null consumed by war

    Native american art, best quality, ultra hi res, buddhist thangka painting, planet earth covered by fog of war, rain of sorrow, fire of hatred, blizzard of ignorance. Within the planet four vortexes of multicolored light spiral inward towards the core, the light of the beloved, the light of the warrior, the light of the guardian, the light of the healer. On the southern pole the illuminati erect a profane upside-down pyramid, its zenith reaching down into a gaping mouth. Below the planet is a ravenous galactic superpredator with an open toothed maw and hundreds of tentatcles covered with eyes reaching upwards straining to consume the earth, radial symetry, abstract, emotional
    analog film photo POV, FPS, combat footage, firing a rifle at an alien, headshot turning it into a bloody mist, fierce firefight with the alien invaders, real found footage from a classified battle, action shot, blurry, low quality, bad quality, low lighting, chaotic war recording, they lurk in the shadows and consume the flesh of the living, the aliens are true and horrifying . faded film, desaturated, 35mm photo, grainy, vignette, vintage, Kodachrome, Lomography, stained, highly detailed, found footage, it is coming down the hallway, and it is smiling; the creature smells your blood; you can just barely see it, emerging from the darkness, oh god, you fire at it, but bullets seem to do nothing. Your captain in being eaten alive, screaming, "RUN! oh god there's so much blood! retreat! It's eating me alive!"
    analog film photo POV, FPS, combat footage, firing a rifle at an alien, headshot turning it into a bloody mist, fierce firefight with the alien invaders, real found footage from a classified battle, action shot, blurry, low quality, bad quality, low lighting, chaotic war recording, they lurk in the shadows and consume the flesh of the living, the aliens are true and horrifying . faded film, desaturated, 35mm photo, grainy, vignette, vintage, Kodachrome, Lomography, stained, highly detailed, found footage, it is coming down the hallway, and it is smiling; the creature smells your blood; you can just barely see it, emerging from the darkness, oh god, you fire at it, but bullets seem to do nothing. Your captain in being eaten alive, screaming, "RUN! oh god there's so much blood! retreat! It's eating me alive!"
    analog film photo POV, FPS, combat footage, firing a rifle at an alien, headshot turning it into a bloody mist, fierce firefight with the alien invaders, real found footage from a classified battle, action shot, blurry, low quality, bad quality, low lighting, chaotic war recording, they lurk in the shadows and consume the flesh of the living, the aliens are true and horrifying . faded film, desaturated, 35mm photo, grainy, vignette, vintage, Kodachrome, Lomography, stained, highly detailed, found footage, it is coming down the hallway, and it is smiling; the creature smells your blood; you can just barely see it, emerging from the darkness, oh god, you fire at it, but bullets seem to do nothing. Your captain in being eaten alive, screaming, "RUN! oh god there's so much blood! retreat! It's eating me alive!"
    Native american art, best quality, ultra hi res, buddhist thangka painting, planet earth covered by fog of war, rain of sorrow, fire of hatred, blizzard of ignorance. Within the planet four vortexes of multicolored light spiral inward towards the core, the light of the beloved, the light of the warrior, the light of the guardian, the light of the healer. On the southern pole the illuminati erect a profane upside-down pyramid, its zenith reaching down into a gaping mouth. Below the planet is a ravenous superpredator with an open toothed maw and hundreds of tentatcles covered with eyes reaching upwards straining to consume the earth
    "A desolate battlefield where an enormous, twisted war machine dominates the landscape, symbolizing the relentless, dehumanizing force of conflict. The machine is composed of distorted metal and gears, fused with the skeletal remains of soldiers, their forms partially emerging from the structure, representing the lives consumed by war. In the distance, trenches filled with ghostly figures stretch towards a horizon obscured by thick, swirling fog. Above, the sky is a chaotic mass of dark clouds, pierced by beams of cold, lifeless light. The painting should evoke the style of Beksiński, blending a nightmarish, surreal atmosphere with classical, symbolic imagery."
