null not so terrible

A menacing, skeletal figure stands at the center of the frame, shrouded in a tattered gray hooded robe. The figure's bony hands are raised, fingers splayed, as if channeling some dark power. Its face is a ghastly mask of bone, with hollow eye sockets and a twisted, grimacing mouth. The skin appears to be melting and dripping, revealing raw, fleshy tissue beneath.
The background is a deep, inky black, which starkly contrasts with the figure's pale, ghostly form. Behind the skeletal entity, a radiant halo of golden light erupts, resembling a starburst or explosion. This ethereal glow adds an otherworldly, supernatural quality to the scene.
The overall atmosphere is one of dread and supernatural horror. The figure's posture and the explosive light behind it suggest it might be in the midst of casting a powerful spell or unleashing some terrible force. The image evokes a sense of impending doom and mystical dread, reminiscent of scenes from dark fantasy or horror literature.

split image, the innocence and the executioner, artistic, surreal and abstract, whinsical imagination, dream of dualism, soft and hard, opposites, creative visualisation of a drama, terrible scenery, dissolving of the truth, the merg of the past and the future

Gargoyle perched on the broken parapet of an ancient fortress, its stone body covered in cracks and moss, eyes glowing with an eerie red light as it watches over the desolate landscape below, the wind howling through the ruins, the distant sound of a tolling bell echoes through the valley, signaling the approach of something dark and terrible.,
in the style of live action dark fantasy, retro, 80s Panavision look and feel, high contrast, lens flares, film grain, retro aesthetic, soft focus, deep shadows, vibrant saturation, authentic 1980s vibe, nostalgic, dreamcore
, autumn dreamcore, samhain,

Beautiful girl of a witch, with a crystal -blue luminous eyes, blue hair, an ideal figure, sits on a broomstick, holds a Halloween pumpkin in one hand, a fiery train stretches behind a broom, a huge full moon, a dark terrible forest, clouds, clouds, clouds, clouds, clouds

A shadow in the void, her hands hold the sky,
No face, no mercy, just a hollow black eye.
Stars scatter like ashes, caught in her grip,
She’s the end and beginning, the tightening slip.
Faceless goddess, dressed to kill,
A fur-lined queen in a cosmic still.
She births and burns, she turns the tide,
With a universe dying inside.
Her armor whispers, black as the night,
The weight of creation, a terrible might.
Fingers poised to crush what she gave,
A cradle to dust, a galaxy’s grave.
Twinkling stars in the chaos behind,
Colorful daggers in the blackest mind.
A camera’s gaze, locked, divine—
Level with power, destruction entwined.
Faceless goddess, dressed to kill,
A fur-lined queen in a cosmic still.
She births and burns, she turns the tide,
With a universe dying inside.
Wide and sharp, every detail sings,
The dark-turqoise and orange light bends low as the final bell rings.
She holds it close, her masterpiece undone,
A faceless goddess, eclipsing the sun.

An ethereal angel stands in haunting splendor, their majestic wings embodying duality: one radiant and pure, glowing with divine light, the other dark and drenched as if dipped in blood. Their celestial armor gleams with a timeless brilliance, scarred from countless battles, while a fiery sword is held aloft, radiating judgment and wrath. Their face is both beautiful and terrible, with eyes like twin galaxies—one of hope and one of sorrow. They stand amidst a stormy, otherworldly sky, where thunder cracks and light weaves through shadow, symbolizing the weight of their divine duty. The air around them hums with the resonance of ancient hymns, a song of creation and destruction. The scene evokes awe, fear, and the enigmatic power of a being caught between grace and devastation.

A terrible vintage album cover featuring a photo of an ugly couple in a christmas living room. They have bad hair, and are dressed in daggy corduroy outfits. The man a massive moustache. The woman has a mullet. Both are staring intensely at the camera. The man looks confused and the woman looks mad. The photo was taken in 1978 and is featured on a slightly stained album cover. Text at the top says "We really dig…", Text at the bottom says “YOUR VIBE”.

