null running in terror

    Create a chilling scene featuring a terrifying yet captivating witch in tattered, ragged robes, standing inside an old, decrepit witch's hut. The hut is adorned with cobwebs that drape from the ceiling and corners, creating an atmosphere of neglect and darkness. The walls are lined with ancient, dusty books and strange potions bubbling in glass vials, casting eerie shadows in the dim light. At the center of the scene, a massive cauldron dominates the space, its surface bubbling and frothing with a chaotic mixture that resembles a modern city. The city appears to be trapped within the cauldron, with buildings and streets visible, all illuminated by flickering lights. The city is situated on a small island, surrounded by the swirling, colorful concoction that spills over the edges of the cauldron, creating a mesmerizing yet horrifying sight. The witch stands over the cauldron, her face twisted into a sinister grin, revealing sharp teeth that glint in the low light. Her long, tangled hair cascades around her shoulders, and her gnarled fingers clutch a wooden spoon, stirring the bubbling brew with a sense of delight. The mixture emits a strange, glowing vapor that fills the air with an otherworldly glow. Inside the cauldron, the people of the city are in a state of panic, their tiny figures running through the streets, their expressions filled with terror as they try to escape the chaos. Some are stumbling over each other, while others look up in horror at the witch looming above them. Over the witch's shoulder, curious ghosts and zombies peer into the cauldron, their expressions a mix of intrigue and amusement. The ghosts are semi-transparent, with glowing eyes, while the zombies have a grotesque charm, their decaying features adding to the eerie ambiance. Scattered throughout the scene are Halloween pumpkins, some carved with menacing faces, their flickering candlelight casting dancing shadows on the walls of the hut. The overall atmosphere is dark and foreboding, with the night sky visible through a small window, filled with ominous clouds and a sliver of a crescent moon. This composition should evoke a sense of horror and fascination, drawing viewers into the witch's world while instilling a chilling sense of dread. The intricate details and the interplay of light and shadow should create a captivating yet terrifying image that lingers in the mind.
    This is a vibrant, highly detailed, and dramatic illustration in a classic horror comic book style. The scene is set at night in a dense forest with a full moon illuminating the sky. The background is a dark, teal-blue, and features leafless trees and sparse undergrowth. The foreground is dominated by a large, menacing werewolf with greenish skin, pointed ears, and sharp claws, ring on the left side of the image. The werewolf has a menacing expression, with its mouth open, revealing sharp teeth, and its eyes glowing red. To the right of the werewolf, a young woman is running barefoot through a shallow, muddy stream. She has light brown hair flowing behind her, and she is wearing a yellow, sleeveless dress that is torn and splattered with mud. Her expression is one of terror and panic as she tries to escape the werewolf. The texture of the werewolf's fur and the woman's dress is detailed with shading and highlights, giving a realistic, almost three-dimensional feel to the artwork. The overall mood is one of intense fear and suspense, typical of horror comics from the mid-20th century.
    This is a vibrant, highly detailed, and dramatic illustration in the style of classic horror comic books. At the center of the image are two prominent characters: Frankenstein's monster and his bride. The monster, on the left, has a greenish complexion, a large, muscular build, and is dressed in a dark, tattered suit. His face is expressionless, with a wide, gaping mouth and prominent, sharp teeth. His hands are outstretched, fingers spread wide, giving an ominous, threatening appearance. To the right, the bride is a young woman with dark, curly hair styled in an elegant updo. She wears a white, flowing gown with lace trim and a low-cut neckline, revealing her cleavage. Her expression is one of fear and surprise, with wide eyes and a slightly open mouth. Her right hand is extended in a defensive position, while her left arm is bent, supporting her body. The background features a dark, stormy sky filled with swirling clouds, suggesting an eerie, supernatural atmosphere. In the distance, there are crumbling buildings and a church steeple, adding to the sense of a haunted, gothic setting. Several other figures, including men and women, are scattered in the background, running in terror. The overall color
    A movie poster parody titled "Jurassic Pork," featuring a massive, menacing pig towering over a dense jungle landscape. The pig, with its tusks sharpened and snout flaring, is depicted in a dramatic stance, roaring with all the ferocity of a T-Rex. Its thick, pink hide is dotted with scars, and its beady eyes glow with a fierce determination, making it both hilarious and intimidating. In the foreground, a group of frightened, cartoonish farm animals—cows, chickens, and sheep—are running for their lives, their expressions exaggerated with terror. The title "Jurassic Pork" is boldly displayed at the top in the iconic Jurassic Park font, with the tagline below: "An Adventure 65 Million Meals in the Making." The background features a jungle with towering trees and thick vines, but with a twist—some of the foliage is made of oversized vegetables, like giant carrots and cabbages, adding to the absurdity. The sky is stormy, with flashes of lightning illuminating the pig's silhouette, creating a dramatic, action-packed vibe. At the bottom of the poster, the credits are listed in the traditional movie poster style, but with playful names like "Directed by Ham Spielberg" and "Produced by Bacon Studios." The overall design plays on the iconic imagery of "Jurassic Park," but with a humorous twist that turns the terrifying dinosaur adventure into a riotous farmyard escapade.
