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    An abstract illustration of A black man in a sleek, shiny latex suit with a matte carbon color and sporty sunglasses stands confidently. The model, embodying the Sphaera™️ OO9403 style, has short hair with a side-trimmed, bald fade hairstyle (a fade where the hair is shaved gradually shorter towards the sides and back, ending with a very short, tapered fade). He exudes strength and energy in a 3/4 shot, with two katana swords criss-crossed across his back, the hilts peeking from either side, adding a sense of fierce style. The background is a neon fluorescent green light so bright and intense it glows with an almost otherworldly vibrancy, its edges sharp yet blurred by the overwhelming intensity of the glow, creating a halo-like effect around him. The glow is so strong it reflects off the shiny latex of his suit and the sleek sunglasses, amplifying the futuristic, high-tech vibe of the scene. The Prizm 24K Polarized lenses, in a gold hue, catch the light, adding a bold contrast to the glowing background, enhancing the character's overall intensity and coolness. The neon green light is dynamic, almost alive, bathing the entire figure in its luminous glow.
    The image shows a person, with the left side as a woman and the right side as a man. The woman's side features long hair, softer facial features, and feminine clothing, while the man's side has shorter hair, more angular features, and masculine attire. The two halves merge seamlessly in the center. A text balloon above the figure reads: "Today A man, Tomorrow A Woman. On one of these days, I refuse to accept reality.".
    monochromatic art by H. R. (Hans Ruedi) Giger and Orazio Gentileschi, A low-angle view of a geometric cityscape seen from the vantage point of a person on the street level facing the left side of the image. The sun is shining in the middle of the image and its shadow is cast over the streets below it. There are many skyscrapers visible in the image, the buildings are all tall and narrow, the one closest to the camera is slightly taller than the rest. The skyscraper in the bottom right corner of the image is partially visible, the top of that building is much shorter than the rest of the skyline. The sides of the skyscraper are casting long shadows that extend toward the bottom of the image., Ethereal Thai model with fair complexion and luscious, long brunette hair, , complex artistic color composition, dynamic dramatic beautiful full taking, positive emotional, fertile, Surrealism, biomechanical art, Alien franchise, dark and haunting imagery, intricate designs, Italian Baroque, Caravaggism, biblical and mythological subjects, chiaroscuro, dynamic compositions
    Once Human, complex composition, woman with neon punk rainbow hair, head emerging from fog, large unusual colored eyes, undercut hairstyle with shaved sides with a pearls hairpiece, glowing background, shorter neck, exaggerated background details, vibrant colors, intricate textures, dynamic lighting, whimsical and magical atmosphere, ral-ertmsphr, physically unbiased referring,
    A highly detailed and vivid portrait of a custom Mazda RX-7 with a wide body kit, masterfully lowered and finished in immaculate black with subtly smoked headlights. The scene is set in an empty high-end garage, where warm, filtered sunlight streams through expansive, slightly dusty windows, creating a dramatic interplay of light and shadows across the car’s flawlessly waxed, reflective surface. The car is outfitted with a professional aftermarket front fender, bumper, side skirts, and a shorter and compact rear wing, enhancing its aerodynamic profile and aggressive stance. The vehicle, turned off, exudes an aura of refined elegance. The image is captured with a 70mm lens, positioned at a chest-height quarter angle to emphasize the car's sculpted lines and contours. A circular polarizer is utilized to minimize harsh reflections and accentuate the clarity and depth of the car’s glossy finish. Add a touch of classic film grain to infuse a gritty, vintage texture into the image, blending a sense of raw authenticity with the precise details of the car’s design. This composition is meticulously framed to showcase every intricate detail, making this an award-worthy UHD RAW photograph, celebrated for its stunning realism, exceptional quality, and artistic grit. darkcore <lora:Darkcore:0.3>
    A distant view of a series of towers and the tops of the buildings, the clouds appear to be in the shape of a cloud and the sky are obscured by the layers of clouds. The building on the left has a metallic surface with a square base and a cylindrical base, the top portion of the building has a square base with an oval top. The second building is a slightly shorter rectangular structure that is shaped like a square with a square top and bottom. The top part of the building's sides are curved downwards, the rest being a straight line. It is a large rectangular sky with a thick layer of stratocumulus clouds., perfect background, badge, deep aesthetic, original, warm light
    Ghostlystyle, A hyper-realistic image, a sinister, creepy railway siding and tunnel as described by Charles Dickens: "was in as solitary and dismal a place as ever I saw. On either side, a dripping-wet wall of jagged stone, excluding all view but a strip of sky; the perspective one way, only a crooked prolongation of this great dungeon; the shorter perspective in the other direction, terminating in a gloomy red light, and the gloomier entrance to a black tunnel, in whose massive architecture there was a barbarous, depressing, and forbidding air. So little sunlight ever found its way to this spot, that it had an earthy deadly smell; and so much cold wind rushed through it, that it struck chill to me, as if I had left the natural world."<lora:FluxGhost-000001>
    Ghostlystyle, A hyper-realistic image, a sinister, creepy railway siding and tunnel as described by Charles Dickens: "was in as solitary and dismal a place as ever I saw. On either side, a dripping-wet wall of jagged stone, excluding all view but a strip of sky; the perspective one way, only a crooked prolongation of this great dungeon; the shorter perspective in the other direction, terminating in a gloomy red light, and the gloomier entrance to a black tunnel, in whose massive architecture there was a barbarous, depressing, and forbidding air. So little sunlight ever found its way to this spot, that it had an earthy deadly smell; and so much cold wind rushed through it, that it struck chill to me, as if I had left the natural world."<lora:FluxGhost-000001>

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    • Dev - flux_dev.safetensors