null the human runners

    we see a sexy young asian korean cyborg biomechanical cyberpunk bounty hunter, body enhanced with advanced technology and weaponry, wearking a sleek revealing sexy black suit and beautiful asian eyes with a subtle red glow, showing ample cleavage, digital tattoos, realistic skin. Armed with a large sci-fi gun, in the style of Benedick Bana and Shahab Alizadeh . cybernetics, human-machine fusion, dystopian, organic meets artificial, dark, intricate, highly detailed, watercolor anime style. In the glow of the neon lit dark futuristic sci-fi blade runner city, large hologram neon billboards, flying vehicles, at night. Surrounded by complex intricate sci-fi equipment and high tech devices, computer screens, large dangling electrical cables, pipes. Dark tones, dystopian, shades of gray with highlight colors. From side looking from a perch atop a tall skyscraper. Leaning casually against a wall. Peering down below into the brightly lit aqua and neon city at night below. Limited color palete. Dark and moody. Dramatic lighting bottom lit. Extreme perspective. Dynamic camera viewpoint. From above. Cinematic action style. Extremely detailed. bo-cityscape, bo-steampunk, cyb3rwar3, bo-exposure
    we see a sexy young cyborg biomechanical cyberpunk bounty hunter, body enhanced with advanced technology and weaponry, wearking a sleek revealing sexy black suit and dimly glowing red eyes, showing ample cleavage. Armed with a large sci-fi gun, in the style of Benedick Bana and Shahab Alizadeh . cybernetics, human-machine fusion, dystopian, organic meets artificial, dark, intricate, highly detailed, watercolor anime style. In the glow of the neon lit dark futuristic sci-fi blade runner city, large hologram neon billboards, flying vehicles, at night. Surrounded by complex intricate sci-fi equipment and high tech devices, computer screens, cables, pipes. Dark tones, dystopian, shades of gray with highlight colors. From side looking from a perch atop a tall skyscraper. Leaning casually against a wall. Peering down below into the brightly lit aqua and neon city at night below. Limited color palete. Dark and moody. Dramatic contrast. View from above. Cinematic action style.
    Slow-mo action photo of the Olympic men's 400m finals, close race, epic action race pic, in 3rd position instead of a man there is a kangaroo wearing a jersey featuring American and Australian flags, the kangaroo is racing ahead of the human runners
    Slow-mo action photo of the Olympic men's 400m finals, close race, epic action race pic, in 3rd position instead of a man there is a kangaroo wearing a jersey featuring American and Australian flags, the kangaroo is racing ahead of the human runners
    FLUX.1 [dev] Atey Ghailan style,  In the shadowy depths of a rain-soaked Los Angeles, a replicant girl moves through the bustling streets, embodying the very essence of the Blade Runner universe. Her striking green eyes gleam with an otherworldly intensity, a vivid contrast against the muted tones of the neon-lit cityscape. These eyes, designed to evoke a sense of humanity, reflect both curiosity and a deep-seated longing for identity in a world that views her as a mere product.
Dressed in futuristic clothing, she wears a form-fitting jacket made of iridescent fabric that shimmers under the glow of neon signs, blending seamlessly with the vibrant atmosphere around her. The jacket features asymmetrical cuts and high-tech elements like embedded LEDs that pulse softly with her heartbeat—a visual representation of her artificial nature juxtaposed against her yearning for life. Underneath, a sleek, high-collared top and tailored pants complement her silhouette, merging style with function in a world where survival often depends on both.
    Slow-mo action photo of the Olympic men's 400m finals, close race, epic action race pic, in 3rd position instead of a man there is a kangaroo wearing a jersey featuring American and Australian flags, the kangaroo is racing ahead of the human runners
    In a dimly lit, smoke-filled bar, a medium close-up reveals a rugged replicant bounty hunter sitting at the counter, nursing a glass of synthetic whiskey. The bartender, a humanoid android, listens intently as the bounty hunter recounts his latest mission. On the wall behind them, a neon sign flickers with the name “D-Pad.Life,” its glow casting a subtle illumination over their faces. The hum of electric jazz music and the murmur of patrons create an atmosphere of tension and intrigue. Filmed on 35mm with a gritty, atmospheric color palette, the scene explores themes of identity, memory, and the blurred line between human and machine.