    analog film photo POV, FPS, combat footage, firing a rifle at an alien, headshot turning it into a bloody mist, fierce firefight with the alien invaders, real found footage from a classified battle, action shot, blurry, low quality, bad quality, low lighting, chaotic war recording, they lurk in the shadows and consume the flesh of the living, the aliens are true and horrifying . faded film, desaturated, 35mm photo, grainy, vignette, vintage, Kodachrome, Lomography, stained, highly detailed, found footage, it is coming down the hallway, and it is smiling; the creature smells your blood; you can just barely see it, emerging from the darkness, oh god, you fire at it, but bullets seem to do nothing. Your captain in being eaten alive, screaming, "RUN! oh god there's so much blood! retreat! It's eating me alive!"
    Native american art, best quality, ultra hi res, buddhist thangka painting, planet earth covered by fog of war, rain of sorrow, fire of hatred, blizzard of ignorance. Within the planet four vortexes of multicolored light spiral inward towards the core, the light of the beloved, the light of the warrior, the light of the guardian, the light of the healer. On the southern pole the illuminati erect a profane upside-down pyramid, its zenith reaching down into a gaping mouth. Below the planet is a ravenous galactic superpredator with an open toothed maw and hundreds of tentatcles covered with eyes reaching upwards straining to consume the earth, radial symetry, abstract, emotional
    analog film photo POV, FPS, combat footage, firing a rifle at an alien, headshot turning it into a bloody mist, fierce firefight with the alien invaders, real found footage from a classified battle, action shot, blurry, low quality, bad quality, low lighting, chaotic war recording, they lurk in the shadows and consume the flesh of the living, the aliens are true and horrifying . faded film, desaturated, 35mm photo, grainy, vignette, vintage, Kodachrome, Lomography, stained, highly detailed, found footage, it is coming down the hallway, and it is smiling; the creature smells your blood; you can just barely see it, emerging from the darkness, oh god, you fire at it, but bullets seem to do nothing. Your captain in being eaten alive, screaming, "RUN! oh god there's so much blood! retreat! It's eating me alive!"
    analog film photo POV, FPS, combat footage, firing a rifle at an alien, headshot turning it into a bloody mist, fierce firefight with the alien invaders, real found footage from a classified battle, action shot, blurry, low quality, bad quality, low lighting, chaotic war recording, they lurk in the shadows and consume the flesh of the living, the aliens are true and horrifying . faded film, desaturated, 35mm photo, grainy, vignette, vintage, Kodachrome, Lomography, stained, highly detailed, found footage, it is coming down the hallway, and it is smiling; the creature smells your blood; you can just barely see it, emerging from the darkness, oh god, you fire at it, but bullets seem to do nothing. Your captain in being eaten alive, screaming, "RUN! oh god there's so much blood! retreat! It's eating me alive!"
    Native american art, best quality, ultra hi res, buddhist thangka painting, planet earth covered by fog of war, rain of sorrow, fire of hatred, blizzard of ignorance. Within the planet four vortexes of multicolored light spiral inward towards the core, the light of the beloved, the light of the warrior, the light of the guardian, the light of the healer. On the southern pole the illuminati erect a profane upside-down pyramid, its zenith reaching down into a gaping mouth. Below the planet is a ravenous galactic superpredator with an open toothed maw and hundreds of tentatcles covered with eyes reaching upwards straining to consume the earth, radial symetry, abstract, emotional
    analog film photo POV, FPS, combat footage, firing a rifle at an alien, headshot turning it into a bloody mist, fierce firefight with the alien invaders, real found footage from a classified battle, action shot, blurry, low quality, bad quality, low lighting, chaotic war recording, they lurk in the shadows and consume the flesh of the living, the aliens are true and horrifying . faded film, desaturated, 35mm photo, grainy, vignette, vintage, Kodachrome, Lomography, stained, highly detailed, found footage, it is coming down the hallway, and it is smiling; the creature smells your blood; you can just barely see it, emerging from the darkness, oh god, you fire at it, but bullets seem to do nothing. Your captain in being eaten alive, screaming, "RUN! oh god there's so much blood! retreat! It's eating me alive!"