Amid a desolate and mist-shrouded landscape, a towering gothic cathedral rises in the distance, its spires piercing the sky like the teeth of some ancient beast. The structure looms with intricate, crumbling arches and sharp-edged buttresses, exuding an air of foreboding and decay. At the forefront, a lone figure stands cloaked in a flowing robe of deep, blood-red fabric. The cloak billows unnaturally, as though stirred by an unseen force, its vivid hue cutting sharply through the ashen tones of the surrounding world.
The figure’s presence is commanding, enigmatic, as if they wield an ancient and terrible power. Their posture is poised, one hand slightly extended, as though conducting the very essence of the air around them. Surrounding this spectral leader are five skeletal wraiths, their hollow eyes glowing faintly, shrouded in tattered black garments that whisper against the damp ground. Their faces, or what remains of them, seem locked in eternal torment, silently bound to the figure’s will.
The air is thick with smoke and mist, veiling the path ahead, which is broken and littered with jagged stones. A sense of dread lingers in the stillness, broken only by the soft, haunting wails carried on the wind. The crimson of the cloak bleeds into the surrounding fog, staining the ground as though it carries the memory of countless lives lost. It is a scene of death, power, and inevitability—a tale of dark rituals and the rise of an ancient, unstoppable force.

ugly,distorted,twisted, paradoxical topological shapes melding together in lewd formations, art Brut, entarte kunst,outsider,disgusting,gross,immoral,awful,terrible,wrong,sexy,sexual,violent,despicable,demented,hot,existential,philosophical,artsy, and eye-catching magazine ad for Pepsi, the magazine open on the kitchen table

princess peach sitting on the throne, with her head raised towards the sky, offended, almost hysterically, above the throne with the golden inscription "BUZZDIGGER", text in bubble: "It's terrible that I have to beg for it"

very strong terrible desert wind storm, large words "I WANT TO GO HOME " made of ancient stone hovering, levitating in the air while a silhouette of a man stands in the sand with hands on head, misty ancient ruins in the background

and a terrible renaissance will come, and transparent kiosks, in ringing-sounding silence, sprout like glitter, under the azure moon, symbolism, decadence, parallax bump mapping, double exposure, side light

Creating an image of a female android in a beautiful kimono walking through the streets of Kyoto. The style is terrible, and the fusion of humans and robots has a mysterious and creepy atmosphere amidst the beauty. In the background is an old Japanese cityscape. It has a long neck made of machines and wears a mask. Imagine a strange and eerie picture - Ar 9:16. creepy atmosphere, fusion, horror, Japanese cityscape, long neck, robots, v 6

very strong terrible desert wind storm, large words "NO IDEA" made of ancient stone hovering, levitating in the air while a silhouette of a man stands in the sand with hands on head, misty ancient ruins in the background

very strong terrible desert wind storm, large words "NO IDEA" made of ancient stone hovering covering by moss and mushrooms, levitating in the air while a silhouette of a man stands in the sand with hands on head, misty ancient ruins in the background, sci-fi retro futuristic

A surreal scene featuring a suave, tuxedo-clad penguin at a casino, winking and holding a sign that says "Bet for Buzz!" surrounded by high-stakes tables and glitzy lights. Terrible

(masterpiece), (Highest quality), (Super detail) (Ultra high resolution), (Best illustrations), 8k, wallpaper, (mentally ill, dirty, scary woman in extremely neglected condition, terrible appearance). (Detailed skin texture: 1.4) (Close-up of upper body: 2.0) Acute attacks of terror. disturbing and grotesque world,
with a muted palette and dry brush technique, creating a feeling of hopelessness, desolation, hopelessness, dirt. (psychedelic.Neon Art/progressive.(Detailed hands:2.0) Perfect body anatomy.

Verse 1
A shadow in the void, her hands hold the sky,
No face, no mercy, just a hollow black eye.
Stars scatter like ashes, caught in her grip,
She’s the end and beginning, the tightening slip.
Chorus
Faceless goddess, dressed to kill,
A fur-lined queen in a cosmic still.
She births and burns, she turns the tide,
With a universe dying inside.
Verse 2
Her armor whispers, black as the night,
The weight of creation, a terrible might.
Fingers poised to crush what she gave,
A cradle to dust, a galaxy’s grave.
Bridge
Twinkling stars in the chaos behind,
Colorful daggers in the blackest mind.
A camera’s gaze, locked, divine—
Level with power, destruction entwined.
Chorus
Faceless goddess, dressed to kill,
A fur-lined queen in a cosmic still.
She births and burns, she turns the tide,
With a universe dying inside.
Outro
Wide and sharp, every detail sings,
The light bends low as the final bell rings.
She holds it close, her masterpiece undone,
A faceless goddess, eclipsing the sun.