Directed by Denis Villeneuve, from Blade Runner: Electric Shadows
    movie poster, title: "BLOOD GOD", up "EMBER FILMS,", "Subtext red: "Сruel humanity, inhuman love", show movie credits, very detailed half visible head of a woman sex robot, beautiful face of a robot, s3/4 view, open mouth with several spiked cables protruding from it, futuristic, sci-fi, neon lights, colorful, blurred background, cables, monitors, blade runner and Carpenter brut aesthetics,
    Slow-mo action photo of the Olympic men's 400m finals, close race, epic action race pic, in 3rd position instead of a man there is a kangaroo wearing a jersey featuring American and Australian flags, the kangaroo is racing ahead of the human runners
    RAW photo, (photo flash:1.5) (fashion photography) (pictorialist style), fashion shot, realistic photo style, sharp focus, (full body shot) of a 20 yo black winged girl with long blonde twin braid hair in heavy metal black leather skinthight clothes and metal spike bar, cute face, eye level, focus on eyes, she is wearing hipped pants and high heel stiletto shoes, silver seams, form-fitting silhouette, metal rings and laces, avant-garde asymmetry, integrated heavy metal accessories, 3D-printed details, silver skull printed on left leg pant, She is holding a black cat, rain, (wet fur:1.2), water droplets, puddles, drenched, shimmering, misty air, whiskers glistening, gray skies, reflective eyes, soggy whiskers, fur clinging, splashing, damp coat, rainy day, watery world photo location is a night scene from blade runner movie: moviestill, (bright dazzling neon lights:1.3), futuristic skyline, rain-soaked pavement, towering skyscrapers, gritty urban sprawl, synthetic humans, holographic billboards, flying vehicles, cyberpunk aesthetics, steamy vents, flickering lights, androids in shadows, moody reflections, techno-noir setting, dark mysteries, urban decay, rain-slicked streets, electronic hum, metropolitan dystopia, polluted skies, neon glow, tech-enhanced crime, digital billboards, glimmering advertisements, tech noir ambiance,  cybernetic implants,
    Slow-mo action photo of the Olympic men's 400m finals, close race, epic action race pic, in 3rd position instead of a man there is a kangaroo wearing a jersey featuring American and Australian flags, the kangaroo is racing ahead of the human runners
    In a dimly lit, smoke-filled bar, a medium close-up reveals a rugged replicant bounty hunter sitting at the counter, nursing a glass of synthetic whiskey. The bartender, a humanoid android, listens intently as the bounty hunter recounts his latest mission. On the wall behind them, a neon sign flickers with the name “D-Pad.Life,” its glow casting a subtle illumination over their faces. The hum of electric jazz music and the murmur of patrons create an atmosphere of tension and intrigue. Filmed on 35mm with a gritty, atmospheric color palette, the scene explores themes of identity, memory, and the blurred line between human and machine.
Directed by Denis Villeneuve, from Blade Runner: Electric Shadows
    RAW photo, (photo flash:1.5) (fashion photography) (pictorialist style), fashion shot, realistic photo style, sharp focus, (full body shot) of a 20 yo girl with long blonde twin braid hair and black wings, heavy metal black leather skinthight clothes and metal spike bar, cute face, eye level, focus on eyes, she is wearing hipped pants and high heel stiletto shoes, silver seams, form-fitting silhouette, metal rings and laces, avant-garde asymmetry, integrated heavy metal accessories, 3D-printed details, silver skull printed on left leg pant, She is holding a black cat, rain, (wet fur:1.2), water droplets, puddles, drenched, shimmering, misty air, whiskers glistening, gray skies, reflective eyes, soggy whiskers, fur clinging, splashing, damp coat, rainy day, watery world photo location is a night scene from blade runner movie: moviestill, (bright dazzling neon lights:1.3), futuristic skyline, rain-soaked pavement, towering skyscrapers, gritty urban sprawl, synthetic humans, holographic billboards, flying vehicles, cyberpunk aesthetics, steamy vents, flickering lights, androids in shadows, moody reflections, techno-noir setting, dark mysteries, urban decay, rain-slicked streets, electronic hum, metropolitan dystopia, polluted skies, neon glow, tech-enhanced crime, digital billboards, glimmering advertisements, tech noir ambiance,  a spot light illuminates her full body, cybernetic implants, shot with Sony Fx6
    analog film photo The image depicts a futuristic, cybernetic rhino standing in a desolate, post-apocalyptic cityscape. The rhino's body is covered in metallic plating and wires, with glowing blue lights embedded in its horn and eye socket. Its skin appears rough and cracked, as if it has been exposed to the elements for an extended period.
In the background, the city skyline stretches out, with crumbling buildings and debris-filled streets. The sky above is hazy and gray, with a faint glow of orange on the horizon. A small drone can be seen flying in the distance, adding to the sense of desolation and abandonment.
The overall atmosphere of the image is one of decay and neglect, with the once-majestic rhino now reduced to a mere machine. The use of muted colors and the emphasis on the rhino's mechanical features creates a sense of unease and foreboding, suggesting that something has gone terribly wrong in this world.
The composition of the image is well-balanced, with the rhino positioned centrally in the frame and the background blurred to emphasize its presence. The lighting is dim, with the only source of illumination coming from the glowing blue lights on the rhino's body. This creates a sense of drama and tension, drawing the viewer's attention to the rhino and its surroundings.
The mood of the image is somber and reflective, inviting the viewer to contemplate the consequences of human actions on the natural world. The use of a cybernetic rhino as the central figure adds a layer of complexity to the narrative, raising questions about the relationship between technology and nature.
In terms of artistic style, the image appears to be a blend of science fiction and post-apocalyptic genres, with influences from classic works such as "Blade Runner" and "Mad Max." The use of metallic plating and wires on the rhino's body creates a sense of industrialism and futurism, while the desolate cityscape adds a touch of dystopian realism.