    the poster shows a massive dog—an oversized golden retriever—running through a jungle, its head towering above the trees. In the background, smaller dinosaurs scatter in terror as the dog gleefully chases after a giant, flying frisbee. The iconic T-Rex logo from the original movie is swapped with a silhouette of a dog mid-jump, and the title "Jurassic Bark" is written in bold red letters at the top, with a paw print replacing the "R" in "Bark." The tagline underneath reads, "Unleash the paw-sibilities!"
    A movie poster parody titled "Jurassic Pork," featuring a massive, menacing pig towering over a dense jungle landscape. The pig, with its tusks sharpened and snout flaring, is depicted in a dramatic stance, roaring with all the ferocity of a T-Rex. Its thick, pink hide is dotted with scars, and its beady eyes glow with a fierce determination, making it both hilarious and intimidating. In the foreground, a group of frightened, cartoonish farm animals—cows, chickens, and sheep—are running for their lives, their expressions exaggerated with terror. The title "Jurassic Pork" is boldly displayed at the top in the iconic Jurassic Park font, with the tagline below: "An Adventure 65 Million Meals in the Making." The background features a jungle with towering trees and thick vines, but with a twist—some of the foliage is made of oversized vegetables, like giant carrots and cabbages, adding to the absurdity. The sky is stormy, with flashes of lightning illuminating the pig's silhouette, creating a dramatic, action-packed vibe. At the bottom of the poster, the credits are listed in the traditional movie poster style, but with playful names like "Directed by Ham Spielberg" and "Produced by Bacon Studios." The overall design plays on the iconic imagery of "Jurassic Park," but with a humorous twist that turns the terrifying dinosaur adventure into a riotous farmyard escapade.
    a photorealistic image of a Minion from Despicable Me, holding the One Ring in one hand and running in panic through a dramatic, dark landscape. The Minion's expression should show sheer terror as it flees. Behind the Minion, depict a large, fiery eye with a vertical slit pupil, surrounded by swirling dark clouds and emitting an intense, menacing glow. The atmosphere should be foreboding, with hints of ash and shadowy figures in the background. Ensure the landscape enhances the sense of urgency and danger
    This is a highly detailed, CGI artwork depicting a biopunk landscape where a massive leviathan glides through the haunting depths of an eerie underwater environment. Its slick, scaled body is enhanced with bio-engineered modifications, featuring metallic implants that shimmer in the faint light. Glowing fluorescent tubes run along its spine, illuminating the surrounding area with an otherworldly glow. Jagged fins slice through the water, while toxic gas vents release noxious clouds that swirl around the leviathan. Bioluminescent flora bloom nearby, casting an enchanting yet foreboding light in the murky waters, creating a stunning fusion of nature and biotechnology that evokes both awe and terror.
    Darkart. Gloomy scary dark forest, suddenly a hunter runs out and shoots at the wolf - he is death. Greenish tint. Acute attacks of terror. a disturbing and grotesque world, with a muted palette and dry brush technique, creating a feeling of hopelessness, desolation, hopelessness, dirt, dark monochrome background. (Minimalism: 1). Ideal body anatomy.
    Breathtaking and dark movie still capturing the eerie moment of a cow being abducted by a UFO in a desolate rural setting. The scene is set at night under a stormy, overcast sky, with jagged lightning bolts occasionally illuminating the ominous clouds. A sinister, disc-shaped UFO hovers menacingly above a barren, lifeless field, its metallic surface dark and foreboding. A narrow, intense beam of light pierces through the darkness, casting a stark, ghostly illumination on the cow below. The light has a cold, bluish tint, contrasting sharply with the deep shadows of the night. The cow, in mid-levitation, is being forcefully pulled upwards by the beam. Its legs hang lifelessly, and its eyes are wide open in a petrified, unnatural gaze, conveying a sense of helpless terror. The field is barren and eerie, with patches of dead grass and scattered, gnarled trees casting twisted shadows. In the background, the silhouette of an old, abandoned farmhouse looms, its windows dark and empty, adding to the sense of dread. A rickety, broken fence runs along the edge of the field, barely visible in the dim light. The UFO above is dark and imposing, with a series of flickering, blood-red lights around its circumference. The underside of the craft emits a pulsating, throbbing hum, suggesting advanced but malevolent technology. The edges of the light beam catch drifting fog and dust particles, creating a hazy, unsettling atmosphere. The overall composition is filled with tension and foreboding, blending the isolation of the rural landscape with the terror of an alien abduction. The scene is rich with detail and mood, evoking a sense of horror and unease that grips the viewer, making it a visually striking and emotionally charged image.
