null a xenomorph in

    (photography), (cinematic lighting:1.5) alien  monster, toned legs, six pack, front view, futuristic complex carbon suit, (intrincated details suit), slender, extremely narrow waist stunning eyes,,large, sharp teeth, horror, terror, walking along the beach surrounded by beautiful women, Very long, spiked tongue sucking a girl, xenomorph, neon lights,  (detailed scene), volumetric light, haze, fog, 80s film style, vhs style,
XenoFlux,  Slime, detailed scene
photo (medium),  slime body, daft punk led helmet,
    Image is featured with a realistic wet surfaces covered with a dense translucent liquids like saliva. Ultra-realistic macrophotograph a miniature xenomorph crawling on the floor covered with (translucent organic liquid:1.2). This eerie xenomorph has an intricate texture of a skin covered with lizard-like scales and having a tongue of a monitor lizard. Scene appears in a dimly lit dirty interior filled with disgusting waste products of alien insects and other life forms. Xenomorph is hybridized with octopus. Grayscale sci-fi horror film still with crimson detailing. H.R. Giger style.
Depressing atmosphere and weird extraterrestrial organic structures. Colors of rotten organic matter are disgusting. Feel of isolation and fear. Pieces of disgusting alien organic sprouts and splatters. A thin layer of smelly liquid covers the floor, unsettling atmosphere. Scary alien life forms resembling larva and ringed worms with numerous thin legs are scattered around. Analog film with strong film grain, Swirly bokeh, strong gloom.
BREAK Disgusting alien organic sprouts and splatters on concrete walls. Organic matter decayed and putrid, sickly hues. Finest texture and detail, sprouts and splatters.
BREAK Floor is littered with scary alien life forms resembling larva and ringed worms. Numerous thin legs. Sickly hues, eerie and unsettling mood.
BREAK Image presents a crispy micro-detailing and moderate depth of field and subtle creamy bokeh.
    a alien xenomorph in a classic christmas green pajama. sitting on the sofa holding hot choccolate cup with "Civitai Christmas" text on it the scene is in a big living room with christmas tree and candles, outside the window is evening and snow fall, christmas living room, bo-christmas
    a realistic candid real life raw analog photo with perfect detail and lighting in sharp focus, dramatic lighting, realistic body proportions and anatomy, BREAK,Xenomorph from Aliens, black exoskeleton, elongated head, vicious   is catching fish with   Lois Griffin from Family Guy, red hair, green shirt, housewife, rational  ,in a bustling office with typing keyboards and phone calls
    (photography), (professional lighting), (cinematic lighting:1.5) alien  monster, toned legs, six pack, front view, futuristic complex carbon suit, (intrincated details suit), slender, extremely narrow waist stunning eyes,, solo, eyes, space ship, xenomorph, neon lights,  (detailed scene), volumetric light, haze, fog,
XenoFlux, Starship corridor, Slime, detailed scene
photo (medium),  slime body
    n4asp8unk style,  a close-up of a white xenomorph prowling inside a crashed, overgrown spaceship. The chaotic polyhedral dimly lit starkly white interior has partial power, as a few flickering screens and consoles display red depleted power status indicators. Intricate switches and levers are still functional, their surfaces covered in vines and moss from the surrounding alien flora. Debris lies scattered around including large bits of burnt metal. Outside the shattered windows, the fractal alien world expands endlessly, its landscape twisting and folding into itself, with bizarre, geometric green and purple plant life glowing faintly in the distance. The intricate detail of the ship’s control panel contrasts with the wild overgrowth, blending technology and nature in a surreal, almost dreamlike atmosphere. <lora:NasaPunk:0.7>  <lora:ral-ovrgrwth-flux:0.5> ral-ovrgrwth  <lora:Fractals_FLUX_Ethanar:0.5>
    Image is featured with a realistic wet surfaces covered with a dense translucent liquids like saliva. Ultra-realistic macrophotograph a miniature xenomorph crawling on the floor covered with (translucent organic liquid:1.2). This eerie xenomorph has an intricate texture of a skin covered with lizard-like scales and having a tongue of a monitor lizard. Scene appears in a dimly lit dirty interior filled with disgusting waste products of alien insects and other life forms. Xenomorph is hybridized with octopus. Grayscale sci-fi horror film still with crimson detailing. H.R. Giger style.
Depressing atmosphere and weird extraterrestrial organic structures. Colors of rotten organic matter are disgusting. Feel of isolation and fear. Pieces of disgusting alien organic sprouts and splatters. A thin layer of smelly liquid covers the floor, unsettling atmosphere. Scary alien life forms resembling larva and ringed worms with numerous thin legs are scattered around. Analog film with strong film grain, Swirly bokeh, strong gloom.
BREAK Disgusting alien organic sprouts and splatters on concrete walls. Organic matter decayed and putrid, sickly hues. Finest texture and detail, sprouts and splatters.
BREAK Floor is littered with scary alien life forms resembling larva and ringed worms. Numerous thin legs. Sickly hues, eerie and unsettling mood.
BREAK Image presents a crispy micro-detailing and moderate depth of field and subtle creamy bokeh.
    A group of alien xenomorphs, sitting on a sofa, watching tv. On the TV is a show called "HUMANS" dramatic moody lighting.
    Imagine a hyper-realistic photograph set in a surreal, futuristic urban landscape where the extraordinary meets the mundane. In the foreground, a Xenomorph, with its sleek, dark exoskeleton and elongated head, is seated at a table. The Xenomorph's glossy surface reflects the dim, eerie light of the surroundings, adding to its menacing yet oddly serene presence.
In front of the Xenomorph, a sign reads, “Ripley Was Right / Change My Mind,” in bold, provocative letters. Next to the sign, the Xenomorph is holding a steaming cup of coffee in one of its talon-like hands, the steam rising gently in the cool air.
