null bride with long

    midjourneyv6.1, Dynamic angle, whole picture is in black and white with points of gold, in the shadows dark silhouette with huge glowing golden crown on a giant dark throne, bride, pale skinned, huge ornate intricate bright golden crown shines, bright white wedding dress, glowing dress, very long dress, dress goes out of the frame, throne is horror style, undistinguishable face covered in shadows, silhouette posture is very relaxed lying on the throne, golden glow fills the whole picture, intricate golden glow all over the crown, circular dark skies above the throne, background is a busy clouds and dark castle tops, epic scale. masterpiece, artsy, highly detailed
    Cursed Gothic Bride "A sorrowful, ghostly bride in an elegant Victorian black lace gown, her long veil tattered and flowing behind her. Her hollow eyes glow faintly with a supernatural light, and her delicate hands clutch a withered bouquet of roses. A shadowy figure lurks behind her in the candlelit ruins of a forgotten chapel."
    a haunting image of a female ghost bride from the Victorian era, with long, flowing black hair and a pale, ethereal complexion. She is dressed in a tattered white wedding gown, standing at the top of a grand staircase in an abandoned mansion. The mansion is filled with decaying furniture, cracked walls, and cobwebs. The atmosphere is dark and eerie, with flickering candlelight casting long shadows on the walls. Her eyes are hollow and filled with sorrow, and she clutches a wilted bouquet of black roses. A cold mist surrounds her, and faint whispers can be heard in the air.
    Concept art, (shot above the thighs), a hauntingly beautiful bride with long, flowing white hair that contrasts starkly with her deep, sorrowful eyes, which seem to carry the weight of an unfulfilled promise. Her skin is pale, almost luminescent, as if she were made of moonlight. She wears (a tattered wedding gown that was once magnificent, now adorned with withered flowers and vines that have begun to entwine with the fabric). Her veil is torn and floats eerily in the wind, and her hands, delicate and graceful, hold a bouquet of dead roses that crumble to ash with each passing second. She stands in a shadowed forest, where twisted trees with gnarled branches loom ominously, their leaves long gone, and the ground beneath her feet is covered in mist. In a dynamic pose, she looks back over her shoulder, as if searching for the love that never arrived, while shadows twist and writhe around her. The background is a dark, eerie landscape filled with the echoes of forgotten vows and lost love, with faint, ghostly figures appearing and disappearing in the distance. The atmosphere is tragic and haunting, filled with the sorrow of love lost to time and fate, with soft, melancholic lighting, and a mood of deep, unrelenting sadness. , in style of Ilya Kuvshinov
    Edgar Allan Poe 1809 –1849 It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of Annabel Lee; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea: But we loved with a love that was more than love— I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me— Yes!—that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we— Of many far wiser than we— And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee: For the moon never beams, without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise, but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling—my darling—my life and my bride, In her sepulchre there by the sea, In her tomb by the sounding sea.
    The Final Duel from Kill Bill, but Everything is Paper Cutouts – In the serene courtyard of a traditional Japanese temple, a delicate paper version of The Bride stands poised with a katana, her silhouette cut from a single sheet of golden parchment. Across from her, a paper-thin O-Ren Ishii, clad in an intricately folded kimono, holds her sword at the ready, her crimson-painted lips frozen in an expression of calm defiance. The falling snow is crafted from tiny, intricately cut flakes, each piece scattered delicately across the flat-paper ground. The glowing lanterns lining the garden flicker softly, their light creating long, elegant shadows that stretch across the scene, their edges crisp and impossibly precise. Every tree branch, every ripple in the koi pond, every strand of hair is a perfectly cut layer, meticulously arranged to bring this frozen moment of tension to life in a world of delicate, two-dimensional artistry. , detailed background Fantastic lighting. Detailed shadows.intricate details, vivid colors, hyper-detailed, ultra-sharp, , ,meiman_style,This is a retro comic book style digital illustration, <lora:meimanstylev2:0.4><lora:Vintage comic book:0.4><lora:RetroAnimeFluxV1:0.15><lora:Greg_Capullo_style:0.4><lora:jeanClaude_Mzires_Style_FLUX-000001:0.4><lora:Flux_Ink_Anime:0.4>