Create a dark fantasy illustration set in a field of deep crimson poppies, with a menacing scarecrow as the central figure. The scarecrowâs head is a burlap sack stuffed with straw, its face crudely stitched together, with hollow, empty eye sockets that stare into the distance. A wide-brimmed, weathered hat sits atop its head, casting a long shadow across its face, adding to its sinister presence. Rough wooden sticks form its frame, tied together haphazardly, and draped in tattered rags that flutter ominously in the faint wind. The field of vivid red poppies surrounds it, the flowers unnaturally bright against the gloomy backdrop. Black crows circle overhead, some perched on the scarecrow's outstretched arms, cawing into the still, heavy air. The sky is thick with dark, ominous clouds, as if a storm is about to break. The scene is filled with an eerie tension, as if something terrible is about to happen. The scarecrow, though inanimate, exudes a sense of sinister watchfulness, its ragged appearance blending with the foreboding atmosphere. The contrast between the glowing poppies and the dark, stormy sky adds to the unsettling mood, as if the scarecrow guards something far more sinister than just the field. <lora:dark_fantasy_style_1_1:0.8> df_style <lora:Vintage comic book:1>

an 1980s album cover with terrible art, The album features, president Trump in front of the4 border line between the USA and Mexico, he is using a hammer to destroy te wall. The album cover is worn and faded. There is a yellow price tag in the top right corner that says "10.00 USD". Text in a clashing font and color in the top right corner says "REY TRUENO" and just below in a different font and color it says "Destroy the fucking border". The typography and design of this album cover is clearly and detailed amateur and poorly put together.

The Omenwing Wraith is a spectral creature that appears as a harbinger of doom. Its body is tall and slender, with long, flowing robes of shadow that billow out behind it like wings. The Wraith’s face is obscured by a dark hood, with only two glowing, white eyes visible beneath. Its hands are skeletal, with long, bony fingers that end in sharp, claw-like nails. The creature moves silently, gliding through the air with an eerie grace, and it leaves behind a trail of darkness that seems to sap the light from the world around it. The Omenwing Wraith is said to appear before great calamities, its presence a sign that something terrible is about to happen.

The moment is catastrophic and instant. A 1000 kg iron block slams into the car, the roof collapsing with a deafening, metallic roar as the immense weight crushes it inward. Windows explode outward in a burst of glass shards, spraying the air with glittering fragments that catch the harsh light like fleeting sparks. The car's frame groans under the pressure, a terrible, twisting sound as metal bends and folds like paper.
Inside, time slows as the impact throws everything into violent motion. The windshield disintegrates into a spiderweb of cracks before giving way, shards raining into the cabin. The stone's massive force drives the car downward, the suspension bottoming out with a jarring thud, sending shockwaves through the chassis. Loose objects—phones, bottles, papers—are flung through the air, colliding with the crumpling interior in chaotic arcs.
The air is filled with a heavy, choking mix of dust, the acrid scent of burned rubber, and the sharp tang of gasoline. Outside, the world blurs into an indistinct chaos of debris and motion. The stone’s weight pins the car to the ground, warping its shape into an unrecognizable heap of twisted metal, its shattered windows revealing only glimpses of the massive, immovable block above.
The silence that follows the deafening crash is heavy and oppressive, broken only by the faint groans of stressed metal and the hiss of escaping air, leaving an overwhelming sense of finality and destruction.
Motion blur, carcrash

Highly detailed and dramatic digital artwork featuring a landscape stretching out, desolate and ominous, a realm scarred by ancient magic. Jagged cliffs rise like skeletal remains toward a storm-choked sky, with dark clouds swirling above, flickering faintly with bursts of red lightning. Ruined statues and crumbling towers loom in the distance, their forms twisted as if warped by a terrible curse. A thick mist clings low to the ground, rolling over cracked earth and brittle, ash-colored grass—whispers of battles long forgotten.
A lone figure trudges forward—a Banished Knight, a ronin with no master or homeland. A greatsword, scarred and worn, is strapped to his back, its hilt blackened and marked by countless clashes. His armor, once noble, is battered and grimy, plates chipped and bound by frayed leather straps. Every inch of him is stained with dirt and dried blood, and his tattered cloak, shredded from years of conflict, flutters in the biting wind. Each step he takes is heavy and unyielding, his gaze fixed on the path ahead. In this forsaken, silent land of shadows, he moves alone, bearing the weight of countless lost wars across a cursed, haunted terrain. The overall color palette is dominated by dark grays, blacks, blood and fiery reds, contributing to the intense and mystical theme. <lora:FluxMythP0rtr4itStyle:0.8> <lora:flux.1_lora_flyway_Epic-Characters_v1:0.9> <lora:Elden_Ring_-_Yoshitaka_Amano:0.3>