    DB4RZ style painting A dramatic and intense scene depicting a battlefield where light clashes with darkness. In the center, a heroic figure stands with a determined expression, glowing with a radiant aura that contrasts the surrounding chaos. The sky is divided; half is bright with a setting sun, while the other half is consumed by a rising darkness filled with swirling clouds and faint ghostly shapes. Broken weapons, fallen banners, and the remnants of battle scatter the foreground. The scene captures the moment of a "good man goes to war," with friends and allies shown fading into shadows on one side, and enemies recoiling on the other. Art style inspired by Laura Iverson, blending surrealism and dramatic lighting, with a focus on vivid contrasts between light and dark. aidmaabdhr
    A towering elysium war mech strides through a desolate battlefield, its massive, armored frame inspired by classic sci-fi war machines. Jagged plating and exposed hydraulics give it a rugged, battle-worn look, while glowing sensors flicker through the dust-filled air. The setting sun casts a sickly blueish White glow over the scene, barely piercing the swirling sandstorm that engulfs the mech’s silhouette. Its heavy, mechanical limbs move with purpose, each step sending tremors through the cracked, barren ground. The air is thick with dust and debris, obscuring distant wreckage and shattered structures in the background. Faint flashes of distant explosions blink through the haze, illuminating the mech’s form in brief, ghostly silhouettes. The scene is cinematic, evoking the grim beauty of a dying Elysium world consumed by endless war.
    Native american art, best quality, ultra hi res, buddhist thangka painting, planet earth covered by fog of war, rain of sorrow, fire of hatred, blizzard of ignorance. Within the planet four vortexes of multicolored light spiral inward towards the core, the light of the beloved, the light of the warrior, the light of the guardian, the light of the healer. On the southern pole the illuminati erect a profane upside-down pyramid, its zenith reaching down into a gaping mouth. Below the planet is a ravenous superpredator with an open toothed maw and hundreds of tentatcles covered with eyes reaching upwards straining to consume the earth, radial symetry, abstract, emotional
    A massive, ashen castle stands tall on a desolate hill, its walls made of blackened stone, scarred by centuries of war and fire. The castle’s gates are closed, but the sound of eerie whispers drifts from within. The surrounding land is barren, with only a few twisted trees standing as reminders of the destruction that once ravaged the land. Inside the castle, the throne room is dimly lit by flickering torches, and a figure sits upon the throne, cloaked in shadow. They are the last of the ancient kings, now an immortal being consumed by dark magic, ruling over a kingdom of ashes and lost souls.
    Envision a scene in a fantasy art style, showcasing a striking warrior woman clad in gothic, ornate black and gold armor. Her face is enigmatically obscured by a mask that covers her eyes, adding an air of mystery and determination, while her hair is styled into a sleek black ponytail, enhancing her fierce, helmet-less visage. She stands ready for combat, holding a long, elegant royal sword with both hands, its blade gleaming with a promise of battle prowess. Behind her, the backdrop is a village consumed by flames, with smoke billowing into the darkened sky, creating a stark contrast to her dark and imposing armor. This dramatic setting not only emphasizes the chaos of war but also highlights her readiness to face the ensuing conflict, combining elements of gothic elegance and the brutal realities of a fantasy battlefield
    aidmaHyperrealism, A cybernetic wraith of the dystopian future, an elite AI-driven hunter cloaked in an ethereal hooded nano-fabric shroud, seamlessly blending dark elegance with ultra-futuristic warfare aesthetics. The humanoid frame is encased in an intricately layered exosuit, forged from lightweight yet impenetrable graphene-infused alloy, adorned with glowing micro-filaments of violet and cyan energy running like veins across its surface. The sleek armored plating, crafted with biomechanical precision, seamlessly conforms to the warrior’s agile form, reinforced with flexible kinetic-dampening systems and high-tech energy dispersal nodes. The helmet, an advanced neural interface unit, features a mesmerizing, prismatic visor