    Concept art, (shot above the thighs), a hauntingly beautiful bride with long, flowing white hair that contrasts starkly with her deep, sorrowful eyes, which seem to carry the weight of an unfulfilled promise. Her skin is pale, almost luminescent, as if she were made of moonlight. She wears (a tattered wedding gown that was once magnificent, now adorned with withered flowers and vines that have begun to entwine with the fabric). Her veil is torn and floats eerily in the wind, and her hands, delicate and graceful, hold a bouquet of dead roses that crumble to ash with each passing second. She stands in a shadowed forest, where twisted trees with gnarled branches loom ominously, their leaves long gone, and the ground beneath her feet is covered in mist. In a dynamic pose, she looks back over her shoulder, as if searching for the love that never arrived, while shadows twist and writhe around her. The background is a dark, eerie landscape filled with the echoes of forgotten vows and lost love, with faint, ghostly figures appearing and disappearing in the distance. The atmosphere is tragic and haunting, filled with the sorrow of love lost to time and fate, with soft, melancholic lighting, and a mood of deep, unrelenting sadness. , in style of Ilya Kuvshinov
    ((A ghost skull)) of an Indian bride Wearing a BlouseLess SleeveLess OneShoulder Saree, Red Color Saree. She has long black hair and is wearing heavy jewellery. The bride is standing in a haunted house with broken furniture and eerie lighting. There are cobwebs in the corners of the room. The background is dark. ((aidmaHalloweenBoost, character with no flesh in face, no skin in her body))
    Amazing detailed digital artwork image of a supernatural, semi-realistic , adorable gothic , tim Burton , corpse bride, style female ghost zombie girl, with skeleton parts and a glowing shroud , eerie chains and cuffs on her ankle a spooky spirit with glowing black and white hair, flowing long white hair with little cartoon spider dangling in the trees , rusty choker, her big bare feet at dangling in the air, because our spirit is flying through a haunted forest at night with spooky puppy zombie ghosts, hanging on rusty chains, vanishing in glowing fog, misty ground, there are little fireflies , spiderwebs with dewdrops and pale moonlight. Pixar Disney style, super skinny, skeleton hands , Super professional concept illustration, smile with sharp teeth, Transparent glowing ghost, bioluminescent, glitter, withe hair, backlight , seethrough, zombie, torn shredded fabric, chained, open mouth, self-glowing, nightmare before Christmas style, skull and bones,
    Dynamic angle, whole picture is in black and white with points of red, in the shadows dark silhouette with huge glowing golden crown on a giant ornate, huge sword in hands, huge red moon looms over the throne, circular clouds, dark throne, bride, pale skinned, huge ornate intricate bright golden crown shines, bright white wedding dress, glowing dress, very long dress, dress goes out of the frame, throne is horror style, burning particles close, bokeh, face is a cosmic dark, covered in shadows, silhouette posture is very relaxed lying on the throne, golden glow fills the whole picture, intricate golden glow all over the crown, circular dark skies above the throne, background is a busy clouds and dark castle tops, epic scale. masterpiece, artsy, highly detailed
    Ultra realistic iphone photo of lunai : Close-up shot of Lunai, radiant in her bride costume, illuminated by softbox lighting that accentuates her porcelain complexion. Her long, wavy black hair is swept elegantly to the right, framing her striking olive-green eyes. A subtle smile plays on her lips as she gazes directly into the camera lens. The dark, mystical ambiance of the Halloween party provides a dramatic backdrop for this ultra-realistic iPhone photo.
