null overhead fluorescent lights

    A scorpion standing behind a fast-food counter, serving burgers with one claw while the other rests on the countertop. The scorpion's chitin glistens under the fluorescent lighting, reflecting natural textures of its exoskeleton. It wears a simple fast-food uniform—red cap and apron, slightly weathered from use. The burgers are steaming on the tray, with a glossy shine on the buns and fresh toppings. Behind the scorpion, the kitchen equipment is visible, with realistic metal textures and soft shadows cast by the overhead lights. 16k, masterpiece.
    intense side-angle action shot of a fierce angelic warrior with large white wings, captured mid-motion as she turns sharply, aiming a shotgun with intense focus; her short platinum blonde hair and glowing halo show slight motion blur, adding a sense of swift movement; the shotgun features a classic wooden and metallic design with “DEUS VULT” engraved clearly on the stock; she wears simple yet rugged knight’s armor with smooth steel plates, slightly worn and matte, with minimal decorative elements; her gloved hands grip the shotgun firmly with purpose; the grocery store aisle background is slightly blurred with depth of field, emphasizing her as the focal point; particles of dust and faint debris float in the air, adding to the atmosphere; dramatic overhead fluorescent lights cast contrasting highlights and shadows across her armor and wings, enhancing the cinematic, high-energy tone<lora:Flux_Detailer2K.safetensors:0.75:0.75> <lora:flux_realism_lora.safetensors:0.7000000000000001:0.7000000000000001>
    overhead perspective g00se art with smooth textureless style with muted pastel palette of, A red-haired angel with striking emerald eyes, dressed in shining silver plate armor, stands in the fluorescent-lit aisle of a Wal-Mart, her wings folded behind her. She holds a pump-action shotgun, the cold metal of the weapon contrasting with the polished armor that gleams under the harsh store lighting. Her expression is stern as she aims the shotgun down the aisle, past shelves stocked with cereal and soda. Her crimson cloak flutters slightly as if caught by a breeze, her armored boots firmly planted on the tiled floor, leaving smudged dirt behind her from a recent battle.<lora:g00se.safetensors:1.1:1.1>
    A high-resolution photograph captures a whimsically chaotic scene. In a high-tech server room filled with sleek server racks, blinking lights, and tangled cables, a group of mischievous Pikachu has turned order into playful disorder. At the forefront, two energetic yellow and black electric mouse Pokemon violently knock over a stack of server equipment, while nearby, a trio of pikachu munch on the network cables, creating a humorous mess. On a cluttered desk, several Pichu nap on keyboards, pressing random keys, and a large Raichu sprawls across a keyboard. In the background, more Pikachu cause mayhem. The room is brightly lit with overhead fluorescent lights, casting a clear view of the playful antics. The blinking lights of the servers add a techy, whimsical ambiance, contrasting with the chaos created by the cats.
    A high-resolution photograph captures a whimsically chaotic scene. In a high-tech server room filled with sleek server racks, blinking lights, and tangled cables, a group of mischievous Pikachu has turned order into playful disorder. At the forefront, two energetic yellow and black electric mouse Pokemon violently knock over a stack of server equipment, while nearby, a trio of pikachu munch on the network cables, creating a humorous mess. On a cluttered desk, several Pichu nap on keyboards, pressing random keys, and a large Raichu sprawls across a keyboard. In the background, more Pikachu cause mayhem. The room is brightly lit with overhead fluorescent lights, casting a clear view of the playful antics. The blinking lights of the servers add a techy, whimsical ambiance, contrasting with the chaos created by the cats.