    Lovcraftian atmosphere, Black and White film noir, cinematic shot, a beautiful damsell, highly detailed figure, (short blonde hair, fit body, dressed in black) is running with terror in a secondary and spooky street, rain, monstrous shadow of a man with an axe in backgroung, 50's hollywood horror movie, high contrast, woman focus
    Create a chilling scene featuring a terrifying yet captivating witch in tattered, ragged robes, standing inside an old, decrepit witch's hut. The hut is adorned with cobwebs that drape from the ceiling and corners, creating an atmosphere of neglect and darkness. The walls are lined with ancient, dusty books and strange potions bubbling in glass vials, casting eerie shadows in the dim light. At the center of the scene, a massive cauldron dominates the space, its surface bubbling and frothing with a chaotic mixture that resembles a modern city. The city appears to be trapped within the cauldron, with buildings and streets visible, all illuminated by flickering lights. The city is situated on a small island, surrounded by the swirling, colorful concoction that spills over the edges of the cauldron, creating a mesmerizing yet horrifying sight. The witch stands over the cauldron, her face twisted into a sinister grin, revealing sharp teeth that glint in the low light. Her long, tangled hair cascades around her shoulders, and her gnarled fingers clutch a wooden spoon, stirring the bubbling brew with a sense of delight. The mixture emits a strange, glowing vapor that fills the air with an otherworldly glow. Inside the cauldron, the people of the city are in a state of panic, their tiny figures running through the streets, their expressions filled with terror as they try to escape the chaos. Some are stumbling over each other, while others look up in horror at the witch looming above them. Over the witch's shoulder, curious ghosts and zombies peer into the cauldron, their expressions a mix of intrigue and amusement. The ghosts are semi-transparent, with glowing eyes, while the zombies have a grotesque charm, their decaying features adding to the eerie ambiance. Scattered throughout the scene are Halloween pumpkins, some carved with menacing faces, their flickering candlelight casting dancing shadows on the walls of the hut. The overall atmosphere is dark and foreboding, with the night sky visible through a small window, filled with ominous clouds and a sliver of a crescent moon. This composition should evoke a sense of horror and fascination, drawing viewers into the witch's world while instilling a chilling sense of dread. The intricate details and the interplay of light and shadow should create a captivating yet terrifying image that lingers in the mind.
    aidmafluxproultra A closeup shot of a terrified woman looking off into the distance where a gigantic and terrifying demon emerges from a glowing red rift in the night sky. The woman is on the left side of the image. The demon is far away and in the background, but clearly visible. Women, children, men, and animals run towards the viewer in terror. The image is nightmarish, frightening, and apocalyptic, with the orange glow of the portal bleeding into the night, contrasting with deep blues and greens. Dutch angle.
    In a haunted, eerie version of Mario's world, Mario sprints down a dark, twisted path lined with crumbling brick blocks and glitching question mark boxes. The once bright and cheerful landscape is now shadowed by decaying, floating platforms and ghostly figures. His face is frozen in terror as glowing, red eyes stare at him from the shadows. The familiar sound of footsteps is now distorted, echoing ominously as he runs, his form flickering as if the game itself is falling apart around him. The creepy, broken world seems to close in, suffocating him with every step.
    amplifying its godlike authority. From below, eerie lighting casts elongated shadows across the ornate walls and high arched windows, reinforcing the sheer terror of its expression., razor-sharp teeth. Black streaks run down its face like tears, glowing red eyes radiate an eerie malice, evoking an overwhelming sense of dread., angular structure of its helmet-like crown amplifies its terrifying presence. The extreme close-up and harsh shadows intensify the overwhelming dread it exudes.