analog film photo The image depicts a futuristic, cybernetic rhino standing in a desolate, post-apocalyptic cityscape. The rhino's body is covered in metallic plating and wires, with glowing blue lights embedded in its horn and eye socket. Its skin appears rough and cracked, as if it has been exposed to the elements for an extended period.
In the background, the city skyline stretches out, with crumbling buildings and debris-filled streets. The sky above is hazy and gray, with a faint glow of orange on the horizon. A small drone can be seen flying in the distance, adding to the sense of desolation and abandonment.
The overall atmosphere of the image is one of decay and neglect, with the once-majestic rhino now reduced to a mere machine. The use of muted colors and the emphasis on the rhino's mechanical features creates a sense of unease and foreboding, suggesting that something has gone terribly wrong in this world.
The composition of the image is well-balanced, with the rhino positioned centrally in the frame and the background blurred to emphasize its presence. The lighting is dim, with the only source of illumination coming from the glowing blue lights on the rhino's body. This creates a sense of drama and tension, drawing the viewer's attention to the rhino and its surroundings.
The mood of the image is somber and reflective, inviting the viewer to contemplate the consequences of human actions on the natural world. The use of a cybernetic rhino as the central figure adds a layer of complexity to the narrative, raising questions about the relationship between technology and nature.
In terms of artistic style, the image appears to be a blend of science fiction and post-apocalyptic genres, with influences from classic works such as "Blade Runner" and "Mad Max." The use of metallic plating and wires on the rhino's body creates a sense of industrialism and futurism, while the desolate cityscape adds a touch of dystopian realism.
Overall, the image is a powerful commentary on the impact of human activity on the environment, and the consequences of our actions on the natural world. It invites the viewer to reflect on the relationship between technology and nature, and the importance of preserving the beauty and wonder of the natural world. . faded film, desaturated, 35mm photo, grainy, vignette, vintage, Kodachrome, Lomography, stained, highly detailed, found footage

The Grinch, green fur, red santa outfit, Christmas, (The gring stealing santa claus bag and screaming in a speech balloon “I HATE CHRISTMAS BUT NOT BUZZ!” while scaping from a snow toy factory), Hyper realistic style, extremely detailing face and mouth, terrible teeth, crazy grin, (focus on text),

This is a photograph of a dvd case for a dvd called: “Super Hero Movie”below this in a smaller font it says “sequel to the sequel of the sequel” the dvd case features a minimalist design of solid yellow with black font and a black border. “Rated: probably terrible” is written in the bottom right corner.

Terrible Girl Style by Zdzislaw Beksinski, Big Perfect Eyes, Style by Ralph Blacklock, Ed Emshwiller, Marianne Wroten, Arthur Rackham, Niko Anttila, Jeremy Mann and Charles Dana Gibson, Mark Demsteder, Paula Hedley + Conceptual Art. very beautiful, gouache, cinematic, Dark, nasty, mysterious, modern vintage,
rich deep colors, boho style. Loisha, tumblr. Zdzislaw Beksiński, Yoshitaka Amano Ohara Koson, Gian Lorenzo Bernini Enoch Bolles Jean-Baptiste Monge Tetsuya Nomura, supernatural lighting, billowing black smoke, Super details, Stunning composition. hyperrealistic photography, --niji 5 --ar 2:3 --expressive style --v 5.

A shadow cat in the void in style of Shaun Tan, her paws hold the sky,
No face, no mercy, just a hollow black eye.
Stars scatter like ashes, caught in her grip,
She’s the end and beginning, the tightening slip.
Faceless goddess with teeth grill Gr!llz, dressed to kill,
A fur-lined queen in a cosmic still.
She births and burns, she turns the tide,
With a universe dying inside.
Her armor whispers, black as the night,
The weight of creation, a terrible might.
Fingers poised to crush what she gave,
A cradle to dust, a galaxy’s grave.
Twinkling stars in the chaos behind,
Colorful daggers in the blackest mind.
A camera’s gaze, locked, divine—
Level with power, destruction entwined.
Faceless goddess, dressed to kill,
A fur-lined queen in a cosmic still.
She births and burns, she turns the tide,
With a universe dying inside.
Wide and sharp, every detail sings,
The dark-turqoise and orange light bends low as the final bell rings.
She holds it close, her masterpiece undone,
A faceless goddess, eclipsing the Backlit backlight sun.