    A high-resolution photograph captures a whimsically chaotic scene. In a high-tech server room filled with sleek server racks, blinking lights, and tangled cables, a group of mischievous Pikachu has turned order into playful disorder. At the forefront, two energetic yellow and black electric mouse Pokemon violently knock over a stack of server equipment, while nearby, a trio of pikachu munch on the network cables, creating a humorous mess. On a cluttered desk, several Pichu nap on keyboards, pressing random keys, and a large Raichu sprawls across a keyboard. In the background, more Pikachu cause mayhem. The room is brightly lit with overhead fluorescent lights, casting a clear view of the playful antics. The blinking lights of the servers add a techy, whimsical ambiance, contrasting with the chaos created by the cats.
    cinematic photo A fashion photograph captures a young woman in a white crop top and blue jeans leaning against a wall-mounted sink in a public restroom. The scene is photographed from a low angle, with bright fluorescent ceiling lights casting stark shadows across the subject's face and torso. White and yellow checkered tile walls extend from floor to ceiling, creating a repeating geometric pattern throughout the background. The confined space of the restroom is emphasized by the camera's wide-angle perspective, with the institutional sink and faucet fixtures visible in sharp detail. The model's face displays an intense expression, illuminated dramatically by the harsh overhead lighting. Low-angle fashion photography with wide-angle lens and artificial fluorescent lighting. . 35mm photograph, film, bokeh, professional, 4k, highly detailed
    A liminal photograph of an empty, white-tiled corridor with clean, sharp lines, illuminated by harsh fluorescent overhead lights. A single bright yellow line runs down the middle of the tiled floor, guiding the eye toward the distant end. The atmosphere is sterile, minimalist, and unsettling, evoking a sense of isolation and suspense. The color palette consists mainly of cool whites, accented by the striking yellow line, with the bright lights casting a clinical, cold glow throughout the confined space
    A high-resolution anime-style illustration with moody, atmospheric lighting and soft painterly textures. A young woman sits on top of a rattling washing machine in an empty 24-hour laundromat, her hoodie slightly oversized, sleeves covering her hands as she sips from a vending machine coffee. The fluorescent lights flicker overhead, casting a cold glow on the linoleum floor, while rows of outdated washing machines hum quietly, some filled with forgotten clothes. Her headphones rest loosely around her neck, music still playing faintly. Outside, rain patters against the glass windows, neon reflections distorting in the droplets—she’s waiting, but she doesn’t know what for.
    A high-resolution photograph captures a whimsically chaotic scene. In a high-tech server room filled with sleek server racks, blinking lights, and tangled cables, a group of mischievous Pikachu has turned order into playful disorder. At the forefront, two energetic yellow and black electric mouse Pokemon violently knock over a stack of server equipment, while nearby, a trio of pikachu munch on the network cables, creating a humorous mess. On a cluttered desk, several Pichu nap on keyboards, pressing random keys, and a large Raichu sprawls across a keyboard. In the background, more Pikachu cause mayhem. The room is brightly lit with overhead fluorescent lights, casting a clear view of the playful antics. The blinking lights of the servers add a techy, whimsical ambiance, contrasting with the chaos created by the cats.
    Gritty Portrait Photo of a weary, rugged individual sitting in a sparse, nondescript diner, his eyes betraying a sense of resigned acceptance, illuminated by the stark, fluorescent light overhead, from a close-up perspective, showcasing the film's exploration of fate, inevitability, and the changing nature of the world
    The scene is set in a dimly lit public bathroom with cracked, pale green tiles and a slightly foggy mirror above a worn, chipped sink. The air feels heavy, almost oppressive, with the faint smell of cleaning products mixed with something metallic. A woman stands in front of the mirror, her figure partially illuminated by the flickering fluorescent light overhead. She’s dressed in a slightly disheveled, dark outfit—a leather jacket that hangs loosely over a simple black top, paired with ripped jeans and worn boots. Her hair is tousled, with dark strands falling messily around her face, partially obscuring her features. She is smirking. In her hand, she holds a bright red lipstick, the cap discarded on the counter beside her. Her grip on the lipstick is tight, slightly as she presses it against the mirror. The word “SLUT” is scrawled in bold, jagged letters across the glass, the red lipstick leaving smudges and streaks as she writes. The letters are uneven, each stroke appearing more aggressive than the last.
