null Motel" seen printed

    dynamic action photograph from a high-angle CCTV / security camera looking down and across the check-in office of an old motel ((centrestage: Sponge Bob Squarepants) is standing behind the frontdesk counter in a motel, he is holding) (a plate with a fresh sandwich and a very large knife resting on it) towards (downstage right: where a young lady wearing late 1950's fashion has her back turned to the viewer/ cctv camera) , <<BREAK>> ((in the background is a pegboard with keys for each room hung on it, an old clock, and an old flickering neon sign with the easily read text "Bob's Motel" seen printed legibly in reddy-orange), [((the colourscheme is (very faded sickly looking blues), (extremely faint dirty greens), (and gritty, very faded dirty yellows) contrasted with ( the reddy-orange flickering neon sign with the words "Bob's Motel")), (shot with a Mitchell BNC camera on 35mm film using a prime 75mm fixed focus lens) (hard lighting and deep shadows), (meticulous visual composition, using tight framing, and carefully crafted mise-en-scène to enhance the psychological tension) (1960, Hitchcock style horror using wide shots to establish a sense of isolation or foreboding), (themes of claustrophobia and unpredictability)]
    dynamic action photograph from a high-angle CCTV / security camera looking down and across the check-in office of an old motel ((centrestage: Sponge Bob Squarepants) is standing behind the frontdesk counter in a motel, he is holding) (a plate with a fresh sandwich and a very large knife resting on it) towards (downstage right: where a young lady wearing late 1950's fashion has her back turned to the viewer/ cctv camera) , <<BREAK>> ((in the background is a pegboard with keys for each room hung on it, an old clock, and an old flickering neon sign with the easily read text "Bob's Motel" seen printed legibly in reddy-orange), [((the colourscheme is faded sickly looking blues, faded dirty greens, and faded dirty yellows contrasted with)( the reddy-orange flickering neon sign with the words "Bob's Motel"), (shot with a Mitchell BNC camera on 35mm film using a prime 75mm fixed focus lens) (hard lighting and deep shadows), (meticulous visual composition, using tight framing, and carefully crafted mise-en-scène to enhance the psychological tension) (1960, Hitchcock style horror using wide shots to establish a sense of isolation or foreboding), (themes of claustrophobia and unpredictability)]

      FLUX

    • Dev - flux_dev.safetensors