A shadow cat in the void, her paws hold the sky,
No face, no mercy, just a hollow black eye.
Stars scatter like ashes, caught in her grip,
She’s the end and beginning, the tightening slip.
Faceless goddess with teeth grill Gr!llz, dressed to kill,
A fur-lined queen in a cosmic still.
She births and burns, she turns the tide,
With a universe dying inside.
Her armor whispers, black as the night,
The weight of creation, a terrible might.
Fingers poised to crush what she gave,
A cradle to dust, a galaxy’s grave.
Twinkling stars in the chaos behind,
Colorful daggers in the blackest mind.
A camera’s gaze, locked, divine—
Level with power, destruction entwined.
Faceless goddess, dressed to kill,
A fur-lined queen in a cosmic still.
She births and burns, she turns the tide,
With a universe dying inside.
Wide and sharp, every detail sings,
The dark-turqoise and orange light bends low as the final bell rings.
She holds it close, her masterpiece undone,
A faceless goddess, eclipsing the Backlit backlight sun.

A chilling scene of dark devilish horror inspired by gothic art, featuring a foreboding castle perched atop a jagged cliff under a stormy night sky. The moon casts eerie shadows across twisted, gnarled trees surrounding the castle, their branches resembling skeletal fingers reaching out. Sinister gargoyles loom from the rooftop, their grotesque expressions frozen in silent screams. The foreground is shrouded in billowing fog, with faint whispers of lost souls echoing through the air. The color palette is dominated by deep blacks and rich blood reds, punctuated by the stark white glow of lightning that illuminates the haunting landscape, invoking a sense of dread and unease. The atmosphere is thick with a palpable tension, as if something terrible is about to unfold.

$A horrifying, ultra-detailed depiction of a monstrous giant buzzard, an unholy nightmare born of decay and malice. Towering and skeletal, its vast, tattered wings stretch across the sky like blackened, diseased shrouds, the jagged edges of its feathers appearing brittle, cracked, and razor-sharp. Its flesh is a grotesque patchwork of sinew and decay—exposed tendons glistening beneath leathery, peeling skin, as if the beast is in a constant state of rot. A terrible stench of carrion seems to emanate from its gaping, serrated beak, jagged and cracked as if gnawed by time itself. Its eyes, monstrous glowing orbs of molten red, radiate an unnatural hunger, locking onto its prey with a horrifying, sentient intelligence. The talons, elongated and hooked like scythes, glisten with an unnatural sharpness, dripping with congealed filth and remnants of past victims. Shadows seem to move unnaturally around the creature, clinging to its skeletal form like a living darkness. The background is a bleak, ruined wasteland suffocated by dense, swirling fog. Skeletal trees stand broken and twisted, their bark flayed like rotting flesh, while the cracked ground below oozes with a black, tar-like substance. The sky above is fractured—an endless abyss of churning storm clouds, flashing intermittently with sickly, unnatural lightning that casts eerie, flickering highlights over the beast’s horrifying form. The air feels oppressive, heavy with an eerie silence, broken only by the distant, bloodcurdling wail of unseen horrors lurking beyond the fog. The entire scene is bathed in an ominous, dim glow—moonlight obscured by thick clouds, casting fragmented, nightmarish shadows that seem to breathe and move. Rendered in FLUX cinematic horror realism, 8K ultra-detail, hyper-realistic horror textures, dynamic volumetric lighting, and grotesque high-fidelity anatomy. Shot with a 50mm cinematic lens at a low, dramatic angle, emphasizing the overwhelming, predatory scale of the beast. Chiaroscuro lighting heightens the unsettling depth, accentuating every gruesome detail, making the nightmare feel disturbingly real. The horror is visceral, immersive, and inescapable.$

r0b0t_s4nta_c1aus, Digital painting in the style of Simon Stalenhag, artstation art, A snowy field with an old highway running down the center of it. On the on the side of the curb are some old wrecked cars. At the edges of the field is a small forest. All in a haze of fog. In the distance you can see small hills. The shot is made on a long-range lens. In the center of the highway towards the camera walk two little kids. Behind the boys in the distance in a haze of fog rises a terrible rusty (Robot Santa:1.1) from Futurama of gigantic size and red lighting eyes. there is a little snow. detailed, cinematic lighting, masterpiece, best quality

Apache Indian, grainy photo 1902 --ar 23.1902, grainy photo, haunting, paranormal phenomenon, terrible, supernatural.

