null mimic the rough

    A close-up, artistic photograph of a bird perched on a wooden branch, showcasing a unique and whimsical appearance created entirely from potato chip slices. The bird is positioned slightly off-center to the right, facing left with its head turned towards the camera. Its body is covered in overlapping golden yellow to light orange potato chip slices arranged to mimic natural feathers, creating a vibrant and textured appearance. The intricate details of each slice are visible, with some appearing slightly darker or lighter than others, adding depth and dimension to the plumage. The bird's eye is light gray with a dark pupil, surrounded by fine white feathers that add texture to its face. Its beak is a distinctive pale orange color with a smooth, curved shape, transitioning from light brown at the base to a darker shade at the tip, featuring visible ridges and a small black spot near its base. The feet grip the branch firmly, with three visible toes displaying detailed textures and varying shades of grayish-brown skin. The branch itself extends diagonally from the bottom left towards the center-right, with a rough, natural texture that adds realism to the scene. The background features soft, blurred foliage in muted tones of forest green, olive green, light brown, and beige, creating a serene and natural setting that contrasts beautifully with the sharply focused subject. The lighting is soft and diffused, highlighting the vivid colors and textures without casting harsh shadows, emphasizing the bright and lively nature of the scene. This creative composition blends reality with a touch of surrealism, resulting in a captivating and visually striking image that evokes a sense of playful curiosity and artistic imagination.
    This is a highly detailed, monochromatic digital drawing depicting an intricate, surreal urban landscape. The scene is dominated by towering, geometrically structured buildings made of interlocking, rectangular blocks. These blocks are stacked haphazardly, creating a chaotic, almost maze-like formation. The buildings are weathered and decayed, with cracks and gaps revealing their inner structures. Vegetation, such as small plants and vines, is beginning to grow in the crevices, adding a touch of nature to the otherwise man-made environment. In the background, the skyline is filled with more of these towering structures, stretching into the distance. The sky above is a mixture of gray and white clouds, suggesting a stormy or overcast day. The overall texture of the image is rough and gritty, emphasizing the age and decay of the buildings. The perspective is from a low angle, enhancing the sense of depth and height of the structures. The drawing style is highly detailed and realistic, with intricate lines and textures that mimic the look of aged concrete and stone. The overall mood is one of abandonment and decay, with a hint of mystery and eeriness. The image is rich in detail, making it a captivating and immersive visual experience.
    (side profile, surreal fantasy illustration) A woman stands in side profile, her expression calm and enigmatic, with delicate features that contrast against the intricate details of her surreal attire. Her clothing is entirely composed of slender, interwoven brown twigs, shaped seamlessly into the form of a flowing dress. The twigs bend and curve organically, mimicking fabric folds while maintaining their rough texture, with occasional small leaves sprouting from them. Some twigs extend outward like loose threads, as if birds have recently added to the construction. Her hair, a rich chestnut brown, is sculpted into the shape of a nest, with each strand carefully twisted and layered to mimic the chaotic yet structured weaving of real bird nests. The nest is seamlessly integrated with her hair, appearing both natural and surreal. Within this intricate nest, a striking Eurasian jay perches, its blue, black, and white feathers standing out against the earthy tones. The background is a single, bold high-contrast deep crimson, creating a dramatic visual impact. Floating against this vivid backdrop is a single, large 2D fluffy cloud, illustrated in soft watercolor strokes with subtle variations of white and pale blue, giving it a dreamlike, painterly effect that enhances the ethereal mood.
    Ultra-realistic close-up of an astronaut meticulously repairing a futuristic, pink lady apple-shaped spacecraft. Each section of the craft is a transparent module, revealing glowing internal systems pulsating with neon circuitry. The astronaut’s advanced spacesuit, accented with vibrant red highlights, reflects the surreal cosmic environment around them. The spacecraft floats amidst a breathtaking asteroid field, where massive frozen lemon-slice-shaped asteroids drift weightlessly, their translucent citrus interiors catching the light of a brilliant blue star in the distance. Tiny frozen citrus juice crystals sparkle as they float through zero gravity, refracting light in a mesmerizing display. The porous texture of the spacecraft’s outer shell mimics the rough surface of an apple peel, giving it an organic yet engineered feel. The scene is a striking fusion of hard sci-fi and surrealism, inspired by *The Martian* with cinematic realism and dramatic lighting. The interplay of deep shadows and radiant highlights creates a visually immersive atmosphere, evoking both the cold vastness of interstellar space and the warmth of its glowing, red apple-hued artificial structures. Hyper-detailed textures, ultra-HD rendering, dynamic lighting contrasts, surreal yet scientifically grounded composition. <lora:aidmaMJ6.1_v0.5_3:0.4> aidmamj6.1 <lora:DreamArtFlux:0.15> DreamArt <lora:aidmaMJ6.1v0.4:0.3> aidmaMJ6.1 <lora:FluxMythR3alisticF:0.2> R3alisticF <lora:FluxDFaeTasticDetails:0.15> <lora:aidmaFLUXpro1.1light-FLUX-V0.1:0.45> aidmafluxpro1.1
    a futuristic digital painting featuring an overhead view of a female cyborg lying on a illuminated pod. she is at rest but her eyes are wide open, brimming in a high energy blue. her body mimics the shape of a feminine toned body with gadgets and platings. her alloy is frosted white, with several grooves and few bold outworn imprints. her design is intricate and futuristic, although outworn on the surface. multiple shutters are opened, revealing cybernetic cables, connectors and leds. from out of sight an industrial robotic emerge, rough and clumsy, welding her body with a multitool. the surrounding is dark, large dirty floor tiles and devices on the floor are visible. the lighting is dim but atmospheric.
