null overpasses

    A surveillance camera view shows a Pikachu is dressed as a street artist, standing confidently inside the underpass of an overpass bridge. His face is smudged with many pastel spray paints, giving him a playful, rebellious look. In one hand, he holds street art tools—a spray can and stencil—while the walls of the bridge are covered with vibrant graffiti. The main graffiti piece on the wall is the Pokémon logo, boldly sprayed in bright, energetic colors, surrounded by smaller, more abstract graffiti designs. The scene captures the essence of urban creativity, with Pikachu’s lively expression and the dynamic art reflecting his transformation into a street artist.
    perfect picture, a true masterpiece in every sense of the word, his face is perfection itself,<lora:04Vintageillustration_Hap_XL:3.3>,Norman Rockwell style,vintage poster, "UHD rendering masterpiece carne griffiths, esao andrews, and tim burton with focus put on one dirty 30 year old man with straight brown hair, ripped clothing and a rotten backpack is walking away from the viewer, an average sized (((brown dog is walking and facing the same direction as the woman))), her hair is blowing in the wind, the view is from eye level of a destroyed freeway with hundreds of rotted cars along both sides facing opposite directions, melancholic atmosphere, late afternoon sun slanting through tall wild weeds, dying ruins of a once-grand city, Los Angeles, looking from the 405 freeway overpass, bridge, rusted modern cars, rows of rotten and rusted cars and trucks and looking out at the crumbling ruins of the overgrown city skyscrapers, we can see the entire freeway, the city is completely buried in wild vegetation and dirt, overgrown with vegetation
    The cinematic image shows two cars parked under an elevated highway, with a dark, almost hazy, nighttime atmosphere. The car on the left is a colored sports car, while the car on the right is a black sedan. The image is taken from a low angle, emphasizing the sleek lines of the cars and the imposing presence of the highway overpass. The overall style is reminiscent of 1980s VHS cyberpunk, with the strong contrast between light and shadow and the focus on sleek, futuristic vehicles. The lighting is soft and diffused, creating a moody and atmospheric feel. Tokyo narrow highway passes stretch across the background, contrasting the vast sky. In the far background there is a giant menacing monster towering over the city, barely seen among the fog and haze.
    A surveillance camera view shows a Pikachu is dressed as a street artist, standing confidently inside the underpass of an overpass bridge. His face is smudged with many pastel spray paints, giving him a playful, rebellious look. In one hand, he holds a spray can and stencil while the walls of the bridge are covered with vibrant graffiti. The main graffiti piece on the wall is a Poke ball, boldly sprayed in bright, energetic colors, surrounded by smaller, more abstract graffiti designs. The scene captures the essence of urban creativity, with Pikachu’s lively expression and the dynamic art reflecting his transformation into a street artist.
    ne0nfant4sy, Amidst the ruins of a once-great city, now overrun with creeping vines and shattered skyscrapers, a lone scavenger with dirt-streaked skin and sun-bleached blonde hair stands on a crumbling highway overpass. Her torn, patchwork clothing is cobbled together from scavenged armor, rusted metal plates, and worn leather, while a shotgun slung over her shoulder glints faintly in the fading light. Below her, a horde of the undead shuffles aimlessly through the decaying streets, their rotting limbs dragging across the pavement, but her sharp, green eyes are locked on a distant figure in the wreckage—a survivor, barely moving. The sky above is an angry swirl of storm clouds, tinged with a sickly green hue, while ash falls gently from the sky like snow. Twisted remnants of vehicles litter the streets below, overgrown with vines and rust, the skeletal remains of civilization long gone. In the distance, the faint hum of an old, broken-down generator echoes through the wasteland, providing the only sound other than the occasional groan from the undead below. Her fingers flex around the hilt of her machete, the blade stained with both rust and blood, ready for the chaos that’s bound to follow her next move. The scene is tense, filled with the weight of survival in a world where death lurks in every shadow.<lora:RetroAnimeFluxV1:0.5><lora:NeonFantasyFLUX:0.3>
    A dynamic animation of anthropomorphic raccoons skateboarding in a vibrant urban skatepark at sunset. The lead raccoon performs an agile mid-air kickflip, its leather jacket fluttering and tail swaying naturally. Other raccoons race down ramps, executing sharp turns and ollies, with their movements fluid and synchronized. The graffiti-covered walls vibrantly frame the scene, while golden sunlight streams through an overpass, casting soft, shifting shadows across the ramps. Small details, like raccoons adjusting their footing or their ears twitching in response to environmental sounds, add realism. The camera pans smoothly across the skatepark, tracking each raccoon’s movement, enhancing the energy and lively camaraderie.