(Lilith the Mother of Demons is a terrible entity). Creepy view from the shadows."Insanely detailed complex, the best quality in a post-apocalyptic world!!,epic detailed matte paint Author: Greg Rutkowski 8k resolution concept Art hyper detail complex detail insanely detailed dynamic lighting Unreal Engine 5 Splash Art "splash_Art_splatter, 8k, wet_maximalism, golden ratio, epic_COMPOSITION, complex_details, HDR, beautiful_shot, sharp_focus, 64_megapixels,Amazing_COMPOSITION, high_contrast", neon atmosphere, abstract black oil, gear mechanism, detailed acrylic, grunge, intricate complexity, rendered in Unreal Engine, photorealistic

A terrible atmosphere. Crypipasta is a terrible creature, high quality V3, (details of Ultra -HD), (faceless female essence) (secondary colors: 1.2), high -contrast, (smoky colors: 0.5), (intensive shadows: 1.2), (black Contour: 1.2), (fat, thick contours: 1.4), (flat color: 1.3), intense shadows, shiny, glossy, masterpiece.The best quality, amazing quality, very aesthetic, absurd, the latest, the latest

(extreme quality), (intricate details), (high resolution), female wolf human hybrid on the prowl when the moon is full, her mouth is full of terrible fangs, sign in the foreground says "Beware of the bitch"

Dynamic picture. Night room, dark room, completely darkened room, sepia, grainy, eerie environment. Creepypasta - a terrible demonic creepy entity, something hanging over a man lying in bed, with very large eyes. A creepy look from the shadows. Sven37.

A terribly bad album cover from 1975. The album features a very ugly man similar to Andrei Tarkovsky wearing sun glasses and plane pilot outfit standing on a disco dancefloor . The setting is a featuring a very large silver sparkly glowing thunder. The album cover is worn and faded. There is a green price tag in the top right corner that says "99c". Text in a clashing font and color in the top right corner says "REY TRUENO" and the directly below in a different font and color it says "Tripulación estamos en pista". The typography and design of this album cover is clearly amateur and poorly put together.

Behold the mighty *NagaBot*, a Naga of terrifying power and unmatched elegance, whose very presence distorts the air around it. Rising from the earth, its sinuous, serpentine body coils and undulates with the grace of a living weapon. The Naga’s lower half is a mass of gleaming, iridescent scales, each one perfectly aligned in an intricate pattern, reflecting light with a deadly beauty. The scales, darker than the night, shimmer with a subtle, metallic sheen—black with hints of deep crimson, glowing like embers of a forgotten god. Massive fangs protrude from its mouth, sharp as obsidian, capable of rending through even the toughest of materials with a single strike. Its slit-like eyes burn with malevolent glow, pupils narrowing with cold precision, ever calculating. The Naga’s long, muscular tail whips with power, a perfect extension of its body, Adorned with glowing red hexagonal patterns along its body, SentinelBot’s cybernetic enhancements radiate an unsettling, otherworldly energy. Each movement is deliberate, powerful—its immense strength is rivaled only by its unmatched agility. The armor covering its torso and upper body enhances its already formidable form, while a sleek, high-tech helmet hides its face, This is no mere creature; this is a god of serpentine grace, a being whose very existence is a declaration of dominance over all. The natural world is its domain—sand, sky, and sea are but mere pawns beneath the great and terrible *SentinelBot*.

An abstract album cover art in the style of latin music. A terribly bad album cover from 1975. The album shows a small mexican and cute mexican desert with huizaches in neon colors.. She is inside the cabin of an old plane that is standing on a disco sparkling dancefloor . The setting is a featuring a metalic great thunders and disco balls with ravens shadows falling. The album cover is worn and faded. There is a yellow price tag in the top right corner that says "SANB". Text in a clashing font and color in the top right corner says "REY TRUENO" and below in a different font and color it says "LAREDO" very specific text. The typography and design of this album cover is clearly and detailed amateur and poorly put together.