    A close-up, artistic photograph of a bird perched on a wooden branch, showcasing a unique and whimsical appearance created entirely from potato chip slices. The bird is positioned slightly off-center to the right, facing left with its head turned towards the camera. Its body is covered in overlapping golden yellow to light orange potato chip slices arranged to mimic natural feathers, creating a vibrant and textured appearance. The intricate details of each slice are visible, with some appearing slightly darker or lighter than others, adding depth and dimension to the plumage. The bird's eye is light gray with a dark pupil, surrounded by fine white feathers that add texture to its face. Its beak is a distinctive pale orange color with a smooth, curved shape, transitioning from light brown at the base to a darker shade at the tip, featuring visible ridges and a small black spot near its base. The feet grip the branch firmly, with three visible toes displaying detailed textures and varying shades of grayish-brown skin. The branch itself extends diagonally from the bottom left towards the center-right, with a rough, natural texture that adds realism to the scene. The background features soft, blurred foliage in muted tones of forest green, olive green, light brown, and beige, creating a serene and natural setting that contrasts beautifully with the sharply focused subject. The lighting is soft and diffused, highlighting the vivid colors and textures without casting harsh shadows, emphasizing the bright and lively nature of the scene. This creative composition blends reality with a touch of surrealism, resulting in a captivating and visually striking image that evokes a sense of playful curiosity and artistic imagination.
    In this close-up, the model’s makeup mimics the fierce, fiery nature of a dragon’s breath. Fiery red, orange, and gold tones are blended seamlessly across her eyes, cheeks, and lips, creating a molten effect that looks like liquid flame. Sparkling gold leaf is applied to her cheekbones and forehead, catching the light in dazzling bursts. Her eyelashes are tipped with gold glitter, and her eyes gleam with intensity. Behind her, a great fire dragon emerges from a swirling cloud of smoke and flame, its scales twinkling like molten metal. The scene is set in a fiery canyon where embers float in the air, creating an awe-inspiring, otherworldly glow. ANIcoMEij, comic style, comic, pencil scatch, drawing, comic, <lora:Midjourney_Dreamlike_Fantasy_FLUX_LoRA:0.8>, <lora:FluxDFaeTasticDetails:0.7>, aidmafluxpro1.1 <lora:aidmaFluxPro1.1Stylev0.2:0.6>, <lora:ANIcoMEij_Style4FLUX-000009:0.8>, (rough lines with ink:1.4)
    (highly detailed, hyper realistic) The frame is a top-down view of a massive crocodile, its mouth wide open in a ferocious roar. Its rough, scaly skin is intricately textured, blending greens, yellows, and browns that mimic natural hues. Each scale is sharply defined, with deep creases and ridges enhancing the lifelike reptilian surface. Powerful jaws lined with razor-sharp, white teeth glisten with moisture, with visible saliva dripping from the corners. Its dark, intense eyes, partially visible, radiate menace and primal ferocity. The muscular body appears tense, showcasing the raw strength of this apex predator. Deep shadows and highlights emphasize the rugged terrain of its thick hide, reinforcing the sense of depth and realism. The claws are slightly curled, ready to strike, and the folds of skin along its neck and limbs add further detail to its imposing presence. The background is a highly detailed, traditional Japanese woodblock print, featuring the iconic wave motif. The sea is turbulent, depicted in black, white, and red, swirling around a dark, circular void resembling a black sun or vortex. The left side of the waves is predominantly white, while the right side features dynamic red waves, their shapes and lines suggesting intensity and movement. The dark, near-black backdrop enhances the drama, with a rough, grainy texture from the woodblock process adding energy and chaos, complementing the crocodile’s fearsome display.