    midjourneyv6.1, Dynamic angle, whole picture is in black and white with points of gold, in the shadows dark silhouette with golden crown on a giant dark throne, bride thin, pale skinned, small breasts, huge ornate intricate bright golden crown shines, bright white wedding dress, glowing dress, very long dress, dress goes out of the frame, throne is horror style, undistinguishable face covered in shadows, silhouette posture is very dominant sitting on the throne, golden glow fills the whole picture, intricate golden glow all over the crown, dark skies above the throne, background is a busy clouds and dark castle tops, epic scale. masterpiece, artsy, highly detailed
    horror show, monster, nightmare, fear, Cinematic style, Beauty, retro game art pixel art, In an early medieval setting. The image has been edited and distorted to contain oversaturated colors. Glitchy visuals and binary code, an army of zombies, A terrifying zombie dressed as a hunted bride, her once white wedding dress now tattered and soaked in blood. A veil barely hangs on her rotting head, and her bony hand holds a bouquet of wilted, blackened roses. A forgotten pumpkin patch, overgrown with weeds and long abandoned by its caretakers. Rotting pumpkins dot the field, some still glowing faintly from within. Scarecrows stand like sentries, but their eyes seem to follow your every move. dynamic, dramatic, (bright: 1.2), (bright colors: 1.3), medieval fantasy game art, nostalgic, charming, glitchcore style, glitch lines, glitch pixels,
    a woman with green hair,spiky hair,mohawk, white dress,long dress,bride dress, gown,solo, in front a church,outdoors,sad, ,playing red panflute , detailed background Fantastic lighting. Detailed shadows.intricate details, vivid colors, hyper-detailed, ultra-sharp, <lora:PANFLUTE_FLUX>, <lora:Ev_Ganin:0.4><lora:Vintage comic book:0.4><lora:RetroAnimeFluxV1:0.15><lora:Greg_Capullo_style:0.4><lora:jeanClaude_Mzires_Style_FLUX-000001:0.4><lora:Flux_Ink_Anime:0.4>
    The wedding ceremony exudes enchantment. At the altar stands the bride, a striking Medusa, her silver-scaled skin shimmering beneath the soft lavender light. She wears a long black dress that trails behind her, each of her serpentine locks delicately holding a tiny bouquet of vibrant purple flowers. The vibrant blooms contrast beautifully with her dark attire, adding to the ethereal atmosphere of the church, adorned in lavender hues. Beside her stands the groom, a small but well-dressed white-haired anthropomorphic rat. His bright eyes sparkle with excitement and love as he gazes at his bride, his whiskers twitching with nervous energy. The priest, a regal anthropomorphic snake with gleaming scales, begins the ceremony with a smooth, warm voice. Yet, his gaze keeps straying to the groom’s tail, which flicks enticingly. His eyes glint with a momentary distraction. The bride notices and shoots him a cold, icy glance. Her expression clearly says, *“Not today.”* Her grip tightens around her bouquet, her tail subtly coiling in warning. The priest quickly refocuses, the guests—fellow anthropomorphic snakes—none the wiser to the brief tension. The scene is one of love, magic, and quiet humor, as the couple prepares to begin their life together in a moment of serene and festive joy.
    The wedding ceremony exudes enchantment. At the altar stands the bride, a striking Medusa, her silver-scaled skin shimmering beneath the soft lavender light. She wears a long black dress that trails behind her, each of her serpentine locks delicately holding a tiny bouquet of vibrant purple flowers. The vibrant blooms contrast beautifully with her dark attire, adding to the ethereal atmosphere of the church, adorned in lavender hues. Beside her stands the groom, a small but well-dressed white-haired anthropomorphic rat. His bright eyes sparkle with excitement and love as he gazes at his bride, his whiskers twitching with nervous energy. The priest, a regal anthropomorphic snake with gleaming scales, begins the ceremony with a smooth, warm voice. Yet, his gaze keeps straying to the groom’s tail, which flicks enticingly. His eyes glint with a momentary distraction. The bride notices and shoots him a cold, icy glance. Her expression clearly says, *“Not today.”* Her grip tightens around her bouquet, her tail subtly coiling in warning. The priest quickly refocuses, the guests—fellow anthropomorphic snakes—none the wiser to the brief tension. The scene is one of love, magic, and quiet humor, as the couple prepares to begin their life together in a moment of serene and festive joy.
    The wedding ceremony exudes enchantment. At the altar stands the bride, a striking Medusa, her silver-scaled skin shimmering beneath the soft lavender light. She wears a long black dress that trails behind her, each of her serpentine locks delicately holding a tiny bouquet of vibrant purple flowers. The vibrant blooms contrast beautifully with her dark attire, adding to the ethereal atmosphere of the church, adorned in lavender hues. Beside her stands the groom, a small but well-dressed white-haired anthropomorphic rat. His bright eyes sparkle with excitement and love as he gazes at his bride, his whiskers twitching with nervous energy. The priest, a regal anthropomorphic snake with gleaming scales, begins the ceremony with a smooth, warm voice. Yet, his gaze keeps straying to the groom’s tail, which flicks enticingly. His eyes glint with a momentary distraction. The bride notices and shoots him a cold, icy glance. Her expression clearly says, *“Not today.”* Her grip tightens around her bouquet, her tail subtly coiling in warning. The priest quickly refocuses, the guests—fellow anthropomorphic snakes—none the wiser to the brief tension. The scene is one of love, magic, and quiet humor, as the couple prepares to begin their life together in a moment of serene and festive joy.