The table and surrounding environment are a blend of cold, metallic structures and strange, organic growths—alien tendrils creeping up skyscrapers and walls pulsating with bioluminescence. The wet, reflective ground amplifies the moody atmosphere with ripples of light and shadow.
The futuristic cityscape in the background is a mix of high-tech and otherworldly elements, with sharp contrasts and muted tones enhancing the surreal quality of the scene. The juxtaposition of the Xenomorph’s intimidating appearance and the ordinary act of sipping coffee adds a bizarre yet captivating element to the tableau, creating an oddly peaceful and thought-provoking moment.
     a close-up of Xenomorph, an alien creature with a distinctive, elongated head and a slick, wet appearance. The creature had no eyes, its teeth were made of reflective silver-colored metal, The creature's skin is dark and glossy, covered in what appears to be a slimy substance. Its mouth is open, revealing sharp, metallic-like teeth, and there are streams of drool or some liquid dripping from its jaws. The background is somewhat blurred, with a dim, greenish light, creating a tense and eerie atmosphere.Xenomorph from the "Alien" movie
    masterpiece, closeup portrait of xenomorph queen, translucent, transparent, reflective, neon splash art.  highest definition, HD32K, wallpaper, hyperdetailed, concept art
    This image features the head of a Xenomorph XX121 with a bright red hue, creating a striking visual effect. The image is split horizontally in the middle, as if the lower half of the head is submerged in water, creating a reflection that mirrors the upper part. The eyes are focused and intense, adding to the image's dramatic tone.
    close up on face, great lighting, intricate detail, portrait of endoskeleton of terminator cybernetic machine soldier style xenomorph alien queen, with titanium skull and red glowing mechanical eyes, High Detail, Perfect Composition, realistic photographic image, interesting backlighting, ArsMJStyle, dnddarkestfantasy, mythp0rt
    highly detailed and extremely horrifying dragon head xenomorph trapped in a gelatinous cube, unsettling green glowing, engulfed, highly dramatic dim lighting 
<lora:artisketchyfs-v02:1>  <lora:gelatinous_cube-flux-by_oneviolentgentleman:0.7> <lora:flux.1_lora_flyway_Epic-Characters_v1:0.7>
    A hybrid of the T-800 terminator and a xenomorph, walking through the ruins of a megacity of an ancient civilization of intelligent xenomorphic form of life, H.R. Giger style, oil painting
    xenomorph by giger
    The xenomorph inspired monochrome dreadful fractal ornament by M.C.Escher
    Image is featured with a realistic wet surfaces covered with a dense translucent liquids like saliva. Ultra-realistic macrophotograph a miniature xenomorph crawling on the floor covered with (translucent organic liquid:1.2). This eerie xenomorph has an intricate texture of a skin covered with lizard-like scales and having a tongue of a monitor lizard. Scene appears in a dimly lit dirty interior filled with disgusting waste products of alien insects and other life forms. Xenomorph is hybridized with octopus. Grayscale sci-fi horror film still with crimson detailing. H.R. Giger style.
Depressing atmosphere and weird extraterrestrial organic structures. Colors of rotten organic matter are disgusting. Feel of isolation and fear. Pieces of disgusting alien organic sprouts and splatters. A thin layer of smelly liquid covers the floor, unsettling atmosphere. Scary alien life forms resembling larva and ringed worms with numerous thin legs are scattered around. Analog film with strong film grain, Swirly bokeh, strong gloom.
BREAK Disgusting alien organic sprouts and splatters on concrete walls. Organic matter decayed and putrid, sickly hues. Finest texture and detail, sprouts and splatters.
BREAK Floor is littered with scary alien life forms resembling larva and ringed worms. Numerous thin legs. Sickly hues, eerie and unsettling mood.
BREAK Image presents a crispy micro-detailing and moderate depth of field and subtle creamy bokeh.
    Image is featured with a realistic wet surfaces covered with a dense translucent liquids like saliva. Photo-realistic close portrait of a Phalene (continental toy spaniel) and a miniature xenomorph climbing on the dog's body. This eerie xenomorph has an intricate texture of a skin covered with lizard-like scales and having a tongue of a monitor lizard. Scene appears in a dimly lit dirty interior filled with disgusting waste products of alien insects and other life forms. Xenomorph is hybridized with octopus. Grayscale sci-fi horror film still with crimson detailing. H.R. Giger style.
Depressing atmosphere and weird extraterrestrial organic structures. Colors of rotten organic matter are disgusting. Feel of isolation and fear. Pieces of disgusting alien organic sprouts and splatters. A thin layer of smelly liquid covers the floor, unsettling atmosphere. Scary alien life forms resembling larva and ringed worms with numerous thin legs are scattered around. Analog film with strong film grain, Swirly bokeh, strong gloom.
BREAK Disgusting alien organic sprouts and splatters on concrete walls. Organic matter decayed and putrid, sickly hues. Finest texture and detail, sprouts and splatters.
BREAK Floor is littered with scary alien life forms resembling larva and ringed worms. Numerous thin legs. Sickly hues, eerie and unsettling mood.
BREAK Image presents a crispy micro-detailing and moderate depth of field and subtle creamy bokeh.
    (photography), (professional lighting), (cinematic lighting:1.5) alien  monster, toned legs, six pack, front view, futuristic complex carbon suit, (intrincated details suit), slender, extremely narrow waist stunning eyes,, solo, eyes, space ship, xenomorph, neon lights,  (detailed scene), volumetric light, haze, fog,
XenoFlux, Starship corridor, Slime, detailed scene
photo (medium),  slime body
     (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts.

Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way.

Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force.

The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape.

The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail.

This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque
aidmaMJ6.1    style of H. R. Giger
    The xenomorph inspired monochrome dreadful fractal ornament by M.C.Escher
    close up on face, great lighting, intricate detail, portrait of endoskeleton of terminator cybernetic machine soldier style xenomorph alien queen, with titanium skull and red glowing mechanical eyes, High Detail, Perfect Composition, realistic photographic image, interesting backlighting, ArsMJStyle, dnddarkestfantasy, mythp0rt
    masterpiece, closeup portrait of white xenomorph queen, translucent, transparent, reflective, neon splash art.  highest definition, HD32K, wallpaper, hyperdetailed, concept art
     (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts.

Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way.

Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force.

The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape.

The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail.

This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque
aidmaMJ6.1    style of H. R. Giger
    Ludwig van Beethoven faces down the Xenomorph creature from the 'Alien' movies.
    In the cockpit of a starfighter, a xenomorph sits aggressively poised, both clawed hands gripping the joysticks with fierce intensity. It wears a pair of sleek, reflective shooting glasses perched incongruously on its elongated, eyeless head, adding an air of cool menace. The creature's mouth is open in a silent, savage roar, showcasing its razor-sharp teeth and deadly inner jaw. The cockpit is dimly illuminated by the glow of control panels, casting sharp shadows on the xenomorph’s shiny black exoskeleton. The combination of the glasses and its ferocious posture creates a striking image of a cool, yet terrifying, pilot ready for battle.
     (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts.

Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way.

Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force.

The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape.

The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail.

This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque
aidmaMJ6.1    style of H. R. Giger
     (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts.

Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way.

Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force.

The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape.

The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail.

This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque
aidmaMJ6.1    style of H. R. Giger
    An alien xenomorph is sitting on a sofa reading a gossip magazine, The newspaper headline reads:
"Alien Next Door? They Might Be in Your Town!" ,aidmaTextImprover,
    (masterpiece, best quality, ultra detailed, sharp focus, highres, elaborate atmosphere:0.90, 8K,UHD resolution, Ultra Detailed 8K CG, ultra high res, High quality texture, High quality shadows, vivid colors,  book_cover, title says "How to train your Xenomorph",  the title "How to train your Xenomorph" is written on bold font,The cover features a middle-aged man walking a xenomorph on a leash, outdors, day, park, At the bottom of the cover appears the text "Foreword by Colonel Ellen Ripley"
     (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts.

Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way.

Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force.

The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape.

The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail.

This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque
aidmaMJ6.1    style of H. R. Giger
     (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts.

Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way.

Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force.

The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape.

The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail.