    A humorous animation of a police lineup featuring five geese of varying colors and sizes, with a determined woman pointing at one of the geese as if identifying it. The geese shift their weight subtly, ruffling their feathers or tilting their heads inquisitively. The white goose in the center honks briefly, its beak opening and closing while the others glance at it or adjust their stances nervously. The fluorescent lights overhead flicker slightly, casting soft shadows on the lineup wall marked with height measurements. The camera pans slowly across the geese before focusing on the woman’s amused but focused expression, capturing her subtle movements as she shifts her gaze and adjusts her pointing hand.
    A high-resolution photograph captures a whimsically chaotic scene. In a high-tech server room filled with sleek server racks, blinking lights, and tangled cables, a group of mischievous cats has turned order into playful disorder. At the forefront, two energetic kittens violently knock over a stack of server equipment, while nearby, a trio of cats plays with network cables, creating a humorous mess. On a cluttered desk, several cats nap on keyboards, pressing random keys, and a large Mainecoon sprawls across a keyboard. In the background, more cats cause mayhem, with a tuxedo cat perched on a server rack and kittens chasing each other around the room. Cats of various breeds are flying off the racks, jumping all over the room and knocking things over. All the cats are different breeds. The room is brightly lit with overhead fluorescent lights, casting a clear view of the playful antics. The blinking lights of the servers add a techy, whimsical ambiance, contrasting with the chaos created by the cats.
    Striking and atmospheric scene featuring a woman sitting on the floor in a tiled corridor. The camera is positioned at a low angle, looking up at the subject, which creates a sense of depth and perspective. The angle also emphasizes the expanse of the corridor and the surrounding environment. The lighting in the image is dim and moody, with a greenish-yellow hue that adds to the overall sense of unease and tension. The light type appears to be artificial, likely from overhead fluorescent lights, which create a cold and sterile atmosphere. The light direction is from above, casting shadows that highlight the contours of her face and the texture of her clothing. The woman is leaning against the wall, with one hand resting on her head and the other arm extended outward. Her expression is serious and contemplative, suggesting she might be lost in thought or experiencing some form of distress. She is wearing a dark jacket and pants, which add to the overall sense of seriousness and intensity. Her blonde hair falls loosely around her shoulders, adding a touch of softness to the otherwise harsh setting. The background features a tiled wall and a door labeled "AUFZUG," indicating an elevator entrance. The colors and textures in the background complement the subject's appearance, creating a harmonious and visually appealing composition. The overall mood of the image is one of quiet reflection and introspection, capturing a moment of stillness and emotion in an urban setting. BREAK anime, d13s3lp2nk, bboil artist style, OBdonman, <lora:FLUX\Anime Art V3:0.7000000000000001>, <lora:FLUX\Synesthesia:0.2>, <lora:FLUX\RetroAnimeS1.1:0.4>, <lora:FLUX\Flux-jijia:0.1>, <lora:FLUX\It's a LoRA for portraits, BUT! actually specialized in backgrounds. v1.0:0.1>, <lora:FLUX\GLSHS:0.2>, <lora:FLUX\Dieselpunk Delight - s0_9 g4:0.4>, <lora:FLUX\OBdonman, anime0style portrait:0.1>
    A twisted scientist with wild hair and a manic grin stands in a dimly lit laboratory filled with bubbling vials and strange machinery. The environment is cluttered and chaotic, with dark stains on the walls and flickering fluorescent lights overhead. The atmosphere is unsettling and claustrophobic, filled with a sense of impending doom. Rendered in a graphic novel style, the colors are muted with splashes of sickly yellow and deep crimson, illuminated by harsh overhead lights that create stark contrasts. The perspective is a medium shot, capturing the scientist's frenzied expression as he holds a syringe filled with a glowing green substance, hinting at a horrific experiment. Additional elements include ominous shadows lurking in the corners and a chalkboard filled with disturbing equations. The artwork employs ink and digital techniques to create a gritty, textured look, emphasizing the madness of scientific obsession, Poster art, occult, western esoteric art, aidmaMJ6.1
    A scorpion standing behind a fast-food counter, serving burgers with one claw while the other rests on the countertop. The scorpion's chitin glistens under the fluorescent lighting, reflecting natural textures of its exoskeleton. It wears a simple fast-food uniform—red cap and apron, slightly weathered from use. The burgers are steaming on the tray, with a glossy shine on the buns and fresh toppings. Behind the scorpion, the kitchen equipment is visible, with realistic metal textures and soft shadows cast by the overhead lights. 16k, masterpiece.