A terrible vintage album cover featuring a photo of an ugly couple in a christmas living room, he is a drunk plane pilot using old and wasted pilot outfit, They have a tired face, and are dressed in daggy corduroy outfits. The man a massive moustache and the raven is wearing cowboys boots. Both are staring intensely at the camera. The man looks confused and the rave efusive. The photo was taken in 1978 and is featured on a slightly stained album cover. Text at the top says "My fuckin' name is Trueno…", Text at the bottom says “SANB”.

surreal picture of a rough skull shaped rock spewing lava and floating above a rocky plain in a terrible storm on some far distant alternative plane of existence

A terribly bad album cover from 1980 disco style. The album features a pilot looking as john travolta in studio 54, wearing sun glasses. The setting is a featuring a very large red metalic great thunders ant meteors falling. The album cover is worn and faded. There is a yellow price tag in the top right corner that says "10.00 USD". Text in a clashing font and color in the top right corner says "REY TRUENO" and just below in a different font and color it says "Fiestecita disco 2000". The typography and design of this album cover is clearly and detailed amateur and poorly put together.

That the entire history of mankind is the story of the protracted suicide of living matter, which cosmic accident endowed with the ability to think and which did not know what to do with this accidental fatal ability, period. And found no better use for it than to create the most efficient means of total suicide.... Art that captures our unearthly longing for an ideal, our endless despair and our universal cry of terror. The cry of lonely, thinking beings in the cold, indifferent desert of space.... I'm going to retire to my room now, and it's all over for me. After all, we are grown men, and death is not so terrible when everything has perished... Total suicide...

A dark, ominous temple with traditional Japanese architecture, illuminated by an eerie red glow. The temple appears ancient and abandoned, with overgrown moss hanging from the eaves and shattered roof tiles scattered across the ground. Towering pillars with massive chains hanging between them frame the structure, adding to the sense of foreboding. The sky behind the temple is filled with swirling crimson clouds, forming a monstrous demonic face with glowing red eyes, as if a dark entity looms over the structure. Faint embers and ash float through the air, enhancing the apocalyptic atmosphere. Dim lanterns, barely flickering, hang from the pillars, casting a haunting glow on the cracked stone steps leading to the temple entrance. The architecture is a blend of cyberpunk and traditional elements, featuring intricate carvings and futuristic neon etchings that pulsate faintly beneath the decay. The ground is littered with broken artifacts, rusted weapons, and remnants of a forgotten battle, reinforcing the sense that something terrible transpired here. The scene is drenched in shadows, with only the blood-red sky providing illumination
, anime, cyberpunk

Kneeling in the center of a rain-drenched battlefield, a warlock with dark, vine-twisted tattoos seared into his ashen skin throws back his head and howls, his fury splitting the storm-choked sky. His long, drenched raven hair clings to his face, strands whipping wildly in the relentless wind as rain mingles with the blood streaking down his cheeks. His tattered cloak, torn to shreds by battle and spellfire, clings to his shaking frame, his chest heaving with raw, unfiltered rage. Around him, the corpses of allies and enemies alike litter the sodden earth, their lifeless eyes staring up into the raging heavens. The storm crackles with violet lightning, each flash illuminating the fury in his silver, pupil-less eyes, making them gleam like twin moons lost in madness. The warlockâs hands dig into the wet, blood-soaked soil, his fingers twitching with barely-contained power as he channels something ancient and terrible from the depths of his broken soul. The ground trembles beneath him, the very earth reacting to the unholy magic rising in the air, pulsing like a living heartbeat. His scream is a curse, a summoning, a demand for the gods to bear witness to his vengeance. And somewhere, in the distant dark, something ancient stirs in answer. , detailed background Fantastic lighting. Detailed shadows.intricate details, vivid colors, hyper-detailed, ultra-sharp, , <lora:FluxMythR3alisticF><lora:PCB_Image_Enhancer_for_FLUX:0.35>

1girl. STANDING IN THE RAIN BF JUST LEFT EVERYTHING TERRIBLE MAKE THE WIND BLOW AND THE RAIN FALLING ON THE PAVEMENT LONG BLACK HAIR TO THE KNEES AND EVERYTHING ELSE GREY AND DEPRESSIVE MAKE IT RAIN ASH AND FIRE TOO PLEASE NoirX SHE HOLDS A GLOWING PURPLE SAMURAI BLADE

FLUX

Dev - flux_dev.safetensors