This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque
aidmaMJ6.1    style of H. R. Giger
     (all fours:1.5) A high-quality digital painting of Evangeline, the actress, portrayed as a half-Xenomorph, half-human hybrid, lying on the ground in a vast, open, and desolate landscape. The image is inspired by the style of H. R. Giger, known for his biomechanical art, and features intricate details, dark and surreal elements, and a fusion of organic shapes with machinery, emphasizing deep shadows and stark contrasts.

Evangeline's body is a terrifying blend of human and Xenomorph features. Her lower half is that of a Xenomorph, with a segmented, chitinous exoskeleton and powerful, clawed limbs. Her upper half retains some human features but is heavily altered, with biomechanical elements seamlessly integrated into her form. Her skin is partially transformed, with mechanical veins and tendrils snaking across her body, merging with her natural beauty in a disturbing yet captivating way.

Instead of a human face, she has the grotesque visage of a Xenomorph, with elongated features and a biomechanical design that seamlessly merges with her body. Her eyes are piercing and otherworldly, reflecting the eerie lighting of the dystopian setting. Her hair flows in serpentine waves, intertwined with mechanical tendrils that seem to pulse with an alien life force.

The background is a vast, open, and desolate landscape, reminiscent of a dead and forgotten world. The terrain is barren and lifeless, with cracked earth and scattered remnants of ancient, unrecognizable civilizations. Towering ruins of biomechanical structures loom in the distance, their surfaces a grotesque blend of bone, sinew, and cold metal, weathered by time and the elements. The sky is a swirling vortex of dark, stormy clouds, illuminated by an eerie, ethereal glow that casts long, twisted shadows across the landscape.

The lighting is dramatic and unsettling, with harsh, angular beams of light cutting through the darkness, highlighting the grotesque beauty of the scene. Dark corners and unexpected dim lights add to the sense of dread and the unknown. The overall atmosphere is one of haunting mystery and impending doom, with an undercurrent of surreal horror that permeates every detail.