    front view, samsung king mackerel, Robotic Terror, Large Format Photography, selective color, subdued nightlight, leica m3 analog, muted low grain, ((a close-up portrait)) robocop, a dilapidated Awful with mechanical Peplum dress, stained with blood and dust. advanced cinematic perfect light metal textures, scars, damaged implants. futuristic dystopian atmosphere, Edgy lighting with cold glare. darksyber aesthetic, photorealistic style, portrait, (tuvaluan:1.15) , (Gray eyes:1.05) , ( pink lips:1.05) , (thin lips:1.05) , long face-shape, (bushy hair style:1.05) , (multicolored hair color:1.05) , (Knotty hair length:1.05) , A close up view of the face of a robot. The robot's face is covered in Amaranth and white paint. The eyes of the Journalist are covered in Flamboyant deep purple paint. There is a Absurd circle in the center of the head that is black in color. There are ridges of the metal around the robot's neck and around the neck. The figure's neck is made up of a series of ridges and bumps that run vertically. The face of the figure is covered by the silhouette paint.
    A rider with a burning pumpkin for a head sits atop a headless, shadowy horse, both shrouded in darkness, galloping at full speed through an abandoned, fog-shrouded cemetery. The rider, cloaked in a tattered, dark cloak, flutters wildly in the wind, giving him a ghostly, menacing appearance. The cemetery is overgrown with twisted, thorny bushes, their spiky vines creeping over old, crumbling gravestones. Hellhounds with glowing, fiery eyes and sharp teeth run alongside the horse, their snarls echoing through the misty night. Wisps of fog swirl and part in front of the horse's powerful legs, as if the very air is bending to its supernatural presence. Above, the full moon looms large, casting an eerie light over the scene, its surface glowing with a deep, blood-red hue, intensifying the feeling of dread. The moon’s crimson glow reflects off the pumpkin head, whose flames dance wildly in the night, flickering in sync with the rider’s swift pace. Shadows twist and stretch across the gravestones, while the fog thickens and curls, adding to the atmosphere of supernatural terror and mystique. The rider’s glowing, hollow eyes are fixed ahead, as if searching for his next victim, while the galloping hooves of the headless horse thud ominously against the ground, leaving a trail of scorched earth behind.
    A rider with a burning pumpkin for a head sits atop a headless, shadowy horse, both shrouded in darkness, galloping at full speed through an abandoned, fog-shrouded cemetery. The rider, cloaked in a tattered, dark cloak, flutters wildly in the wind, giving him a ghostly, menacing appearance. The cemetery is overgrown with twisted, thorny bushes, their spiky vines creeping over old, crumbling gravestones. Hellhounds with glowing, fiery eyes and sharp teeth run alongside the horse, their snarls echoing through the misty night. Wisps of fog swirl and part in front of the horse's powerful legs, as if the very air is bending to its supernatural presence. Above, the full moon looms large, casting an eerie light over the scene, its surface glowing with a deep, blood-red hue, intensifying the feeling of dread. The moon’s crimson glow reflects off the pumpkin head, whose flames dance wildly in the night, flickering in sync with the rider’s swift pace. Shadows twist and stretch across the gravestones, while the fog thickens and curls, adding to the atmosphere of supernatural terror and mystique. The rider’s glowing, hollow eyes are fixed ahead, as if searching for his next victim, while the galloping hooves of the headless horse thud ominously against the ground, leaving a trail of scorched earth behind.
    Vintage comic book cover of “Flux Girl” with the title in yellow text. Below the title is a bold tagline in fancy font asking “Can Flux Girl Stop AI no Senshi?”. Both the A and I in “AI” are capitalized. The 1950s pulp art style drawing depicts a super villainess in a pantsuit. The woman would be attractive if not for her three arms, each of which has 6 fingers. The villainess is laughing confidently and each of her three arms each holds a long rapier. Around the woman are normal looking civilians who are running away and screaming in terror at the sight of the villain.
    front view, samsung king mackerel, Robotic Terror, Large Format Photography, selective color, subdued nightlight, leica m3 analog, muted low grain, ((a close-up portrait)) robocop, a dilapidated Awful with mechanical Peplum dress, stained with blood and dust. advanced cinematic perfect light metal textures, scars, damaged implants. futuristic dystopian atmosphere, Edgy lighting with cold glare. darksyber aesthetic, photorealistic style, portrait, (tuvaluan:1.15) , (Gray eyes:1.05) , ( pink lips:1.05) , (thin lips:1.05) , long face-shape, (bushy hair style:1.05) , (multicolored hair color:1.05) , (Knotty hair length:1.05) , A close up view of the face of a robot. The robot's face is covered in Amaranth and white paint. The eyes of the Journalist are covered in Flamboyant deep purple paint. There is a Absurd circle in the center of the head that is black in color. There are ridges of the metal around the robot's neck and around the neck. The figure's neck is made up of a series of ridges and bumps that run vertically. The face of the figure is covered by the silhouette paint.