    Capture a photograph with a cinematic composition, featuring natural lighting that creates soft, diffused highlights and rich shadows, inspired by Rembrandt’s use of contrast. The image should exhibit a matte finish with a subtle grain reminiscent of traditional film photography, adding a tactile, organic texture. Use a medium focal length to create a balanced perspective, capturing the subject –A man with the head of a capybara sits at a long assembly line in a vast, bustling Chinese mega-factory, carefully stitching a shoe with precise, practiced movements. His soft, earthy fur absorbs the cool, harsh light cast by rows of fluorescent lamps above, with faint shadows highlighting the rounded contours of his snout. At the faint clatter of machinery nearby, his head tilts slightly toward the sound, his calm, focused eyes glinting faintly under the overhead light. The medium close-up captures the texture of his fur, the intricate stitching of the shoe in his hands, and the blurred backdrop of endless workstations, mechanical arms, and conveyor belts in constant motion.– with a shallow depth of field that softly blurs the background, directing focus on intricate details. The framing is precise yet natural, drawing the eye toward the subject while incorporating surrounding elements that add depth and context. Colors are muted and understated, avoiding saturation, to enhance the timeless quality of the photograph.
    overhead perspective g00se art with smooth textureless style with muted pastel palette of, a covert group of raccoons dressed in sleek black outfits and tiny night-vision goggles gather at the base of an old vending machine in an empty subway station, the largest raccoon with a scar across its nose giving signals with one paw, while another expertly jimmies open the coin slot using a bent paperclip, a third raccoon perches on a nearby trash bin, keeping watch, illuminated by the dim glow of flickering fluorescent lights overhead, their loot—a pile of pilfered candy bars and snack bags—lies scattered around their feet, the gritty walls covered in old graffiti and torn posters create a stark contrast to the raccoons’ stealthy movements, as they work swiftly to execute their late-night snack heist, a distant subway train rumbles, adding tension to their underground operation<lora:g00se.safetensors:1.1:1.1>
    A dark, atmospheric cinematic shot of a young woman cosplaying as Dexter Morgan, standing in a dimly lit, plastic-covered room. She wears a dark green Henley shirt, black gloves gripping a scalpel, her expression cold and methodical. The faint reflection of the overhead fluorescent lights glistens on the stretched plastic sheeting, the subtle sound of a restrained victim breathing heavily in the background. Captured with an Arri Alexa LF and a Zeiss Master Prime 50mm lens at f/1.8, the low-light setting enhances the eerie realism—fine cuts in the plastic curtain reveal blurred shadows of the struggle behind her, and the sharp focus on her gloved fingers reveals faint traces of crimson. marrta
    GLOW,intricate tetradic colors in every details,FLUORESCENT,asian woman, Hyperrealistic portrayal of a woman in elaborate traditional Southeast Asian clothing, standing in a bustling street parade. Multiple figures in background also dressed in traditional garb, some on horseback and in a horse-drawn carriage. Street lined with buildings adorned with festive decor and countless colorful parasols overhead. Image should be a medium shot with the main subject slightly off-center, employing a shallow depth of field to emphasize the woman's captivating smile and intricate details of her attire. The lighting should mimic a bright, overcast day, casting soft shadows and imbuing the scene with a jubilant atmosphere. Focus on achieving a harmonious color palette that evokes the vibrancy of the celebration and the richness of the cultural heritage. The background should be slightly blurred to further accentuate the subject and add a sense of depth. Consider adding subtle textures to fabrics and background elements to enhance the realism.