This artwork stands out as a fusion of Evangeline's beauty with the unsettling and mesmerizing style of H. R. Giger, creating a visually compelling and thought-provoking piece that blurs the line between the organic and the mechanical, the beautiful and the grotesque
aidmaMJ6.1    style of H. R. Giger
    Design a 4k poster featuring a complex Xenomorph theme with a complex front view looking at me headshot of a Xenomorph snapping raged with anger with acid flares flying everywhere, --q 200 --glitch 500.
    a photo at the wedding ceremony, a huge cake with hidden xenomorph inside of it, a surprise in the middle of the party a xenomorph hiding inside a cake, jumps from inside of the cake to scare everyone, lot of floating glitter, dreamy and happy atmosphere, analog grainy film still
    Design a 4k poster featuring a complex Xenomorph theme with a detailed front view headshot of a Xenomorph raged with anger with acid flares flying everywhere, --q 200 --glitch 500.
    (photography), (professional lighting), (cinematic lighting:1.5) alien  monster, toned legs, six pack, front view, futuristic complex carbon suit, (intrincated details suit), slender, extremely narrow waist stunning eyes,, solo, eyes, space ship, xenomorph, neon lights,  (detailed scene), volumetric light, haze, fog,
XenoFlux, Starship corridor, Slime, detailed scene
photo (medium),
    FictionalTopaz, rainbow colored medium long hair, one side shaved, brown eyes, 80s vintage pulp sci-fi magazine cover. shooting a laser pistol at a xenomorph
    CLose-up Realistic Xenomorph queen with shiny black skin wearing a pretty white dress on a dark derelict spaceship holding sign that says "Xenos need love too ❤️",
    An oil painting in the style of Rembrandt of an alien xenomorph dressed as a 17th century nobleman,
    Gustave Doré painting, a pale female model xenomorph hybrid in toga, long ginger flowing hair, she has pale skin, many xenomorphs against a dark background, copper circuitry.
<lora:Anime_Art_V3_(FLUX):0.5> <lora:FluxMythAn1meL1nes:0.4> <lora:Fluxartis_28.11A_(FLUX):0.4>
    masterpiece, neon splash art of the head of a xenomorph (from the movie franchise Alien, Aliens), vibrant surreal colours
    A highly detailed, visceral confrontation between a Xenomorph and Predator on a nightmarish alien planet. The Xenomorph, with its sleek, biomechanical exoskeleton glistening with acidic saliva, lunges with its inner jaw extended. The Predator, adorned in intricate, high-tech armor with glowing tribal markings, readies its wrist blades and shoulder-mounted plasma caster. The alien landscape features grotesque, fleshy vegetation with pulsating pods and twisted, bone-like structures. Thick, toxic mist swirls around their feet, illuminated by the eerie glow of three moons in various phases. In the background, the ruins of an ancient alien civilization loom, half-buried in the hostile terrain. The scene is bathed in an unsettling, otherworldly light that casts long, menacing shadows. Particle effects of dust and spores float in the air, adding to the foreboding atmosphere. Photorealistic 3D model; high contrast lighting with hints of bioluminescence; ultra-high detail; octane render; volumetric lighting and fog.
    (photography), (cinematic lighting:1.5) alien  monster, toned legs, six pack, front view, futuristic complex carbon suit, (intrincated details suit), slender, extremely narrow waist stunning eyes,,large, sharp teeth, horror, terror, close up, solo, eyes sitting in a cafe drinking a coffee, xenomorph, neon lights,  (detailed scene), volumetric light, haze, fog,
XenoFlux,  Slime, detailed scene
photo (medium),  slime body, daft punk helmet,
    Imagine a highly detailed reinterpretation of Edvard Munch's The Scream, recreated in the original expressive painting style, but with a Xenomorph as the central figure. The creature stands on the iconic bridge, its elongated skull tilted upward, ridges catching the swirling, vibrant colors of the fiery orange and red sky. Its clawed hands clutch its sleek, eyeless head, mimicking the haunting pose of the original figure.
Thick strands of acidic drool stretch from its open maw, blending into the chaotic brushstrokes of the background. The bridge’s wooden planks are warped and uneven, amplifying the surreal atmosphere, while the dark figures in the distance are barely visible through the turbulence of Munch’s trademark style. The Xenomorph’s sleek, biomechanical texture contrasts eerily with the organic chaos of the painted surroundings, creating a perfect fusion of terror and artistry.
    Cinematic still capturing a furious Alien (Xenomorph) yelling at a downcast Predator (Yautja) in a tidy, pretty modern Japanese kitchen. The Alien wears a frilly pink apron and a frivolous patterned ribbon on the head. The Alien is shaking a shiny copper ladle in the air. The Predator is clad in a formal business suit, tailored and seemingly expensive, but dirty and tattered. The Predator is shy and confused, he is trying to hide a half-empty bottle of strong liquor behind his back.
    The image is a digital artwork depicting a surrealistic scene of a black xenomorph and Ripley ballroom dancing together.
    The image features an abstract representation of a skull intertwined with mechanical elements, showcasing a fusion of organic and mechanical forms. The skull has a ghostly, x-ray-like appearance, encased in a transparent, bubble-like structure that emphasizes its intricate details. The contrast between darker and lighter areas creates depth and movement, evoking themes of technology and humanity. The piece, signed “Clear Note” in a subtle script at the bottom right, seamlessly blends anatomical and industrial designs.
To incorporate a Xenomorph element into the image, consider adding elongated, biomechanical features characteristic of the creature, such as:
1. **Head Shape**: Alter the skull to feature a more elongated, sleek profile resembling the Xenomorph's distinct head shape.
2. **Texture**: Introduce a glossy, chitinous texture reminiscent of the Xenomorph's exoskeleton on parts of the skull and spine.
3. **Tail**: Add a segmented tail extending from the base of the skull, curling around the mechanical components.
4. **Eyes**: Replace traditional eye sockets with smooth, reflective surfaces to mimic the alien's dark gaze.
5. **Biomechanical Integration**: Blend alien-like limbs or appendages that appear to merge with the existing skeletal and mechanical structures.
This composition would maintain the abstract style while enhancing the eerie, alien atmosphere central to the Xenomorph design.
    breathtaking professional photograph, on a dramatic soap opera set, a xenomorph delivers lines with over-the-top emotion, clutching a hand to its chest and feigning a swoon, while the cast tries to keep a straight face.
    close up on face, great lighting, intricate detail, portrait of endoskeleton of terminator cybernetic machine soldier style xenomorph alien queen, with titanium skull and red glowing mechanical eyes, High Detail, Perfect Composition, realistic photographic image, interesting backlighting, ArsMJStyle, dnddarkestfantasy, mythp0rt
    a xenomorph by giger
    masterpiece, closeup portrait of white xenomorph queen, translucent, transparent, reflective, neon splash art.  highest definition, HD32K, wallpaper, hyperdetailed, concept art
    xenomorph, red handmaid dress, white bonnet
    An alien xenomorph is sitting on a sofa reading a newspaper. The newspaper headline reads:
"Is Your Neighbor an Alien?",
The second line text "They Could Be Hiding in Your Town!" ,aidmaTextImprover,
    masterpiece, neon splash art of the head of a xenomorph (from the movie franchise Alien, Aliens), vibrant surreal colours
    Tiny xenomorph holding a sign saying "Need buzz for the Queen" soft pastel anime
    Frank Frazetta fantasy oil painting  upper body portrait of a  alien xenomorph, retro futuristic sci-fi space station background, window showing stars and planets
    An alien xenomorph sits on a sofa in a luxurious room reading a newspaper, The newspaper headline reads:
"Alien Next Door? They Might Be in Your Town!" ,aidmaTextImprover, Coffee on the table,
    Xenomorph wearing a suit and top hat, standing up, holding a cane, white background, cartoon sketch,
    (photography), (professional lighting), (cinematic lighting:1.5) alien  monster, toned legs, six pack, front view, futuristic complex carbon suit, (intrincated details suit), slender, extremely narrow waist stunning eyes,,large, sharp teeth, horror, terror, close up, solo, eyes, space ship, xenomorph, neon lights,  (detailed scene), volumetric light, haze, fog,
XenoFlux, Starship corridor, Slime, detailed scene
photo (medium),  slime body
    Ultra realism, cinematic portrait of a black Xenomorph with an oversized head wearing a red Starfleet uniform, it is sitting in the captain's chair of the bridge of a starship, behind it there are screens and thousands of multi-colored LED lights of varying magnitude laid out in an asymmetric way. Inspired by Star Trek Enterprise D and H.R. Geiger, dark, low offset angle, intricate details, film grain
    close up on face, great lighting, intricate detail, portrait of endoskeleton of terminator cybernetic machine soldier style xenomorph alien queen, with titanium skull and red glowing mechanical eyes, High Detail, Perfect Composition, realistic photographic image, interesting backlighting, ArsMJStyle, dnddarkestfantasy, mythp0rt
    an alien xenomorph having a cigarette behind a office building.  <lora:Xenomorph:0.8>. <lora:MoebiusFlux_v1:1> art, moebius, moebius-style
     a close-up of Xenomorph, an alien creature with a distinctive, elongated head and a slick, wet appearance. The creature had no eyes, its teeth were made of reflective silver-colored metal, The creature's skin is dark and glossy, covered in what appears to be a slimy substance. Its mouth is open, revealing sharp, metallic-like teeth, and there are streams of drool or some liquid dripping from its jaws. The background is somewhat blurred, with a dim, greenish light, creating a tense and eerie atmosphere.Xenomorph from the "Alien" movie
    The image is a high-resolution photograph of an elaborate, creative arrangement inside a dimly-lit back alley. The centerpiece is a meticulously crafted, life-size model of a black Xenomorph, constructed entirely from cans of soda.
    detailed comic illustration of a xenomorph holding a sign saying: Free Hugs", menacing presence, evil incarnated, alien, glossy, moist, dark background, acidic drip
    close up on face, great lighting, intricate detail, portrait of endoskeleton of terminator cybernetic machine soldier style xenomorph alien queen, with titanium skull and red glowing mechanical eyes, High Detail, Perfect Composition, realistic photographic image, interesting backlighting, ArsMJStyle, dnddarkestfantasy, mythp0rt
     a close-up of Xenomorph, an alien creature with a distinctive, elongated head and a slick, wet appearance. The creature had no eyes, its teeth were made of reflective silver-colored metal, The creature's skin is dark and glossy, covered in what appears to be a slimy substance. Its mouth is open, revealing sharp, metallic-like teeth, and there are streams of drool or some liquid dripping from its jaws. The background is somewhat blurred, with a dim, greenish light, creating a tense and eerie atmosphere.Xenomorph from the "Alien" movie