    A massive, hyper-detailed broccoli monster, its textured green florets towering above, looms menacingly over the scene. The monster’s green glowing, piercing eyes radiate fury, its skull-like face twisted in a fierce expression. In one hand, it clutches a gleaming silver fork, sharp and ready. It runs and chases In front of it, a chubby, fat, terrified black-skin boy, sprints for his life. His mouth hangs wide open, a scream frozen on his face, while rosy cheeks, tear-streaked eyes, and flailing arms emphasize his panic. He wears a bright red T-shirt on the shirt is the text:”Hate broccoli”, yellow sports shorts, and a pair of white-and-red sneakers, their laces trailing loosely as he stumbles across a cartoonishly detailed, slightly cracked asphalt road. (((Tears flying from the eyes of the boy.))) The setting is a surreal suburban street, with vivid green lawns and pastel-colored houses in the background, their cheerful atmosphere contrasting hilariously with the chaos. The image captures motion and emotion—the monster’s outstretched clawed feet, the boy’s frantic stride, and even spittle flying from his open mouth. The overall tone is funny, absurd, and highly detailed, with rich, vibrant colors and realistic textures that bring the whimsical terror to life.
    An ultra-realistic, high-definition 8K image of a man holding a camera in his hand, taking a selfie while running at full speed, with a massive black bear chasing him from behind. The man is mid-stride, his body angled slightly forward, clearly pushing himself to his physical limits to escape. His facial expression is a mix of pure terror and adrenaline, with wide-open eyes and his mouth in a scream or shout. Sweat drips down his face, and his clothes are slightly disheveled from the intense movement. The black bear behind him is enormous and menacing, with sharp teeth bared and powerful muscles visible beneath its thick, glossy fur. Its claws dig into the dirt as it charges aggressively. The proximity between the man and the bear creates an edge-of-your-seat tension. The scene is shot in a dramatic GoPro-style wide-angle perspective, emphasizing the man in the foreground while showing the bear looming in the background. Motion blur enhances the feeling of high-speed movement, with the dense forest around them slightly out of focus due to the action. The forest features tall trees with sunlight filtering through the canopy, casting dappled light and shadows. The ground is covered with leaves, dirt, and roots, creating a dynamic, rugged environment. Every detail, from the man's sweat to the bear's fur and the forest's textures, is rendered with photorealistic clarity. The overall atmosphere is intense, cinematic, and adrenaline-fueled.creativity.
    Simonstalenhagstyle, a war-torn, post-apocalyptic cityscape at night, shattered skyscrapers towering over desolate streets littered with broken vehicles and debris; torrential rain pours heavily, creating rivulets along the cracked asphalt and reflecting the glow of neon signs flickering with failing power; in the distance, a massive, nightmarish robotic behemoth looms over the ruins, its design eerily insectoid—spindly, jointed legs clicking against the wet pavement as it moves with an unnatural grace; its skeletal exoskeleton, composed of interlocking plates of black metal, glistens under the relentless downpour, rainwater sluicing down its razor-sharp appendages; multiple glowing red eyes, arranged in an alien, asymmetrical pattern, pulse menacingly as it scans the darkness, its piercing spotlights slicing through the mist, casting long, distorted shadows across the rubble; its claw-like limbs twitch sporadically, mechanical servos whirring with unsettling precision as it methodically searches for survivors; in the foreground, a young woman with soaked blonde hair crouches low behind the rusted frame of an abandoned car, her back pressed against the cold, rain-slicked metal as she steadies her breath; droplets run down the hood of the vehicle, pooling on the shattered windshield as faint reflections of the robotic hunter’s glowing red eyes flicker across the wet glass; she wears a dark, rain-drenched poncho, its tattered edges clinging to her arms as she grips the corner of the car, preparing to peek around it; her large, weathered backpack is strapped tightly to her shoulders, its straps worn from years of survival, while her mud-streaked jeans and heavy high-top boots sink slightly into the rain-drenched pavement; the cold night air is thick with tension, the relentless hum of the mechanical predator mingling with the ceaseless downpour, as she remains frozen in place, trapped in a deadly game of hide-and-seek with the nightmarish cybernetic terror; distant lightning flashes across the sky, momentarily illuminating the gleaming black exoskeleton of the machine, its piercing gaze scanning the ruins with merciless precision, as she braces herself for the moment she must move—or risk being caught in its sights<lora:Simon_Stålenhag_Flux.safetensors:1.0:1.0>

      FLUX

    • Dev - flux_dev.safetensors