    The cinematic image shows two cars parked under an elevated highway, with a dark, almost hazy, nighttime atmosphere. The car on the left is a colored sports car, while the car on the right is a black sedan. The image is taken from a low angle, emphasizing the sleek lines of the cars and the imposing presence of the highway overpass. The overall style is reminiscent of 1980s VHS cyberpunk, with the strong contrast between light and shadow and the focus on sleek, futuristic vehicles. The lighting is soft and diffused, creating a moody and atmospheric feel. Tokyo narrow highway passes stretch across the background, contrasting the vast sky. In the far background there is a giant menacing monster towering over the city, barely seen among the fog and haze.
    In a futuristic city bathed in flickering neon, a sleek sports car with glowing green underlights tears across a towering overpass, its tires screeching as they carve a wild drift, kicking up a storm of electric sparks that light up the night. Twin exhausts spit roaring blue flames, painting the air with vibrant streaks. Skyscrapers loom like silent giants, their holographic signs blurring into dazzling trails as the car powers through the curve. In the rearview, a rival’s coupe with piercing red headlights surges closer, its engine growling with menace. The air hums with the pulse of the city, the chase a heart-pounding dance of speed and skill under the glowing urban sky.
    The cinematic image shows two cars parked under an elevated highway, with a dark, almost hazy, nighttime atmosphere. The car on the left is a colored sports car, while the car on the right is a black sedan. The image is taken from a low angle, emphasizing the sleek lines of the cars and the imposing presence of the highway overpass. The overall style is reminiscent of 1980s VHS cyberpunk, with the strong contrast between light and shadow and the focus on sleek, futuristic vehicles. The lighting is soft and diffused, creating a moody and atmospheric feel. Tokyo narrow highway passes stretch across the background, contrasting the vast sky. In the far background there is a giant menacing monster towering over the city, barely seen among the fog and haze.
    Beneath a jagged, toxic-green sky in a post-apocalyptic desert city, an armored muscle car with spiked rims and glowing orange exhaust roars through crumbling streets. The tires grind against shattered concrete, sending plumes of dust and debris exploding upward in dramatic bursts. Ruined skyscrapers tilt precariously, their cracked neon signs flickering like dying stars, while the car powerslides around a collapsed overpass. In hot pursuit, a rival’s tricked-out buggy with spinning sawblades glints menacingly, its headlights cutting through the haze. The air hums with the scent of gasoline and danger, the chase a high-octane ballet of survival in a world gone mad.