    This image depicts a disturbing yet comical scene where a xenomorph's facehugger, the iconic creature from the Alien franchise, is attacking a woman from behind. Instead of attaching the woman to her face, the facehugger is bizarrely hugged the butty of a woman, who is dressed in a teacher’s outfit and have a large breasts. The woman looks innocent and embarrassed, and she is sweaty, indicating the intensity of the attack. The facehugger is also wet, covered in disgusting liquids, adding to the unsettling nature of the scene. The setting is an abandoned classroom, with early morning light streaming through broken windows, casting eerie shadows on the dusty floor. The atmosphere is tense and grotesque, blending horror and humor in an unexpected way.
    4k poster featuring front view looking at me headshot of a Xenomorph wearing a party hat,
    A hybrid of the T-800 terminator and a xenomorph, walking through the ruins of a megacity of an ancient civilization of intelligent xenomorphic form of life, H.R. Giger style, oil painting
    (photography), (professional lighting), (cinematic lighting:1.5) alien  monster, toned legs, six pack, front view, futuristic complex carbon suit, (intrincated details suit), slender, extremely narrow waist stunning eyes,, solo, eyes, space ship, xenomorph, neon lights,  (detailed scene), volumetric light, haze, fog,
XenoFlux, Starship corridor, Slime, detailed scene
photo (medium),
    gr!llz, fish eye lens realistic photograph of a black xenomorph with a wide smile, its teeth are encrusted with shiny platinum diamonds. She's sneaking around a derelict space station.
    (photography), (cinematic lighting:1.5) alien  monster, toned legs, six pack, front view, futuristic complex carbon suit, (intrincated details suit), slender, extremely narrow waist stunning eyes,,large, sharp teeth, horror, terror, close up, solo, eyes sitting in a cafe drinking a coffee, xenomorph, neon lights,  (detailed scene), volumetric light, haze, fog,
XenoFlux,  Slime, detailed scene
photo (medium),  slime body, daft punk led helmet,
    a wonderful and dreamy stuffed animal plushie of a xenomorph from alien series sitting a spaceship seat.  it has soft push skin and is very cute and squeezable.
    Frank Frazetta fantasy oil painting  upper body portrait of a  alien xenomorph, retro futuristic sci-fi space station background, window showing stars and planets
    A hybrid of the T-800 terminator and a xenomorph, walking through the ruins of a megacity of an ancient civilization of intelligent machines, Giger style, oil painting
    A hybrid of the T-800 terminator and a xenomorph, walking through the ruins of a megacity of an ancient civilization of intelligent xenomorphic form of life, H.R. Giger style, oil painting
    pixel art image of a black xenomorph, tangled up in a string of christmas lights while trying to decorate a tree
     a close-up of Xenomorph, an alien creature with a distinctive, elongated head and a slick, wet appearance. The creature had no eyes, its teeth were made of reflective silver-colored metal, The creature's skin is dark and glossy, covered in what appears to be a slimy substance. Its mouth is open, revealing sharp, metallic-like teeth, and there are streams of drool or some liquid dripping from its jaws. The background is somewhat blurred, with a dim, greenish light, creating a tense and eerie atmosphere.Xenomorph from the "Alien" movie
    Image is a digital fantasy artwork depicting a fierce, Xenomorph creature in a dynamic battle pose. The creature has an insect-like appearance with a heavily armored exoskeleton in shades of dark brown and metallic purple. It wields two large, curved blades, one in each hand, and has sharp, menacing claws. Its head is adorned with multiple horns and glowing eyes, exuding an aura of power and aggression. The background is a chaotic scene of destruction, with fiery explosions and debris scattered throughout, creating a dramatic and intense atmosphere. The sky is dark and stormy, with streaks of green light cutting through the clouds, adding to the sense of turmoil and conflict. The overall composition is action-packed, with a focus on the creature's formidable presence and the chaotic environment surrounding it.
    The xenomorph inspired monochrome dreadful fractal ornament by M.C.Escher
    An alien xenomorph is sitting on a sofa reading a newspaper. The newspaper headline reads:
"Alien Next Door? They Might Be in Your Town!" ,aidmaTextImprover,
    a realistic candid real life raw analog photo with perfect detail and lighting in sharp focus, dramatic lighting, realistic body proportions and anatomy, BREAK,Xenomorph from Aliens, black exoskeleton, elongated head, vicious   is catching fish with   Lois Griffin from Family Guy, red hair, green shirt, housewife, rational  ,in a bustling office with typing keyboards and phone calls
    This image features cyborg version of xenomorph from the alien movie, its entire skin is made of white cyborg armor, it is a robot xenomorph with flawless cyborg armors and wires, it also has some Chinese text details on its armor, image taken from his side from close distance exposing all cyborg details.
    (photography), (cinematic lighting:1.5) alien  monster, Very long, spiked tongue sucking a girl, xenomorph, neon lights,  (detailed scene), volumetric light, haze, fog, glitched style
XenoFlux,  Slime, detailed scene
photo (medium),  slime body,
    n4asp8unk style,  a close-up of a white xenomorph prowling inside a crashed, overgrown spaceship. The chaotic polyhedral dimly lit starkly white interior has partial power, as a few flickering screens and consoles display red depleted power status indicators. Intricate switches and levers are still functional, their surfaces covered in vines and moss from the surrounding alien flora. Debris lies scattered around including large bits of burnt metal. Outside the shattered windows, the fractal alien world expands endlessly, its landscape twisting and folding into itself, with bizarre, geometric green and purple plant life glowing faintly in the distance. The intricate detail of the ship’s control panel contrasts with the wild overgrowth, blending technology and nature in a surreal, almost dreamlike atmosphere. <lora:NasaPunk:0.7>  <lora:ral-ovrgrwth-flux:0.5> ral-ovrgrwth  <lora:Fractals_FLUX_Ethanar:0.5>