    Very close-up view of a beautiful woman with young features standing in a subway car holding onto a vertical steel pole. Shot from below, low angle, looking down at viewer with a smug gaze. Night scene, above ground subway. She is lit by yellow fluorescent overhead light. She is wearing a white turtleneck heavy sweater and a short black skirt. Her dark hair is in a high ponytail. She has piercing light green eyes. She is very slender and has narrow shoulders and a thin waist. She also has extraordinarily (gigantic high profile full round breast implants) stretching her tight sweater to the limit and partially obscuring her face. Fully covered breasts,, impossible clothes. Dust particles in the air, bloom, photorealism, detailed picture, shot from eye level, dynamic angle.
    Very close-up view from very below of a beautiful woman with young features standing in a subway car holding onto a vertical steel pole. Shot from below, shot from ground level, woman looking down at viewer with a smug gaze. Night scene, above ground subway. She is lit by yellow fluorescent overhead light. She is wearing a white turtleneck heavy sweater and a short black skirt. Her dark hair is in a high ponytail. She has piercing light green eyes. She is very slender and has narrow shoulders and a thin waist. She also has extraordinarily (gigantic high profile full round breast implants) stretching her tight sweater to the limit and partially obscuring her face. Fully covered breasts,, impossible clothes. Dust particles in the air, bloom, photorealism, detailed picture, shot from eye level, dynamic angle.
    A lone figure strides through a vast, dimly lit underground passageway, the air thick with the scent of dust and concrete. Fluorescent lights flicker overhead, casting elongated shadows that stretch and distort along the tiled walls. The figure—a young woman with sleek, jet-black hair and a flowing coat—moves with purpose, her silhouette sharp against the hazy, yellow-green glow. A series of abandoned escalators flank the corridor, their steps frozen in time, while a distant exit sign hums faintly in the background. Her reflection flickers on the glossy floor, caught between reality and illusion, her stride precise yet weightless. The tunnel bends slightly, leading into an unseen space, an eerie sense of transition lingering in the air. atnr style, masterpiece, best quality, very awa, absurdres
    A woman with short, reddish-blonde hair, crouching in an underground parking garage. She is wearing a black leather jacket and white sneakers, which contrast with the muted tones of the environment. Her pose is relaxed yet dynamic, with one hand resting on her knee and the other near her face. Her facial expression is confident and slightly playful. She is looking directly at the camera with a slight smile, giving an impression of self-assuredness and ease. The lighting highlights her features, adding to the overall impact of her expression. The woman is crouching low to the ground, with her knees bent and her body slightly angled towards the camera. This pose creates a sense of movement and energy, as if she is about to spring into action. Her posture is both casual and deliberate, suggesting a moment of pause in a dynamic sequence. She is dressed in a black leather jacket, which is loose-fitting and adds to the edgy aesthetic of the image. Underneath the jacket, she appears to be wearing a dark top, and her white sneakers provide a pop of color against the darker elements of her outfit. The combination of the leather jacket and sneakers gives her a modern, urban look. The camera is positioned at a low angle, capturing the subject from a slightly upward perspective. This angle emphasizes her crouched position and creates a sense of intimacy and immediacy. The framing is tight, focusing closely on her upper body and face, which draws attention to her expression and pose. The lighting in the image is soft and diffused, likely coming from the overhead fluorescent lights in the parking garage. The light casts gentle shadows on her face and clothing, adding depth and texture to the scene. The overall effect is a warm, sepia-toned image that enhances the mood and atmosphere. The background consists of concrete pillars and parked cars, typical of an underground parking garage. The pillars are numbered, with "62" visible on the pillar behind the subject. The cars are blurred, indicating a shallow depth of field, which keeps the focus on the woman. The environment is utilitarian and somewhat gritty, providing a stark contrast to her stylish appearance. The composition is centered around the woman, with the background elements serving to frame and highlight her presence. The use of leading lines, such as the lines on the floor and the edges of the pillars, guides the viewer's eye towards her. The overall effect is a balanced and visually engaging image that captures a moment of urban style and confidence. BREAK j_art, anime, anime art, <lora:FLUX\RetroAnimeS1.1:0.1>, <lora:FLUX\GLSHS:0.1>, <lora:FLUX\Dieselpunk Delight - s0_9 g4:0.1>, <lora:FLUX\Anime Art V3:0.1>, <lora:FLUX\jul\J_Anime:1.0>

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