    The wedding ceremony exudes enchantment. At the altar stands the bride, a striking Medusa, her silver-scaled skin shimmering beneath the soft lavender light. She wears a long black dress that trails behind her, each of her serpentine locks delicately holding a tiny bouquet of vibrant purple flowers. The vibrant blooms contrast beautifully with her dark attire, adding to the ethereal atmosphere of the church, adorned in lavender hues. Beside her stands the groom, a small but well-dressed white-haired anthropomorphic rat. His bright eyes sparkle with excitement and love as he gazes at his bride, his whiskers twitching with nervous energy. The priest, a regal anthropomorphic snake with gleaming scales, begins the ceremony with a smooth, warm voice. Yet, his gaze keeps straying to the groom’s tail, which flicks enticingly. His eyes glint with a momentary distraction. The bride notices and shoots him a cold, icy glance. Her expression clearly says, *“Not today.”* Her grip tightens around her bouquet, her tail subtly coiling in warning. The priest quickly refocuses, the guests—fellow anthropomorphic snakes—none the wiser to the brief tension. The scene is one of love, magic, and quiet humor, as the couple prepares to begin their life together in a moment of serene and festive joy.
    The wedding ceremony exudes enchantment. At the altar stands the bride, a striking Medusa, her silver-scaled skin shimmering beneath the soft lavender light. She wears a long black dress that trails behind her, each of her serpentine locks delicately holding a tiny bouquet of vibrant purple flowers. The vibrant blooms contrast beautifully with her dark attire, adding to the ethereal atmosphere of the church, adorned in lavender hues. Beside her stands the groom, a small but well-dressed white-haired anthropomorphic rat. His bright eyes sparkle with excitement and love as he gazes at his bride, his whiskers twitching with nervous energy. The priest, a regal anthropomorphic snake with gleaming scales, begins the ceremony with a smooth, warm voice. Yet, his gaze keeps straying to the groom’s tail, which flicks enticingly. His eyes glint with a momentary distraction. The bride notices and shoots him a cold, icy glance. Her expression clearly says, *“Not today.”* Her grip tightens around her bouquet, her tail subtly coiling in warning. The priest quickly refocuses, the guests—fellow anthropomorphic snakes—none the wiser to the brief tension. The scene is one of love, magic, and quiet humor, as the couple prepares to begin their life together in a moment of serene and festive joy.
    Edgar Allan Poe 1809 – 1849 It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of Annabel Lee; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea: But we loved with a love that was more than love— I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me— Yes!—that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we— Of many far wiser than we— And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee: For the moon never beams, without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise, but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling—my darling—my life and my bride, In her sepulchre there by the sea, In her tomb by the sounding sea.
    In the hollowed remains of an ancient cathedral, where ivy winds through shattered stained glass windows, a weary knight in battle-worn armor stands before a ghostly bride, her translucent veil flowing as if caught in an unseen breeze. His sword is lowered, forgotten in the moonlight, while his gauntleted hand stretches toward hers—so close, yet never touching. The phantom’s eyes glow softly, filled with an eternal sorrow, as if she remembers a love that time itself had tried to erase. The cracked stone floor is covered in petals from a long-withered bouquet, their once-vibrant reds now muted with age. Above, the stars shine through the open ceiling, casting long shadows across the ruins—a love story frozen between life and death. , detailed background Fantastic lighting. Detailed shadows.intricate details, vivid colors, hyper-detailed, ultra-sharp, , <lora:aesthetical-000003:0.15><lora:aidmaNSFWunlock-FLUX-PonyStyle-v0.1:0.15><lora:Flux-jijia:0.1><lora:GLSHS:0.6>
    a woman with green hair,spiky hair,mohawk, white dress,long dress,bride dress, gown,solo, in front a church,outdoors,sad, ,playing red panflute , detailed background Fantastic lighting. Detailed shadows.intricate details, vivid colors, hyper-detailed, ultra-sharp, <lora:PANFLUTE_FLUX>, <lora:aidmaImageUpgrader-FLUX-V0.2:0.5><lora:PinkieFluxProUltraFantasia><lora:FluxDFaeTasticDetails:0.7>

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