that refracts shifting hues of blue, purple, and magenta, hiding the cold intelligence of its AI core. The suit is augmented with integrated stealth-field emitters, allowing the figure to become a ghost in the desert sands, vanishing from sight at will. The arms, layered with articulated cybernetic plating, house built-in plasma conductors, micro-energy blades, and rapid-fire neural response systems, ensuring split-second reaction times in combat. The chest piece contains a pulsating quantum core, exuding soft, rhythmic flashes of controlled energy, serving as both a power source and a tactical interface hub. The lower body, reinforced with advanced gyroscopic stabilizers and magnetic thruster nodes, allows for seamless, gravity-defying movement across the rugged desert terrain. The environment is hauntingly cinematic—a desolate wasteland of ancient technological ruins, flickering holographic warnings, and abandoned outposts consumed by time. The cybernetic hunter stands tall, an enigmatic sentinel of the future, a fusion of war-forged technology and shadowy elegance, waiting for its next mission to unfold in the dystopian night. <lora:aidmaHyperrealism-FLUX-v0.3:0.6>
    A towering elysium war mech strides through a desolate battlefield, its massive, armored frame inspired by classic sci-fi war machines. Jagged plating and exposed hydraulics give it a rugged, battle-worn look, while glowing sensors flicker through the dust-filled air. The setting sun casts a sickly blueish White glow over the scene, barely piercing the swirling sandstorm that engulfs the mech’s silhouette. Its heavy, mechanical limbs move with purpose, each step sending tremors through the cracked, barren ground. The air is thick with dust and debris, obscuring distant wreckage and shattered structures in the background. Faint flashes of distant explosions blink through the haze, illuminating the mech’s form in brief, ghostly silhouettes. The scene is cinematic, evoking the grim beauty of a dying Elysium world consumed by endless war., of a radiant Elysium knight in the midst of an epic desert battle. His helmet is intricately adorned with sharp ridges and glowing golden slits for eyes, appearing like burning fractures in the metal. The focus is razor-sharp on the glowing eyes, while the rest fades into a blend of light refractions and soft blur effects. Dust particles swirl through the air, caught in the blinding desert light.
    A towering elysium war mech strides through a desolate battlefield, its massive, armored frame inspired by classic sci-fi war machines. Jagged plating and exposed hydraulics give it a rugged, battle-worn look, while glowing sensors flicker through the dust-filled air. The setting sun casts a sickly blueish White glow over the scene, barely piercing the swirling sandstorm that engulfs the mech’s silhouette. Its heavy, mechanical limbs move with purpose, each step sending tremors through the cracked, barren ground. The air is thick with dust and debris, obscuring distant wreckage and shattered structures in the background. Faint flashes of distant explosions blink through the haze, illuminating the mech’s form in brief, ghostly silhouettes. The scene is cinematic, evoking the grim beauty of a dying Elysium world consumed by endless war.
    aidmaHyperrealism, Comic book illustration A massive, ancient spacecraft, partially buried in an unforgiving, snow-covered landscape, looms over two lone explorers who cautiously trek toward its enormous, gaping entrance. The ship’s hull is heavily weathered, covered in deep scratches, battle scars, and frost-laced metal, its once-sleek futuristic design now eroded by centuries of exposure. The torn-open section reveals a tangled mess of advanced, decayed technology, a web of glowing orange conduits, exposed circuits, and skeletal remains of alien machinery, pulsating weakly with dying energy. Inside, rusted mechanical arms hang lifeless, half-consumed by frost, as remnants of a lost civilization slumber in the ship’s cathedral-like metallic interior. The cold wind howls through the ruptured hull, carrying whispers of a war long forgotten. The explorers, barely specks against the colossal wreck, pause at the threshold, their breath visible in the frigid air, knowing they are standing before the last remnant of an unknown species, frozen in time, waiting to be discovered. <lora:FluxDFaeTasticDetails:0.3> <lora:Comic_Style_-_FLUX:0.6>

      FLUX

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