Overall, the image is a powerful commentary on the impact of human activity on the environment, and the consequences of our actions on the natural world. It invites the viewer to reflect on the relationship between technology and nature, and the importance of preserving the beauty and wonder of the natural world. . faded film, desaturated, 35mm photo, grainy, vignette, vintage, Kodachrome, Lomography, stained, highly detailed, found footage
    DB4RZ style painting, person with head replaced by an corrupted digital glitch effect,(style: blade runner style: dark and atmospheric, futuristic grit and grime, neon lights in heavy rain, sharp contrasts be(redacted) light and shadow, practical effects like smoke and steam, introspective storytelling, human condition in a dystopian future, flying cars, advanced technology, organic-synthetic blend, gritty, urban environments, , ),(full size body:1.08), (half body:1.17), (three-quarter body photography:1.21), ((redacted) waist:1.09), (thigh gap:1.15), (intricate detailed background:0.89), (sharp focus:0.86), (photorealism:0.81), (uncanny:0.51), (high realism:0.66), (award winning photograph:0.91), (trending:0.39), (pui:0.01) rough seaside landscape, dunes, high grass, sand, flowing flat landscape, dark clouds, huge rock, ocean, waves, shoreline, landscape scenery, wide view, scenic, detailed, water, fresh air, ) , <lora:sdxl\add-detail-xl.safetensors:1.08:0.25> <lora:sdxl\incase_style_v3-1_ponyxl_ilff.safetensors:0.81:0.2> <lora:sdxl\OtherStyle_01.safetensors:1.34:0.2> <lora:sdxl\Hyper_Realism_Pony_XL.safetensors:0.85:0.2>s17
    DB4RZ style painting, person with head replaced by an corrupted digital glitch effect,(style: blade runner style: dark and atmospheric, futuristic grit and grime, neon lights in heavy rain, sharp contrasts be(redacted) light and shadow, practical effects like smoke and steam, introspective storytelling, human condition in a dystopian future, flying cars, advanced technology, organic-synthetic blend, gritty, urban environments, , ),(full size body:1.08), (half body:1.17), (three-quarter body photography:1.21), ((redacted) waist:1.09), (thigh gap:1.15), (intricate detailed background:0.89), (sharp focus:0.86), (photorealism:0.81), (uncanny:0.51), (high realism:0.66), (award winning photograph:0.91), (trending:0.39), (pui:0.01) rough seaside landscape, dunes, high grass, sand, flowing flat landscape, dark clouds, huge rock, ocean, waves, shoreline, landscape scenery, wide view, scenic, detailed, water, fresh air, ) , <lora:sdxl\add-detail-xl.safetensors:1.08:0.25> <lora:sdxl\incase_style_v3-1_ponyxl_ilff.safetensors:0.81:0.2> <lora:sdxl\OtherStyle_01.safetensors:1.34:0.2> <lora:sdxl\Hyper_Realism_Pony_XL.safetensors:0.85:0.2>s17
    A masterpiece of sci-fi style created by the collaboration of Syd Mead and Daniel Libeskind.    Imagine a sprawling cityscape under a starry sky, where the towering skyscrapers are not just structures but works of art in their own right. The city is a fusion of the visionary concepts from Syd Mead's sleek, futuristic designs and Daniel Libeskind’s dynamic forms that challenge traditional notions of space.The buildings themselves are like giant sculptures, with intricate geometric patterns and reflective surfaces that catch the light, creating an ever-changing play of shadows and reflections. Some structures feature jagged, almost organic shapes, while others have sharp angles and clean lines, all coexisting harmoniously yet with a sense of tension and unpredictability.At the heart of this city is a central park or plaza, where a monumental structure stands out—a combination of Syd Mead’s iconic “Spine” design from Blade Runner and Libeskind’s signature use of asymmetry. This structure serves as both an architectural marvel and a symbol of human ingenuity, rising up to the heavens with intricate lattices and ribbons that seem almost alive.In the background, you can see distant mountains or floating islands, hinting at a sprawling world beyond the immediate urban landscape. The sky itself is filled with neon hues and cosmic phenomena, blending the boundaries between technology and nature in a breathtaking display of innovation and imagination.This image captures the essence of what happens when two brilliant minds collaborate to create something truly extraordinary—a masterpiece that pushes the boundaries of science fiction into new realms of possibility.    HD32K, hyperdetailed, best quality, aidmaMJ6.1.
    futuristic skyscraper, tower, cybercity, neon signs, utility pole, alley, rain, reflections, cloudy sky, moonlight, futuristic gothic architecture, scenery, no humans, cat, cyberpunk, blade runner (movie), science fiction, dystopian,  (scene reference), anime screencap,  painterly, volumetric lighting, no line art, no outline, portrait, depth of field, photo (medium), fine art, masterpiece, best quality, good quality, very awa, very aesthetic, absurdres, newest, 8k, high contrast, in the style of cknc, in the style of ck-rw

      FLUX

    • Dev - flux_dev.safetensors