    (photography), (cinematic lighting:1.5) alien  monster, Very long, spiked tongue sucking a girl, xenomorph, neon lights,  (detailed scene), volumetric light, haze, fog, glitched style
XenoFlux,  Slime, detailed scene
photo (medium),  slime body,
    black xenomorph chasing two police officers on foot, the police officers appear scared, bodycam
    <lora:Tamagotchi_Tinkerer_FLUX:0.8>
The image is a photograph of a Tamagotchi device which has the form and texture of a xenomorph egg, a small handheld electronic game and pet simulator, featuring a screen displaying a pixelated image of the Xenomorph, a creature from the Alien franchise. The screen is rectangular and centered in the device, displaying a black and white pixelated image of the Xenomorph, a large, elongated creature with a long, slender body, a large mouth, and sharp claws. The creature's body is segmented and has a menacing, alien appearance. The device is being held up by a human hand, with the background being a dark, derelict space station.
    This is a nativity scene reimagined with Xenomorphs instead of humans on a remote, dark planet.
    A vibrant low poly papercraft scene, closeup vivid exciting portrait a xenomorph serving beer while wearing a hooters outfit
    A 25-year-old woman in a Xenomorph outfit, with long claws and sharp teeth, standing on the bridge of a derelict starship as it sails through the cosmos.  , aidmafemalecosplay
    close up on face, great lighting, intricate detail, portrait of endoskeleton of terminator cybernetic machine soldier style xenomorph alien queen, with titanium skull and red glowing mechanical eyes, High Detail, Perfect Composition, realistic photographic image, interesting backlighting, ArsMJStyle, dnddarkestfantasy, mythp0rt
    Design a 4k poster featuring a complex Xenomorph theme with a complex front view looking at me headshot of a Xenomorph snapping raged with anger spitting --acid 100 flares flying everywhere, --q 200 --glitchcore 900.
    alien xenomorph practices ice skating, her posture is artistic and professional, agile and effective when jumping in the air.full body
    (photography), (professional lighting), (cinematic lighting:1.5) alien  monster, toned legs, six pack, front view, futuristic complex carbon suit, (intrincated details suit), slender, extremely narrow waist stunning eyes,, solo, eyes, space ship, xenomorph, neon lights,  (detailed scene), volumetric light, haze, fog,
XenoFlux, Starship corridor, Slime, detailed scene
photo (medium),
    Imagine a hyper-realistic photograph set in a surreal, futuristic urban landscape where darkness and mystery blend seamlessly. In the foreground, a Xenomorph is taking its Xenomorph dog for a walk, creating an unexpectedly captivating moment of bizarre normalcy.
The Xenomorph, with its sleek, dark exoskeleton, stands tall and imposing, its elongated head and segmented tail highlighted by dim, eerie light. The creature’s glossy surface reflects the faint glow of distant, flickering lights, enhancing its menacing appearance.
Beside it, the Xenomorph dog walks obediently, its form mirroring its master’s but in a smaller, quadrupedal shape. The dog’s posture suggests a domesticated familiarity, as if this is a regular routine for the pair.
The urban street is a mix of cold, metallic structures and organic, bio-mechanical elements—walls pulse with life, while alien growths creep up towering buildings. The ground, wet and reflective, amplifies the moody atmosphere with ripples of light and shadow.
A bio-organic leash connects the Xenomorph to its dog, both moving in eerie synchrony. The surrounding environment, with its sharp contrasts and muted tones, enhances the surreal quality of the scene, blending the terrifying with the absurd in a setting that is both ominous and strangely peaceful.
    highly fashioned bio-engineered Living liquid metal beauty GIRL:1.8 with quantum-adaptive chromatic and structural mutations:0.2.,advanced algorithm of Visual Effects Model: Liquid Xenomorph:0.2 Transformation Core VFX Concept AND Fundamental Morphology :0.5 Transformation Signature: Hyper-fluid metamorphosis that defies traditional biomechanical constraints Visual Dynamics and physics. high esthetics.
 Color Palette: Iridescent mercury-chrome base with bioluminescent neural networks. Movement Characteristics: Non-Newtonian fluid dynamics blended with fractalized organic algorithms Texture Progression: Seamless transition between: Liquid mercury state (ultra-reflective, mercurial) 
Crystalline bio-lattice (prismatic, geometric) Organic membrane (translucent, pulsating).
Initial Transformational Sequence State: Amorphous liquid pool reflective liquid
Emergence Phase: Rapid vertical flowing body expansion.
Morphological Shift: Instantaneous restructuring - liquid to semi-organic form 
Final Configuration: Hybrid biomechanical entity with living, contours.
Overall a feeling of vast time and a SPACE. Technical VFX Specifications: Physically-based rendering with quantum fluid simulation Particle System: individual dynamic computational elements. Shader Complexity: Multi-layered procedural texture generation   Fluid dynamics + organic muscle simulation . dynamics Micro-level: Cellular restructuring visualization Quantum-level: Probabilistic transformation matrices

      FLUX

    • Dev - flux_dev.safetensors