buildings rise vertically, featuring illuminated signage in both warm tones and contrasting neon hues. A vibrant sepia-leaved tree occupies the lower right corner, its branches extending into the scene, adding a striking natural contrast to the urban landscape. In the midground, pedestrians are visible near the tram, subtly blurred to emphasize the motion and energy of the city. The background features towering skyscrapers, with one prominent building displaying a rounded red-lit rooftop, framed against a dramatic sky filled with dense, layered clouds. The wet ground and tracks reflect the vibrant lights and colors, enhancing the visual impact with realistic textures.
    a serene, introspective scene under a starry night sky. The main subject is a young woman with teal-colored hair, styled in loose waves, sitting barefoot against the trunk of a large tree. She wears a light purple long-sleeved shirt and deep burgundy pants, which contrast with the dark, starry background. Her expression is calm and slightly wistful as she gazes upward, her hands clasped together in her lap.The night sky is richly detailed with numerous stars, a few shooting stars, and several planets visible, including a prominent, reddish planet in the upper right corner and a smaller, blue planet in the lower right. The tree's bark is textured, and its branches frame the scene, providing a natural boundary.In the background, the landscape is barren, with sparse vegetation and a few rocks scattered across the ground. A large, futuristic structure resembling a dome or habitat is visible on the right side, blending modern technology with a natural setting. The overall color palette is a mix of cool and warm tones, enhancing the tranquil yet slightly mysterious atmosphere.<lora:XRSTYLE_FLUX:0.5><lora:RetroAnimeFluxV1:0.4><lora:MoriiMee_Gothic_Niji_Style_FLUX:0.3>
    POV Gundam pilot cockpit, red warning lights flashing, the text "DANGER: LOW BUZZ" is projected on the front panel overlaying the view of city ruins from all of the fighting, the lower control panel shows a nearly depleted fuel indicator, steam hisses from the upper corner with sparks from sudden damage to the Gundam vehicle, this may be it!, , (((white sphere on background)))
    Elegant shanshui landscape in traditional Song Dynasty style, depicting a secluded monastery nestled among towering karst mountains shrouded in ethereal mist. Delicate ink wash technique with subtle mineral pigment accents in muted greens and ochres. Ancient pine trees with gnarled branches cling to precipitous cliffs, their needles rendered with fine, feathery brushstrokes. A small waterfall cascades down rock faces, executed with dynamic dry brush technique. Two traveling monks cross a weathered stone bridge spanning a crystalline mountain stream. Distant peaks fade into atmospheric perspective, embodying the Taoist principle of balance between solid and void. Rice paper texture visible beneath masterful brushwork, emphasizing the harmony between medium and subject. Negative space creates contemplative breathing room within the composition. Red artist seal marks in lower corner provide scholarly authenticity. Morning light filters through mist, symbolizing spiritual illumination and the Buddhist concept of impermanence. <lora:It's a LoRA for portraits, BUT! actually specialized in backgrounds. v1.0:0.2> <lora:FluxMythP0rtr4itStyle:0.7> <lora:FluxDFaeTasticDetails:0.8> <lora:Fluxartis 28.11A:0.8> <lora:flux_dev:1>
    The arcade machine screen displays the title screen for Pixelated Passion, a romance RPG set in a retro, digital love realm. The game’s title is written in a bubbly, pixelated font, outlined in a glowing magenta hue. The background features a pixelated castle made of heart-shaped bricks, floating on a cloud, with a rainbow arching behind it. Two pixel-art characters, one with a red scarf and the other with a blue ribbon, stand side by side, their pixelated hands almost touching. At the bottom of the screen, the text "Choose Your Love Story – Press Start" blinks gently. A single 8-bit heart icon beats rhythmically in the lower right corner. , detailed background Fantastic lighting. Detailed shadows.intricate details, vivid colors, hyper-detailed, ultra-sharp, , <lora:Dorota_Pietrowiak:0.3> Portrait by Dorota Pietrowiak <lora:Comic book V2:0.8> High-contrast illustration
    Sumi-e composition of a lone mountain hermitage perched on a precarious cliff, rendered in stark monochrome with bold, decisive brushstrokes on textured washi paper. Vertical hanging scroll format with dramatic negative space suggesting infinite mist below. Gnarled pine trees cling to rocky outcroppings, branches twisting with resilient vitality. A tiny figure crosses a narrow rope bridge spanning a profound chasm, embodying the concept of mujo (impermanence). Bamboo-thatched hut nestled against dark stone, a single lantern's glow suggesting inner contemplation. Faint suggestion of cascading water rendered with minimal ink wash technique. Seal marks in vermilion at lower corner. Atmospheric perspective creates depth through graduated ink density, expressing yugen (mysterious profundity). Balanced asymmetrical composition following traditional Zen aesthetics, emphasizing solitude and the smallness of humanity within vast natural forces. <lora:Synesthesia:0.6> <lora:ArtNouveau2Flux:0.1> <lora:bm-goth_epoch_1:0.5> <lora:RM_JamesJean_v0.5:0.2> <lora:artisketchyfs-v02:0.4> <lora:flux_dev:1>

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    • Dev - flux_dev.safetensors