    perfect picture, a true masterpiece in every sense of the word, his face is perfection itself,<lora:04Vintageillustration_Hap_XL:3.3>,Norman Rockwell style,vintage poster, "UHD rendering masterpiece carne griffiths, esao andrews, and tim burton with focus put on one dirty 30 year old man with straight brown hair, ripped clothing and a rotten backpack is walking away from the viewer, an average sized (((brown dog is walking and facing the same direction as the woman))), her hair is blowing in the wind, the view is from eye level of a destroyed freeway with hundreds of rotted cars along both sides facing opposite directions, melancholic atmosphere, late afternoon sun slanting through tall wild weeds, dying ruins of a once-grand city, Los Angeles, looking from the 405 freeway overpass, bridge, rusted modern cars, rows of rotten and rusted cars and trucks and looking out at the crumbling ruins of the overgrown city skyscrapers, we can see the entire freeway, the city is completely buried in wild vegetation and dirt, overgrown with vegetation
    gold and blue and grey and grey and grey, So can you understand That I want a girl while I'm still young I want to hold her hand And show her some beauty before this damage is done But if it's too much to ask Then send me a boy Under the overpass In the parking lot we're still waiting it's already passed So move your feet from hot pavement and into the grass you always seemed so sure that one day we would be fighting in a suburban war your part of town against mine i saw you standing on the opposite shore but by the time the first bombs fell we were already bored the kids want to be so hard but in my dreams we are still screaming and running through the yard when all of the walls that they built in the seventies fall it meant nothing at all sometimes i cannot believe it i am moving past the feeling and into the night. vantablack, ArsMJStyle, dnddarkestfantasy, aidmaimageupgrader, ne0nfant4sy, detailmaximizer
    The cinematic image shows two cars parked under an elevated highway, with a dark, almost hazy, nighttime atmosphere. The car on the left is a colored sports car, while the car on the right is a black sedan. The image is taken from a low angle, emphasizing the sleek lines of the cars and the imposing presence of the highway overpass. The overall style is reminiscent of 1980s VHS cyberpunk, with the strong contrast between light and shadow and the focus on sleek, futuristic vehicles. The lighting is soft and diffused, creating a moody and atmospheric feel. Tokyo narrow highway passes stretch across the background, contrasting the vast sky. In the far background there is a giant menacing monster towering over the city, barely seen among the fog and haze.
    Mh1$AgThS2, intricate linework with expressive contrasts, soft lighting with dynamic highlights, image of a Japanese woman, blonde straight-cut bob, summer dress, standing on a pedestrian overpass looking down on a tokyo shopping area, downtown, silhouetted at night, chiascuro, dark sky, bokeh, stars, In the style of ff-td
    Comic book illustration by Fiona Staples of a beautiful female BlackT40k space marine dressed in intricate power armor. She has beautiful facial features and beautiful eyes. Her armor has a red cloth that is hanging from her belt behind her that is blowing in the wind, and a less wider red cloth hanging from the front with the length reaching to her feet, that is also blowing in the wind. Her upper arms have flared red clothing underneath the shoulder pauldrons. White rosary beads are hanging from her belt. Highly detailed armor with battle damage visible with white and gold accents. Extensive battle damage on her armor. She is standing tall on the battlefield with her hand gripping a great sword etched with glowing blue runes. She is in a ruined futuristic city with Gothic, Renaissance architecture. The time of the day is the evening golden hour and sunlight shines through damaged overpass gothic pillars and gothic columns, illuminating the woman's face. There are multiple heavily damaged overhead bridges above her and parts of the pillars of the overhead bridges are missing from damage. She has lustrous finely textured shoulder length silver hair and light blue eyes. She has a very beautiful face. Freckles on her cheeks and nose. Her face and skin are very wet glistens in the sunlight. There is dust on her. detailed skin texture. Her face shows focus and fierce determination. Her blue iris of her eyes are glowing.
    A breathtaking aerial view of a colossal megacity at sunset, long after humanity has vanished. The camera hovers high above, capturing the vast, silent expanse of the city in its entirety. The once-bustling metropolis is now a hauntingly beautiful ruin, completely reclaimed by nature. Towering skyscrapers, their glass and steel frames glinting in the fading sunlight, are draped in lush greenery—vines, trees, and moss clinging to every surface. The streets below form a grid of decay, filled with endless lines of abandoned cars, now rusted and overgrown. The asphalt is cracked and broken, with forests sprouting between buildings and rivers winding through what were once major highways. The city’s infrastructure—bridges, overpasses, and monorails—crisscrosses the landscape, some collapsed, others still standing but consumed by vegetation. In the distance, a massive stadium is visible, its field transformed into a dense forest, with trees growing through the stands and vines cascading down its walls. The skeletal remains of highways and railways stretch into the horizon, disappearing into the encroaching wilderness. The warm, golden hues of the sunset bathe the city in a soft, melancholic glow, reflecting off the glass facades of the skyscrapers. The sky is painted with streaks of orange, pink, and purple, creating a stark contrast with the darkening shadows of the ruins below. The atmosphere is serene yet haunting, a powerful reminder of nature’s resilience and the impermanence of human civilization. The silence is absolute, broken only by the faint rustle of leaves in the wind." Additional details for refinement: Style: Hyper-realistic, with a focus on scale and intricate details. Lighting: Warm sunset tones contrasting with cool shadows. Color palette: Golden and orange hues (sunset), rich greens (vegetation), grays and browns (ruined buildings and cars). Mood: Melancholic, majestic, with a hint of hope (nature reclaiming its space).