    An ultra close-up portrait of a woman’s face, filling the entire frame, leaving no visible background. Her skin is not smooth, but formed entirely from thousands of tiny, overlapping fingers, seamlessly interwoven to shape the contours of her features—cheeks, brow, nose, and jawline. Each hand is static, frozen in place, its fine details crisp and tangible, with visible creases, knuckles, and fingernails. Her eyes are not traditional eyes but two hollow, dark voids, framed by open fingers curled inward, mimicking the shape of eye sockets. The depth inside these voids is infinite, absorbing light rather than reflecting it, making them appear hauntingly empty yet impossibly deep. Her lips are formed by tightly interlocked fingers, positioned in a way that mimics a mouth, yet their rigid stillness makes them unsettlingly unnatural. The illusion of human softness is lost, replaced by the uncanny texture of layered skin and fingernails. The mouth does not open, nor do the fingers move—only the eerie symmetry and unnatural formation of the face hint at something beyond human. The fingers composing her face are not chaotic, but deliberately placed, each one fused into a perfect, unnerving pattern that creates the illusion of organic facial structure. Their textures vary, some smooth and youthful, others rough and calloused, creating an unsettling contrast in detail. The edges of her face fade into a dark void.
    ancient cave paintings, cavepaintinglora, illustrate a fire dragon dance. The paintings should feature stylized figures of the dragon, depicted in dynamic poses to convey movement and energy, with bold lines and vibrant colors resembling red, orange, and yellow flames. Surrounding the dragon, include simplistic figures representing dancers in traditional attire, their arms raised in celebration. The background should mimic the rough texture of cave walls, with earthy tones like ochre and sienna. Add symbols of fire and swirling patterns to enhance the mystical atmosphere, evoking the ancient culture's reverence for the dragon and its dance
    An ultra close-up portrait of a woman’s face, filling the entire frame, leaving no visible background. Her skin is not smooth, but formed entirely from thousands of tiny, overlapping fingers, seamlessly interwoven to shape the contours of her features—cheeks, brow, nose, and jawline. Each hand is static, frozen in place, its fine details crisp and tangible, with visible creases, knuckles, and fingernails. Her eyes are not traditional eyes but two hollow, dark voids, framed by open fingers curled inward, mimicking the shape of eye sockets. The depth inside these voids is infinite, absorbing light rather than reflecting it, making them appear hauntingly empty yet impossibly deep. Her lips are formed by tightly interlocked fingers, positioned in a way that mimics a mouth, yet their rigid stillness makes them unsettlingly unnatural. The illusion of human softness is lost, replaced by the uncanny texture of layered skin and fingernails. The mouth does not open, nor do the fingers move—only the eerie symmetry and unnatural formation of the face hint at something beyond human. The fingers composing her face are not chaotic, but deliberately placed, each one fused into a perfect, unnerving pattern that creates the illusion of organic facial structure. Their textures vary, some smooth and youthful, others rough and calloused, creating an unsettling contrast in detail. The edges of her face fade into a dark void.
    A parody movie poster for "Orcs in Black" styled after the iconic Men in Black title and font. The title "ORCS IN BLACK" is bold, sleek, and metallic, with the same futuristic, sci-fi vibe as the original, but the letters are slightly jagged and rough around the edges to match the orcs' aesthetic. The poster features a group of muscular orcs in sleek, black suits and sunglasses, standing in a dramatic lineup. The lead orc, front and center, is holding a futuristic-looking blaster in one hand and a glowing alien artifact in the other. His sharp tusks peek out from under his sunglasses, and his expression is a mix of seriousness and unintentional hilarity. Behind the orcs, a UFO hovers in the night sky, its bright beam of light illuminating the scene. The background is a mix of urban cityscape and alien chaos, with explosions, flying saucers, and a giant alien squid attacking a hot dog stand. The tagline at the top reads: "Protecting Earth... one smashed alien at a time." At the bottom of the poster, smaller orcs in suits are chasing a tiny, terrified alien through a cornfield, adding a touch of comedic chaos. The overall design mimics the original Men in Black poster, but with a hilarious orc twist.