    A breathtaking aerial view of a colossal megacity at sunset, long after humanity has vanished. The camera hovers high above, capturing the vast, silent expanse of the city in its entirety. The once-bustling metropolis is now a hauntingly beautiful ruin, completely reclaimed by nature. Towering skyscrapers, their glass and steel frames glinting in the fading sunlight, are draped in lush greenery—vines, trees, and moss clinging to every surface. The streets below form a grid of decay, filled with endless lines of abandoned cars, now rusted and overgrown. The asphalt is cracked and broken, with forests sprouting between buildings and rivers winding through what were once major highways. The city’s infrastructure—bridges, overpasses, and monorails—crisscrosses the landscape, some collapsed, others still standing but consumed by vegetation. In the distance, a massive stadium is visible, its field transformed into a dense forest, with trees growing through the stands and vines cascading down its walls. The skeletal remains of highways and railways stretch into the horizon, disappearing into the encroaching wilderness. The warm, golden hues of the sunset bathe the city in a soft, melancholic glow, reflecting off the glass facades of the skyscrapers. The sky is painted with streaks of orange, pink, and purple, creating a stark contrast with the darkening shadows of the ruins below. The atmosphere is serene yet haunting, a powerful reminder of nature’s resilience and the impermanence of human civilization. The silence is absolute, broken only by the faint rustle of leaves in the wind." Additional details for refinement: Style: Hyper-realistic, with a focus on scale and intricate details. Lighting: Warm sunset tones contrasting with cool shadows. Color palette: Golden and orange hues (sunset), rich greens (vegetation), grays and browns (ruined buildings and cars). Mood: Melancholic, majestic, with a hint of hope (nature reclaiming its space).
    a post-apocalyptic scene. The image showcases a rugged, overgrown landscape with remnants of urban decay. In the foreground, a woman with short brown hair stands to the left, wearing a yellow shirt, brown pants, and a backpack. She holds a rifle and gazes out at the scene, her stance suggesting vigilance. To her left, a large, brown dog with a black patch over one eye stands alert, its ears perked up.The middle ground features a rusted, abandoned car with its windows shattered, partially submerged in a shallow pond filled with water lilies. The car's red paint is peeling, revealing the metal beneath. Surrounding the pond is dense, wild vegetation, including tall grass and vines crawling over the car. In the background, an overpass bridge spans the scene, its concrete surface covered with lush green vines. Beyond the bridge, the remains of a cityscape are visible, with tall buildings partially obscured by the greenery. The sky above is a bright blue with fluffy white clouds, contrasting sharply with the desolate, post-apocalyptic environment below. The overall atmosphere is one of eerie beauty and resilience amidst decay. , detailed background Fantastic lighting. Detailed shadows.intricate details, vivid colors, hyper-detailed, ultra-sharp, , <lora:XRSTYLE_FLUX:0.5><lora:RetroAnimeFluxV1:0.4><lora:MoriiMee_Gothic_Niji_Style_FLUX:0.3>
    Mh1$AgThS2, intricate linework with expressive contrasts, soft lighting with dynamic highlights, image of a Japanese woman, blonde straight-cut bob, denim jacket, standing on a pedestrian overpass looking down on a tokyo shopping area, downtown, silhouetted at night, chiascuro, dark sky, bokeh, stars, In the style of ff-td

      FLUX

    • Dev - flux_dev.safetensors