    An ultra close-up portrait of a woman’s face, filling the entire frame, leaving no visible background. Her skin is not smooth, but formed entirely from thousands of tiny, overlapping fingers, seamlessly interwoven to shape the contours of her features—cheeks, brow, nose, and jawline. Each hand is static, frozen in place, its fine details crisp and tangible, with visible creases, knuckles, and fingernails. Her eyes are not traditional eyes but two hollow, dark voids, framed by open fingers curled inward, mimicking the shape of eye sockets. The depth inside these voids is infinite, absorbing light rather than reflecting it, making them appear hauntingly empty yet impossibly deep. Her lips are formed by tightly interlocked fingers, positioned in a way that mimics a mouth, yet their rigid stillness makes them unsettlingly unnatural. The illusion of human softness is lost, replaced by the uncanny texture of layered skin and fingernails. The mouth does not open, nor do the fingers move—only the eerie symmetry and unnatural formation of the face hint at something beyond human. The fingers composing her face are not chaotic, but deliberately placed, each one fused into a perfect, unnerving pattern that creates the illusion of organic facial structure. Their textures vary, some smooth and youthful, others rough and calloused, creating an unsettling contrast in detail. The edges of her face fade into a dark void.
    An ultra close-up portrait of a woman’s face, filling the entire frame, leaving no visible background. Her skin is not smooth, but formed entirely from thousands of tiny, overlapping fingers, seamlessly interwoven to shape the contours of her features—cheeks, brow, nose, and jawline. Each hand is static, frozen in place, its fine details crisp and tangible, with visible creases, knuckles, and fingernails. Her eyes are not traditional eyes but two hollow, dark voids, framed by open fingers curled inward, mimicking the shape of eye sockets. The depth inside these voids is infinite, absorbing light rather than reflecting it, making them appear hauntingly empty yet impossibly deep. Her lips are formed by tightly interlocked fingers, positioned in a way that mimics a mouth, yet their rigid stillness makes them unsettlingly unnatural. The illusion of human softness is lost, replaced by the uncanny texture of layered skin and fingernails. The mouth does not open, nor do the fingers move—only the eerie symmetry and unnatural formation of the face hint at something beyond human. The fingers composing her face are not chaotic, but deliberately placed, each one fused into a perfect, unnerving pattern that creates the illusion of organic facial structure. Their textures vary, some smooth and youthful, others rough and calloused, creating an unsettling contrast in detail. The edges of her face fade into a dark void.
    An ultra close-up portrait of a woman’s face, filling the entire frame, leaving no visible background. Her skin is not smooth, but formed entirely from thousands of tiny, overlapping fingers, seamlessly interwoven to shape the contours of her features—cheeks, brow, nose, and jawline. Each hand is static, frozen in place, its fine details crisp and tangible, with visible creases, knuckles, and fingernails. Her eyes are not traditional eyes but two hollow, dark voids, framed by open fingers curled inward, mimicking the shape of eye sockets. The depth inside these voids is infinite, absorbing light rather than reflecting it, making them appear hauntingly empty yet impossibly deep. Her lips are formed by tightly interlocked fingers, positioned in a way that mimics a mouth, yet their rigid stillness makes them unsettlingly unnatural. The illusion of human softness is lost, replaced by the uncanny texture of layered skin and fingernails. The mouth does not open, nor do the fingers move—only the eerie symmetry and unnatural formation of the face hint at something beyond human. The fingers composing her face are not chaotic, but deliberately placed, each one fused into a perfect, unnerving pattern that creates the illusion of organic facial structure. Their textures vary, some smooth and youthful, others rough and calloused, creating an unsettling contrast in detail. The edges of her face fade into a dark void.
    An ultra close-up portrait of a woman’s face, filling the entire frame, leaving no visible background. Her skin is not smooth, but formed entirely from thousands of tiny, overlapping fingers, seamlessly interwoven to shape the contours of her features—cheeks, brow, nose, and jawline. Each hand is static, frozen in place, its fine details crisp and tangible, with visible creases, knuckles, and fingernails. Her eyes are not traditional eyes but two hollow, dark voids, framed by open fingers curled inward, mimicking the shape of eye sockets. The depth inside these voids is infinite, absorbing light rather than reflecting it, making them appear hauntingly empty yet impossibly deep. Her lips are formed by tightly interlocked fingers, positioned in a way that mimics a mouth, yet their rigid stillness makes them unsettlingly unnatural. The illusion of human softness is lost, replaced by the uncanny texture of layered skin and fingernails. The mouth does not open, nor do the fingers move—only the eerie symmetry and unnatural formation of the face hint at something beyond human. The fingers composing her face are not chaotic, but deliberately placed, each one fused into a perfect, unnerving pattern that creates the illusion of organic facial structure. Their textures vary, some smooth and youthful, others rough and calloused, creating an unsettling contrast in detail. The edges of her face fade into a dark void.

      FLUX

    • Dev - flux_dev.safetensors